Doctor Who Audio Review: A Carriage To Chaos

The Lord of Misrule is a Doctor Who audio novel from Big Finish Productions that is kind of an average story that is helped by a masterful narration and performance by the incomparable Jon Culshaw. Paul Morris is the writer and manages to craft a decent if unremarkable tale for the range.

The adventure features the Fourth Doctor, who would have been portrayed by the equally incomparable Tom Baker is this wasn’t an audio novel performed by Culshaw. It takes place starting off in 1901 and also features popular Victorian denizens Professor George Litefoot and Henry Gordon Jago. The Doctor is accompanied by Romana, as portrayed by the late Mary Tamm.

The story in London 1901 where the Doctor and Romana are visiting friends, Jago and Litefoot when they are made aware of people being taken off in a ghostly carriage. Other people with scattered memories appear in their place. It seems the carriage is ferrying people between the years of 1901 and 1801. When Romana and Litefoot are counted among the mystery, the Doctor and Jago pursue them and find themselves in a strange predicament with an alien influence at the heart of it. Also, an aristocrat wants to usher in an age of chaos and is wanting to be the one to choose the Lord of Misrule. The Doctor has his hands full with trying to find his missing friends, locate the alien influence that takes resides in the minds of unsuspecting humans, and trying to keep the fabric of society intact.

I usually don’t mind a lengthier Doctor Who story, but this one felt a little slower than usual. I also think that Jago and Litefoot run the risk of being overused by the writers.

The upside is Jon Culshaw is a masterful narrator. He has been doing impressions of Tom Baker for years and is the likely solution once Baker is no longer able to perform since he is now in his 90’s. He also really nailed the distinctive vocal range of the recently deceased Christopher Benjamin, who originally portrayed bombastic theater manager, Henry Gordon Jago. Unfortunately, he has a much harder time imitating Mary Tamm, but that is quite forgivable for obvious reasons. Culshaw’s enthusiasm for relating the story is infectious without feeling overacted.

The production of this release is first rate, but I had some trouble staying engaged with the actual story. It seems that Paul Morris has yet to be counted among one of my favorite Doctor Who contributors.

Still, it’s a release that doesn’t need to be ignored. I will likely revisit this one since it really isn’t a terrible effort. Culshaw’s performance really saves this one from a more pronounced rejection.

Book Review: Writing The Perfect Conspiracy

The Mystery Writer by Sulari Gentill is an implausible, yet still enjoyable thriller dealing with new starts, eccentric families, and disturbing conspiracies.

Theodosia Benton is a young woman who has left law school and shows up on her brother’s doorstep with aspirations to be a writer. The Benton siblings are originally from Australia, but Gus Benton has established himself as a formidable attorney in Lawrence, Kansas. Theo begins her wiring project as she starts her new life under the care of her older brother. She meets a fellow writer, who takes on a mentor role in her life. When the relationship starts to develop into something more personal, the mentor is murdered quite brutally. Gus falls under suspicion, which forces Theo to take some drastic actions to protect her beloved brother. The more Gus and a good friend named Mac Etheridge start to uncover, they find that there may be a darker conspiracy at the root of their troubles.

Gentill takes her readers though quite a journey to arrive at the truth. Her characters were pretty interesting. The plot becomes a bit outlandish, but Gentill still makes it work. There are some interesting twists and surprises. I liked that there were some time jumps in this one. The story does not reach its resolution all that quickly for the characters.

Gentill has a writing style that flows pretty easily without seeming too boringly rudimentary. The characters are pretty likable and easy to care about. It seems that both Mac and the Bentons grew up with unconventional families. Mac’s family are conspiracy enthusiasts and doomsday preppers, yet it’s hard to not find them charming when comes onto the scene. Mac obviously loves his family but does find them somewhat exasperating.

Gentill does pepper some humor throughout her tale, but some serious revelations about the Bentons’ past comes to light.

Gentill seems capable throwing in some impressive twists which seems to be getting harder to do in this genre. I don’t know if she is the greatest mystery writer of the age right now, but she is certainly interesting enough for me to keep an eye out for her other works.

The Christmas holiday is behind us, but that’s no reason to avoid revisiting the Yuletide season during the 1890’s from the rooms of 221 B Baker Street, especially since Bonnie MacBird has continued her series of Sherlock Holmes novels with What Child is This?

