Doctor Who Audio Review: Morbius Steps Into The Arena With The War Doctor

Morbius the Mighty is a recent Doctor Who audio play and adds to the increasingly compelling series, The War Doctor Rises presented by Big Finish Productions. Jonathon Carley continues his ever-improving impression of the late John Hurt as the War Doctor, that incarnation that was rejected by the other Doctors for his dramatic resolution of the Time War. Tim Foley is the script writer while Bethany Weimers serves as director.

The guest cast is comprised of Samuel West, returning as his version of the tyrannical Time Lord, Morbius, alongside Sheila Ruskin, Gareth Armstrong, Theo Solomon, and Pamela Novete. Nicholas Briggs also returns to the sound booth voicing the Daleks.

The War Doctor has been poisoned with a substance that keeps him from being able to travel in time. He is in seclusion on a rather peaceful planet and is tended to by a nurse named Cora, formerly of the Sisterhood of Karn. The Time War continues to disrupt the cosmos, but the War Doctor has been able to find one of the few sanctuaries that have yet to be affected. In the meantime, an ancient evil has been resurrected, and Morbius has a consuming grudge against the Doctor. The War Doctor is compelled to re-enter the fight, and not even Morbius may be ready for what his old enemy has become in order to battle more effectively.

Foley is becoming a pretty consistently interesting contributor to the series. He does indulge in a rather shameless ripoff of Star Trek II: The Wrath of Khan that I found a little distracting, but he later owns that in the exclusive interviews, so I wasn’t quite so annoyed.

West has a great interpretation of Morbius. He has played the role before for Big Finish and really brings out this silky, charismatic menace that is quite a treat to listen to. Morbius has a companion of his own in the shape of a Time Lord known as Judd, played by Gareth Armstrong. Armstrong is a great addition to the cast as well.’

The relationship between the War Doctor and Cora is quite interesting as well. There is kind of a prickly affection between the two of them, which is a familiar dynamic in the series, but Foley uses that trope quite effectively here.

Carley continues to display immense talent in his efforts to flesh out this conflicted and at times ruthless version of the Doctor. The War Doctor still has characteristics of his other selves, but he is the one better suited to fight in a cosmic conflict of this magnitude. He is certainly the one best able to stand against Morbius.

The action sequences will likely take some re-listening to get a better sense of what is going on. The final faceoff between the War Doctor and Morbius also pays off. In a strange way, there is something inspiring about the War Doctor’s willingness to get back into the fight in spite of his condition. He also throws out some typically mocking barba at Morbius that make me enjoy this chracter more.

Anyway, it’s a strong addition to the series. The post-production work continues to be done with stellar attention.

Morbius the Mighty is likely to be considered one of my favorites in recent years.

Film Review: Charlie Swift Fixes Problems With A Loaded Gun

Fast Charlie is a crime thriller film that is some standard mob antics, but Pierce Brosnan in the lead does make this still quite watchable. Phillip Noyce directed this film. The screenplay was written by Richard Wenk, which was based on a novel by Victor Gischter.

Brosnan is joined by talented actors such as Morena Baccarrin, Toby Huss, Sharon Gless, and James Caan in his final role before his death.

Charlie Swift is a troubleshooter for a mob boss, played by Caan. The old man is getting a bit senile, but that doesn’t keep him off a hit list. When the mob boss is apparently murdered, Swift does what any loyal hit man would do and goes on a killing spree of his own to settle the score. It seems that there is something more complicated than a revenge plan. Swift is getting older and about to retire, but he is still as lethal as ever.

Brosnan affects a somewhat dubious southern accent here, but it’s not too distracting. The man himself still maintains that famous charisma and is still a solid choice in a lead role as this,.

The movie is a solid bit of entertainment, but it still lacks a sense of any real originality in the writing. It was largely Brosnan who made this quite a bit more than something to be merely tolerated.

Film Review: A Sea of Troubles

Cruise Ship Murder is a barely adequate murder mystery aboard a cruise ship which takes three writers to pull off. Adam Rockoff, Jeffrey Schenck, and Peter Sullivam put their heads together to come up with this forgettable entry into the catalog of Lifetime movies. Randy Carter is the director of this film which stars Skye Coyne, Ryan Carnes, Carly Reeves, Gina Hiraizumi, and a few others.

