Film Review: Sometimes You Need More Than One Sensei

Karate Kid: Legends has some pretty cool scenes and character moments, but the plot logistics are quite questionable. Jonathan Entwistle directed this film, which was written by Rob Leiber. The new kid is played by Ben Wang, and he is actually a pretty good choice. Ralph Macchio returns to The Karate Kid franchise as Daniel LaRusso, fresh off the completion of the series Cobra Kai. Jackie Chan reprises his role of Mr. Han from the 2010 The Karate Kid film.

The cast also includes Joshua Jackson, Sadie Stanley, Ming-Na Wen, and Aramis Knight.

The movie begins with a flashback scene in which Mr. Miyagi explains to a young LaRusso the connection his family has to the Han Family. When we’re caught up to the present day, Mr. Han has returned to kung fu instruction fulltime and is doing quite well. One of his students is a great nephew named Li Fong who has been carrying a burden of guilt. His mother has accepted a job in New York as a doctor, so Li has another big adjustment to make in his life.

As usual, he meets a pretty girl and runs afoul of her ex-boyfriend, who is a karate expert. Li is also quite skilled in the martial arts, but this adversary may be better. Mr. Han eventually shows up in the Big Apple to lend a hand in training his nephew for the expected big tournament. He feels that he could use some help and take a quick trip to California to recruit Daniel LaRusso to give his expertise to Li’s training.

There is a lot in this film I liked. The newer characters were actually pretty good. Sadie Stanley was pretty entertaining as Mia, the cheeky but charming love interest. Her relationship with her father, played by Joshua Jackson, was pretty endearing as well. A friendship between Li and the father develops as well, which seems to be a break from the trope in these types of stories.

Ben Wang has quite a bit of charisma to go along with his martial arts skill. It was also great to see Ming-Na Wen in the role of Li’s mother. The mother was pretty dead set against her son continuing his martial arts study, but one can have a bit more sympathy for her once the reason is revealed. Also, Wen is just great to watch. It’s pretty hard to believe that she is just over sixty, but she is Asian and obviously takes well care of herself.

The fight scenes are unrealistic but still fun to watch. The good-natured bickering between LaRusso and Han was also well played by Macchia and Chan.

For the most part, I enjoyed the film, however the plot needs some serious examination. First of all, it’s not really clear what is so unique about Li’s situation that Han felt compelled to seek assistance from LaRusso. The whole idea to get the two sensei in the same place seems rather strange and frankly hard to swallow.

I could almost buy a more coincidental meeting more than Han taking a quick trip to California to make his pitch to LaRusso.

The film does hit the right chords of nostalgia, but I had to fight for that enjoyment since I was pretty distracted by the weak elements in the plot.

Anyway, it’s another one in which I did not find terrible, but a better, more credible reason needed to be found for Han and LaRusso to meet.

Big Finish Audio Review: On The Isle Of The Dead, Morbius Lives Again

Dark Gallifrey: Morbius Part Two is the continuation of a trilogy of audio dramas from Big Finish Productions that seems to be a very promising and poignant piece of entertainment. The series explores various Time Lords from Doctor Who and delves into the history of their home planet and their roles. The warlord known as Morbius appeared in the television series during the Tom Baker era, and now we get a taste of his history.

The story is written by Tom Foley and directed by Samuel Clemens. Samuel West is in the title role with Mina Anwar, Rachel Atkins, Justin Avoth, Mark Bonnar, Andrew French, Janet Henfrey, Lara Lemon, and Hywel Morgan making up the rest of the cast.’

The Gallifreyan battleship known as the Proteus has crashed into a realm known as the Isle of the Dead. The crew members find themselves in more peril than they understand when an old enemy thought dead is about to be resurrected. Captain Argento, played by Rachel Atkins, finds herself facing down doubts from her crew and her own health concerns. Meanwhile, the cult of Morbius is awaiting the return of their idol, and the galaxy is in the direst of jeopardies.

I don’t normally enjoy much Doctor Who that doesn’t feature the Doctor, but this is becoming rather fascinating. West has played Morbius in some previous audio plays, so it makes sense to continue to have him stretch himself a little further. West does a great job.

The story is actually supposed to remind the audience of the old sea adventures. The crew of the Proteus aren’t pirates really, but the mannerisms of the characters sort of put forth that vibe. Big Finish almost always gets the casting right, and this adventure is no exception. I kind of find the first mate, Mr. Middlewitch, a rather compelling character. Hywel Morgan has that role and just seems to relish it. I also think the name Middlewitch is kind of cool.

