Film Review: Charlie Heller Is No Natural Born Killer, But He Can Learn

~ Peter Kanelis ~ Leave a comment

The Amateur just manages to be one of the better films to be released early in 2025 with Rami Malek putting forth a heartfelt performance as CIA cryptographer Charlie Heller, who launches a campaign to avenge the murder of his wife, which will lead him to acquire a different set of abilities. James Hawes is the director of this film, which was written by Ken Nolan and Gary Spinelli. It is based on a novel written in 1981 by Robert Littell.

The cast is a formidable one that includes Laurence Fishburne, Rachel Brosnahan, Holt McCallany, Julianne Nicholson, and Caitriona Balfe.

Charlie Heller is a mild-mannered, ingenious, and somewhat socially awkward CIA nerd who somehow managed to snag a beautiful, charming wife played quite convincingly by Brosnahan, who is about to leave for London on a business trip. Sarah Heller is gunned down in a terrorist attack, which prompts the grieving Charlie to use his smarts to identify the murderers. He is more than a little disappointed when he finds that his colleagues aren’t too willing to move on the information he has provided. He decides to take matter into his own hands and gain the training he needs to accomplish his lethal desire for justice. The point is driven home that he does not quite have the necessary fortitude to be a stone-cold killer. He does have other skills and knowledge that could be of use, however. The superiors in the agency have still misjudged Heller’s determination and talents, and they may eventually regret now working with him. Heller has four suspects to hunt down and is on a dangerous path to confront the man who pulled the trigger.

I thought this was a pretty good film even if the plot seems as old as Time itself. Malek’s performance did evoke more than a little sympathy for his character’s loss, but I am a bit of a sucker for a good revenge plot.

The film does have some great scenery throughout since Heller has quite a bit of traveling to do. There is not much time devoted to clearly explain how Heller was able to get his hands on some of the utensils he acquired to pull off his plan. Still, some of these plot holes are not significant enough to keep me from finding enjoyment in this release.

Malek is a talented actor and appears to be a solid casting choice for this role. I have no real criticism of any of the performances themselves, so that’s a plus.

I had some issues with the editing, which I am finding to be a more common observation in the recent movies I have viewed. The shifts in scenery were a bit jarring at times.

The plot is implausible and relies on a few annoying coincidences, but again it manages to not seem too over the top.

The movie is not the greatest spy thriller of all time, but it’s a long way from the bottom of the barrel and worth the time to kick back with a favorite snack and see how far Charlie will go for vengeance.

Doctor Who Audio Review: The Destiny Of Mondas Revisited

~ Peter Kanelis ~ Leave a comment

Doctor Who: Genesis of the Cybermen is an audio drama from Big Finish Productions that revisits the origins of the Cybermen, a feat accomplished already in a previous release entitled Spare Parts. This story was originally conceived by Gerry Davis and adapted by David K. Barnes. Peter Davison returns yet again to the role of the Fifth Doctor and is accompanied by Janet Fielding as Tegan, Sarah Sutton as Nyssa, and Matthew Waterhouse as Adric. The director is David O’Mahoney. Nicholas Briggs again fires up the voice modulator to portray the Daleks. The remainder of the guest cast is comprised of Michael Abubakar, Nuhazet Diaz Cano, Kelly Price, Colin Tierney, and Evie Ward-Drummond.

The TARDIS has crashed on a world where a king is dying, and one of his sons is trying to save his civilization from a catastrophic shift in the planet’s orbit. The Doctor and his friends offer their help, but he soon realizes that he has arrived on the planet of Mondas at the birth of one of his greatest foes. The Cybermen are about to rise yet again and plan to survive by any means necessary.

This release is one in the range known as The Lost Stories. It was a script that was considered for the television series many moons ago and was ultimately scrapped.

Although this one isn’t bad, I still prefer Spare Parts. Genesis of the Cybermen is still worthy of a purchase and a listen though. The performances of the main cast members remain strong and distinctive. Davison still puts in a compelling performance even is he sounds noticeably older than he did forty years ago. The banter between the main cast is still compelling and amusing at times.

