Tag: doctor-who

Doctor Who Audio Review: A Story Demon, Iris Wildthyme, And Lots Of Mrs. Clarkes

~ Peter Kanelis ~ Leave a comment

The Cosmos and Mrs. Clarke is a Doctor Who audio boxset released by Big Finish Productions and is pretty good for the most part. It’s not quite at the level of a relative masterpiece, but the team of Colin Baker and Miranda Raison as the Doctor and Constance Clarke deliver endearing and compelling performances as usual. The set is directed by Samuel Clemens and contains three stories.

Terry Molloy, usually known as playing Davros, is cast as a different, yet familiar, historical figure. Other cast members include Lara Lemmon, Carly Day, Vivienne Rochester, Anthony Townsend. Katy Manning, who usually portrays companion Jo Grant alongside the Third Doctor, reprises her other role, Iris Wildthyme.

Now that my usual pattern of introduction is done, let’s see how the stories fare under my scrutinous attention.

First off, there is The Story Demon, written by Julian Richards. The Doctor and Constance Clarke arrive on a distant world where the colonists are having to fend off strange attacks from beasts known as the Birnamen. There is some question as to these attacks being what they seem when something known as a Story Demon is in the settlement, and that something is apparently a Dalek.

Nicholas Briggs has returned to the mic, fitting it in among all of his other duties with the company, to voice the Dalek. It’s a pretty successful effort to have a Dalek story in a bit of a different context. The story is interesting enough. Baker and Raison continue to develop their chemistry quite successfully.

Constance Clarke came from the World War II era and was a codebreaker at Bletchley Park. She is quite a no-nonsense sort of lady of her time, but she does have a warmth that makes her a natural friend to the roguish Time Lord. As usual, it remains a treat when Mrs. Clarke is on board the TARDIS.

This is a promising start to this particular collection.

Paul Magrs, the creator of the possible even more roguish Iris Wildthyme, played by Kathy Manning, steps up to the plate with The Key to Many Worlds. This serves as kind of a sequel to the First Doctor era serial entitled Marco Polo.

The Doctor and Mrs. Clarke arrive in thirteenth century Baghdad where the Doctor hopes to catch up with an old friend, Marco Polo, who has apparently lived a much easier life as a merchant. Polo is of course the legendary Italian explorer whose legend and history have that questionable mix that can be quite frustrating to the casual reader.

The Doctor finds there is another old acquaintance present. Iris Wildthyme is once again up to her usual mischief which this time results in the two time travelers switching bodies. Colin Baker and Manning are both pretty skilled comedic actors so there are some typically hysterical moments in which they play each other’s roles.

Anyway, Polo has decided to return to his homeland of Italy and another expedition gets underway with the displaced Doctor and Iris bickering the entire way.

Sadly, Magrs decides to apparently fabricate some kind of apparent homosexual relationship between Polo and some former servant who became a close friend. This episode makes no mention of Polo’s wife and four children he actually had in his real life. It doesn’t quite detract from the clever moments of humor, but it is a bit distracting if one takes a moment to give a cursory read on Polo’s biography.

I will say that it was quite fun to realize that Terry Molloy was portraying Marco Polo and does a fine job. He has played other roles for Big Finish other than the maniacal Davros and remains as gifted a performer as ever.

Anthony Townsend, who apparently died not long after his participation in this production, portrays Polo’s long-time companion, Tonio, who is a likeable presence in spite of some misgivings about how this relationship is presented.

Manning kind of imitating Colin Baker’s Doctor was just funny. Iris Wildthyme is a character that should be used sparingly, but I don’t recall really disliking a story when she pops up.

I have a few objections to this particular story, but it is quite clever and engaging for the most part.

Finally, it is Ian Potter who closes out this set with his script entitled Inconstancy.

On the planet Hoi, the Doctor and Mrs. Clarke find another crazy ruler and strange protean creatures who apparently can replicate other beings or people. Mrs. Clarke finds herself among a swarm that resembles her.

Potter presents this start as being narrated by the Doctor and Constance to two different people. It’s basically a flashback episode, which is not exactly a new literary device, but still effectively employed here.

Out of the three, this one kind of confused me the most. I may need to listen again to get a better grasp on what was going on. I thought it had a nice ending though. Baker and Raison continue to excel as performers. Hopefully, we won’t have to wait long for another pairing of these two characters.

The set as a whole is quite good, but not much really stands out. It sort of relies on what has become tropes of the series overall from both the television series and Big Finish creations. Still, the tropes are those I happen to appreciate. Well, I think the Cybermen still make for a much more interesting opponent for the Time Lord than the Daleks.