Anyway, I will soon be listening to the third and final episode of this ongoing series. Dark Gallifrey has delivered on an intriguing premise, and I am fascinated to hear the fate of the crew of the Proteus.

Doctor Who Audio Review: The Light That Must Never Be Lit

Big Finish Productions has started the Fifth Doctor on a very epic audio adventure with Tim Foley’s Doctor Who-Hooklight 1. Peter Davison is joined by Janet Fielding, Sarah Sutton, and Matthew Waterhouse. Ken Bentley returns to the role of director. There is a very intriguing surprise with Paul McGann lurking the shadows of the story as the Eighth Doctor. The guest cast is also impressive with Kieren Bow, Alan Cox, Ruby Crepin-Glyn, David Holt, Celia Imrie, Harriet Kershaw, David Shaw-Parker, Theo Solomon, and Issy Van Randwyck.

This release if the first six episode of what is going to be a whopping twelve when it is all over.

The TARDIS crew has basically landed unwilling on a planet called Morning. The Doctor has become aware of the presence of ancient and powerful substance known as Hooklight. Tegan, Nysse, and Adric are caught up in one of the Doctor’s more epic adventures that could lead to the end of all of the universe. The Doctor rarely plays for lower stakes. There is a being known as the Oracle, and he seems to know the Doctor very well.

This is a very promising story. The main cast puts in a typically compelling performance. Peter Davison is a solid performer, but he seems a little more energetic than usual with this one. Waterhouse is now a man in his sixties playing a teen-ager, and he kind of pulls it off. He sounds very much like he did when he first started in the role in the early 1980’s. Fielding and Sutton remain consistently enjoyable as Tegan and Nyssa.

The soundscape is well executed, but Big Finish has a lot of practice with that. I rarely notice any real problems on the technical end with their recordings,

There is a second half to this story to be released soon, and I am pretty anxious to hear that one. I am a little leery of having more than one Doctor in an episode, but Big Finish is usually considerably more successful in the writing of these adventures than what was aired on the television series. Paul McGann is also pretty much guaranteed to deliver his own captivating performance.

Hooklight appears to be on track to hold a special place in the hearts of Big Finish listeners. It’s a long one and will require a bit of patience, but I am enjoying the journey to unravel the layers of mystery alongside this Doctor and his companions.

Book Review: Myron Nets A Killer

Drop Shot by Harlan Coben is a pretty engaging and straight-forward murder mystery featuring that sleuthing sports agent, Myron Bolitar. It was first published in 1996 and is the second novel in the series with Bolitar as the protagonist.

Bolitar is representing a rising star in the realm of professional tennis when another former player is gunned down just outside a stadium where an important match was being played. Bolitar had missed a recent message from this young woman named Valerie Simpson, who was wanting some assistance to return to competitive tennis. She is murdered with a few yards of where Myron was seated watching his client dominate the court alongside his mysterious and dangerous best friend, Windsor Horne Lockwood III, known as Win. Win is described by a belligerent police detective as a psycho yuppie. Win has no discernible conscience or sense of mercy when crossed. He is a financial guru and enjoys the finer things in life, but he is capable of the most brutal forms of vengeance when he or Myron is threatened.

Anyway, Bolitar finds himself drawn to the investigation of Valerie’s murder when he learns that he has a talent for investigation. He has a small but successful business as a sports agent, but he has an eclectic, small group of allies and a nose for trouble.

Bolitar is an interesting and likable protagonist, but Win is the most fascinating of sidekicks. Their friendship also seems unlikely in many ways, but sometimes relationships are like that.

Bolitar’s sense of integrity when representing his clients seems a little too good to be true, but I liked Coben’s optimism in his description. I hope there are sports agent who actually care about their clients’ well-being in real life.

The murder of Valerie Simpson seems to have some roots tied to another murder six years before that concerned the con of United States senator. Bolitar finds himself coming across mob bosses, a corrupt senator, and a troublesome detective in his pursuit of the truth.

Coben planted some pretty well thought out red herrings in the plot. Although it is fairly easy to tell how early this novel is in Coben’s now lengthy writing career, it is still quite engaging. There is little about Coben’s writing style that seems uncommon among his peers in this genre, but the novel is competently written and is enjoyable.

Coben has rightfully earned the success he enjoys. He does seem to give his readers a credible glimpse in the world of professional sports. I still have yet to figure out how the scoring in tennis actually works, but I do seem a little better understanding how the business side of that industry works.

I have yet to read this series in order, so I have to fill in some gaps on my own. I recently read a more recent Bolitar novel, so I am not quite following the progression of this guy’s life journey all that well.