The guest cast is also well-chosen as is usually the case. Colin Tierney in particular has a complex role as the one who is fiercely loyal to this people and creates the Cybermen, one of the most horrific races in Doctor Who lore. It’s a suitably complicated story without going overboard. There are some interesting themes involving family and leadership explored.

The descriptions conveyed of the conversion process to become a Cybermen are as horrific as ever. Genesis of the Cybermen still does better than merely getting the job done as a source of entertainment. More Fifth Doctor is never a bad thing anyway.

Book Review: A Most Peculiar Adoption

~ Peter Kanelis ~ Leave a comment

Unto Us a Son Is Given by Donna Leon is not one of the better novels featuring Venetian Commissario Guido Brunetti. It was first published in 2019.

Brunetti is invited by his father-in–law to a drink because he wants to lay out a concern over an old friend. An elderly art connoisseur in Venice is wanting to adopt a young man, and there does not appear to be much of a rational explanation for this move. Brunetti is asked to look into it and see if this young man has any trouble in his past. Brunetti agrees to take a look into it even though this isn’t his usual type of investigation. The old man drops dead in the street leaving the young stranger as an heir to his estate. Brunetti is back on familiar territory when another friend of the old man’s is strangled to death. He finds that the people in his life have more complicated pasts than even he realizes.

Leon describes the setting of Venice in loving and captivating detail. Brunetti is a pretty interesting protagonist with a stable family life.

Leon’s prose style is certainly distinctive and more than adequately displays her natural talent.

The problem I have with this novel is that it really seems to take a while for anything that interesting. The first death doesn’t occur until around halfway through the book. The murder takes a bit longer. It’s just kind of a slow book.

The plot itself is rather interesting, but it just takes too long to get moving. Leon herself is still a writer worth checking out, and I am sure it will not be too long before I look in on Guido Brunetti, his family, and fellow police officers.

The next selection on the reading queue is Holly by Stephen King.

Book Review: Chief Inspector Gamache Finds The Devils Even In Paris

~ Peter Kanelis ~ Leave a comment

All the Devils Are Here by Louise Penny is an intriguing entry into her mystery series featuring Chief Inspector Armand Gamache, who would usually be investigating all manner of violent wrongdoings in Quebec. This time, murder strikes his family vacation in Paris, and Gamache finds that he is never really off duty, especially when the devils strike too close to home.

“Hell is empty, and all the devils are here” is a line from William Shakespeare’s The Tempest, and I think Penny has struck gold with the title of this particular thriller. She also been writing about Gamache and his family for a lot of years. Although this is my first indulgence with this series, I elected to jump in with one of the more recent installments, so the background is not immediately clear to me.

The trouble starts off when Gamache’s ninety-three-year-old godfather, Stephen Horowitz, is struck down in the street and is sent into a coma in front of the other family members. Gamache and his wife find a key to a ritzy hotel suite where they find a body. Apparently, Horowitz has been keeping some dangerous secrets over his many decades, and it’s unclear as if he is on the side of the angels or the devils. Gamache and his whole family, some of whom have moved to Paris from Quebec, face suspicion from the Parisian investigators. Gamache finds that there may be a deep corruption rotting the souls of those he should trust the most.

Penny is without question a talented writer, and she has created a very likable character that deserves to endure through several more novels.

Her description of Paris is quite compelling. I like the family dynamics even if Gamache has an unexplained estrangement with his son, which does actually get explained in this entry. Gamache is a tough dude, but he does have a unique sensitivity not often found in many crime fiction protagonists. I love his fierce loyalty to his family and his unwavering devotion to his son, Daniel, even when there is some reason to question his intentions.

I had a little trouble following the story because there were some flashback moments that were a little hard to follow at times. Specifically, the climax of the story was apparently not related sequentially.

I also had some trouble because much of the past capers were referenced, and I was missing some context, but that was probably more due to my erratic reading habits than any fault of Penny’s.

Anyway, this is a perfectly enjoyable thriller, although the reader would probably get more out of reading the series in order. I may not follow my own advice on that, but I can pretty much guarantee that this is not my last foray into the works of Louise Penny.

