Film Review: Watch Out For The Thunder

Thunderbolts* is the latest cinematic offering from Marvel Studios and actually manages to be a piece of solid entertainment. Eric Pearson and Joanna Calo wrote this engaging script, and Jake Schreier claims the director’s seat and may have breathed a little more life into the superhero film genre. Florence Pugh reprises her role of former Black Widow assassin, Yelena Belova. Sebastian Stan returns as Bucky Barnes, the Winter Soldier, who is now a United States congressman. Of course, that doesn’t mean that Bucky has lost any of his punch. Wyatt Russell, Olga Kurylenko, Lewis Pullman, Hannah John-Kamen, Julia Louis-Dreyfus, and David Harbour are also included in the cast.

Valentina Allegra de Fontaine, played by Louis-Dreyfus, is now the CIA director and has been involved in some controversial black ops which has led to her facing an impeachment. She sets up some of her super-powered operatives to kill each other in a remote lab that also needs to be sanitized to protect her secrets. Yelena, John Walker, Ghost, and an enigma named Bob end up escaping the trap, but Bob is abducted by de Fontaine’s agents where whatever experiments were being conducted on him may continue. The ragtag group of contract killers have only each other to rely on until they are joined by the Winter Soldier, and Yelena’s crazy father figure who is a Russian super soldier known as the Red Guardian. Bob has transformed into a being with frightening abilities and a dark past that fuels the Void within him. This new team of loners and renegades need to figure out how to combine their abilities and save the world without the Avengers to back them up.

Pugh is actually quite fun to watch, and I think the Russian accent she affects is pretty good. I am not so sure about Harbour’s, but he did fine as well with his manic energy as Alexei Shostakov. He was pretty fun to watch, although I also appreciated the chance to catch my breath when he wasn’t onscreen. The cast was pretty well-chosen. Julia Louis-Dreyfus did quite well as a smug elitist with too much power and not much caution in achieving her goals.

The special effects were typically well executed. The fight scenes were also quite compelling if as typically implausible as expected in a comic book movie.

The story does get into some themes of despair and the effects of trauma, but there is enough humor peppered throughout to help not get too depressed. Some of the one-liners even landed pretty well,

I don’t think the film is as good as the early Marvel films such as Iron Man and the first Avengers installment, but it sure wasn’t as dubious as some of the more recent offerings in this franchise.

Pugh is still relatively new in the limelight, but she does have plenty of talent and charisma. The scenes she shares with Harbour were often hilarious, but there was one pretty moving moment between their characters.

The film was just good, and I am looking forward to getting together with this cast of misfits again.

Classic Film Review: Keep A Close Eye On The Children Because Hans Beckert Certainly Is

M is a German thriller film, that is beautifully shot but slow-paced, released in 1931 and is directed by Fritz Lang. Lang also co-wrote the film alongside his wife, Thea von Harbou.

Peter Lorre is in the lead as a serial murderer of children named Hans Beckert. Other cast members include Otto Wernicke, Inge Landgut, Gustaf Grundgens, and Theo Lingen.

Berlin is being terrorized by a killer who abducts children. While the police are diligently trying to track the elusive Hans Beckert down, the local mafia group is also concerned about the buzz of activity from law enforcement that is interfering with their dubious dealings. Beckert will face justice, but it will either come from the courts of Berlin or those who reside among the streets he has stalked.

As mentioned before, the cinematography for that time was quite good. Lorre’s talent is pretty evident in this very early performance in his career.

The film also delves into the early days of forensics and handwriting analysis. This film is one of the first of what is known as police procedurals.

Lang is one of those legendary early film directors, and this piece showcases the reason why he has so much acclaim.

The film does feel a little long even though it does come in just under two hours. There are moments that it seems to drag. Ultimately it does deal with the questions surrounding justice and vengeance. It also raises the question of what the punishment should be if someone could truly be insane.

The dialogue is in German, so for us Americans, the subtitles are an essential friend.

The film does have some historical cinematic significance, but it does take some patience and probably more of an early day viewing.

Film Reviews: Some Sinners Never Seem To Die

Sinners is a new horror film written and directed by Ryan Coogler, and it holds up rather well considering the genre. Coogler has gained some deserved acclaim for Black Panther and the Creed films. This film isn’t going to be the one to knock him off his perch.

Michael B. Jordan has a dual role playing twin brothers known as Smoke and Stack. Okay, the nicknames are a little over the top, but I do still think being called Smoke at least would be kind of cool. Hailee Steinfeld, Jack O’Connell, Wunmu Mosaku, Delroy Lindo, and Miles Caton are included in the cast and are solid choices.

