Author: Peter Kanelis

I was born in Portland, Oregon and currently reside in Texas. I am an avid reader and movie watcher. I also am a long-time Doctor Who fan and collect the audio dramas as well as watch the television series. I have been writing reviews of this nature on social media for a few years now and want to expand on that practice.

Big Finish Audio Review: Jago And Litefoot Get A Little Help

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Jago & Litefoot Series Three is a pretty decent addition to the audio series reuniting the two Victorian investigators of infernal incidents with an old friend in the shape of Leela, portrayed by Louise Jameson. Christopher Benjamin and Trevor Baxter reprise their celebrated roles of Henry Gordon Jago and Professor George Litefoot in this new collection of episodes released by Big Finish Productions. Lisa Bowerman returns as Ellie, their favorite barmaid. Conrad Asquith reprises his role as Sergeant Quick. There are four episodes to discuss briefly here.

Just to review, the Jago & Litefoot series is a spinoff of Doctor Who. They met during the television serial entitled The Talons of Weng-Chiang during Tom Baker’s era in the role of the Doctor. Louise Jameson returns to lend a hand in this series as Leela. Leela has been sent from Gallifrey to help close some time breaches which have been plaguing Victorian London. It’s fun to hear them banter back and forth once again.

The first story to discuss is Dead Men’s Tales by Justin Richards. Beings known as Wet Men have been lurking around the streets and alleys of London. They have risen from the Thames looking for a lost member of their crew. The idea of ghosts from the future are first explored here.’

Leela gets to go undercover as a barmaid under the tutelage of Ellie Higson, portrayed by Lisa Bowerman, and the moments is hilarious. Jameson is quite an experienced actress and handles the moment quite deftly.

Anyway, it’s a fairly interesting story, but Richards has done better in the past.

The Man at the End of the Garden by Matthew Sweet explores the idea of a fairy tale coming alive. It was an okay script, but it was not that memorable. I did like that Big Finish actually cast a child for the role of a little girl at the center of the problem. They do not always do that. Eden Monteath is the name of the young actress, and she did a good job. The cast interviews at the end revealed that she took the part seriously but likely had fun as everyone attests to happening when recording at the studio.

Jago and Litefoot get a taste of the future in John Dorney’s Swan Song. More ghosts from the future haunt the New Regency Theater, which was recently bequeathed to Henry Gordon Jago. In the future, a lab will be built where time experiments are being conducted. This was a much more engaging story than its predecessors, but that’s not surprising considering it’s from Dorney.

Finally, another long time Doctor Who contributor, Andy Lane wraps up this set with Chronoclasm where the mastermind behind the disturbances is revealed. Philip Bretherton steps from the shadows as Elliot Payne. Jago, Litefoot, and Leela get some unexpected help from another Henry Gordon Jago.

It’s another competent script from a talented writer, but Lane has also done better in previous works.

Overall, it was an enjoyable listening experience, but the inclusion of Leela just seems like such an obvious move. Still, Louise Jameson does that part so well, so it was still nice to have her join in the hijinks.

The set serves the purpose of being enjoyment accompaniment in the car, but there is not much that I found to stand out other than the guest appearances.

Book Review: A Wounded Sheriff In Hiding Catches A Case

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Copper River is my first sampling of William Kent Krueger’s writing and is unlikely to be my last since I enjoyed this novel quite a bit.

Krueger has a protagonist named Cork O’Conner, a sheriff in Minnesota. O’Conner has apparently had quite a difficult time in the previous novels that I have yet to read. He starts off this story with a bullet in his leg and in hiding from a crime family who believe that he had killed one of their members. He ends up in Bodine, Michigan where he has a cousin that is able to meet some of his medical needs. The cousin, Jewell, is a widow with a young son, who is able to help with the bullet wound.

Cork’s investigative instincts awaken when a body is discovered in the river. A young girl has been murdered, and Cork needs some help when it appears that there is a conspiracy involving runaway teens. The killing doesn’t stop with one girl in the river. Cork has his own troubles and needs to get back to his wife and children, however he is not going to leave his cousin and her to face their threats without him.