It has been a while, but I think it’s time to take a literary journey to Venice and check in on Commissario Guido Brunetti who has another murder to solve in Donna Leon’s Unto Us a Son Is Given.

Doctor Who Audio Review: Ghost Safaris And Stolen Memories

~ Peter Kanelis ~ Leave a comment

The range of Big Finish Doctor Who audio dramas featuring the Fourth Doctor continue with the latest satisfying release entitled The Hellwood Inheritance. Tom Baker and Louise Jameson reunite as the Doctor and Leela, respectively, for two stories contained in this set. Ken Bentley and Jamie Anderson share directing duties. Both stories turn out pretty well, but with Baker and Jameson in the lead, that’s going to be a likely outcome.

Alan Barnes starts off with a bit of spookiness in The Hellwood Inheritance. The guest cast includes Rosie Day, Chris Jarman, Richard James, James Meteyard, and Tamzin Outhwaite.

The Doctor and Leela arrive on the grounds of Hellwood Manor where they have a troubling encounter with a headless knight that pursues them through the grounds. After that escape, they meet the architects of what is planned to be a ghost safari and shown the “ghost catcher”. The Doctor is not sure that he is being told the whole truth about what powers the device, and a more sinister plot than a mere supernatural entertainment park is revealed.

I wouldn’t call this a real standout story, but it gets the job done as far as being entertaining. Tom Baker still sounds strong and engaged in the role even though he is close to his ninth decade at the time of recording. Jameson still slips into her most well-known character with ease.

I love a good ghost story in Doctor Who, and this fits the bill. There are not many scares or chilling moments, but the humor makes up for it. The performances are solid enough. The writing is not all that bad. Barnes has been associated with Big Finish and Doctor Who for some time, and his reliability as a writer remains evident here.

The episode still falls a little short of what I think would be among the more highly regarded stories in the range, but it still shouldn’t be overlooked. Tom Baker is well into his nineties here, so I am cherishing every new performance I can get.

The Memory Thieves is written by Phil Mulryne. The guest cast includes Daisy Ashford, Ayesha Antoine, and Wayne Forester.

The TARDIS arrives on a colony world in the future where strange pulses emanate from the forest, and the colonists lose their memories. The Doctor and Leela are separated by an earthquake. They have to earn the trust of the colonists in order to help them stop the force known as the Abeyance.

I had some trouble getting into this one. Baker and Jameson are still worth the time, but I didn’t find the story all that interesting. It’s not a terrible effort by Mulryne, but I did not find this particular contribution all that memorable.

It’s always fun to get some new stories with the Fourth Doctor and Leela, and this particular set was entertaining enough for me to still recommend to my fellow Whovians to give it a go.

Film Review: Hijackers And Vampires Do Not Play Well Together

~ Peter Kanelis ~ Leave a comment

Blood Red Sky is a pretty interesting horror action film directed by Peter Thorwarth, who also cowrote the script alongside Stefan Holtz. It concerns a mother who is soon revealed to be a vampire on her way to America for treatment. The flight gets interrupted when the flight is hijacked, and the mother is unable to control her unnatural urges.

The cast includes Peri Baumeister, Alexander Scheer, Kais Setti, and Dominic Purcell.

Baumeister plays a widow who appears to have leukemia; however, her affliction is even less common and more horrifying. She and her son board a plane where she is going to a treatment facility that could apparently treat her bloodthirsty condition. Her hopes get derailed when the plane gets hijacked. Her curse may be the only weapon she has to protect her son and other passengers.

This is one of the better horror films I have seen recently. It is from a German production company, so that is kind of interesting. Purcell was only cast member I recognized from the television series Prison Break.

Anyway, the visual effects were pretty good. The transformation that Baumeister undergoes was quite impressive.

It’s a pretty gruesome piece of work, but there seemed to be some restraint exercised.

Scheer also deserves a specific shout-out for his performance as one of the hijackers known as Eightball. He seemed to get into his role and was genuinely disturbing.

