Book Review: Trapped In Luxury With Count Rostov

A Gentleman in Moscow by Amor Towles is one of the most elegantly written novels I have read in some time filled with all kinds of interesting Russian history and culture seen through the eyes of an aristocrat who is placed under house arrest at the luxurious hotel in Moscow where he resides.

Towles takes us readers back to 1922 Russia where Count Alexander Rostov faces a Bolshevik tribunal over some poem that was attributed to him. Apparently, the tribunal found that the Count was a little enamored with his aristocratic position in society. The Count has spent some years living at a luxury hotel known as the Metropol in Moscow. He is sentenced to house arrest and is not allowed to leave the hotel. To add insult to injury, the Count is moved out of his usual suite and has to take up residence in the old servants’ quarters in the attic. During his years there, the Count does manage to cultivate some friendships with some of the staff and guests. He also has the opportunity to raise a child that has come into his care. History is made in Moscow outside of the doors of the Metropol, and the Count keeps up as best he can. The unexpected blessing that he receives over the years is a sense of purpose that was missing for much of his life. Although there are worse places to be confined, the Count still has to adapt to a loss of freedom and manages to actually thrive in some ways.

Towles chooses to create a character who sort of rolls with the punches in a strangely whimsical manner. The Count even manages to adjust to his new lodgings in the attic with a certain impressive stoicism. Some may read this and believe the Count to be a rather boring protagonist, but he is anything but. The Count is a fascinating character because many of his reactions are atypical to the circumstances.

The story unfolds over a pretty long span of time. The Count has had some heartbreak in his past and does care more deeply about family. He even manages to become an adoptive parent when a child is left in his care.

Towles can appear a bit wordy at times, but I find his style reminiscent of authors from late nineteenth to early twentieth century. Sometimes the exposition slows the plot down at times, and there is still a temptation to skim over some of the heavier passages. I would encourage other readers to take their time and enjoy the prose as much as possible.

This novel was published in 2016 and has enjoyed quite a bit of acclaim over the past several years. The applause is well-earned here. Towles does well to recreate the setting. Although Count Rostov is a product of Towles’ imagination, the Metropol is actually a real place. Maybe if Moscow appears more welcome to tourist within my lifetime, it would be tempting to check this place out. I would likely also need to experience an improbable financial windfall to afford such a venture.

Anyway, there is not much to criticize this novel. It is very entertaining and enlightening. Amor Towles is likely becoming a writer who I intend to follow a bit more intently.

The next indulgence is a return to the crime thriller genre, but this is another author I have not read before. I am looking forward to allowing author Danielle Trussoni to introduce me to The Puzzle Master.

Film Review: The Brat Pack Revisited

Brats is an engaging documentary directed by Andrew McCarthy which explores the impact the moniker “Brat Pack” had on the group of young actors in the 1980’s who endured the unflattering label over the years,

The Brat Pack consisted of young actors such as Rob Lowe, Demi Moore, Ally Sheedy, and McCarthy himself who appeared together in certain films which launched a genre of films that depicted the angst and complicated relationships of those coming of age during the 1980’s. Films such as Pretty in Pink, Sixteen Candles, and of course, The Breakfast Club are considered the creme de la creme of this category. I almost forgot to mention St. Elmo’s Fire as well,

McCarthy reconnects with and interview some of his old colleagues. Many of them avoided contact with the others after the article published by New York magazine stuck them with the label. A couple of prominent members such as Molly Ringwald and Judd Nelson chose not to participate in the documentary, however McCarthy included them with archived footage.

McCarthy puts forth a pretty compelling examination of the past. He wanted to get a sense of what some of his fellow actors thought at the time and how some of their impressions have changed over the past few decades. McCarthy himself seems to have some complicated and nuanced view of the consequences of that article, and it was fascinating to see him wrestle with those emotions.

David Blum is the journalist who wrote the infamous article, and McCarthy sits down with him, which is great.

I have seen few of the movies themselves, but I was aware of the Brat Pack and generally enjoyed their works as separate films. Of course, I was too young at the time to appreciate the potential effect and consequences of the label at the time.

Emilio Estevez even agrees to talk to McCarthy. How long has it been since he has been in front of the camera?

It’s not the most earth-shattering documentary, but it is interesting and amusing. It’s even a little educational from a pop culture standpoint. McCarthy seems like a pretty nice fellow in spite of some of the lingering resentment over the impact on his career, which still ended up being pretty good.

Bigger fans of this group of actors will likely appreciate this film even more, however I was pretty impressed with the final edit. I still learned a lot and appreciated the sense of nostalgia the film evoked.