A young journalist named Olivia has a close relationship with her aunt who is about to take a cruise with her husband. The vacation takes a troubling turn when Aunt Theresa apparently falls overboard. Olivia starts her own investigation and finds out all kinds of disturbing and cliched secrets about her aunt’s extracurricular activities. When the aunt’s body turns up, an autopsy reveals that she was actually strangled before being cast to the waves. Then the typically suspicious husband is also murdered, Olivia finds that she has a lot more digging to do in order find the truth of her aunt’s brutal demise.

This turned out to be an unremarkable film without it being terrible. Who doesn’t like a good cruise ship murder mystery though. I didn’t know it was a Lifetime movie until I got into it. It had a few interesting revelations as to the motivations. The performances were fairly competent by this pretty unknown cast. Olivia managed to not be that annoying as the lead character.

It’s a flick I didn’t mind trying, but it’s a typical Lifetime film which sort has an assembly line feel to its production. It’s not worthy of a lot of hate, but it is a far cry from meriting any enthuisasm.

Book Review: A Killer Named Keller

Hit Man is a rather slow-paced but interesting novel by Lawrence Block which introduces his professional killer known as Keller.

Keller is a cool, efficient professional killer who seems to be going through something of a mid-life crisis. A young woman who is initially hired take care of his dogs as he travels to various locales for his rather unusual and lethal occupation. He seems to find himself on a path that almost leads him to a more normal life, however he has to contend with an employer and benefactor who seems to be making reckless decisions that leads to Keller making a tragic mistake during one of his contract jobs.

The novel is well-written, but it seems a little disjointed at times. I looked into the origins of this character and learned that this book was a re-working of several short stories that was combined into one volume. Apparently, Keller was first published in the pages of Playboy several years ago. That helped me make more sense of what I was reading.

I did find this novel pretty good even if the idea humanizing a hitman is a somewhat overdone story idea.

Block has been in the game for some time, and his status of a highly regarded crime writer is well-earned. Even if the structure of this story struck me as a little unusual, I did enjoy the ride once I learned how Keller was first debuted.

Block does put in quite a bit of exposition, which understandable since Keller is not exactly a chatty sort. The prose is still pretty tight and flows quite easily. The actual murders are depicted quite crisply and can be easily missed at times.

Anyway, this novel is worth a look by any aficionado of crime fiction. Lawrence Block has quite a gallery of memorable protagonists, and it was a treat to be introduced to Keller in all of his deadliness.

Well, the great Robert B. Parker may be gone, but Boston PI Spenser is still on the streets with the help of Mike Lupica which brings up my next read. A close friend of Spenser’s is shot, and that’s just not going to fly with Boston’s venerable private eye in Hot Property.

Doctor Who Audio Review: The Doctor Has So Much Fixing To Do

Doctor Who: Fixers brings another trilogy of adventures featuring the Seventh Doctor from Big Finish Productions, and he has an interesting new companion for this round. Sylvester McCoy is joined by Sara Griffiths, reprising her role as Ray, who was first introduced many years ago in the television serial, Delta and the Bannermen. This set is brought to us under the direction of Samuel Clemens.

The guest cast is comprised of Rhian Crowley-Mclean, Celia Imrie, Poppy Miller, Anne Odeke, Marc Silk, Sion Tudor Owen, and Annie Wallace.

Chris Chapman is first up to the plate with his script entitled The Executor. The Doctor receives word of the death of Time Lady known as Peg and is tasked with taking responsibility for her TARDIS. The Doctor and Ray find that there is something else aboard, and he has to call upon her hologram to lend assistance.

This is a strong start to the set. Imrie’s portrayal of Peg is quite engaging, and she sparks off McCoy’s performance quite effectively. I was a little unsure of how much I would enjoy bringing Ray aboard the TARDIS, but my doubts were quickly assuaged. Griffiths brings a more mature version of the character than was seen in the television serial, and it works.

This is a pretty intriguing story because it does add another layer to the Doctor’s history without a lot of explanation as to what the nature of the relationship between him and this new, now deceased Time Lady.

Oil and Water, written by James McDermott, is the almost obligatory plotline warning us all about the dangers of pollution. In this case, mutated seals are killing people, and it seems that some sentient well of oil is at the heart of the tragedy. The Doctor and Ray have to contend with a grieving woman who is hungry for vengeance. Also, it seems that seals are not the only ones possessed by this unique presence.’