There are moments between the mother and child that are quite heartbreaking and well-performed. The young actor, Carl Koch, gets a little too shrill at times, but he does a pretty good job overall.

It’s a strange, chaotic script, but it turned out to be a pretty compelling and suspenseful film. If one enjoys vampires mixed with hijacked airplanes, this is a film to not ignore.

Book Review: A Gruesome Delivery

~ Peter Kanelis ~ Leave a comment

Career of Evil by Robert Galbraith is another interesting installment in the Cormoran Strike series and is likely the most gruesome case yet. Strike is a former military investigator who has a prosthetic leg after losing his original limb to a bomb. He is a struggling private investigator who has also gained some notoriety after solving some high-profile murder cases in London. He has recently partnered with a former temp worker named Robin Ellacott, who has really been a huge assistance to the business.

Speaking of amputated legs, this little mystery begins with a severed leg showing up at Strike’s office. Strike quickly determines that one of his old adversaries is making a twisted attempt to rattle or threaten him. The reaction that Robin has when Strike comes up with four candidates capable of such a heinous act in his past is sort of amusing in a dark way.

More of Strike and Robin’s past is revealed here. Their friendship deepens until a seemingly rash decision threatens to wreck the trust they have built.

Robin’s upcoming wedding to a snarky Brit named Matthew is also on the brink of heartbreak. I am not sure if Galbraith is going to have a romantic union occur between Strike and Robin, but the progression in their relationship is compelling.

This is the third installment in the series, and Galbraith is getting better at fleshing out these characters.

Cormoran Strike is a pretty solid investigator in spite of his handicaps and hang-ups. I find him more likable and compelling with each novel. His relationship with Robin is just complicated enough to make things even more interesting.

There are some moments where the story is dragged down by a little too much exposition, but it’s not unforgivable. Most novels that come close to five hundred pages have that tendency. Galbraith’s writing style is just engaging enough to make the effort worth it.

Of course, Robert Galbraith is a pseudonym for J.K. Rowling, the mastermind behind the Harry Potter franchise. I have yet to read her most well-known works, but her works featuring Strike also showcases a formidable talent behind her keyboard.

Career of Evil also features an interesting homage throughout to the music of the band Blue Oyster Cult. Rowling seems to have a quirky imagination when it comes to adding quotes or pop culture references.

This is a pretty good addition to the series, and the tumultuous relationship between Strike and Robin is often as compelling as whatever investigation is at the center of the plot.

Eventually, I will get to the fourth novel, but not just yet.

Next up, Murder wrecks the Parisian vacation of one Chief Inspector Armand Gamache in Louise Penny’s All the Devils Are Here.

Film Review: Captain America Sees Red

~ Peter Kanelis ~ Leave a comment

Captain America: Brave New World is the latest film added to Marvel Studio’s list of mildly entertaining cinematic experiences in a still over-saturated superhero market. It is a little better than I had heard but not by much.

There are five credited screenwriters for this, including the director, Julius Ornah. The other collaborators are Rob Edwards, Malcolm Spellman, Dalan Mussan, and Peter Glanz.

Anthony Mackie has succeeded Chris Evans as the new Captain America. His superhero moniker in the previous MCU films was the Falcon. Now, he is the new Captain America since the previous one, Steve Rogers, went back in time to be with his lost love and bequeathed his shield to Sam Wilson. Anyway, other cast members include Harrison Ford as now-President Thaddeus “Thunderbolt” Ross, Danny Ramirez, Shira Haas, Tim Blake Nelson, and Giancarlo Esposito.

Nelson reprises his role from The Incredible Hulk film of 2008, which was Dr. Samuel Sterns, a super-intelligent villain who was grievously wronged by Ross for many years.

An old friend of Wilson’s is brainwashed into attempting to assassinate the president. A treaty with Japan falls into peril as they negotiate the handling of a new element known as adamantium. Ross had invited Wilson to a summit at the White House, wanting to discuss the chances of rebuilding the Avengers. The assassination attempt sparks an investigation that leads Captain America to an enemy who was kept in secret. Ross also has to fight off a frightening transformation triggered by his ingestion of gamma radiation. The new Captain America will have quite a fight on his hands to protect his country and the world from enemies within his own government.

