The Bullet that Missed is the third installment of Richard Osman’s Thursday Murder Club series and continues to provide the expected amusement and diversion.
The Thursday Murder Club is a small group of English retirees who meet to discuss and lend their observations to cold cases. Every now and then, a new murder crops up in their neighborhood, and they get to apply their talents to a new ongoing investigation.
In this novel, they look into a case of a local news reporter who had apparently been killed when her call rolled off a cliff. There was no body, but there are plenty of clues to examine once again.
Meanwhile, Elizabeth, a former spy for the British government is placed under duress and tasked with killing an old ally so that she can secure the safety of her one of her closest friends. Of course, Elizabeth has lost none of her guile and hatches a plan of her own to extricate herself from this latest predicament.
Osman does use a lot of humor in this series, but there is something rather touching about the bond that has formed between the four main members of the Thursday Murder Club. There are moments that elicit some laughter.
Elizabeth is married to a man who is in the grip of dementia. Osman does a good job of portraying the heartbreak such a situation brings to the table while peppering it with some lighter moments.
Osman seems to be expanding the pool of allies and associates to the cause.
Although each member of the group is a little eccentric and dealing with various perils brought on by old age, they each contribute something valuable. Elizabeth is probably the one with the most practical experience and is the de facto leader of this merry band of amateur sleuths, but Ibrihim, Ron, and Joyce do not come across as slouches in their roles.
The series itself is a bit preposterous but in the best ways. Thursdays seems as good of day as any to discuss a little murder and dodge a few killers.
I am nest taking a trip back to the Prohibition Era in New York in which I will stay until Last Call at the Nightingale.by Katharine Schellman..
Halloween can’t be properly celebrated unless Big Finish Productions starts honoring the holiday with new Doctor Who audio adventures. Halloween: Sea Smoke and Other Stories is actually a good homage to the season all the way through. There are four episodes with various writers, directors and Doctors. Although I have my preferences as usual in a collection such as this, there really isn’t an episode that hit a totally wrong note with me.
The First Doctor, played by Stephen Noonan, takes the lead in Sea Smoke by Jonathan Sims. Ken Bentley is back in the director’s chair. Noonan is continuing his impression of the late William Hartnell and has gotten better. Lauren Cornelius is at his sided as Dodo, who was initially played by the late Jackie Lane. The guest cast is comprised of Kiran Sonia Sawar, Jamie Laird, and Michael Abubakar,
The Doctor and Dodo arrive on a Scottish island in the nineteenth century. There is a strange tradition of burning “kelp” ,, and this time strange transformations are occurring among the residents. The Doctor realizes that an alien presence is at work, and he is not going to let that stand.
This is not the most memorable of episodes, but it’s not bad. It has that reliably great, isolated setting of an island, which can feel kind of repetitive. It does work, and Sims is a good enough writer to tell a unique enough story even in Doctor Who. Noonan and Cornelius continue to build on the chemistry between them. It’s an enjoyable enough start to the collection, and the First Doctor is well realized even without the original actor to portray him.
Party Favours by Georgia Cook has no Doctor, but UNIT is on hand to deal with a threat from the Weeping Angels. Jemma Redgrave and Ingrid Oliver reprise their roles as Kate Stewart and Osgood of UNIT. Other cast members are Saffron Coomber, Liv Andrusier, Nicole Davis, and Jack Ayres. This director here is Helen Goldwyn.
The focus of the story is on a couple, Annika and Bev who are having some trouble in their relationship, A Halloween party is to be planned, and Bev wants to invite some upstairs neighbors who seem to be rather secretive. The Weeping Angels are about to crash the party and feed on the guests.
This one took me a bit to warm up to, but I ended up liking the idea well enough. The nature of the Weeping Angel has that instinctive creep vibe. I don’t know if Osgood’s eccentricity comes across all that clear on audio. The cast on the whole was fine.
The Weeping Angels are a little tricky when it comes to the audio medium, but Cook does a decent enough job with the dialogue to convey what was happening. Of course, the sound design continues to be stellar. Even though the Doctor wasn’t really in this one, this was still a worthwhile addition to the set.
