Tag: doctor-who

Doctor Who Audio Review: Someone Still Has To Fight The Monsters

~ Peter Kanelis ~ Leave a comment

Doctor Who: The War Doctor Begins: He Who Fights with Monsters continues the saga of the War Doctor, originally portrayed by John Hurt, and leads to a fascinating confrontation with a mysterious adversary known as the Barber-Surgeon. The set has three parts and was written by Robert Valentine and directed by Louise Jameson.

Since Hurt has been deceased for a little while now, Jonathon Carley has taken on the role which has been known in Doctor Who fandom as the War Doctor. This was a once unknown incarnation of the Doctor who had rejected his name since he had to fight in the Time War and use methods that his other selves would abhor. Carley does an increasingly amazing impression of John Hurt’s distinctive voice and puts forth a powerful performance.

The first part is entitled The Mission where the Time War Council enlists the War Doctor to hunt down and assassinate another Gallifreyan renegade known as the Barber-Surgeon. The Barber-Surgeon has been a thorn in the side of both the Time Lords and the Daleks. The War Doctor doesn’t like the nature of this mission, but this incarnation is the one most capable to complete it

The Abyss has the War Doctor on the Barber-Surgeon’s trail through the devastation of the Time War and his own past. The Daleks have also sent a Dalek Hunter-Killer played by Jason Merrells. The War Doctor and the Daleks have another confrontation in which the maniacal robotic conquerors may finally exterminate their most persistent enemy.

Finally, the War Doctor has to escape the Daleks and confront The Horror. Nicholas Le Prevost plays the rogue element in the Time War known as the Barber-Surgeon. He and Carley play beautifully off each other when the Doctor and the Barber-Surgeon finally meet.

Not that much known is known about the War Doctor other than he was the one who ended the Tine War by obliterating both sides. He was rejected by his subsequent incarnations following that event.

This set reveals how the War Doctor may have been influenced into that horrific, if necessary, decision.

It took me a bit to warm up to the first two episodes, but Carley’s performance kept me engaged, and the finale to this set was worth it.

This is probably one of the best sets in this range. Carley may be able to sound a lot like John Hurt, but he also demonstrates excellent instincts as an actor. He mastered how this version of the Doctor carries such determination and weariness in his voice.

The sound effects are excellently executed. There are times when the action sequences seem a little jumbled, and it was hard to picture what was happening in the imagination. Still, the performances of Carley and the guest cast more than make up for it. Louise Jameson even reprises her role of Leela, which was not unexpected but still pretty fun.

Anyway, I think I have resolved any misgivings I had about the creation of the War Doctor. This set is just great.

Doctor Who Audio Review: The Doctor Just Keeps Digging Up Danger

~ Peter Kanelis ~ Leave a comment

Buried Threats is one of the audio releases from Big Finish Productions that continues the Doctor Who range featuring the Ninth Doctor, played by the brilliant Christopher Eccleston. There are three episodes directed by Helen Goldwyn. Lisa Bowerman returns to the mic as Professor Bernice Summerfield, which is indeed welcome. The set is pretty good, but not much really stands out.

The first story by Lisa McMullen is entitled A Theatre of Cruelty. Alexander Vlahos takes on the role revolutionary artist and theatre director Antonin Artaud. Artaud is having dreams that are breaking into reality, and the Doctor suspects an alien influence as usual. The episode did introduce to me a new historical figure of which I was unaware. It had an interesting plot, but Eccleston has usual really elevates the story with his energetic performance as the Doctor. I enjoyed the episode, but I doubt I will remember much about it until I replay it.

The Running Men is the second entry written by Mark Wright and takes place in present-day Halifax in West Yorkshire. Fiona Wade is the main guest star alongside Eccleston. In this one, I learned about an infamous gibbet and an old legend about the spectral Running Men. In case anyone wants to know, a gibbet is like a gallows where people were executed long ago. A mysterious death brings the Doctor to the scene where historical tragedies are intruding on the present.

It’s also a good story where an uncommon legend is revealed to me. That helps me find some enjoyment and appreciation. It highlights a small piece of British culture and a town which apparently has some renown.