Mackie is actually a talented actor and does his best with this role, but I didn’t find his character to be all that interesting. His angst about replacing the previous Captain America is somewhat predictable. He performs his fight scenes quite well. He seems to have trained quite hard to make some of those moves seem so effortless. My lack of enthusiasm for this portrayal has more to do with the writing than Mackie’s casting.

Harrison Ford predictably does a solid job as Thaddeus Ross, a role he took over from the late William Hurt. The previously mentioned frightening transformation is in the trailer, so I am not spoiling much by saying that he becomes the Red Hulk, which is pretty well realized with the assistance of CGI and whatever other special effects gizmos are involved.

I guess I was also distracted by the realization that it took five screenwriters to cobble this thing together. Parts of it did feel a little tacked together.

The film manages to avoid being completely terrible. There are some interesting moments peppered throughout.

Sterns was kind of an interesting adversary with a legitimate beef. Of course, the problem is that he was willing to tolerate a lot of collateral damage for his understandable desire for revenge. Nelson was quite effectively creepy at times. It was nice to see some previously dangling threads from The Incredible Hulk get tied off.

The fight scenes were well done, but Marvel films tend to be consistently effective in that arena.

Overall, the film has some good points such as casting and a semi-interesting plot, but the editing, some of the dialogue, and a rather underwhelming cameo are a little too clumsy for me to forgive.

Doctor Who Audio Review: Puccini, Iceland, And The Mara

~ Peter Kanelis ~ Leave a comment

Deadly Strangers is the latest Doctor Who audio boxset from Big Finish Productions to feature the always welcome return of Paul McGann as the Eighth Doctor, and the three stories contained within are eclectic and engaging. The director is Ken Bentley. Jaye Griffiths and India Fisher accompany the Time Lord as Lady Audacity Montague and Charlotte Pollard, respectively. The guest cast in each story are predicably well-chosen. As usual, I will proceed with a few brief comments on each story.

Matthew Jacobs gets things rolling with Puccini and the Doctor. Tim McInnerny portrays the celebrated musician Giacomo Puccini, who wrote the famous opera, Madama Butterfly. The Doctor is not alone in being an extraterrestrial interested in the arts created by humanity. A mysterious and beautiful woman named Tura will change the lives and forms of those who are unable to answer her riddles. What is meant to be a mere visit to appreciate beautiful music and meet one of the minds who create it turns into another attempt by the TARDIS crew to protect the Earth from another dangerous alien presence.

McGann has lost none of his energy in his performance as the Doctor. Jaye Griffiths proves to be a welcome addition to this team. Charlotte is forced to grapple with some intense feelings for the Doctor. Both of the current companions perform wonderfully in their roles. Audacity is certainly one of the better recent creations from Big Finish.

The ploy itself is pretty interesting because Princess Tura, portrayed by Tania Rodrigues, turns out to be quite as malevolent as she first seems. Jacobs takes his audience on a pretty compelling and complicated examination of love.

It’s an interesting story that creates a nice blend of fantasy and a glimpse of history and culture. Not a bad start here.

Women’s Day Off by Lisa McMullen brings the Doctor, Charley, and Audacity to Iceland, 1975 where the women are on strike, but a young girl is terrified of her own powers that she cannot quite control.

Once again, another alien visitor is trying to get home, but he has an important component to find, and the girl known as Kyla may know something about that.

Molly Harris and George Watkins are included in the guest cast and prove to be quite effective, which is the usual result for Big Finish casting.

The title of this set is a little perplexing since the alien visitor once again turns out to be a likeable fellow. It is a bit of a departure that no one wants to actually conquer the Earth and subjugate everyone, however McMullen does make this suspenseful regardless.

The women’s strike in Iceland is an actual historical event but not a well-known one, so it was nice to receive a little nugget of knowledge I didn’t have before.

It’s a pretty good episode that is well-performed even if the stakes are relatively low for a Doctor Who tale.