Film Review: A New Wolf Man Unleashed

Wolf Man is an adequate iteration of a common horror film figure directed by Leigh Whannell. Whannell co-wrote this script with Corbett Tuck. It’s a reasonable cinematic distraction and has some suspense, but it’s still unremarkable.

The film stars Christopher Abbott, Julia Garner, Sam Jaegar, and Matilda Firth. None of the cast appear to be the most recognizable Hollywood names, but they delivered reasonably solid performances. I sort of liked that I was not that familiar with this cast because it did help the film seem somewhat fresher.

We are introduced to the lead character, Blake Lovell, as a child who had a strange encounter in the woods when hunting with his father. The father is a difficult, paranoid man and his behavior left an unfavorable on his son, who has grown up, gotten married, and sired a daughter. Blake gets notice that his father, who had disappeared in the woods sometime, has been declared dead. Blake and his wife, Charlotte, have been enduring a tense marriage and agree that a trip to the Oregon wilderness could help them find some peace. Of course, this is a horror film, and they are stalked by a strange creature that has wounded Blake. Blake begins to undergo a slow transformation into something much more dangerously feral. Charlotte and their daughter are forced to fight for survival with the first beast in the forest, and eventually the husband and father begins to succumb to a new bestial hunger.

The visual effects are fine, and there are a few moments of real suspense. The performances were not noticeably bad. The background of this family was not all that interesting or intriguing. It’s another couple with some marital tension on the verge of likely separation. I found Blake Lovell to be somewhat bland as a family man. I don’t think it’s the fault of the actor. He did as well as he could. There was an interesting method he employed to instill some sense of confidence in his daughter. That relationship was kind of charming. Julia Garner was fine as the overworked journalist wife. There just wasn’t much I found charming enough about her for me to care that much if she got caught by the werewolf and torn to shreds.

The daughter played by Matilda Firth was performed well enough. I may have only cared about her survival because I am not sociopathic enough to really want to see a child become snack food, however.

The location was great; however, I am Oregonian by birth, so that may not be an unbiased opinion.

The visual effects were pretty good, but of course they were going to be.

It’s not a terrible film, but it’s another average, forgettable release that doesn’t leave much of an impression.

Book Review: Russians And Rapp In Syria

Code Red is a recent continuation of the Mitch Rapp series of thriller novels originated by the late Vince Flynn. Kyle Mills has written his final contribution to the series and leaves the franchise with a pretty decent addition.

Mitch Rapp is a top counterterrorism operative for the CIA, and yet he owes a favor to someone who is rather despicable. A Mexican cartel leader has called in a marker and wants Rapp to travel to Syria to look into the creation of a powerful narcotic that is interfering with business. Rapp poses as a Canadian lawyer and has to behave a bit more civilized than he is used to operating. Rapp is a stone-cold killer when hunting for terrorists or anyone who poses a threat to the United States. He soon discovers that the proliferation of this drug is actually a form of attack from the Soviet government. Rapp is basically on his own since his latest mission isn’t really sanctioned by the US government. He also has good reason to not trust the man for whom he is working this time. He is quite well that he is seen by the crime lord as being very expendable. None of these obstacles will deter Rapp from protecting his family and those he has come to love. That also means there is going to be quite a bit more killing that will be done.

Mills does pretty well here. I was rather amused at the scenes where Rapp has to pretend to be paralyzed with fear when he is abducted while in his guise. Little do the bad guys know that their victim is the most dangerous man in the room. Rapp doesn’t really do undercover gigs, so it was refreshing to have him employ a tactic that he so rarely uses.

The villains are typical of this series. I do find it interesting when Rapp ends up going after someone other than another Middle Eastern terrorist. I believe this is the second recent novel that Russians were more of a target of Rapp’s lethal talents, and I sort of like the change of pace.

Also, the recent novels have Rapp basically in a stepfather role, and it’s pretty cool to see a paternal streak revealed.

I miss the original creator, Vince Flynn, but Kyle Mills was a solid choice by the publishing house to continue the series. He is a competent enough writer and was courageous enough to place Rapp in situations that may not have been explored by Flynn. Still, Vince Flynn was taken too soon. and too young. I would have loved to have known which direction he would have taken Rapp, but I think Mills does well enough honoring the legacy.

Don Bentley is now the successor for continuing Mitch Rapp’s bloody mission in protecting America from its numerous enemies.