It’s an interesting idea, but the growing friendship between the Doctor and Ray carries it through more than the actual story. I found it to be once again a little too politically heavy-handed, but it’s not the first time that Doctor Who has almost bludgeoned the audience with this topic.

McCoy and Griffiths still make this worth the time as well as the other performances. It just isn’t going on the list of favorites for this listener.

Finally, Much Ado About Racing by Fio Tretheway, finishes up this set with the Doctor and Ray coming across some kind of galactic race between two women who are apparently bitter rivals but with a more complicated history. Ray is hearing a voice in her head that is bringing old regrets from her past. The Doctor finds there is another entity at work feeding on others’ sorrow.

It was a better episode than the second one but not as strong as the first.

The set started off pretty strong, but the remaining two stories didn’t quite hold my interest as well as the first episode. Still, the performances make this work, and I like Ray travelling with the Doctor for this collection. She is not done yet apparently.

Overall, it’s an enjoyable addition to the Big Finish catalog. None of the stories need to be ignored entirely. I think a couple of them could use a bit of fixing, but the set still functions pretty well as a whole.

In the meantime, I will wait for the next installment with the Doctor and Ray together at the TARDIS console. This should be a fun journey as it usually is when it comes to Doctor Who.

Book Review: Keep The Portholes Closed

Last Voyage is a quintessential British mystery novel by Anna Clarke and is not too bad. It is kind slow, but that’s a common characteristic with this type of novel.

Sally Livingstone was once aboard a ship from Cape Town to London as a child and had a rather startling experience in which she came across a man shoving a woman’s body through a porthole. Ten years later, Sally’s sister introduces the family fiancée, who has a very familiar face. Sally has developed a friendship with a doctor who she meets as an adult on a subsequent boat trip. As she starts to recall more about that long-ago trip, she is finding her memories to be a little unreliable and she may have identified the wrong man as a killer.

This was kind of a slow and somewhat unremarkable read, but it was still pretty good. I thought the plot was interesting enough to keep me engaged. It is a book that feels a little longer than it actually is.

Clarke is a pretty good writer, and I have a few more of her works I plan to get through eventually.

This is one of many shipboard murder mysteries floating around the literary landscape, and although it doesn’t really stand out as anything terribly unique or spectacular, it serves adequately as a pleasant diversion.

Next up, I return to something to something with a bit more grit with Lawrence Block’s Hit Man,

Big Finish Audio Review: Something More Malevolent Than Missy…Perish The Thought

Dark Gallifrey: Missy Part Three is an audio drama that closes out another chaotic yet charming trilogy featuring Michelle Gomez as Missy. John Ainsworth directed this play that was written by Rochana Patel.

The talented cast members are Bruce Alexander, Jonathan Case, Jon Edgely Bond, and Paksie Vernon.

Missy has finally killed the Doctor, or some version of him in another dimension. A being known as the Malevolence is about to return. Missy has been reduced to a husk of her former self but is still alive. She gets some help from another version of herself. Missy still enjoys causing a good deal of chaos herself, but she may need to stop a force more diabolical than herself.

Gomez continues to chew up the scenery. The story is a little hard to follow on audio at times, but Gomez gives out an energy in her performance that is hard to match.

When Missy was first introduced in the Doctor Who television series, I had my reservations since I was never that fond of the Master being depicted as a female. I am still not a fan of the notion of Time Lords swapping genders, but it is a fantasy series, so I guess that kind of thing is fair game. Gomez is a very skilled comedic actress who can exude a certain menace that is required for a role like that.

Anyway, this phase of the Dark Gallifrey series has come to a hectic yet satisfying conclusion.

Book Review: The People Have Their Say Thanks To Zinn

A People’s History of the United States by Howard Zinn doesn’t come across as an unbiased view of the illustrious existence of the likely most influential nation on this planet. To be fair, no one can likely achieve the state of complete objectivity, so I don’t hold anything against Zinn, although I would likely disagree with many of his conclusions and opinions if we had ever been able to meet.