The performances are quite compelling here as is almost always case in a Big Finish release. Yet again, it’s an episode even with its interesting elements still doesn’t stand out as anything quite that unique.

Finally, Professor Bernice Summerfield encounters a new Doctor to her in Matt Fitton’s Ancient History. Benny is looking into a long-ago disappearance of a warrior race known as the Korravin. When she sees a battered blue police box, she knows an old friend is nearby and another danger is about to be unearthed.

This time, the Doctor has initially slipped in incognito with an alias. Benny doesn’t recognize him at first due to the Time Lord’s propensity for regeneration. When she does figure it out, she is not too pleased, but they get past that soon enough and work together like the old days.

This one is probably the stand-out of the set because of Bernice’s presence. Lisa Bowerman slips into the role with such ease, and the chemistry with Eccleston is quite evident. I think Benny actually pairs up well with any of the Doctor’s iterations. The moment of recognition is as deliciously volatile and funny as I hoped. There is even a little time for Fitton to tug the heartstrings a bit as Benny tries to figure out what the Doctor has been up to since they last met.

Overall, the set is enjoyable but is only really notable in that Bernice and the Ninth Doctor meet. The three writers are well-chosen for their reliability. Some of the more obscure elements of British history given a spotlight is pretty cool. Eccleston still has the chops to keep his Doctor compelling in all of his manic and often morose behaviors. This Doctor has survived the Time War and the terrible choices he had to make and live with.

This set of audio dramas may not be listed as one of the iconic releases by Big Finish, but it is once again not one that deserves to be ignored, and I am certainly up to more Ninth Doctor exploits.

Doctor Who Audio Review: A Different Kind Of A Trial For A Time Lord

~ Peter Kanelis ~ Leave a comment

The Trials of a Time Lord is a recent Doctor Who audio drama released by Big Finish Productions and is another effort to celebrate forty years of the Sixth Doctor, portrayed by Colin Baker. It is a six-part saga with writing credits shared by three writers. Bonnie Langford and Nicola Bryant, who play Mel and Peri, respectively, join the Doctor against his battle against a plethora of old adversaries.

The writers, who ended up splitting up the story with two episodes each, are Katharine Armitage, Stewart Pringle, and Rochana Patel, and I have little objection to this slate. Jonathan S Powell directs this saga. The story does hold up pretty well in spite of a premise that sounds on its face, to be somewhat chaotic.

David Banks returns to voice the Cyber-Leader alongside Nicholas Briggs as the rest of the Cybermen. Terry Molloy reprises his role of Davros, the twisted creator of the Daleks. John Culshaw is also a part of the cast and does a passable impression of the late Anthony Ainley as his iteration of the renegade Time Lords known as the Master. Other cast members include Aruhan Galieva, Holly Jackson Waters, Samuel Jones, Rufus Jones, and George Naylor.

The Doctor and Mel arrive in a prison camp known as Cyberia in response to a distress signal and find themselves about to embark on a televised series of challenges which reveals all manners of menaces and allies.

Some themes are revisited such as the idea that the Doctor is being televised as he faces all sorts of threats and obstacles. This was already explored in the television story Vengeance on Varos, however I don’t mind the repetition here. There is enough of a creative effort to have this one come off as a bit more special.

Fans finally have Mel and Peri meet and interact, which was kind of cool to hear. Peri returns after living a life as a warrior king alongside King Yrcanos, who fans met in the original serial, The Trial of a Time Lord. Peri comes with some seasoning as a mother and a fighter. Normally, I would find such a character transformation somewhat implausible, but Bryant sells the performance well enough.

Jon Culshaw filling in for the late Anthony Ainley was kind of a surprise and may count as a spoiler, which I normally try to avoid. He does well enough, but he may need to practice that impression a bit more. It was still fun to imagine that version of the Master cropping up again, and Culshaw doesn’t really miss the mark entirely. It just wasn’t a bullseye impersonation. I will say this about Culshaw himself. I really enjoy his insights and comments during the cast interviews. He knows Doctor Who lore, probably better than most of the actors who portrayed the Doctor. He has such an infectious enthusiasm for the show and just seems like a joy to the rest of the Big Finish cast and crew.