Smoke and Stack leave the urban troubles of gangster-ridden Chicago and return to the Mississippi Delta with a lot of cash and ambitions to open a juke joint in 1932. Past romances seem to be rekindled. Old friends unite to pull off this little party, and troubles involving the Ku Klux Klan aren’t going to be a major headache. Of course, Smoke and Stack are former soldiers and gangsters, so they are not so easily perturbed by racists and killers. When the vampires crash the party, that’s a little different matter.

First of all, the setting is great. Jordan is easily a compelling presence, and he does well with playing both brothers. The cast altogether is quite effective. The brothers have a cousin they recruit for the musical talent. Miles Caton is a great find with his smooth baritone. This seems to be the early days of the blues, and the soundtrack is pretty captivating. The idea in the film is that blues music can have mystical powers when played by the right musician. I can almost buy it after this film.

O’Connell plays the lead vampire, who happens to be Irish, and that culture seems to get kind of a nod as well.

The story takes its time getting going, but once the bad guys are revealed, it gets interesting and would be terrifying if I was a bit more of a nervous disposition.

There are some interesting twists toward the end. There are plenty of vampire flicks, but Coogler seems to found a vein of something original.

This film did ensure that I will be keeping an eye out for Coogler’s next project.

Doctor Who Audio Review: A Different Kind Of A Trial For A Time Lord

The Trials of a Time Lord is a recent Doctor Who audio drama released by Big Finish Productions and is another effort to celebrate forty years of the Sixth Doctor, portrayed by Colin Baker. It is a six-part saga with writing credits shared by three writers. Bonnie Langford and Nicola Bryant, who play Mel and Peri, respectively, join the Doctor against his battle against a plethora of old adversaries.

The writers, who ended up splitting up the story with two episodes each, are Katharine Armitage, Stewart Pringle, and Rochana Patel, and I have little objection to this slate. Jonathan S Powell directs this saga. The story does hold up pretty well in spite of a premise that sounds on its face, to be somewhat chaotic.

David Banks returns to voice the Cyber-Leader alongside Nicholas Briggs as the rest of the Cybermen. Terry Molloy reprises his role of Davros, the twisted creator of the Daleks. John Culshaw is also a part of the cast and does a passable impression of the late Anthony Ainley as his iteration of the renegade Time Lords known as the Master. Other cast members include Aruhan Galieva, Holly Jackson Waters, Samuel Jones, Rufus Jones, and George Naylor.

The Doctor and Mel arrive in a prison camp known as Cyberia in response to a distress signal and find themselves about to embark on a televised series of challenges which reveals all manners of menaces and allies.

Some themes are revisited such as the idea that the Doctor is being televised as he faces all sorts of threats and obstacles. This was already explored in the television story Vengeance on Varos, however I don’t mind the repetition here. There is enough of a creative effort to have this one come off as a bit more special.

Fans finally have Mel and Peri meet and interact, which was kind of cool to hear. Peri returns after living a life as a warrior king alongside King Yrcanos, who fans met in the original serial, The Trial of a Time Lord. Peri comes with some seasoning as a mother and a fighter. Normally, I would find such a character transformation somewhat implausible, but Bryant sells the performance well enough.

Jon Culshaw filling in for the late Anthony Ainley was kind of a surprise and may count as a spoiler, which I normally try to avoid. He does well enough, but he may need to practice that impression a bit more. It was still fun to imagine that version of the Master cropping up again, and Culshaw doesn’t really miss the mark entirely. It just wasn’t a bullseye impersonation. I will say this about Culshaw himself. I really enjoy his insights and comments during the cast interviews. He knows Doctor Who lore, probably better than most of the actors who portrayed the Doctor. He has such an infectious enthusiasm for the show and just seems like a joy to the rest of the Big Finish cast and crew.

Colin Baker still sounds energetic and credible in his role. The characterization of the Sixth Doctor has been improved greatly under the care of Big Finish writers over the past couple of decades. It was a sweet moment when he realizes that his friend, Peri, has really been reunited with him.

This is a story that feels a little chaotic and self-indulgent at times. I am somewhat leery of stories that just unleash all of the past enemies and story ideas, however this particular release handles this direction better than most. I also tend to sneer at three writers on one story, however the construction here kind of makes sense. The writers did work well together, but they worked on two episodes apiece separately. This division of creative labor would likely only work in a saga like this.

It’s an enjoyable and proper celebration of Colin Baker’s era, and I am glad that we are likely to get more adventures from Big Finish for some time to come.

Book Review: An Abandoned House, A Missing Doctor, And A Lot of Secrets About To Come To Light

Never Lie by Freida McFadden is an outlandish and improbable thriller that is a pretty entertaining ride for those willing to suspend their disbelief.

A newly married couple are in the market for a new house and arrive during a blizzard to an isolated manor that was once owned by a prominent psychiatrist who has been missing for a few years. Tricia and Ethan are trapped at the manor, which is curiously still completely furnished. Tricia finds a secret room containing a cache of cassette tapes that have the sessions with Dr. Adrienne Hale recorded. Tricia has an opportunity to see if the solution of the doctor’s disappearance is contained within these recordings. More old secrets and lies are about to be exposed, and Tricia learns that not everything is going to stay as buried as deeply as she hoped.