Krueger is a pretty good writer and is not afraid to put his main character through the wringer. O’Conner is a typically pragmatic and likeable law enforcement officer. Of course, I am meeting this character in the middle of the series, but Krueger does a decent job of catching up the reader on events in the more recent novels without it seeming too clunky.

Apparently, Krueger also has some interest in Native American culture and history which he peppers in quite effectively.

Anyway, Krueger is a writer I am going to revisit in the not-too-distant future.

Next up, I haven’t read a Mickey Spillane novel in a while, but I do happen to have “Vengeance is Mine” in my stack of books on the dresser.

Film Review: Some Flights Should Be Missed

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Flight Risk is an adequately entertaining action film directed by Mel Gibson. The script came from the computer of Jared Rosenberg. Mark Wahlberg, Michelle Dockery and Topher Grace are the main stars of this film.

Michelle Dockery plays a US Marshal taking an important witness to New York from Anchorage on a small plane. Wahlberg plays the pilot who turns out to be on a crime family’s payroll and is hired to make sure that Topher Grace’s Winston doesn’t spill the tea in court. Most of the story takes place on the plane where Wahlberg gets to unleash his inner psycho.

The story is a bit implausible, but the performances are just strong enough to make that somewhat forgivable. Wahlberg actually does a decent job of behaving with terrifying and convincing savagery at times. Grace actually does well as the nervous, sometimes witty, accountant to a mob family who has decided to switch sides. Dockery’s performance as Deputy Madolyn Harris is fine as well.

Really, the writing is a bit of a letdown in this one. The cast members do the best they can, but the film ends not being one of Gibson’s best directorial efforts. There is still some evidence that Gibson retains some of his skills because the movie could have been a lot worse.

It’s a pretty forgettable popcorn flick, but at least it’s not going to be remembered for belonging on a cinematic trash heap.

Book Review: Christmas Cheer And Trouble On Baker Street

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What Child is This? is an adequate Sherlock Holmes novel written by Bonnie MacBird. It takes place during the Christmas season of 1890.

Sherlock Holmes and Dr. John Watson foil an attempted kidnapping on the streets of London and are engaged by the mother to identify the would-be adductor. The father of the child has made his own arrangements for an investigation. Also, another case of a wayward son presents itself when an aristocrat shows up at Baker Street to enlist the assistance of the consulting detective. Holmes is engaged to ensure some peace for two families in time for Christmas, but he and Watson have to navigate some dangerous waters so they can find some contentment in the holiday as well.

Bonnie MacBird is one of the better writers to carry on the legacy created by the late Sir Arthur Conan Doyle, but this is not one of the better ones in her series of Holmes novels. Holmes does display a certain compassion that can be overlooked in other pastiche works at times, so that is kind of a nice touch.

I just found myself less than enthralled by the cases Holmes was investigating. My interest was only mildly piqued from time to time.

There were some illustrations peppered throughout the book that were done by Frank Cho. I didn’t hate this entry into the series, but I was sort of just going through the motions in reading this.

I am still interested to see what MacBird’s next Holmes venture will contain. She is a talented writer, but she rather missed the mark with this particular release.

Now that is done, the next reading indulgence is going to be a visit to Copper River, where Sheriff Cork O’Conner, recovering from a gunshot wound, has involved himself in a very disturbing murder investigation that also involves abducted children. I have yet to read one of the thrillers by William Kent Krueger, but Copper River seems to be a promising introduction.

Doctor Who Audio Review: A Carriage To Chaos

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The Lord of Misrule is a Doctor Who audio novel from Big Finish Productions that is kind of an average story that is helped by a masterful narration and performance by the incomparable Jon Culshaw. Paul Morris is the writer and manages to craft a decent if unremarkable tale for the range.