Film Review: Mina More Than Feels Like Somebody Is Watching Her

The Watchers is a supernatural horror film that has some interesting concepts and moments; however, it is another one that just fails to really stand out in the genre.

Ishana Night Shyamalan has written and directed this film, which is based on a novel written by A.M. Shine. Dakota Fanning is in the lead and is joined by a pretty talented cast which includes Georgina Campbell, Olwen Fouere, Oliver Finnegan, and John Lynch.

Mina is an American living in Ireland, which is a situation I kind of envy. She has carried considerable guilt about the circumstances of her mother’s death which occurred fifteen years previously. She works in some exotic animal establishment and is asked to deliver a rare sort of parrot to Belfast. Mina somehow ends up on a route which takes her through a dense forest, and her car breaks down. While wandering in the forest, Mina encounters an older woman who leads her to a bunker building where two other people are residing. There is a large, mirrored window. During the night, creatures emerge from the tress to observe this little group. They are allowed to leave the Coop during the day but must return by nightfall or some unpleasantness would be afoot. Of course, living this way indefinitely is not what Mina has in mind, so a daring escape is planned once some questions are answered regarding the origin of the Coop.

Ishana Night is the daughter of long-time horror director M. Night Shyamalan, and the family resemblance apparently carries over into directing styles. Much like I have noted about M. Night’s film, the initial concepts are compelling, but somehow the execution doesn’t quite impress as much as I hope. Ishana does little to make her effort more distinct from her father’s style of filmmaking. The performances were somewhat interesting. Dakota Fanning is the only one on the cast I recognized immediately. I don’t mind that because I sort of like coming across actors that don’t have that immediate name recognition. There are some diamonds in the rough among that group of actors. I think the cast is talented enough, but I am not sure this project makes the best use of that talent.

The visual effects were pretty good, but that’s not hard for these studios to do these days.

I think Ishana has some potential. Despite my reservations about this film, I have seen worse, and I was genuinely interested to see what would happen next. The film has a rather peculiar and messy resolution, but I didn’t find everything about it to be irredeemable. Ishana may just need some experience and willingness to come out with something that would feel different from her father’s works.

I believe Ishana Night Shyamalan could be a good director and writer, but she may need to be more discerning about her future projects. This could just be one of the clearest examples of the novel likely being much better than what we got on screen.

Book Review: Catching Killers Has Become A Family Affair

Blessing of the Lost Girls is a very interesting and somewhat unusual mystery novel by the prolific J.A. Jance and may be one of the better ones in her lengthy catalogue.

Jance writes quite a few series these days. This one takes place in Arizona within the jurisdiction of Sheriff Joanna Brady of Cochise County. Brady herself is not in this one very much. The lead protagonist is a feral agent named Dan Pardee, who works with a new federal agency which investigates the disappearances or murders of Native Americans in particular. Some burned human remains was finally identified after a few years of their discovery. They were once a lovely young woman who was a rodeo contestant and a Native American. She also was acquainted with one Jennifer Brady, the daughter of the aforementioned sheriff. Jenny Brady has grown up since her introduction to readers and is currently studying criminal justice. She has figured out a way to be of some help to this new investigation which reveals the presence of a serial killer who has been stalking the rodeo circuit for many years. Pardee is the son-in-law of another lawman created by Jance. That would be Brandon Walker, who did not appear as frequently as Brady or Jance’s other best-known detective, J.P. Beaumont. Jance has also decided to introduce her killer pretty early in this one, however there are still some alarming secrets to be discovered about this one.

Jance has delved fairly frequently into some American Indian lore over the years, and she does so even more here. The structure of the story seems a little different than her usual method, and I found myself enjoying the change of pace. I do miss having Joanna Brady more involved in the action in this one, but I am not one to begrudge authors for introducing new heroes.

Aspects of the plot still seem a bit far-fetched, but that’s not unusual for this genre or for this author. Jance remains to be a very compelling writer in this genre. Her characters go through a lor, but I like their steadfastness and pragmatism during the worst of circumstances. Jance also writes afterwords where she reveals some of the inspiration, so it’s a bit of a treat to sort of understand how these characters and stories develop in her mind.

Jance has done a good job of sort of freshening up her characters a bit, and teasing her readers with potential new directions such as how would an agency primarily responsible for investigating heinous crimes on a Native American reservation.

I am always game for new Joanna Brady and J.P. Beaumont novels, but I would not mind getting to know Dan Pardee and his family more as well.

Next up, it is time for author Amor Towles to introduce me to A Gentleman in Moscow.