Colin Baker still sounds energetic and credible in his role. The characterization of the Sixth Doctor has been improved greatly under the care of Big Finish writers over the past couple of decades. It was a sweet moment when he realizes that his friend, Peri, has really been reunited with him.

This is a story that feels a little chaotic and self-indulgent at times. I am somewhat leery of stories that just unleash all of the past enemies and story ideas, however this particular release handles this direction better than most. I also tend to sneer at three writers on one story, however the construction here kind of makes sense. The writers did work well together, but they worked on two episodes apiece separately. This division of creative labor would likely only work in a saga like this.

It’s an enjoyable and proper celebration of Colin Baker’s era, and I am glad that we are likely to get more adventures from Big Finish for some time to come.

Doctor Who Audio Review: The Destiny Of Mondas Revisited

~ Peter Kanelis ~ Leave a comment

Doctor Who: Genesis of the Cybermen is an audio drama from Big Finish Productions that revisits the origins of the Cybermen, a feat accomplished already in a previous release entitled Spare Parts. This story was originally conceived by Gerry Davis and adapted by David K. Barnes. Peter Davison returns yet again to the role of the Fifth Doctor and is accompanied by Janet Fielding as Tegan, Sarah Sutton as Nyssa, and Matthew Waterhouse as Adric. The director is David O’Mahoney. Nicholas Briggs again fires up the voice modulator to portray the Daleks. The remainder of the guest cast is comprised of Michael Abubakar, Nuhazet Diaz Cano, Kelly Price, Colin Tierney, and Evie Ward-Drummond.

The TARDIS has crashed on a world where a king is dying, and one of his sons is trying to save his civilization from a catastrophic shift in the planet’s orbit. The Doctor and his friends offer their help, but he soon realizes that he has arrived on the planet of Mondas at the birth of one of his greatest foes. The Cybermen are about to rise yet again and plan to survive by any means necessary.

This release is one in the range known as The Lost Stories. It was a script that was considered for the television series many moons ago and was ultimately scrapped.

Although this one isn’t bad, I still prefer Spare Parts. Genesis of the Cybermen is still worthy of a purchase and a listen though. The performances of the main cast members remain strong and distinctive. Davison still puts in a compelling performance even is he sounds noticeably older than he did forty years ago. The banter between the main cast is still compelling and amusing at times.

The guest cast is also well-chosen as is usually the case. Colin Tierney in particular has a complex role as the one who is fiercely loyal to this people and creates the Cybermen, one of the most horrific races in Doctor Who lore. It’s a suitably complicated story without going overboard. There are some interesting themes involving family and leadership explored.

The descriptions conveyed of the conversion process to become a Cybermen are as horrific as ever. Genesis of the Cybermen still does better than merely getting the job done as a source of entertainment. More Fifth Doctor is never a bad thing anyway.

Doctor Who Audio Review: Ghost Safaris And Stolen Memories

~ Peter Kanelis ~ Leave a comment

The range of Big Finish Doctor Who audio dramas featuring the Fourth Doctor continue with the latest satisfying release entitled The Hellwood Inheritance. Tom Baker and Louise Jameson reunite as the Doctor and Leela, respectively, for two stories contained in this set. Ken Bentley and Jamie Anderson share directing duties. Both stories turn out pretty well, but with Baker and Jameson in the lead, that’s going to be a likely outcome.

Alan Barnes starts off with a bit of spookiness in The Hellwood Inheritance. The guest cast includes Rosie Day, Chris Jarman, Richard James, James Meteyard, and Tamzin Outhwaite.

The Doctor and Leela arrive on the grounds of Hellwood Manor where they have a troubling encounter with a headless knight that pursues them through the grounds. After that escape, they meet the architects of what is planned to be a ghost safari and shown the “ghost catcher”. The Doctor is not sure that he is being told the whole truth about what powers the device, and a more sinister plot than a mere supernatural entertainment park is revealed.