The adventure features the Fourth Doctor, who would have been portrayed by the equally incomparable Tom Baker is this wasn’t an audio novel performed by Culshaw. It takes place starting off in 1901 and also features popular Victorian denizens Professor George Litefoot and Henry Gordon Jago. The Doctor is accompanied by Romana, as portrayed by the late Mary Tamm.

The story in London 1901 where the Doctor and Romana are visiting friends, Jago and Litefoot when they are made aware of people being taken off in a ghostly carriage. Other people with scattered memories appear in their place. It seems the carriage is ferrying people between the years of 1901 and 1801. When Romana and Litefoot are counted among the mystery, the Doctor and Jago pursue them and find themselves in a strange predicament with an alien influence at the heart of it. Also, an aristocrat wants to usher in an age of chaos and is wanting to be the one to choose the Lord of Misrule. The Doctor has his hands full with trying to find his missing friends, locate the alien influence that takes resides in the minds of unsuspecting humans, and trying to keep the fabric of society intact.

I usually don’t mind a lengthier Doctor Who story, but this one felt a little slower than usual. I also think that Jago and Litefoot run the risk of being overused by the writers.

The upside is Jon Culshaw is a masterful narrator. He has been doing impressions of Tom Baker for years and is the likely solution once Baker is no longer able to perform since he is now in his 90’s. He also really nailed the distinctive vocal range of the recently deceased Christopher Benjamin, who originally portrayed bombastic theater manager, Henry Gordon Jago. Unfortunately, he has a much harder time imitating Mary Tamm, but that is quite forgivable for obvious reasons. Culshaw’s enthusiasm for relating the story is infectious without feeling overacted.

The production of this release is first rate, but I had some trouble staying engaged with the actual story. It seems that Paul Morris has yet to be counted among one of my favorite Doctor Who contributors.

Still, it’s a release that doesn’t need to be ignored. I will likely revisit this one since it really isn’t a terrible effort. Culshaw’s performance really saves this one from a more pronounced rejection.

Book Review: Writing The Perfect Conspiracy

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The Mystery Writer by Sulari Gentill is an implausible, yet still enjoyable thriller dealing with new starts, eccentric families, and disturbing conspiracies.

Theodosia Benton is a young woman who has left law school and shows up on her brother’s doorstep with aspirations to be a writer. The Benton siblings are originally from Australia, but Gus Benton has established himself as a formidable attorney in Lawrence, Kansas. Theo begins her wiring project as she starts her new life under the care of her older brother. She meets a fellow writer, who takes on a mentor role in her life. When the relationship starts to develop into something more personal, the mentor is murdered quite brutally. Gus falls under suspicion, which forces Theo to take some drastic actions to protect her beloved brother. The more Gus and a good friend named Mac Etheridge start to uncover, they find that there may be a darker conspiracy at the root of their troubles.

Gentill takes her readers though quite a journey to arrive at the truth. Her characters were pretty interesting. The plot becomes a bit outlandish, but Gentill still makes it work. There are some interesting twists and surprises. I liked that there were some time jumps in this one. The story does not reach its resolution all that quickly for the characters.

Gentill has a writing style that flows pretty easily without seeming too boringly rudimentary. The characters are pretty likable and easy to care about. It seems that both Mac and the Bentons grew up with unconventional families. Mac’s family are conspiracy enthusiasts and doomsday preppers, yet it’s hard to not find them charming when comes onto the scene. Mac obviously loves his family but does find them somewhat exasperating.

Gentill does pepper some humor throughout her tale, but some serious revelations about the Bentons’ past comes to light.

Gentill seems capable throwing in some impressive twists which seems to be getting harder to do in this genre. I don’t know if she is the greatest mystery writer of the age right now, but she is certainly interesting enough for me to keep an eye out for her other works.

The Christmas holiday is behind us, but that’s no reason to avoid revisiting the Yuletide season during the 1890’s from the rooms of 221 B Baker Street, especially since Bonnie MacBird has continued her series of Sherlock Holmes novels with What Child is This?