Doctor Who Audio Review: The Sontarans Meet The War Doctor

Doctor Who-Sontarans vs. Rutans comes to a satisfying conclusion with John Dorney’s In Name Only from Big Finish Productions. The audio drama was directed by Ken Bentley. Jonathon Carley has taken over the role of the War Doctor from the late John Hurt. During this particular incarnation, the Time Lord once known as the Doctor has rejected the moniker due to his reluctant participation in the Time War. Although he has not lost much of the morality shown in his other selves, this version of the Doctor is certainly more ruthless and dangerous in many ways. The guest cast is comprised of Dan Starkey, Christopher Ryan, John Banks, and Debbie Korley.

In the midst of the Time War, the Time Lords suffer a devastating attack apparently committed by the Rutans. The War Doctor has arrived and has some different ideas as to who to blame for the attack on his people. The Time Lords are itching to deliver a terrible retaliation, but the War Doctor conducts his own investigation before Time is damaged beyond repair.

I have enjoyed the mini-series overall. The story is a little confusing, but it does tie together the other plots in this series pretty well. Carley does sound uncannily like John Hurt at times. I was not a fan of the series introducing some secret incarnation of the Doctor, but this particular iteration is starting to grow on me, mostly due to the presentation by Big Finish.

I also find myself enjoying the encounters with the Sontarans more. The performances of Starkey, Ryan, and Banks are well done. There seems to be some add a little more diverse personality in the Sontarans. I normally would balk at such an effort, but the writers are still remaining true to the original concept.

There is plenty of reason to enjoy this episode, but it may take more than one listen to fully understand it.

Film Review: Bad Boys Still Give A Pretty Fun Ride

Bad Boys: Ride or Die is not likely the best entry into the franchise, but it certainly is not a terrible film on the whole. Will Smith and Martin Lawrence return as long-time Miami buddy cops Mike Lowry and Marcus Burnett in the fourth movie in this series. They are joined by Vanessa Hudgens, Tiffany Haddish, Joe Pantoliano, and Jacob Scipio as well as several others. Eric Dane plays the main villain and is menacing enough. Adil & Bilall are the directors with the script being written by Chris Bremner and Will Beall.

The film begins with the pair thwarting an armed robbery on the way to Lowry’s wedding. Their celebration is marred by allegations that their deceased captain was involved with Mexican drug cartels. Captain Conrad Howard was killed off in the previous film, Bad Boys For Life. He apparently left some video messages to his two favorite “bad boys” under his command. While Lowry and Burnett search for the means to clear their captain’s name, they are framed for murder and corruption themselves and have to go on the run with Lowry’s recently discovered son. Lowry’s son has been imprisoned for killing Captain Howard, but he has a chance for an unlikely redemption this time. Of course, the city of Miami is plunged into chaos as Lowry and Burnett shoot and sass their way to exoneration and victory.

I will that one thing that these movies attempt to do is give the main character some interesting character development. This time, Burnett suffers a heart attack and survives, which convinces him of having some sense of indestructability. Lowry has started suffering panic attacks at inopportune moments such as when the bad guys are unloading an arsenal of firearms at him. In spite of the ludicrous action scenes, it is interesting that the writers take some time to explore some internal conflicts one or the other seem to be experiencing. Of course, it also depicts the humorous yet profound bond these two men share after so many adventures together.

I had some mixed reactions to the action sequences. The fight scenes were pretty well realized. There was a moment where a first-person shooter perspective was depicted as if this was a video game, that didn’t really work for me for some reason. The special effects were pretty good although some moments felt too much like I was watching a comic book movie.

Lawrence and Smith have these characters down, and the charisma and occasional witty banter did help me overlook and forgive some of the flaws in this film. It was kind of heartening to see Lowry finally get married, and Burnett remains a devoted family man. Burnett gives his son-in-law a bit of an unnecessary bad time even though the kid is US Marine, which ends up being quite useful when the outlaws come calling on the Burnett household. The was one of the action sequences that was ridiculous yet fun to witness.

Overall, this turned out to be an entertaining enough film. The predecessors are better, but this one doesn’t go off the rails too badly. If another film is announced, I may remain interested enough to give it a chance. The script here isn’t great, but the two leads are funny and talented enough to prevent me from experiencing much regret in seeing it.

Doctor Who Audio Review: The Doctor Meets Some Kindred Spirits

Christopher Eccleston makes another solid return to the microphones of Big Finish Productions as the Ninth Doctor in another set of Doctor Who audio dramas entitled Pioneers. Helen Goldwyn directs this trio of adventures. The guest cast includes Louise Jameson, who is better known as Leela in the series, however she is playing a new character here. Adam Martyn, Harki Bhambra, Ian Conningham, and Andrew James Spooner are some of the other performers lending their vocal talents.