Nonetheless, this set is still worthy of being added to the collection and likely enjoyed more than once.

Doctor Who Audio Review: A Weekend Away With The Doctor And A Vampire

~ Peter Kanelis ~ Leave a comment

Vampire Weekend kicks off a new range of Doctor Who audio dramas for Big Finish Productions. Jodie Whittaker has joined the stable of Doctors providing new adventures for us fans. She is joined by Mandip Gill reprising her role as Yasmin Khan.

This adventure is penned by Tim Foley and directed by Ken Bentley. Jeremy Ang Jones, Anna Crichlow, Mandi Symonds, and Daniel Walford comprise the guest cast.

Yaz has joined some friends for a weekend away for a wedding party. They have rented a large manor where they plan to enjoy the weekend. The Doctor turns up and is on the trail of an ancient enemy who turns out to be a vampire with more unusual appetites than others of its kind. The vampire is able to disguise itself as anyone in the group, and Yaz finds that she may not know her friends as well as she thinks.

It’s no secret that Jodie Whittaker’s era is not my favorite, but I was hoping that Big Finish would be able to make some improvements on how her version of the Doctor was written and depicted. If those hopes are to ever be realized, this episode didn’t really do it.

Foley is a pretty good writer, and he scored some pretty amusing lines in the dialogue. I had some trouble determining who was speaking during this thing because the women in the cast all kind sounded alike. Whittaker’s Doctor often speaks in rapid fire, so it takes me a bit to catch up.

Also, this vampire’s particular power was a little silly. Doctor Who has a lot of silliness, but I just found the schtick with this creature to not be all that interesting.

It pains me a little to be more critical than usual when it comes to Big Finish output, but this release earned my misgivings.

Now, am I going to give the next episode with the Thirteenth Doctor a chance. Yes, I will. I am likely to even listen to this episode again sometime in the future. This episode was not really terrible, but it just didn’t work for me as well as so much of the other content from Big Finish has.

Doctor Who Audio Review: Reflections And Invasions

~ Peter Kanelis ~ Leave a comment

The Mirror Matter is a Doctor Who audio novel produced by Big Finish Productions and turns out to be not as riveting as I had hoped. It is written by Kate Orman and performed by Jon Culshaw.

Mirror Matter is a hypothetical counterpart to real matter, but this story proposes to inject some intelligence into the strange phenomenon.

This adventure takes place in the early days of the Third Doctor’s era where he is working with UNIT alongside Brigadier Lethbridge-Stewart and Liz Shaw not long after his exile by the Time Lord.

Strange spores have been detected, and the Doctor is able to identify it as Mirror Matter, which has been lurking on Earth for billions of years. He realizes that this Mirror Matter is not native to this planet, and the spores will change the nature of the planet and humanity on a fundamental level. There are also other human forces that want to take control of the Mirror Matter, but the Doctor knows that is not going to end well for anyone.

Culshaw, as usual, does a fantastic narration, which is enhanced by his impersonation of the late Jon Pertwee, who originally portrayed this version of the Doctor. Even if the story is a bit on the dull side, Culshaw seems to always help it make much more bearable with his enthusiasm and delivery of the prose.

The action depicted was a little hard to imagine at times. Also, I guess I had some trouble being interested in the concept of Mirror Matter, which is supposedly a real scientific idea.

Orman has been involved periodically with Doctor Who for years writing novels. She is an interesting writer, for the most part. There is nothing terrible about her writing style, but I just had a hard time staying interested in the plot.

I have plenty of memories of enjoying Orman’s previous works, and I expect that she will win me back.

As for Jon Culshaw, it is always great hear him coming through my speakers and this was no exception in spite of my other misgivings about this release.

I am still all for Big Finish, audio novels, and the Third Doctor. Hopefully, the next installment will be more engaging.

Doctor Who Audio Review: Kaerula, A Banshee, And The Brigadier

~ Peter Kanelis ~ Leave a comment

The Ruins of Kaerula is a Doctor Who audio boxset from Big Finish Productions, which has a few promising features, but it’s a bit middle of the road in many ways. Tom Baker is reunited with Louise Jameson as Leela and John Leeson as that well-known robotic dog designated K9. There are three episodes to examine a bit, however two of them are directly linked to each other.