Drop Shot may fall short of any real literary excellence, but it does accomplish the purpose of entertaining and keeping the audience in suspense quite effectively. It’s a pretty good mystery, and I will join Myron Bolitar on another unlikely investigation in the near future.

I can’t get enough of misdeeds and murder in my literary indulgences, so I am going to try out the works of a more classic crime writer that I have never read before. I am going to peruse The Archer Files, which is a collection of short stories written by Ross MacDonald and features his best-known creation, private eye Lew Archer. This anthology was compiled by MacDonald’s biographer, Tom Nolan, who also has what I am sure will be a fascinating essay and overview of Archer’s exploits.

Film Review: AI Versus The IMF

Mission: Impossible-The Final Reckoning is a pretty fun cinematic experience as long as one doesn’t examine the actual plot too closely. Tom Cruise returns as super operative, Ethan Hunt, leader of the Impossible Missions Force, with Christopher McQuarrie as director. McQuarrie also co-wrote the script with Erik Jendresen.

This film continues the storyline which began in the immediate predecessor, Mission: Impossible-Dead Reckoning. Simon Pegg and Ving Rhames also return as Benjo Dunn and Luther Stickell, respectively. Hayley Atwell is back to help Ethan against the battle against a powerful Artificial Intelligence known as the Entity. Angela Bassett, Esai Morales, Pom Klementieff, and Greg Tarzan Davis are included in the cast.

When the film starts, Ethan Hunt has been in hiding for a few months after taking possession of a vital component to controlling the Entity. He rejoins his team and spends much of film trying to stay ahead of Gabriel, played by Esai Morales, who is trying to stop Ethan from achieving his ultimate goal of neutralizing the Entity. Ethan will have to decide who or what may be sacrificed in order to save the world from the Entity’s dominion.

As usual, there are some astonishing and sometimes ludicrous action sequences that are definitely eye-catching. Cruise puts out a strong performance which is likely his last turn as Ethan Hunt. This film is being touted as the final one in the franchise, but when it comes to Hollywood, who can say for sure?

The film is a bit of a jumble when it comes to the plot. There are some engaging callbacks to the earlier installments. Rolf Saxon reprises a role from the first film that was not much more than a cameo, and he has much more substantial part to play here.

There are times when the transition to different locations seems a little jarring, but the film is pretty long anyway. McQuarrie throws in quite a bit of death-defying moments in this film that almost makes it to three hours.

The problem is that Hunt at times seem too superhuman for the suspension of disbelief to be maintained. Although these films are not really designed to be grounded in reality, it is still a bit distracting when Hunt gets himself in some of these outlandish predicaments.

I thought Morales was pretty well cast as the main villain. There was nothing too spectacular about his performance, but he was not particularly bad either.

Overall, I was glad to have made it to the likely end of this franchise, or at least the end of this phase. It’s a film with some flaws and falls short of any real artistic greatness, however it was an enjoyable diversion from the daily pressures of real life. It certainly is better than many of the recent films I have seen.

Book Review: London Is All Grown Up

Edward Rutherford’s London is quite a literary feat with a page count that is over eleven hundred. It’s a great showcase for Rutherford’s prose style.

Rutherford takes his readers back to the time of Julius Caesar and creates several families as his vessels for exploring the rise and development of the great city of London. He creates quite a tapestry of historical events and personal struggles experienced by his numerous characters in his narrative.

Although this novel was not without moments of sluggishness in the plot, it is still an enjoyable reading experience on the whole. It was pretty thrilling to come across some of the historical events I recognized as not being that well-remembered. There are a lot of threads of which to keep track, and the sudden shifts in perspective kind of made things a little tricky.

There is no question that Rutherford is a talented storyteller. He also seems to have done an impressive amount of research which is laid out quite nicely.

It is a daunting book for many people, and I struggled a bit with retention of certain aspects of the novel. I think that may be more of an issue with my attention span rather than any downfall of the author.

I usually read simpler novels for my leisure time, but I like to challenge myself a couple of times a year at least, and London did satisfy that prescription. Even though I had some hurtles throughout the experience, I did enjoy the book and would recommend further examination of his other works. It may be a little while before I circle back to Mr. Rutherford, but I have no plans to avoid his other works. I was rather pleased with being able to take this on and stick with it.

I think it’s time to draw Harlan Coben out of the reading queue with Drop Shot, which features that sleuthing sports agent, Myron Bolitar.