Zinn’s objective is to highlight the policies and decisions that the federal government enacted over the relatively few centuries it existed that impacted the common citizen the most. He hits the highlights and lowlights of this country pretty thoroughly and does come off as quite critical of his own country. That is his right, and I applaud him for presenting a book that I found to be pretty well-written. I do not normally read history books on my own, so I do not have much of a comparison to make to other works of this kind at this time.’

I do applaud Zinn for acknowledging his biases in the afterword, so I can respect him as a writer even though I suspect that there are perspectives that may have been overlooked in this particular work. There again, one can likely make a credible case for that in just about every book of this genre.

This is a well-known presentation of the country’s history and was referenced in at least one popular movie that I know of.

Anyway, Zinn seems to have been quite diligent in his research and throws quite a bit at the reader. It’s a tough read for someone just indulging their curiosity, but I still enjoyed making the effort. I am not sure how much I will be able to retain, however it still seems worth the time,

This book comes with a reputation, and it seems to be derided by many of those on the conservative side of the political spectrum. Those criticisms likely have some validity, but I would still recommend adding this to the reading queue.

I am returning to a more familiar genre in my next read with Last Voyage by British mystery writer, Anna Clarke.

Film Review: Getting Stuck In High Places Seems To Run In The Family

Fall 2: Deadpoint is an adequate sequel to the thriller Fall which was released in 2022. This seems to be a series about a couple of daredevil girls who get themselves marooned in some high, precarious ledge or something without a safe way to get down.

The film written by Scott Mann and Jonathan Frank and directed by Spieng Brothers. This time, the two hapless beauties are portrayed by Harriet Slater and Arsema Thomas. Tom Brittany is also on hand as the hunky guide who may or may not have a dangerous secret. Virginia Gardner reprises her role as the doomed Shiloh Hunter in various flashbacks because Slater plays her surviving sister.

Jax Hunter is convinced by an apparent friend of the late Shiloh Hunter named Luc to head over to Thailand to walk some planks attached 4,000 feet up to a mountain. There is apparently a stone dragon there that will greet them that is said to eat people’s fears. Anyway, the girls meet Jon, the aforementioned guide, who agrees to take them up and get them through the experience. Then an earthquake strikes, knocking Jon off the wall, and leaving the girls stranded on a couple of planks at something call the Devil’s Elbow. Jax has to find a courage similar to her deceased sister’s, but she has always been the more sensible of the two. Anyway, Luc has some secrets of her own. Jon may have his own ulterior motives as well.

As far as sequels go, this one wasn’t too bad. Slater does look like she could be Shiloh’s sister. There were a few twists in the story that were genuinely unexpected. The performances aren’t likely going to win many awards, but they got the job done.

Anyway, it turned out to be an adequate afternoon diversion.

Classic Film Review: Sherlock Holmes Hunts Jack The Ripper

A Study in Terror is a 1966 thriller that features Sherlock Holmes taking on the disturbing murders committed by Jack the Ripper. James Hill directed this mediocre film that was written by Derek and Donald Ford alongside Henry Craog, who is apparently uncredited for some reason.

John Neville takes on the iconic role of Sherlock Holmes with Donald Houston as Dr. John Watson. Other members of the cast include Anthony Quayle, Frank Finlay, Adrienne Corri, and a very young Judi Dench.

An unexpected parcel draws the Baker Street duo into the chase for Jack the Ripper. Holmes figures out a connection to British royalty and begins his investigation in Whitechapel to try to identify the most elusive killer the London police as ever faced.

I can usually enjoy an old Sherlock Holmes film, but this one required a bit more of an effort than most. Neville was pretty reasonable casting as Holmes, but Houston’s version of Watson was rather bland. Watson came off as a bit denser than I imagine from Arthur Conan Doyle’s writings and other screen depictions.

There was also an attempt from the writers to cram every Doyle quote into this thing at any given opportunity, which just ended up coming off as forced and ham-fisted.

Also, the number of efforts to pit Homes against the Ripper have been too numerous to mention over the years. I was hoping this would be a better jab at it, but it was as disappointing as I should have expected.

I will say the set design was pretty remarkable. The visuals of the film are quite stunning at times, but the spectacle is let down by the writing.

I also think the fight scenes were pretty well crafted. There was a kind of a raw brutality that was surprising to see in a Sherlock Holmes film.

Although the film had a few bright spots, the writers kind of dropped the ball a few too many times for me to enjoy it as much as I had hoped.