I wouldn’t call this a real standout story, but it gets the job done as far as being entertaining. Tom Baker still sounds strong and engaged in the role even though he is close to his ninth decade at the time of recording. Jameson still slips into her most well-known character with ease.

I love a good ghost story in Doctor Who, and this fits the bill. There are not many scares or chilling moments, but the humor makes up for it. The performances are solid enough. The writing is not all that bad. Barnes has been associated with Big Finish and Doctor Who for some time, and his reliability as a writer remains evident here.

The episode still falls a little short of what I think would be among the more highly regarded stories in the range, but it still shouldn’t be overlooked. Tom Baker is well into his nineties here, so I am cherishing every new performance I can get.

The Memory Thieves is written by Phil Mulryne. The guest cast includes Daisy Ashford, Ayesha Antoine, and Wayne Forester.

The TARDIS arrives on a colony world in the future where strange pulses emanate from the forest, and the colonists lose their memories. The Doctor and Leela are separated by an earthquake. They have to earn the trust of the colonists in order to help them stop the force known as the Abeyance.

I had some trouble getting into this one. Baker and Jameson are still worth the time, but I didn’t find the story all that interesting. It’s not a terrible effort by Mulryne, but I did not find this particular contribution all that memorable.

It’s always fun to get some new stories with the Fourth Doctor and Leela, and this particular set was entertaining enough for me to still recommend to my fellow Whovians to give it a go.

Doctor Who Audio Review: Puccini, Iceland, And The Mara

~ Peter Kanelis ~ Leave a comment

Deadly Strangers is the latest Doctor Who audio boxset from Big Finish Productions to feature the always welcome return of Paul McGann as the Eighth Doctor, and the three stories contained within are eclectic and engaging. The director is Ken Bentley. Jaye Griffiths and India Fisher accompany the Time Lord as Lady Audacity Montague and Charlotte Pollard, respectively. The guest cast in each story are predicably well-chosen. As usual, I will proceed with a few brief comments on each story.

Matthew Jacobs gets things rolling with Puccini and the Doctor. Tim McInnerny portrays the celebrated musician Giacomo Puccini, who wrote the famous opera, Madama Butterfly. The Doctor is not alone in being an extraterrestrial interested in the arts created by humanity. A mysterious and beautiful woman named Tura will change the lives and forms of those who are unable to answer her riddles. What is meant to be a mere visit to appreciate beautiful music and meet one of the minds who create it turns into another attempt by the TARDIS crew to protect the Earth from another dangerous alien presence.

McGann has lost none of his energy in his performance as the Doctor. Jaye Griffiths proves to be a welcome addition to this team. Charlotte is forced to grapple with some intense feelings for the Doctor. Both of the current companions perform wonderfully in their roles. Audacity is certainly one of the better recent creations from Big Finish.

The ploy itself is pretty interesting because Princess Tura, portrayed by Tania Rodrigues, turns out to be quite as malevolent as she first seems. Jacobs takes his audience on a pretty compelling and complicated examination of love.

It’s an interesting story that creates a nice blend of fantasy and a glimpse of history and culture. Not a bad start here.

Women’s Day Off by Lisa McMullen brings the Doctor, Charley, and Audacity to Iceland, 1975 where the women are on strike, but a young girl is terrified of her own powers that she cannot quite control.

Once again, another alien visitor is trying to get home, but he has an important component to find, and the girl known as Kyla may know something about that.

Molly Harris and George Watkins are included in the guest cast and prove to be quite effective, which is the usual result for Big Finish casting.

The title of this set is a little perplexing since the alien visitor once again turns out to be a likeable fellow. It is a bit of a departure that no one wants to actually conquer the Earth and subjugate everyone, however McMullen does make this suspenseful regardless.

The women’s strike in Iceland is an actual historical event but not a well-known one, so it was nice to receive a little nugget of knowledge I didn’t have before.

It’s a pretty good episode that is well-performed even if the stakes are relatively low for a Doctor Who tale.