Big Finish Audio Review: The Dark Days Of Gallifrey Begins

Big Finish Productions has started what appears to be a promising spin-off series from the Doctor Who range of audio dramas with Dark Gallifrey: Morbius Part One starring Samuel West as the ancient tyrannical Time Lord known as Morbius.

Tim Foley is the writer with Samuel Clemens serving as director. The talented cast includes Mina Anwar, Rachel Atkins, Justin Avoth, and Janet Narrata. Hywel Morgan, Andrew French, and Lara Lemon round out the cast.

This episode has the feel of a cosmic sea adventure. The Time Lord battleship Proteus is returning to Gallifrey after achieving a major victory in their war against the renegade Morbius. The captain has recently regenerated but still may not be fully recovered. There is a mysterious force lurking in the shadows below deck.

Foley relies on a pretty standard trope of what sort of sounds like a pirate adventure, but he does it well. The crew of the Proteus are not pirates, but the characterizations seem somewhat similar to those type of stories. The performances are solid, which is almost always the case with Big Finish releases.’

It’s sometimes not an easy story to follow, but this is only the first one in a trilogy.

Samuel West has been playing Morbius periodically for Big Finish in recent years, and there is no reason to find another substitute. Morbius was in only one television story during the Tom Baker era, but he has made a lasting impression on the fan base. He was originally portrayed by Michael Spice in The Brain of Morbius.

This is a pretty good start for a series that really doesn’t feature the Doctor, and I am intrigued enough to continue my journey through Dark Gallifrey.

Doctor Who Audio Review: Someone Still Has To Fight The Monsters

Doctor Who: The War Doctor Begins: He Who Fights with Monsters continues the saga of the War Doctor, originally portrayed by John Hurt, and leads to a fascinating confrontation with a mysterious adversary known as the Barber-Surgeon. The set has three parts and was written by Robert Valentine and directed by Louise Jameson.

Since Hurt has been deceased for a little while now, Jonathon Carley has taken on the role which has been known in Doctor Who fandom as the War Doctor. This was a once unknown incarnation of the Doctor who had rejected his name since he had to fight in the Time War and use methods that his other selves would abhor. Carley does an increasingly amazing impression of John Hurt’s distinctive voice and puts forth a powerful performance.

The first part is entitled The Mission where the Time War Council enlists the War Doctor to hunt down and assassinate another Gallifreyan renegade known as the Barber-Surgeon. The Barber-Surgeon has been a thorn in the side of both the Time Lords and the Daleks. The War Doctor doesn’t like the nature of this mission, but this incarnation is the one most capable to complete it

The Abyss has the War Doctor on the Barber-Surgeon’s trail through the devastation of the Time War and his own past. The Daleks have also sent a Dalek Hunter-Killer played by Jason Merrells. The War Doctor and the Daleks have another confrontation in which the maniacal robotic conquerors may finally exterminate their most persistent enemy.

Finally, the War Doctor has to escape the Daleks and confront The Horror. Nicholas Le Prevost plays the rogue element in the Time War known as the Barber-Surgeon. He and Carley play beautifully off each other when the Doctor and the Barber-Surgeon finally meet.

Not that much known is known about the War Doctor other than he was the one who ended the Tine War by obliterating both sides. He was rejected by his subsequent incarnations following that event.

This set reveals how the War Doctor may have been influenced into that horrific, if necessary, decision.

It took me a bit to warm up to the first two episodes, but Carley’s performance kept me engaged, and the finale to this set was worth it.

This is probably one of the best sets in this range. Carley may be able to sound a lot like John Hurt, but he also demonstrates excellent instincts as an actor. He mastered how this version of the Doctor carries such determination and weariness in his voice.

The sound effects are excellently executed. There are times when the action sequences seem a little jumbled, and it was hard to picture what was happening in the imagination. Still, the performances of Carley and the guest cast more than make up for it. Louise Jameson even reprises her role of Leela, which was not unexpected but still pretty fun.

Anyway, I think I have resolved any misgivings I had about the creation of the War Doctor. This set is just great.

Film Review: Something Wants To Take A Bite Out Of Sherlock Holmes

The Case of the Whitechapel Vampire is a 2002 Sherlock Holmes film that is mediocre at best. Rodney Gibbons is the writer and director of this thing which originally aired on the Hallmark Channel of all places. Matt Frewer is cast as Sherlock Holmes alongside Kenneth Welsh as Dr. John Watson.’

Kathleen McAuliffe, Michel Perron, Joel Miller, Danny Blanco, and Norris Domingue are included in the cast.