Next up, I will be reading The Mystery Writer by Sulari Gentill.

Film Review: Even A Wicked Witch Has Beginning

Wicked was something I enjoyed more than I expected because fantasy musicals aren’t my usual bag when it comes to my cinematic indulgences. It’s probably not the greatest film I have seen, but there were some great displays of talent and spectacle here. It does the job of being pretty entertaining and interesting.

It’s based on a play, which was in turn based on a novel written by Gregory Maguire. Winnie Holzman and Dana Fox wrote the script with John M. Chu as director.

Cynthia Erivo is in the lead role as the green-skinned Elphaba Thropp, who is to become the legendary, evil Wicked Witch of the West. Ariana Grande is Glinda the Good Witch. Other cast members of note include Michelle Yeoh, Jeff Goldblum, Jonathan Bailey, and Marissa Bode.

This is obviously a prequel to The Wonderful Wizard of Oz and reveals the histories of Glinda and the Wicked Witch, who is apparently named Elphaba. They come across at a place called Shiz University where one of the courses offered is sorcery. Elphaba reveals that she has a powerful telekinetic ability which she cannot always control. She is convinced to enroll alongside her sister. Elphaba and Glinda have an amusingly rocky start to their friendship. There is some movement against talking animals, and Elphaba decides to rebel against the authorities and rescue a lion cub. This prompts an invitation from the Wizard so she can come visit him. Of course, there are darker motivations behind the generosity. Elphaba begins her journey down a dark path that causes denizens of Oz to fear her.

The visual effects are stunning. The musical numbers were pretty good, although a couple of them dragged on a bit longer than I would have preferred.

I was somewhat surprised by Ariana Grande’s comedic timing at times. She really seemed to be a perfect casting choice for the self-absorbed, sycophantic Glinda. Her character arc was handled pretty well. It was hard to really dislike Glinda in spite of some of her antics, but I rather think that was the point of her character.

Erivo handled her role quite well. I was impressed with her when I saw her in Harriet, so I was less surprised by her performance.

The sets were lavish and beautifully constructed. There is a lot of visual stimulation, but I was more impressed by the imagination and craftmanship than anything.

There were times that I felt the musical numbers got in the way of the story. That’s my only real criticism of this film.

Apparently, there is a second part to this story to be released, and I am hooked enough to see it.

Book Review: Even The Perfect Son Has Some Dangerous Secrets

The Perfect Son by Freida McFadden is an interesting and competent thriller about how far a mother can go to protect her son even if she is not sure of his innocence of a horrific crime.

The Cass family seem to be a typical American family. The older son, Liam, is a popular, charming teen-ager, however the Erika Cass has picked up a strange distance in him. Liam may be a dangerous sociopath who is getting too old her his mother to control. When one of his classmates goes missing, Erika fears the worst, especially when the police show up on their door.

This has been a plot that has had a few iterations over the years. The seemingly perfect child who is more dangerous than he appears is kind of overused. McFadden is a competent writer though, so it’s no worse than anything else with this type of story.

It’s told in first person with most of the narration alternating between the mother and a classmate of Liam’s who has a pretty intense crush on him. It’s a pretty quick read, and McFadden does well with ratcheting up the tension throughout. Unfortunately, her plot twist isn’t that hard to predict, but it’s still a pretty good read for us thriller aficionados.

Vince Flynn was a novelist who died several years ago, but his creation Mitch Rapp lives on with the continued writing talents of Kyle Mills. Mills has moved on from the series since writing my next read, but Rapp is not going anywhere as another writer steps up to continue. I have one more Mills installment to read, and that would be Code Red.

Doctor Who Audio Review: The Battles Keep Coming

The War Doctor Begins: Battlegrounds is a decent but unspectacular addition to range of War Doctor audio adventures from Big Finish Productions. Doctor Who has a myriad of ranges, and this one does remain fascinating overall, but this particular set struck me as being pretty average. Jonathon Carley continues his portrayal as the War Doctor, which was originated by the late John Hurt. Louise Jameson is the director of this set, and she does a good job.

The War Doctor was an incarnation who was denied by his other selves because of some of his actions taken during the Time War. He has denied himself his usual name, which makes introductions a little awkward to new characters. The War Doctor is not really evil, but he is a bit more ruthless than his other iterations.

As expected in this range, there are three episodes.