Finally, a dangerous interloper appears in The Gloaming by Lauren Mooney and Stewart Pringle which completes this set. Gloaming is a luxury sleep clinic which orbits a dead world and contains rich Sleepers in suspended animation. A dark presence the Doctor has encountered before has entered their dreams of the Sleepers and threatens to take over the Time Lord’s friends. The Mara has escaped from the dark places of the inside once again.

This was a strong finish for this set. The Mara is a delightfully mischievous and deadly opponent for the Doctor, and it was great to have it back. Hopefully, the Mara are used sparingly because the rarity of their appearances makes their delicious malevolence a treat.

The final episode is my favorite, but the whole set really works well. Audacity is a recent addition to the gallery of companions, and she has grown on me quite a bit. Audacity Montague is an aristocrat from the Regency era of England, and Griffiths seems to have the perfect voice for someone of that origin.

Paul McGann is as effusive and charming as ever as the Doctor. Charlotte Pollard is one of the early Big Finish companions, and India Fisher still easily finds that voice after two decades of playing her.

Big Finish has another jewel with this one. Three pretty solid stories with a formidable TARDIS team make Deadly Strangers one of the better ones to start off the 2025 releases.

Doctor Who Audio Review: The Early Days Of Exile

~ Peter Kanelis ~ Leave a comment

Doctor Who and the Brain Drain is a Doctor Who audio drama from Big Finish Productions with great performances but a bit too long of a running time for the plot. Nicholas Briggs serves as director and co-writer alongside Richard James while Tim Treloar returns as his version of the Third Doctor as originally played by the late Jon Pertwee. Daisy Ashford portrays Liz Shaw, who was originally performed by her mother, Caroline John. John Culshaw once again fills in for the late Nicholas Courtney as Brigadier Alastair Lethbridge-Stewart.

The talented guest cast is comprised of Mark Elstob, Susan Harrison, Rosalyn Lendor, Glen McReady, Callum Pardoe, and Milo Ratter.

This story begins soon after the Doctor is forced to regenerate by the Time Lords and sent to earth in exile where he joins forces with UNIT alongside his old friend, the Brigadier. He has yet to obtain his antique car he had named Bessie. The Master has yet to make his first appearance.

The Doctor, Liz and the Brigadier attend a symposium that introduces a new revolutionary treatment for memory loss and dementia, however there are also peculiar reports of sightings of mythical creatures around the site in Scotland. The Doctor suspects a malevolent alien influence at the heart of the mystery. The supposed miracle cure appears to be anything but. The Doctor disappears, and Liz and the Brigadier have to conduct their own investigations.

There seems to be an enemy who knows the Doctor, but he has yet to meet them.

This was an effort to recreate the seven-part episodes that were prevalent in the program’s seventh season which introduced the Third Doctor. The problem is that even in Doctor Who, those serials can feel a bit of a drag.

Treloar’s version of this Doctor is still quite compelling. Culshaw and Ashford also do well with their roles, which they have taken over from previous actors.

I also liked that the Doctor was absent for a couple of episodes, giving Liz and the Brigadier a chance to shine a bit as they proceed with their search for answers. I enjoyed how the Doctor re-entered the fray toward the climax of the story which seems to draw inspiration from The Hound of the Baskervilles when Sherlock Holmes is also left out of much of that story.

The story’s exploration of dementia is handled with some appropriate sensitivity in spite of the science fiction elements. It does demonstrate the heartache experienced by family members and caregivers of those afflicted effectively without slowing the pace of the story much. Other aspects slow the story down but not that.

There are some flaws that have more to do with the bloated length of the story, but it’s still pretty good. I just wish that Big Finish did more to represent the era without feeling like it needs to copy every aspect. I mean, it’s okay to have shorter stories.

This particular release is pretty good, but I don’t know that it’s the most shining example of the talent available to the company.

I don’t really like to quibble too much about a new Third Doctor adventure from Big Finish. This story is better than what the title would indicate. Pertwee’s era did have a few clunkers when it came to titles, but this is still a more than adequate release in many ways and certainly worth the time it takes for a listen.