Paul McGann and Jaye Griffith star in Bramble King written by Noga Flaishon with Steven Kavuma as director. Judith Jacob, Jamie Kenna, and Felicity Cant make up the guest cast in this story.
The Doctor and Lady Audacity Montague find a strange cargo ship drifting among the stars and help the crew when it seems that they are dealing with creature from folklore known as the Bramble King. They find that this entity may be a manifestation of a severely damaged mind.
So, tree-like people are now crossing the stars, and they have their own spooky legends.
This is a very imaginative, spooky story that does have all of the tropes of a horror/sci-fi romp. Paul McGann and Griffiths are great here.
Jaye Griffiths has a very uniquely resonant voice that is striking and pleasant. Paul McGann continues to sound great as his version of the Doctor. It continues to be an inspired pairing.
There is also something quite somber about the story when the origins of the Bramble King are revealed. The performances are quite compelling from everyone involved. The characters are a little hard to fix in one’s mind when trying to decide what these people looked like. They have human-sounding names and don’t really sound that alien. I guess that made them easy to understand, but I had some difficulty picturing what they were supposed to look like as a species. Leafy hair and bark-like skin was about as far as I could get. Anyway, it’s still a compelling episode, and I can picture the Doctor and Audacity well enough, so that was all that mattered to mne ultimately.
Finally, Hannah Kennedy delivers Merlin’s Trap with Jon Culshaw stepping into the vocal shoes of Peter Capaldi, who has yet to participate in these recordings. This episode is directed by Samuel Clemens. The guest cast is comprised of Robyn Cooper, Kymberley Cochrane, Lucy-Jane Quinlan, and Antony Jardine.
A group of cave explorers find themselves experiencing strange distortions in their surroundings. A ghostly voice keeps warning them to stay away, but they push forward until members of the party begin to disappear. They believe that the spirit of Merlin is issuing these bizarre warnings, but this presence goes by another name…the Doctor.
Another compelling spookfest here. Jon Culshaw really nails it here in his imitation of Peter Capaldi. It’s quite an unsettling story, and the Doctor is kind of absent in many ways, but Culshaw gets enough to do to show off his vocal talents.
Overall, the set is probably one of the best releases in some time. All of the stories were kind of unsettling in their own way, so all of the writers hit that goal. It was a fun set to experience, and that was just the first of the Halloween sets that have been released so far.
Doctor Who audio fans should not let this one pass by.
Lee Cronin’s The Mummy is kind of a mess in terms of both writing and the gratuitous gore. I have a pretty stout stomach when it comes to excessive gore because I know I am watching a movie, and I know no one is actually getting eviscerated or whatever, but this one got to the point where I was almost bored with the over-the-top, lingering deaths. It felt that Lee Cronin was in some kind of contest to see which horror film director could disgust me more. Yes, it was disgusting, but I experienced a more derisive form of the sensation.
Cronin both wrote and directed this film, so he really only has himself to blame for the many problems here.
Jack Reynor and Laia Costa play the parents of the Cannon family. Other cast members include Natalie Grace, Veronica Falcon, May Calamawy, and Hayat Kamille.
The film starts off when an Egyptian family find an old pyramid with a sarcophagus which contains a very ancient occupant who is not exactly completely dead. An American family living in Cairo subsequently have their oldest daughter abducted after she had befriended one of the locals named Layla. A frantic search yielded no clues or resolution until eight years later. By this point, the Cannon family had a third child and moved to New Mexico. A plane crash has occurred, and Katie is found in a sarcophagus in some strange catatonia and a tendency to cut herself. She is returned to her family in New Mexico, and as expected, matters get much stranger. The family had developed an alliance with an Egyptian detective over the years who helps the family piece together the horrific ordeal Katie suffered in her separation from her family. Meanwhile, an ancient evil is gaining strength and getting ready to unleash horrific torments on the Cannon family and anyone else in its path.
We have seen this kind of thing before. Cronin really goes for broke on the when it comes to the gore. Some of the scenes have flashes of cleverness. There are some effective jump scare moments.