McFadden has become one of today’s most popular thriller writers, and she does have quite an imagination. However, she does rely pretty heavily on some very common tropes of the genre. Also, there is quite a lot of implausible coincidence that can be a little exasperating. Sometimes, the characters are not that believable. As mentioned before, the suspension of disbelief can feel a little taxing.

Still, I did enjoy the novel. There are some clever twists that kind of surprised even me. McFadden is not really an extraordinary writer, but she gets the job done. She might just be the ultimate popcorn writer of today. If it pays the bills, who am I to complain?

McFadden may be a bit overrated, but she at least avoids being just flat out bad, which is an impressive achievement in today’s literary climate.

This is only the second novel I have read by her, but I work in a bookstore these days, so I am aware of her popularity. I do like that she writes a lot of standalone novels, so I can dip in and out of her works without worrying too much about continuity. There are actually a lot of series that I don’t read in order, but I do recognize that it an advantage that McFadden has with her bibliography.

McFadden is at least fun to read, and I am certain that it will not be all that long before I am perusing her section on the bookshelves.

My next read has been in the queue for a while. I have been putting it off because it seems to be a daunting volume by Edward Rutherford. I am looking forward to trying it because it isn’t my usual genre of enjoyment, and I like to test my mettle a bit when it comes to my reading choices. It is also about one of bucket list destinations for travel. It is well past time that I learn the intricacies of London as only Edward Rutherford can tell it.

Film Review: The Crooked Man Is About To Get Straightened Out By Hellboy

Hellboy: The Crooked Man brings back that demonic superhero who is sometimes known as Big Red. Too bad Hellboy couldn’t return to a more coherent script. Brian Taylor is the director working from a script he had co-written with Christopher Golden and Mike Mignola. Mignola is the creator of Hellboy for Dark Horse Comics.

Jack Kesy has taken over the role which was previously played by Roy Perlman and David Harbour. The cast also includes Jefferson White, Adeline Rudolph, Joseph Marcell, and Leah McNamara.

The year is 1959, and Hellboy and a young agent of the Bureau for Paranormal Research and Defense are on a train taking some strange supernatural spider to their headquarters. The spider suddenly grows to a massive size and initiates a wreck that enables its escape. As Hellboy and Bobbie Jo Song try to retrieve the eight-legged menace, they realize that another supernatural force is in the rural Appalachian region. The encounter a local resident named Tom who once indulged in witchcraft. A malevolent being known as the Crooked Man has returned. Hellboy and his young partner are drawn into another strange battle with demonic forces.

Perlman remains the best version of this character. Kesy is not a terrible lead actor, but the script is rather confusing and doesn’t serve him well. Also, I would have no idea that this was taking place in 1959 if it weren’t for the notice at the beginning of the film.

This also did not seem to have had a comparable production budget as the previous installments. I can normally handle somewhat subpar special effects if the script made more sense.

The film ended up being a bit of a jumble. Hellboy’s wisecracks don’t land as effectively as in other films.

Hellboy fans will likely be pleased that another film is out there, and it really isn’t that terrible. It’s an adequate diversion but a very forgettable one in spite of the distinctiveness of Hellboy’s appearance.

Book Review: Holly Has Someone to Find And Has To Play For Keeps

Stephen King continues his literary reign of terror in Holly, which was first published in 2023. King revisits a character who was first introduced in what is known as the Bill Hodges trilogy which began with Mr. Mercedes.

Holly Gibney has inherited the Finders Keepers Detective Agency from her friend and mentor, Bill Hodges. She is coping with her mother’s death from COVID and learns some troubling secrets that were kept from her. A desperate mother has shown up at her office and wants to hire her to locate her missing daughter. The investigation places Holly on a collision course with two very old, very strange professors with horrific appetites. Rodney and Emily Harris are trying to stave off the consequences and ravages of old age and are testing out some troubling theories to do just that. Holly has already faced down some monstrous killers, but the Harrises may indeed the most horrific of the bunch.

King has indicated a deep affection for this character and is featuring her in an upcoming novel. I am, not quite as enamored with this one at first, but as the confrontation with the Harrises comes to a head, King still has me rooting for her. I had some trouble staying interested in this one for a while, however I got a bit more engage when Holly picks up their trail, and it was becoming clearer as to what the Harrises were actually doing.

King does make some of his political leanings a bit more obvious than I remember him doing in previous works, so that was also a little distracting. I, of course, know he and I would disagree sharply on many issues including decisions made during the COVID lockdowns, but I do believe him to be a talented and interesting writer.

King is good enough to keep me from actually hating his novels, and Holly herself shows some grit that I ended up ultimately respecting.