The Keeper of Light by Phil Mulryne begins where the War Doctor has a new companion and appears to be investigating strange signals that come from a lighthouse. It seems like a familiar type of adventure for this Time Lord, and he is only too happy to look into it. The problem is that he finds that his sense of reality may not be as reliable as he hopes.

The performances are great as usual. Carley continues to improve on the development of this character, and his impression of Hurt’s unique voice is impressive.

Rossa McPhillips continues the battle with the Daleks with his story entitled Temmosus in which the War Doctor has to convince a group of Thals that they are actually on the same side. A battleship the War Doctor has constructed has been stolen, and a Thal commander is trying to negotiate with the Daleks, which is not going to work out the way he hopes.

This is an interesting story as well. It seems overdue to bring in the Thals in this Time War saga since they shared the planet Skaro with the Daleks.

Finally, Timothy X Atack closes out this set with Rewind, which is actually the best out of this three.

The planet Lacuna is reliving the same day under an attack from the Daleks. Ignis Abel finds a lone man in a castle who may be the architect of their situation, but he was trying to save their lives. The War Doctor wants to break the population from the time loop he constructed, but doing so may leave them at the mercy of the Daleks.

Sarah Moss plays the optimistic and curious Ignis and is kind of the lead in this story. Her scenes with the War Doctor are well written.

The unique take on the repeating day is that the population is aware of the predicament and remember each time when the cycle ended with the Daleks slaughtering everyone.

The set is pretty good for the most part. I love that Louise Jameson has been expanding her role at Big Finish Productions beyond just playing Leela.

Carley is quite the find with his ability to emulate John Hurt’s distinctive voice.

Even if I didn’t find much that stood out, it’s still not a bad collection. Carley’s performance is quite astonishing. I wasn’t initially enthusiastic about the introduction of the War Doctor, but I am enjoying the heck out of this range of Big Finish audios even if that enjoyment comes at different levels.

Film Review: The Hunter Has A List

Kraven the Hunter is the latest cinematic offering associated with Marvel Studios, and it’s pretty much a disaster on almost every level. There are a couple of glimmers of something that could be interesting, but they’re pretty hard to detect, and I may just have a hard time admitting that I foolishly wasted my time watching this.

Anyway, J.C. Chandor is the director of this film with three screenwriters bearing the responsibility for this ill-conceived script. Richard Wenk, Art Marcum. and Matt Holloway are the culprits who for some reason sat around and considered this a worthwhile cinematic project to unleash upon the masses.

Aaron Taylor-Johnson is the pretty boy actor in the lead as the supposed rugged, semi-wild Sergei Kravinoff who becomes better known as Kraven the Hunter. Ariana Debose, Fred Hechinger, Alessandro Nivola, and Russell Crowe are included in the cast.

The film starts off with the two young Kravinoff brothers taken on a hunting trip by their tyrannical father, who is a major crime lord, and played by Russell Crow. Sergei is attacked by a lion and dragged before a young woman who belongs to a family of voodoo practitioners. A girl known as Calypso gives Sergei a serum which not only helps heal his wounds but also provide him with powers similar to the wild predators who he comes to protect from poachers.

Kraven also becomes a vigilante going after arms dealers and other assorted high-powered criminals. He is even more enraged when his younger brother, played by Hechinger, is kidnapped. His estranged father still wants him to take over his empire. in spite of their previous disagreements. Kraven is not without his own allies, and he has a ruthlessness that matches those who cross him and attempt to take one of the few people he actually cares for,

Another Marvel supervillain known as the Rhino also appears and is played by Alessandro Nivola. This version of the Rhino actually undergoes a metamorphosis when he disconnects his IV tube that keeps the beast at bay.

Kraven was one of the rogues’ gallery of criminals who challenged Spider-Man. I found him to one of Spidey’s more interesting foes when I was reading the comics back in the day.

Taylor-Johnson obviously works out and looks great, but he does not have the air of wildness depicted in the source material. His attempts at witty banter with Calypso and his brother fall flat. He just fails to look as terrifying as Kraven would likely be if he was a real person.

Fred Hechinger as the brother, Dmitri Kravinoff, is kind of compelling. Dmitri has quite a talent for mimicry, which becomes rather important toward the end of the film.

Russell Crowe is one of the few bright spots in this film, but even his presence isn’t enough to remove any regret over sitting through this. Crowe has a pretty nice career playing some nasty characters.