The parents come off as somewhat dense at times, but that may be an unfair assessment since it’s hard to say what could be the sensible thing to do during such an extraordinary event. There wasn’t anyone in the family who I found to be all that uniquely interesting or smart. The father, played by Jack Reynor, kind of does some legwork to work with the detective and piece together what particular demon has hold of his daughter.
There is a character who suffers one of the most gratuitous and absurd death than I have seen in some time.
Cronin just seemed to sample from a bunch of these possession films and crammed them into something just to push the envelope.
There is kind of a worthwhile comeuppance in the end which was not entirely unsatisfactory.
As much denigration I have heaped on this film, it isn’t the worst I have seen. It’s just another possession movie that is trying to gross the audience out more than presenting a compelling scary story. Some may find more value than I did, but I will just consider them flat out wrong and hope to catch a better cinematic experience next time.
Table for Two: Fictions showcases the writing talents of Amor Towles in a collection of short stories. There are six short stories that are centered around New York City and a novella that takes place in 1930’s Los Angeles that is a sequel to a previous work entitled Rules of Civility..
Although Towles does limit the setting a bit to mostly New York toward the beginning of the current century.
I find the best stories are The Ballad of Timothy Tochett, The Bootlegger, and The DiDomenico Fragment. The other three stories The Line, Hasta Luego, and I will Survive are pretty good as well. Each story is pretty engaging in its own way. I would have preferred a little more variety in the settings, but Towles does kind show enough variety in his stories and characters to keep me engaged.’
The novella, Eve in Hollywood, has an interesting time and place since it is at the perfect Evelyn Ross has arrived in California and come across an interesting array of people, including a famous Hollywood actress who has become the target of an insidious blackmail scheme. This one does seem a little long to be considered a novella. Also, it’s one of those tales written without quotation marks. Towles seems to take his cue from Cormac McCarthy by using hyphens to signify dialogue. The climax of the story gets pretty good and is reminiscent of the more noirish works of Raymond Chandler or Dashiell Hammett.
Sometimes, a good sampling of shorter works is a nice sidestep on my literary indulgences. Some stories are better than others, but there is nothing in the collection that was too exasperating.
Towles is a solid writer, but he seems to take his time between books. Until the next one comes out, I would encourage any curious readers to have a seat at this particular table and savor some fine literary cuisine.
It’s time to sit in with a most unusual group of sleuths known as the Thursday Murder Club in Richard Osman’s The Bullet That Missed.
The Holdovers is a pretty amusing and sometimes moving film about a curmudgeonly teacher tasked with supervising a group of students at a prep school who are not going to spend Christmas holidays with their families for various reasons. Of course, there is one student in which the teacher reluctantly becomes to form a bond.
Alexander Payne directed this movie which was written by David Hemingson. Paul Giamatti is in the lead role as Paul Hunham. Other cast members include Dominic Sessa, Da’Vine Joy Randolph, Carrie Preston, and Brady Hepner.
The film takes place in 1970 at a boarding school in New England where a very strict, yet strangely witty teacher is almost universally despised by both students and faculty. The Christmas holidays come up, and five students are unable to return home, and Mr. Hunham is tasked with supervising them alongside the school head cook, who is grieving the recent loss of a son. When one of the wealthy fathers is able to collect all but one of the boys, Angus Tully is left as the sole student left in Hunham’s care. Hunham and Angus begin a tumultuous journey in which they start to understand each other’s disappointments as their emotional walls begin to crack.
Giamatti puts in a typically engaging performance. I had not really heard of Dominic Sessa before this film, but I have to say that I was pretty impressed with his approach to the role. There is something of an understated realism to his performance as the troubled Angus Tully. Angus’s antics are a strange yet effective blend of something amusing and tragic. A major revelation about his lineage comes out which does succeed in making Tully more sympathetic than expected.
Randolph is also impressive as a kind of moral center for Hunham and is instrumental as a bridge between two stubborn and broken people. She also has a gift of effective delivery of some pretty tight zingers.
The film was quite well cast, and Giamatti knows how to work with good writing. The actors portraying the students were pretty good if somewhat unimaginative. You had the nervous guys and the bullies. Angus was the more interesting one as intended. He even shows moments of compassion in spite of his hostility.