Doctor Who Audio Review: The Doctor And Stephen Taylor Reunite For One More Escape

~ Peter Kanelis ~ Leave a comment

The Living Darkness is a new Doctor Who audio play from Big Finish Productions and has a really moving reunion between the First Doctor and Steven Taylor. This play was written by Jacqueline Rayner and directed by Helen Goldwyn. Stephen Noonan reprises his efforts to emulate William Hartnell’s portrayal of the First Doctor and is really getting better at it. Peter Purves returns as former companion and ruler of another world, Steven Taylor. He is quite a bit older than when he traveled with the Doctor, and Purves puts in an awesome performance.’ Lauren Cornelius turns up later in the play as Dodo Chaplet, originally portrayed by Jackie Lane in the television series back in the 1960’s/

Other guest actors include Jack Ayres, Trevor Littledale, Dido Miles, and Helen Phillips. As usual, everyone does a stellar job with their roles.

Steven Taylor was once the ruler of a planet where he had been left by the TARDIS. He had a family and is still grieving the death of one of his daughters. He is around the century mark in terms of his age, but he has remained relatively fit and is as sharp-witted as ever. He had thought that his adventures had ended when he parted company with the Doctor and Dodo, however he has regained conscious aboard the spaceship that seems to be some type of prison transport. He has met other unwilling passengers and is investigating whatever terrors lie within the dark corridors when a familiar old man arrives introducing himself as the Doctor. The ship crashes on a planet where the most violent criminals are also sent. Someone or something has taken Steven and the Doctor out of time and placed them in a grueling fight for survival.

I had a little trouble following this story, but the presence and performance of Peter Purves was too compelling for me to mind that much. It’s not a bad story, and Rayner is a long-time writer for the franchise with some real talent and love for the series. It’s actually not a bad epic, and I will enjoy listening to it again in the not-too-distant future. Stephen Noonan continues to improve his portrayal of the First Doctor. He is getting closer to imitating Hartnell’s particular verbal inflections. Of course, the best William Hartnell is always going to be William Hartnell, but I appreciate Noonan’s efforts. Noonan actually sounds very different when using his normal voice, so his impersonation of Hartnell is quite impressive. I am always open to more First Doctor stories.

I can respect that Purves has really changed very little vocally even though he is well into his eighties. I also liked that just because Steven is even older than that, he sounded anything but frail and soft. Steven still retained that tenacious, bulldog tendency that was so prevalent when he was introduced into the series over fifty years.

This is one of those times when the performances really help when the plot is a little soft. The plot is actually pretty good here, and there is some interesting character development occurring throughout the story.

When Steven and the Doctor really recognize each other as genuine, it is actually rather moving. Purves still sounds great in these releases, and I hope he has several more left to do.

I was not sure about Noonan when he first started out in this role, but his interpretation of the First Doctor has grown on me. It is noted in the cast interviews how much work and research he puts in, and it really shows here.

2025 seems to be off to a great start with this release, and I hope more First Doctor stories are in the can.

Big Finish Audio Review: Jago And Litefoot Get A Little Help

~ Peter Kanelis ~ Leave a comment

Jago & Litefoot Series Three is a pretty decent addition to the audio series reuniting the two Victorian investigators of infernal incidents with an old friend in the shape of Leela, portrayed by Louise Jameson. Christopher Benjamin and Trevor Baxter reprise their celebrated roles of Henry Gordon Jago and Professor George Litefoot in this new collection of episodes released by Big Finish Productions. Lisa Bowerman returns as Ellie, their favorite barmaid. Conrad Asquith reprises his role as Sergeant Quick. There are four episodes to discuss briefly here.

Just to review, the Jago & Litefoot series is a spinoff of Doctor Who. They met during the television serial entitled The Talons of Weng-Chiang during Tom Baker’s era in the role of the Doctor. Louise Jameson returns to lend a hand in this series as Leela. Leela has been sent from Gallifrey to help close some time breaches which have been plaguing Victorian London. It’s fun to hear them banter back and forth once again.

The first story to discuss is Dead Men’s Tales by Justin Richards. Beings known as Wet Men have been lurking around the streets and alleys of London. They have risen from the Thames looking for a lost member of their crew. The idea of ghosts from the future are first explored here.’