It has been two years since the infamous Jack the Ripper terrorized Whitechapel district, and another round of strange murders have occurred in that same area. Sherlock Holmes and Dr. Watson are called in by an order of monks who believe that a vampire is stalking the streets. Holmes is adamant that there is nothing supernatural behind the killings in spite of appearances. Holmes is once again challenged to provide a rational explanation for something that seems to bizarre and otherworldly. He also has his agnosticism challenged as Watson begins to consider that a vampire is actually the culprit. Even if the vampire is real, he may still find Sherlock Holmes to be a very formidable foe.

There are some intriguing elements in this story. It has some potential, but it just seems a little trite and overdone. Some of these pastiche writers really focus a lot on Holmes facing something potentially supernatural when Arthur Conan Doyle just did not have that many stories like that.

Matt Frewer was a reasonable casting choice for the lead role, but he could have employed a little more subtlety in his performance. I did rather like Kenneth Welsh’s portrayal of Dr. Watson.

Not everything in this film was a failure. I just didn’t find Frewer’s portrayal of Holmes all that interesting. It just felt like it was by the numbers. Frewer physically looks quite a bit like how Doyle described Holmes in the original canon, so that did help.

There was also once again, as I have mentioned before in some of my previous critiques of Holmes pastiche stories, an element of the Scooby-Doo reveal toward the end.

I figure the reason that I had not seen this one before is because it was on the Hallmark Channel, which isn’t known for hard-hitting originality in their films.

It was not a terrible viewing experience, but it sure was not anything one should go out of their way for.

Doctor Who Audio Review: The Doctor Just Keeps Digging Up Danger

Buried Threats is one of the audio releases from Big Finish Productions that continues the Doctor Who range featuring the Ninth Doctor, played by the brilliant Christopher Eccleston. There are three episodes directed by Helen Goldwyn. Lisa Bowerman returns to the mic as Professor Bernice Summerfield, which is indeed welcome. The set is pretty good, but not much really stands out.

The first story by Lisa McMullen is entitled A Theatre of Cruelty. Alexander Vlahos takes on the role revolutionary artist and theatre director Antonin Artaud. Artaud is having dreams that are breaking into reality, and the Doctor suspects an alien influence as usual. The episode did introduce to me a new historical figure of which I was unaware. It had an interesting plot, but Eccleston has usual really elevates the story with his energetic performance as the Doctor. I enjoyed the episode, but I doubt I will remember much about it until I replay it.

The Running Men is the second entry written by Mark Wright and takes place in present-day Halifax in West Yorkshire. Fiona Wade is the main guest star alongside Eccleston. In this one, I learned about an infamous gibbet and an old legend about the spectral Running Men. In case anyone wants to know, a gibbet is like a gallows where people were executed long ago. A mysterious death brings the Doctor to the scene where historical tragedies are intruding on the present.

It’s also a good story where an uncommon legend is revealed to me. That helps me find some enjoyment and appreciation. It highlights a small piece of British culture and a town which apparently has some renown.

The performances are quite compelling here as is almost always case in a Big Finish release. Yet again, it’s an episode even with its interesting elements still doesn’t stand out as anything quite that unique.

Finally, Professor Bernice Summerfield encounters a new Doctor to her in Matt Fitton’s Ancient History. Benny is looking into a long-ago disappearance of a warrior race known as the Korravin. When she sees a battered blue police box, she knows an old friend is nearby and another danger is about to be unearthed.

This time, the Doctor has initially slipped in incognito with an alias. Benny doesn’t recognize him at first due to the Time Lord’s propensity for regeneration. When she does figure it out, she is not too pleased, but they get past that soon enough and work together like the old days.

This one is probably the stand-out of the set because of Bernice’s presence. Lisa Bowerman slips into the role with such ease, and the chemistry with Eccleston is quite evident. I think Benny actually pairs up well with any of the Doctor’s iterations. The moment of recognition is as deliciously volatile and funny as I hoped. There is even a little time for Fitton to tug the heartstrings a bit as Benny tries to figure out what the Doctor has been up to since they last met.

Overall, the set is enjoyable but is only really notable in that Bernice and the Ninth Doctor meet. The three writers are well-chosen for their reliability. Some of the more obscure elements of British history given a spotlight is pretty cool. Eccleston still has the chops to keep his Doctor compelling in all of his manic and often morose behaviors. This Doctor has survived the Time War and the terrible choices he had to make and live with.

This set of audio dramas may not be listed as one of the iconic releases by Big Finish, but it is once again not one that deserves to be ignored, and I am certainly up to more Ninth Doctor exploits.