The film does feel a little long at times, but the characters were more complicated and layered than many in this genre. There isn’t much that is new in the basic plot, but the familiar elements are put to good use, and it seems the right people were cast. The film even managed to throw out a few surprising twists, and that seems to be an ever-decreasing feat that Hollywood is able to accomplish.
Rutans vs. Sontarans: Betrayal at the House of Sontar kicks off a new range of audio dramas from Big Finish Productions and stars Jo Martin as the most dubious ideas of an incarnation of the Doctor in Doctor Who history. The Fugitive Doctor was introduced in the television series a couple of years ago and is apparently one of the versions of the Time Lord before the First Doctor all of the fans recognize.
John Dorney is the writer while Ken Bentley sat in the director’s seat for this one. The episode reveals the secret beginning of the unending war between the Sontarans and Rutans.
The guest cast is comprised of Abi Harris, Nigel Fairs, Jonathon Carley, and Anthony Howell.
The Doctor finds the Sontarans in their early days before they encounter the Rutans. The Doctor is apparently offering up the secrets of the Time Lords in exchange for sanctuary from her former employers known as the Division. Of course, something more dangerous is afoot, and the Doctor is at the center of what will become one of the most expansive wars in the universe.
This episode didn’t really convince me to appreciate this additional Doctor any more than I first encountered her on the television series. Martin is fine as a performer, but her version of the Doctor is not that unique or interesting compared to the other incarnations.
Actually, the story may have been more interesting without her.
There are some additional episodes with other more familiar and reliable Doctors so I will continue collecting this range. Dorney remains one of my favorite writers for this series, but Martin is going to have a tougher time earning my appreication.
Doctor Who: A New Occupation is the latest audio collection from Big Finish Productions to star Tom Baker as the Fourth Doctor, accompanied by Sadie Miller as Sarah Jane Smith. Miller has taken over the role originally portrayed by her late mother in the television series. Helen Goldwyn is the director of this set and even wrote the title episode.
Daughter of Destruction is written by Katharin Armitage and has the Doctor and Sarah Jane Smith encounter the tyrannical Genghis Khan as he is about to face a rebellion from his own daughter.
The guest cast includes Susan Hingley, Paul Courtney Hyu, and Rebecca Yeo.
The episode is somewhat interesting and manages to not drag on very long. Baker and Miller in the lead roles make this work better than it probably deserves. It’s not a terrible episode, but it seems a little stale. The focus on the story was on this daughter who apparently is seen as getting short shrift in the history books.
The second episode, A New Occupation, is written by Helen Goldwyn and is a little more interesting even though the audience is back in World War II….again! Christopher Naylor joins Baker and Miller as his version of Harry Sullivan, who was initially portrayed by the late Ian Marter. Naylor is not related to Marter, but he does a decent enough job carrying the role forward.
This story’s guest cast includes Paul Herzberg, Sarah Lawrie, Francesca Pim, Wilf Scolding, and Caroline Strong.
A strange time disruption has materialized on the British isle known as Jersey. A portal to the past sends the Doctor and his companions to a time during the Second World War the island was under Nazi occupation. The Doctor has a fight on his hands to keep the Nazis in the past where they belong without creating a bigger problem that could tear reality apart.
There is some family drama peppering the catastrophe, which makes this a little more interesting. It’s hard to muster any real enthusiasm since Big Finish does a lot with the Second World War. I don’t the overlook the importance of this era, but it feels a little overdone this time.
This latest release just didn’t hold my interest as far as the stories go, but it’s still a treat to have Baker and Miller perform together yet again. The characterization of the Doctor and his companions was written quite effectively, which kept me from giving up on it entirely.
Overall, it was a pretty unremarkable addition to the range, but it still wasn’t a terrible listening experience. It could have been remarkably awful. Anyway, not everything Big Finish does can be given a gold star, but I am still a long way from giving up on them.
Jurassic Park is certainly one of the more famous works of the late Michael Crichton and deserves the accolades. It probably didn’t all of the movie sequels, but this is the book that started it all.