Film Review: A New Wolf Man Unleashed

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Wolf Man is an adequate iteration of a common horror film figure directed by Leigh Whannell. Whannell co-wrote this script with Corbett Tuck. It’s a reasonable cinematic distraction and has some suspense, but it’s still unremarkable.

The film stars Christopher Abbott, Julia Garner, Sam Jaegar, and Matilda Firth. None of the cast appear to be the most recognizable Hollywood names, but they delivered reasonably solid performances. I sort of liked that I was not that familiar with this cast because it did help the film seem somewhat fresher.

We are introduced to the lead character, Blake Lovell, as a child who had a strange encounter in the woods when hunting with his father. The father is a difficult, paranoid man and his behavior left an unfavorable on his son, who has grown up, gotten married, and sired a daughter. Blake gets notice that his father, who had disappeared in the woods sometime, has been declared dead. Blake and his wife, Charlotte, have been enduring a tense marriage and agree that a trip to the Oregon wilderness could help them find some peace. Of course, this is a horror film, and they are stalked by a strange creature that has wounded Blake. Blake begins to undergo a slow transformation into something much more dangerously feral. Charlotte and their daughter are forced to fight for survival with the first beast in the forest, and eventually the husband and father begins to succumb to a new bestial hunger.

The visual effects are fine, and there are a few moments of real suspense. The performances were not noticeably bad. The background of this family was not all that interesting or intriguing. It’s another couple with some marital tension on the verge of likely separation. I found Blake Lovell to be somewhat bland as a family man. I don’t think it’s the fault of the actor. He did as well as he could. There was an interesting method he employed to instill some sense of confidence in his daughter. That relationship was kind of charming. Julia Garner was fine as the overworked journalist wife. There just wasn’t much I found charming enough about her for me to care that much if she got caught by the werewolf and torn to shreds.

The daughter played by Matilda Firth was performed well enough. I may have only cared about her survival because I am not sociopathic enough to really want to see a child become snack food, however.

The location was great; however, I am Oregonian by birth, so that may not be an unbiased opinion.

The visual effects were pretty good, but of course they were going to be.

It’s not a terrible film, but it’s another average, forgettable release that doesn’t leave much of an impression.

Book Review: Russians And Rapp In Syria

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Code Red is a recent continuation of the Mitch Rapp series of thriller novels originated by the late Vince Flynn. Kyle Mills has written his final contribution to the series and leaves the franchise with a pretty decent addition.

Mitch Rapp is a top counterterrorism operative for the CIA, and yet he owes a favor to someone who is rather despicable. A Mexican cartel leader has called in a marker and wants Rapp to travel to Syria to look into the creation of a powerful narcotic that is interfering with business. Rapp poses as a Canadian lawyer and has to behave a bit more civilized than he is used to operating. Rapp is a stone-cold killer when hunting for terrorists or anyone who poses a threat to the United States. He soon discovers that the proliferation of this drug is actually a form of attack from the Soviet government. Rapp is basically on his own since his latest mission isn’t really sanctioned by the US government. He also has good reason to not trust the man for whom he is working this time. He is quite well that he is seen by the crime lord as being very expendable. None of these obstacles will deter Rapp from protecting his family and those he has come to love. That also means there is going to be quite a bit more killing that will be done.

Mills does pretty well here. I was rather amused at the scenes where Rapp has to pretend to be paralyzed with fear when he is abducted while in his guise. Little do the bad guys know that their victim is the most dangerous man in the room. Rapp doesn’t really do undercover gigs, so it was refreshing to have him employ a tactic that he so rarely uses.

The villains are typical of this series. I do find it interesting when Rapp ends up going after someone other than another Middle Eastern terrorist. I believe this is the second recent novel that Russians were more of a target of Rapp’s lethal talents, and I sort of like the change of pace.

Also, the recent novels have Rapp basically in a stepfather role, and it’s pretty cool to see a paternal streak revealed.