The trilogy of stories begins with Roy Gill’s The Green Gift. The Doctor is accompanied by a bling young man and his talking dog, who were introduced in the previous collection entitled Shades of Fear. Louise Jameson appears as the apparent leader of a colony spacecraft known as the Greenwood. Earth has been all but destroyed, and humanity needs a new home. There is an artificial intelligence aboard which the Doctor may have encountered before.

It is pretty cool when other well-known Doctor Who actors appear as new characters. Jamison is best known as playing the Fourth Doctor’s companion, Leela, but she gets to stretch her range a bit here with Big Finish, and I think it’s a great idea. I can work through the distraction of recognizing her as Leela without much problem. The story is interesting and sort of revisits a very distinctive episode from the classic series. There are some engaging character moments when the Doctor is getting some explanations for the setting. that did quite well with building the intrigue until the revelations of the threat was revealed. Eccleston is unsurprisingly compelling during these more thoughtful scenes. The two new companions of Callen and Doyle, who really aren’t long-term mainstays in the TARDIS, are kind of fun. The dog, played by Harki Bhambra, is able to talk with some fancy, futuristic AI assistance. Anyway, the story is a pretty solid beginning to this particular set.

Next up, Robert Valentine takes the audience to a bit of Norwegian history with his story entitled Northern Lights. The Doctor crashes in the Arctic Circle toward the end of the nineteenth century and encounters Norwegian explorers, Fridtjof Nansen and Hjalmar Johansen. There is another presence within the famous Aurora Borealis, and the Doctor discovers that his current location may not be as isolated as it appears.

This story had a few fairly heartwarming moments that were unexpected. I have not heard of these particular explorers before this audio. Doctor Who does have a way of introducing historical figures and events that are not widely known or appreciated. The science fiction element is nice, but it’s pretty cool that Valentine did some research and brought forth some important historical figures that are not known as well as they probably deserve. Valentine has yet to put out a bad script, and this one is quite good. I think I appreciated the historical background that was rather new to me, but the overall drama was pretty good too.

Finally, Katherine Armitage takes the TARDIS to the early days of a football league formed in the United Kingdom with her script entitled The Beautiful Game. An American would recognize this as soccer. Another rather important historical sports figure in the shape of William Sudell, played by Raymond Coulthard, is brought forth. The Doctor attends to attend the meeting which formed the league, but he arrives a week early and finds himself witnessing another important meeting instead which involves the women’s suffrage movement in the late nineteenth century instead. Since it’s Doctor Who, there is an alien presence lurking around that feeds off others’ obsessions and is able to change size in seconds.

The alien threat is hard to really visualize through an audio play. However, there are some great moments between the characters. Once again, I am exposed to some influential figures from the past that I would not have otherwise known if not for a script. The cast does a great job, as is normal for a Big Finish drama. This episode is not bad, but it didn’t quite impress as the first two. It does have an interesting, little-known setting so that helps.

Overall, Eccleston himself makes the set worthwhile. The episodes are solid contributions, but they don’t really stand out other than some interesting touches on little discussed historical events. It’s still something I would recommend for the fans to collect because Eccleston is still worth the effort, and the stories have plenty of points of interest, and the history aficionados will get a pretty good kick.

Book Review: Harry Bosch Still Knows How To Light A Fire Under A Cold Case

Desert Star is a crime novel written by Michael Connelly which marks a welcome return of Harry Bosch and Renee Ballard.

Bosch has been retired from the Los Angelos Police Department for a while now, but he still follows up on a few cases he was unable to close. Ballard has continued to stay on with the department and is in charge of a revived cold case unit. She wants to close a long unsolved murder of a teen-ager who is the sister of a city councilman who championed the return of the unit. She wants to recruit Bosch, but there is a rift to mend. Meanwhile, Bosch has been haunted for many years by the unsolved murder of a family of four. He knows who was behind it, but he was unable to gather the evidence. Ballard’s invitation gives him a chance to bring justice that has eluded the victims’ family for far too long. Bosch also has to learn to work with a team and tolerate the politics that has often hindered his efforts to take more killers off the board. Also, Bosch has a medical condition hanging over his head, but even that is going to have a hard time keeping him from his relentless pursuit for justice.

Connelly is consistently quite good, but this particular novel is one of the better ones. Bosch is still as uncompromising as ever but for the right reasons. The sometimes-complicated friendship with Ballard is compelling. There are some threads that seem a little far-fetched, but my joy at some new cases for Bosch and Ballard overshadowed those concerns. With Bosch’s health in some peril, I do feel that I better get as much enjoyment as I can if Connelly decides to make some radically tragic decisions regarding his most popular protagonist.