Finally, a dangerous interloper appears in The Gloaming by Lauren Mooney and Stewart Pringle which completes this set. Gloaming is a luxury sleep clinic which orbits a dead world and contains rich Sleepers in suspended animation. A dark presence the Doctor has encountered before has entered their dreams of the Sleepers and threatens to take over the Time Lord’s friends. The Mara has escaped from the dark places of the inside once again.

This was a strong finish for this set. The Mara is a delightfully mischievous and deadly opponent for the Doctor, and it was great to have it back. Hopefully, the Mara are used sparingly because the rarity of their appearances makes their delicious malevolence a treat.

The final episode is my favorite, but the whole set really works well. Audacity is a recent addition to the gallery of companions, and she has grown on me quite a bit. Audacity Montague is an aristocrat from the Regency era of England, and Griffiths seems to have the perfect voice for someone of that origin.

Paul McGann is as effusive and charming as ever as the Doctor. Charlotte Pollard is one of the early Big Finish companions, and India Fisher still easily finds that voice after two decades of playing her.

Big Finish has another jewel with this one. Three pretty solid stories with a formidable TARDIS team make Deadly Strangers one of the better ones to start off the 2025 releases.

Doctor Who Audio Review: The Early Days Of Exile

~ Peter Kanelis ~ Leave a comment

Doctor Who and the Brain Drain is a Doctor Who audio drama from Big Finish Productions with great performances but a bit too long of a running time for the plot. Nicholas Briggs serves as director and co-writer alongside Richard James while Tim Treloar returns as his version of the Third Doctor as originally played by the late Jon Pertwee. Daisy Ashford portrays Liz Shaw, who was originally performed by her mother, Caroline John. John Culshaw once again fills in for the late Nicholas Courtney as Brigadier Alastair Lethbridge-Stewart.

The talented guest cast is comprised of Mark Elstob, Susan Harrison, Rosalyn Lendor, Glen McReady, Callum Pardoe, and Milo Ratter.

This story begins soon after the Doctor is forced to regenerate by the Time Lords and sent to earth in exile where he joins forces with UNIT alongside his old friend, the Brigadier. He has yet to obtain his antique car he had named Bessie. The Master has yet to make his first appearance.

The Doctor, Liz and the Brigadier attend a symposium that introduces a new revolutionary treatment for memory loss and dementia, however there are also peculiar reports of sightings of mythical creatures around the site in Scotland. The Doctor suspects a malevolent alien influence at the heart of the mystery. The supposed miracle cure appears to be anything but. The Doctor disappears, and Liz and the Brigadier have to conduct their own investigations.

There seems to be an enemy who knows the Doctor, but he has yet to meet them.

This was an effort to recreate the seven-part episodes that were prevalent in the program’s seventh season which introduced the Third Doctor. The problem is that even in Doctor Who, those serials can feel a bit of a drag.

Treloar’s version of this Doctor is still quite compelling. Culshaw and Ashford also do well with their roles, which they have taken over from previous actors.

I also liked that the Doctor was absent for a couple of episodes, giving Liz and the Brigadier a chance to shine a bit as they proceed with their search for answers. I enjoyed how the Doctor re-entered the fray toward the climax of the story which seems to draw inspiration from The Hound of the Baskervilles when Sherlock Holmes is also left out of much of that story.

The story’s exploration of dementia is handled with some appropriate sensitivity in spite of the science fiction elements. It does demonstrate the heartache experienced by family members and caregivers of those afflicted effectively without slowing the pace of the story much. Other aspects slow the story down but not that.

There are some flaws that have more to do with the bloated length of the story, but it’s still pretty good. I just wish that Big Finish did more to represent the era without feeling like it needs to copy every aspect. I mean, it’s okay to have shorter stories.

This particular release is pretty good, but I don’t know that it’s the most shining example of the talent available to the company.

I don’t really like to quibble too much about a new Third Doctor adventure from Big Finish. This story is better than what the title would indicate. Pertwee’s era did have a few clunkers when it came to titles, but this is still a more than adequate release in many ways and certainly worth the time it takes for a listen.