I don’t consider this to be one of King’s greatest efforts, but the climax of the story was just exciting enough to keep me from hating it. There is even some hope that I will end up liking Holly Gibney a bit more if I decide to read her next adventure.

So, the unending literary journey continues with a more recent voice as I return to the imagination of Freida McFadden through the pages of Never Lie.

Film Review: Charlie Heller Is No Natural Born Killer, But He Can Learn

The Amateur just manages to be one of the better films to be released early in 2025 with Rami Malek putting forth a heartfelt performance as CIA cryptographer Charlie Heller, who launches a campaign to avenge the murder of his wife, which will lead him to acquire a different set of abilities. James Hawes is the director of this film, which was written by Ken Nolan and Gary Spinelli. It is based on a novel written in 1981 by Robert Littell.

The cast is a formidable one that includes Laurence Fishburne, Rachel Brosnahan, Holt McCallany, Julianne Nicholson, and Caitriona Balfe.

Charlie Heller is a mild-mannered, ingenious, and somewhat socially awkward CIA nerd who somehow managed to snag a beautiful, charming wife played quite convincingly by Brosnahan, who is about to leave for London on a business trip. Sarah Heller is gunned down in a terrorist attack, which prompts the grieving Charlie to use his smarts to identify the murderers. He is more than a little disappointed when he finds that his colleagues aren’t too willing to move on the information he has provided. He decides to take matter into his own hands and gain the training he needs to accomplish his lethal desire for justice. The point is driven home that he does not quite have the necessary fortitude to be a stone-cold killer. He does have other skills and knowledge that could be of use, however. The superiors in the agency have still misjudged Heller’s determination and talents, and they may eventually regret now working with him. Heller has four suspects to hunt down and is on a dangerous path to confront the man who pulled the trigger.

I thought this was a pretty good film even if the plot seems as old as Time itself. Malek’s performance did evoke more than a little sympathy for his character’s loss, but I am a bit of a sucker for a good revenge plot.

The film does have some great scenery throughout since Heller has quite a bit of traveling to do. There is not much time devoted to clearly explain how Heller was able to get his hands on some of the utensils he acquired to pull off his plan. Still, some of these plot holes are not significant enough to keep me from finding enjoyment in this release.

Malek is a talented actor and appears to be a solid casting choice for this role. I have no real criticism of any of the performances themselves, so that’s a plus.

I had some issues with the editing, which I am finding to be a more common observation in the recent movies I have viewed. The shifts in scenery were a bit jarring at times.

The plot is implausible and relies on a few annoying coincidences, but again it manages to not seem too over the top.

The movie is not the greatest spy thriller of all time, but it’s a long way from the bottom of the barrel and worth the time to kick back with a favorite snack and see how far Charlie will go for vengeance.

Doctor Who Audio Review: The Destiny Of Mondas Revisited

Doctor Who: Genesis of the Cybermen is an audio drama from Big Finish Productions that revisits the origins of the Cybermen, a feat accomplished already in a previous release entitled Spare Parts. This story was originally conceived by Gerry Davis and adapted by David K. Barnes. Peter Davison returns yet again to the role of the Fifth Doctor and is accompanied by Janet Fielding as Tegan, Sarah Sutton as Nyssa, and Matthew Waterhouse as Adric. The director is David O’Mahoney. Nicholas Briggs again fires up the voice modulator to portray the Daleks. The remainder of the guest cast is comprised of Michael Abubakar, Nuhazet Diaz Cano, Kelly Price, Colin Tierney, and Evie Ward-Drummond.

The TARDIS has crashed on a world where a king is dying, and one of his sons is trying to save his civilization from a catastrophic shift in the planet’s orbit. The Doctor and his friends offer their help, but he soon realizes that he has arrived on the planet of Mondas at the birth of one of his greatest foes. The Cybermen are about to rise yet again and plan to survive by any means necessary.

This release is one in the range known as The Lost Stories. It was a script that was considered for the television series many moons ago and was ultimately scrapped.

Although this one isn’t bad, I still prefer Spare Parts. Genesis of the Cybermen is still worthy of a purchase and a listen though. The performances of the main cast members remain strong and distinctive. Davison still puts in a compelling performance even is he sounds noticeably older than he did forty years ago. The banter between the main cast is still compelling and amusing at times.

The guest cast is also well-chosen as is usually the case. Colin Tierney in particular has a complex role as the one who is fiercely loyal to this people and creates the Cybermen, one of the most horrific races in Doctor Who lore. It’s a suitably complicated story without going overboard. There are some interesting themes involving family and leadership explored.

The descriptions conveyed of the conversion process to become a Cybermen are as horrific as ever. Genesis of the Cybermen still does better than merely getting the job done as a source of entertainment. More Fifth Doctor is never a bad thing anyway.