Leela gets to go undercover as a barmaid under the tutelage of Ellie Higson, portrayed by Lisa Bowerman, and the moments is hilarious. Jameson is quite an experienced actress and handles the moment quite deftly.

Anyway, it’s a fairly interesting story, but Richards has done better in the past.

The Man at the End of the Garden by Matthew Sweet explores the idea of a fairy tale coming alive. It was an okay script, but it was not that memorable. I did like that Big Finish actually cast a child for the role of a little girl at the center of the problem. They do not always do that. Eden Monteath is the name of the young actress, and she did a good job. The cast interviews at the end revealed that she took the part seriously but likely had fun as everyone attests to happening when recording at the studio.

Jago and Litefoot get a taste of the future in John Dorney’s Swan Song. More ghosts from the future haunt the New Regency Theater, which was recently bequeathed to Henry Gordon Jago. In the future, a lab will be built where time experiments are being conducted. This was a much more engaging story than its predecessors, but that’s not surprising considering it’s from Dorney.

Finally, another long time Doctor Who contributor, Andy Lane wraps up this set with Chronoclasm where the mastermind behind the disturbances is revealed. Philip Bretherton steps from the shadows as Elliot Payne. Jago, Litefoot, and Leela get some unexpected help from another Henry Gordon Jago.

It’s another competent script from a talented writer, but Lane has also done better in previous works.

Overall, it was an enjoyable listening experience, but the inclusion of Leela just seems like such an obvious move. Still, Louise Jameson does that part so well, so it was still nice to have her join in the hijinks.

The set serves the purpose of being enjoyment accompaniment in the car, but there is not much that I found to stand out other than the guest appearances.

Doctor Who Audio Review: A Carriage To Chaos

~ Peter Kanelis ~ Leave a comment

The Lord of Misrule is a Doctor Who audio novel from Big Finish Productions that is kind of an average story that is helped by a masterful narration and performance by the incomparable Jon Culshaw. Paul Morris is the writer and manages to craft a decent if unremarkable tale for the range.

The adventure features the Fourth Doctor, who would have been portrayed by the equally incomparable Tom Baker is this wasn’t an audio novel performed by Culshaw. It takes place starting off in 1901 and also features popular Victorian denizens Professor George Litefoot and Henry Gordon Jago. The Doctor is accompanied by Romana, as portrayed by the late Mary Tamm.

The story in London 1901 where the Doctor and Romana are visiting friends, Jago and Litefoot when they are made aware of people being taken off in a ghostly carriage. Other people with scattered memories appear in their place. It seems the carriage is ferrying people between the years of 1901 and 1801. When Romana and Litefoot are counted among the mystery, the Doctor and Jago pursue them and find themselves in a strange predicament with an alien influence at the heart of it. Also, an aristocrat wants to usher in an age of chaos and is wanting to be the one to choose the Lord of Misrule. The Doctor has his hands full with trying to find his missing friends, locate the alien influence that takes resides in the minds of unsuspecting humans, and trying to keep the fabric of society intact.

I usually don’t mind a lengthier Doctor Who story, but this one felt a little slower than usual. I also think that Jago and Litefoot run the risk of being overused by the writers.

The upside is Jon Culshaw is a masterful narrator. He has been doing impressions of Tom Baker for years and is the likely solution once Baker is no longer able to perform since he is now in his 90’s. He also really nailed the distinctive vocal range of the recently deceased Christopher Benjamin, who originally portrayed bombastic theater manager, Henry Gordon Jago. Unfortunately, he has a much harder time imitating Mary Tamm, but that is quite forgivable for obvious reasons. Culshaw’s enthusiasm for relating the story is infectious without feeling overacted.

The production of this release is first rate, but I had some trouble staying engaged with the actual story. It seems that Paul Morris has yet to be counted among one of my favorite Doctor Who contributors.

Still, it’s a release that doesn’t need to be ignored. I will likely revisit this one since it really isn’t a terrible effort. Culshaw’s performance really saves this one from a more pronounced rejection.