The fight scenes were okay at times. The final fight between Kraven and the Rhino seemed rather run-of-the mill.

This may be further proof that movies about the villains are not that interesting unless Spider-Man is directly involved. The writing and plot were still substandard. This film got raked over the coals by the professional critics, and this humble blogger has little reason to disagree.

On the whole, this was a terrible idea, and this film earned every bit of the beating it took in the box office.

Book Review: The Taming Of Dodge City

Dodge City: Wyatt Earp, Bat Masterson, and the Wickedest Town in the American West by Tom Clavin is a fascinating account of how one of the wildest settlements in the expanding nation was tamed largely by two legendary figures what is known as the Wild West.

Clavin is a prolific historical writer who specializes one of the most fabled eras of American history. He presents the reader with an interesting problem at the beginning. He reports that there is almost too much material to sift through regarding Wyatt Earp, but there is relatively scant information about Bat Masterson. He still manages to present fascinating histories of both of these men we well as other familiar names such as Doc Holliday, Jesse James, and Billy the Kid.

Clavin’s prose is pretty straight-forward, but he does pepper the book with some sly humor. He does acknowledge that there is a lot of falsehoods to weed through in his research. He is pretty clear as to when he is speculating as to how certain events went down, which is appreciated.

He said that much of the exploits of Earp and Masterson have been embellished by other writers and the media over the decades, but it seems their actual lives were much more enthralling than many led regardless.

There isn’t much to really criticize about this book. Not everything was laid out linearly, but I suspect that many books of this sort are like that. There is a bit of jumping back and forth in the timeline as Clavin has to divide his attention between two main figures of 1870’s

Clavin is very thorough in his research and seems to be forthright about some of the ambiguity in the information he had gathered. As mentioned before, he does a great job of identifying moments of speculation and some guessing as to what motivated certain people in certain events.

This is a rare reading indulgence for me. I don’t read much non-fiction; however, I hope to improve on that this coming year. I will likely revisit the works of Tom Clavin before long.

Anyway, for those interested in a more reliable account of the Old West, Clavin seems to be an excellent place to start. Dodge City is a very enlightening and entertaining read and provides what seems a probable accurate take on what life was like in one of the most turbulent periods in American lore.

I will return to thriller genre with a writer I have noticed recently who seems to have quite a bibliography for someone who seems so new to the literary scene. I am about to be introduced by Freida McFadden to The Perfect Son.

Doctor Who Audio Review: Fifty Years Of The Fourth

The Curse of Time is a Doctor Who audio drama from Big Finish Productions and is a special effort to commemorate fifty years of Tom Baker as the Fourth Doctor. Jonathan Morris writes a pretty good script, which is directed by Helen Goldwyn. Baker is joined by Sadie Miller as Sarah Jane Smith and Christopher Naylor as Harry Sullivan. The guest cast is comprised of Rosemary Ashe, Scarlett Courtney, Angus Dunican, Andrew French, George Naylor, and Terence Wilton.

While answering a summons back to Earth, The TARDIS is pulled through the time vortex into what is thought to be medieval times but is in reality in the far future after humans had fled solar flares that threatened the planet. They have returned, but they are dark secrets awaiting them as well These are the descendants of the humans from a certain Ark in Space. The Doctor and his friends have become legends, but a secret enemy is lurking in the caves, and he needs some help from the Time Lord and is not just going to ask for it.

An aspect of this story that I liked is that Morris doesn’t lean on the trope of bringing an old adversary out to face the Doctor. The story is a sequel to some of those in nineteenth season, however the plot is pretty original. It does a decent job of celebrating the Tom Baker era.

Sadie Miller is really sounding more and more like her mother, Elisabeth Sladen, who originally played Sarah Jane. Naylor is also pretty close to sounding like Ian Marter, who played Harry Sullivan in the television series. Tom Baker sounds pretty well and is as enthusiastic as ever, but I am starting pick up his nearly nine decades in his voice.

The episode isn’t spectacular, but it’s still pretty good. Even if it touches on some earlier stories in the television era, there is enough originality in the plot to feel like an unnecessary sequel.

This felt like a pretty good way to celebrate fifty years of the Fourth Doctor. Big Finish Productions avoided some of the usual trappings of such a milestone and gave its audience something more creative and unexpected in making this almost an ordinary Fourth Doctor romp.