Dinosaur DNA has been used to populate an isolated island with the intention of opening a most unusual amusement park. There have been strange animal attacks, and Alan Grant, a noted paleontologist, is summoned by the founder of the Jurassic Park to give his opinion and endorsement of the endeavor. Of course, the dinosaurs breach their confinements, and the chase is on. Grant finds himself responsible for keeping two children safe from the unleashed creatures from a long-gone era.
This was a fun read. Crichton does like to display the fruits his research for this story. Sometimes the technical exposition can slow the story down but not to any real intolerable degree,.
The founder’s grandchildren are separated from the group and need to be found. Their bickering was a little distracting at times, and their characters could have been fleshed out a little better.
Crichton was undoubtedly a talented and imaginative writer. The dinosaur attacks were vividly and somewhat gruesomely presernted.
The popularity of this novel is quite deserved, and it’s a little irksome that it took me much longer than necessary to finally get to it.
It’s time for a little change of pace in my literary indulgence as I pull up a chair to a Table for Two, an anthology from Amor Towles.
Ride or Die is a somewhat interesting Doctor Who audio play from Big Finish Productions with Jodie Whittaker and Mandip Gill reprising their roles as the Thirteenth Doctor and Yasmin Khan. The script is written by Rochana Patel and directed by Ken Bentley.
The cast includes Lauren O’Leary, Harry Ryan, and Jason Forbes. Giulia Innocenti portrays the mysterious creatures known as the Banshees. Ako Mitchell and Maddison Bulleyment round out the cast.
This is also part of a longer story in which the Doctor is lured to various locales in time and space by someone known only as the Tourist. That particular mystery may be engaging enough to keep me interested in this range.
In this episode, the Doctor and Yaz arrive on a planet where human colonists are being beleaguered by beings known as Banshees. The Doctor soon has reason to suspect that Banshees are not quite the evil invaders that they appear. There may be a chance for peace if the Doctor can get at the heart of the conflict.
It’s not a bad episode. Some of the usual exploration of the relationship between the Doctor is somewhat predictable and not that interesting. The plot was standard for the era without being anything too unique. Whittaker and Gill seem to be having fun, which is nice. The story arc with the Tourist does seem likely to hold my interest well enough.
Big Finish still does a better job writing for this version of the Doctor than the television producers came up with. It does get a little preachy when it comes to steering clear of war. The Doctor is back to thinking there is no good reason to go to war ever. It just gets a little old, and there are indeed good reasons to go to war even if there are few and far between.
Anyway, I found this episode to be pretty average as far as the story goes. It’s not the most original of plots, but the performances and technical work in post-production still provide some satisfaction.
Hot Property is the latest novel by Mike Lupica, which continues the Spenser series originally created by the late Robert B. Parker.
Spenser is hunkered down during a Boston snowstorm when he receives news that his friend, Rita Fiore, has been shot. Rita is a relentless flirt and one of Boston’s toughest attorneys. Her wound is not fatal, but Spenser is determined to find the assailant and bring him out of the shadows. Spenser learns of a pretty intense relationship with a politician that was ended abruptly when he inexplicably drowned. Rita believed her beau to be unimpeachable, but Spenser has some reason to be skeptical when a dodgy land deal seems to be at the heart of the matter. Unfortunately, another shooting happens, and this one is fatal. Someone is tying up some loose ends, and Spenser is very aware that Rita is likely still in danger.
It seems like almost everyone in Spenser’s circle has been shot throughout the series, including the private himself. The plot is actually pretty imaginative. Lupica does throw in some surprising twists. Some of the wisecracks seem a little recycled, but I often felt like that when reading Parker’s novels.
Lupica manages to emulate Parker’s style well enough to keep me engaged. It’s a standard caper for this series, but I wonder if Rita will make some changes in her rather reckless lifestyle in subsequent novels.
This is a pretty good contribution to the series, and Parker would likely approve this one. Lupica was a solid choice to continue the series, and I look forward to getting my hands on the next one.
Until then, my own literary indulgence continues with kind of a modern classic. I decided to read the beginning of what would become a major cinematic franchise by a highly regarded writer who is no longer with us. I am going to explore the wonder of Michael Crichton’s Jurassic Park.