I miss the original creator, Vince Flynn, but Kyle Mills was a solid choice by the publishing house to continue the series. He is a competent enough writer and was courageous enough to place Rapp in situations that may not have been explored by Flynn. Still, Vince Flynn was taken too soon. and too young. I would have loved to have known which direction he would have taken Rapp, but I think Mills does well enough honoring the legacy.

Don Bentley is now the successor for continuing Mitch Rapp’s bloody mission in protecting America from its numerous enemies.

Next up, I will be reading The Mystery Writer by Sulari Gentill.

Film Review: Even A Wicked Witch Has Beginning

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Wicked was something I enjoyed more than I expected because fantasy musicals aren’t my usual bag when it comes to my cinematic indulgences. It’s probably not the greatest film I have seen, but there were some great displays of talent and spectacle here. It does the job of being pretty entertaining and interesting.

It’s based on a play, which was in turn based on a novel written by Gregory Maguire. Winnie Holzman and Dana Fox wrote the script with John M. Chu as director.

Cynthia Erivo is in the lead role as the green-skinned Elphaba Thropp, who is to become the legendary, evil Wicked Witch of the West. Ariana Grande is Glinda the Good Witch. Other cast members of note include Michelle Yeoh, Jeff Goldblum, Jonathan Bailey, and Marissa Bode.

This is obviously a prequel to The Wonderful Wizard of Oz and reveals the histories of Glinda and the Wicked Witch, who is apparently named Elphaba. They come across at a place called Shiz University where one of the courses offered is sorcery. Elphaba reveals that she has a powerful telekinetic ability which she cannot always control. She is convinced to enroll alongside her sister. Elphaba and Glinda have an amusingly rocky start to their friendship. There is some movement against talking animals, and Elphaba decides to rebel against the authorities and rescue a lion cub. This prompts an invitation from the Wizard so she can come visit him. Of course, there are darker motivations behind the generosity. Elphaba begins her journey down a dark path that causes denizens of Oz to fear her.

The visual effects are stunning. The musical numbers were pretty good, although a couple of them dragged on a bit longer than I would have preferred.

I was somewhat surprised by Ariana Grande’s comedic timing at times. She really seemed to be a perfect casting choice for the self-absorbed, sycophantic Glinda. Her character arc was handled pretty well. It was hard to really dislike Glinda in spite of some of her antics, but I rather think that was the point of her character.

Erivo handled her role quite well. I was impressed with her when I saw her in Harriet, so I was less surprised by her performance.

The sets were lavish and beautifully constructed. There is a lot of visual stimulation, but I was more impressed by the imagination and craftmanship than anything.

There were times that I felt the musical numbers got in the way of the story. That’s my only real criticism of this film.

Apparently, there is a second part to this story to be released, and I am hooked enough to see it.

Book Review: Even The Perfect Son Has Some Dangerous Secrets

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The Perfect Son by Freida McFadden is an interesting and competent thriller about how far a mother can go to protect her son even if she is not sure of his innocence of a horrific crime.

The Cass family seem to be a typical American family. The older son, Liam, is a popular, charming teen-ager, however the Erika Cass has picked up a strange distance in him. Liam may be a dangerous sociopath who is getting too old her his mother to control. When one of his classmates goes missing, Erika fears the worst, especially when the police show up on their door.

This has been a plot that has had a few iterations over the years. The seemingly perfect child who is more dangerous than he appears is kind of overused. McFadden is a competent writer though, so it’s no worse than anything else with this type of story.

It’s told in first person with most of the narration alternating between the mother and a classmate of Liam’s who has a pretty intense crush on him. It’s a pretty quick read, and McFadden does well with ratcheting up the tension throughout. Unfortunately, her plot twist isn’t that hard to predict, but it’s still a pretty good read for us thriller aficionados.

Vince Flynn was a novelist who died several years ago, but his creation Mitch Rapp lives on with the continued writing talents of Kyle Mills. Mills has moved on from the series since writing my next read, but Rapp is not going anywhere as another writer steps up to continue. I have one more Mills installment to read, and that would be Code Red.