The story does take a few unexpected brutal turns on the road to the resolution. It was a worthwhile treat to revisit LA as seen through the writings of Michael Connelly and the eyes of Harry Bosch.

The trail of fictional murders and detectives will next lead me back to the world created by J.A. Jance as she reveals the Blessing of the Lost Girls.

Film Review: Even The Eye Doctor Has Some Trouble Seeing The Light

Sight is a pretty good biopic about renowned eye surgeon, Dr. Ming Wang. Andrew Hyatt directed the film as well as co-wrote it with John Duigan and Buzz McLaughlin. Terry Chen stars as Ming Wang with Greg Kinnear taking on the role of his business partner, Dr. Misha Bartnovsky. Fionnula Flanagan also stars as a nun who brings in a young girl who lost her sight at the hands of a wicked stepmother. The film is based on an autobiography written by Ming Wang and is likely quite compelling.

Dr. Wang had grown up during a period of time in China when there was a violent uprising against the Communist government. He had a thriving practice in Nashville, Tennesse after he earned his medical degree and worked alongside Dr. Bartnovsky. As Ming tries to help a young girl from India regain her sight, he struggles to put his painful childhood memories to rest. He is haunted by the memory of a young girl with whom he was friends who was torn from him by the dissidents, never to see her again. Ming is dedicated, but the dark memories are often on the verge of overwhelming him. It will take a young girl’s courage and sense of hope for him to develop a perspective that propels him to rediscover the drive to continue his mission to help as many people as possible out of their darkness.

Angel Studios produced this, and it is a pretty solid film. It is quite interesting and inspiring as intended. I also appreciated some exposure to some of the history and culture of China. The performances were quite compelling. Ming has a younger brother who is a bit of a mooch, and it’s not quite explained what happened there. The brother is a likeable mooch, but he feels like a bit of a loose thread as far as the story goes.

Angel Studios does a much better job of sharing their religious beliefs or biases without a lot of clunky or unrealistic dialogue. The producers and writers were smart to not have all of the challenges resolved in a perfect, glorious manner which would feel just a little too contrived. The ending is still heart-warming and seems to fulfill the message that the movie was trying to convey.

The film doesn’t drift into anything too incredulous. The book is still likely much better. The major purpose of this film seems to have been fulfilled quite effectively.

Basically, Angel Studios released a film that is not necessarily flawless, but it is still better than many Christian or faith-based films that have been produced in recent years.

Book Review: A Baby In The Lighthouse

M.L. Stedman’s novel, The Light Between Oceans, is one of those with quite a bit of acclaim, and now that I have read it, it does seem to be well-earned.

The story takes the reader to Australia just after the end of the First World War where we meet a former soldier named Tom Sherbourne. Tom takes a rather lonely job as a lighthouse keeper, but he has met a woman named Isabel and fallen in love. The two of them move out to some desolate coastline so Tom can take on his new duties. They have married and attempt to have a family, however each of the three pregnancies end tragically. Some years into this endeavor, a boat has washed ashore with a dead man and an infant girl who is very much alive. Tom and Isabel take her in and decide to raise the girl as their own, however the girl has a very brief past life, and a mother of her own who misses her very deeply. The fantasies of this family collide with the reality of this little girl’s origin, and it gets even messier from there.

This is one of those stories where there is not really a clear villain. No one has any evil intentions. The only real resolution is going to require what would seem to be an impossible amount of forgiveness from more than one character.

Stedman does a pretty decent job of setting the scene. She is apparently Australian, so she would likely know how to depict the setting. The characters are interesting and complex, and sometimes loyalties shift a bit throughout the story. It is definitely one of those novels where any book club is likely going to contain some pretty lively discussions on morality and forgiveness.

Stedman has a pretty decent if unremarkable prose style. She just constructed a pretty fascinating scenario and populated it with characters who are multi-faceted.

There is some reliance on a pretty unlikely set of coincidences that were at times difficult to suspend my disbelief, but I understand why so many fiction writers dop that. If I was writing my own novel, I am sure some critic would fairly be able to point that out in my hypothetical work.

Overall, I would recommend any habitual reader to slip this into their nightstand stack and actually get to it.

Next up, I will be returning to Los Angeles as depicted by crime fiction writer Michael Connelly. Former LAPD detective Harry Bosch has a chance to solve a case that has haunted him for years. He and Renee Ballard join forces to close some cold cases in Desert Star.