The guest cast includes Robyn Addison, Zora Bishop, Jonathon Carley, Barnaby Kay, and Reece Pantry. Jon Culshaw also returns to portray Brigadier Lethbridge-Stewart, whose role initially belonged to the late Nicholas Courtney. Helen Goldyn, Nicholas Briggs, and Jamie Anderson share the directing credit.

Scriptwriter Phil Mulryne starts it off with The Remains of Kaerula. The TARDIS is forced down to the planet Kaerula where the Doctor, Leela, and K9 encounter containment camp and strange creatures lurking in the nearby caves. There is a rupture in Time, and the Doctor learns that a catastrophe from the planet’s past has invaded the future as well.

Tom Baker still does well in the lead role as the Fourth Doctor. It’s one of my favorite TARDIS teams, so it was still a worthy effort to listen to this one. As usual, the performances were fine. I was just underwhelmed by the story. Multyne captures the main characters well enough. I just didn’t fine the plot to be all that memorable or as interesting as some of the more recent episodes this past year.

The Ruins of Kaerula is also written by Phil Mulryne and serves as a prequel. The Doctor and his companions have been forced back to Kaerula in the past where they meet some different versions of those encountered in the earlier episode. An experiment is about to go very long, which could bring some serious temporal damage to the universe.

I found this to be a little better than the earlier story. It is an interesting idea to have the Doctor deal with both the cause of a catastrophe and the result. There’s a risk of that idea being overused since he is a time traveler.

The third episode, which is written by Tom Foley, is entitled Cry of the Banshee. This one was quite a bit better mostly because Brigadier Alastair Lethbridge-Stewart meets Leela and K9 for the first time. The Brigadier has requested some help during a peace conference when a delegate from Ireland dies mysteriously. The Doctor learns that it is believed a Banshee is lurking around the conference, however he suspects that it is something else.

The Brigadier joins the Doctor and Leela in the TARDIS after the Doctor finds that the source of this phenomenon originates in a space station orbiting Jupiter. The Brigadier ends up adjusting to his strange, new surroundings as everyone knew he would.

The growth of respect between the Brigadier and Leela is pretty fun to hear. They get off to a tough start when they first meet, but circumstances force them to figure out how to work together.

Jon Culshaw’s impression of Nicholas Courtney’s distinctive, authoritative baritone is quite uncanny.

The story seems a little self-indulgent, but it works. The resolution is somewhat surprising in a pleasantly unexpected way.

Anyway, the set as whole is fine, but I don’t think it’s going to be remembered as one of the great ones. Still, more Tom Baker performances are always welcome. In spite of my nonchalance about this release, I am still glad to have listened to it.

Doctor Who Audio Review: Hooklight Will Not Be Dimmed Easily

~ Peter Kanelis ~ Leave a comment

Doctor Who-Hooklight 2 brings a twelve-episode audio saga from Big Finish Productions to a most satisfying close. Tom Foley has done quite well with writing a very lengthy audio drama featuring the Fifth Doctor, played by Peter Davison. Janet Fielding, Matthew Waterhouse, and Sarah Sutton continue to bring formidable performances in their roles as Tegan, Adric, and Nyssa, respectively. Ken Bentley returns to the director’s position with his extensive experience with this company.

We also have Paul McGann in the mix as the Eighth Doctor, who is also using the moniker, the Oracle. Alan Cox, Kieren Bew, Shogo Miyakita, Celia Imrie, and Theo Solomon are included in the guest cast.

The force known as Hooklight is attempting to control Nyssa. The Doctor and his friends have been scattered throughout various planets and times. They have to make their way to something called the Dark Forge where they must face the Oracle. The Oracle knows the Doctor quite well, and their connection is much deeper than the Time Lord can anticipate. The Doctor has to find a way to free his friend from the influence of the Hooklight and reunite with his TARDIS. Of course, forces are aligned against the Time Lord, and it will take all of centuries of experience and cleverness to keep a certain light from being lit.

Foley used the extra time quite effectively to explore the main characters and the significant guest characters. We get to see how Tegan fares in a long-term relationship, which is quite interesting and even moving at times.

The appearance of the Eighth Doctor is also well-handled, and Foley sort of avoids some of the usual tropes whenever a story features more than one incarnation. Paul McGann is still compelling and has a perfect voice for audio performances. He is just an interesting actor all around.

I thought the Fifth Doctor was an interesting choice to create a huge saga around, but it works quite well. I also thought Waterhouse was particularly good at almost sounding as he did when he originally played Adric forty years ago.

Davison’s voice has aged and deepened noticeably, but I think he makes a good choice in not trying too hard to imitate his younger self. I still enjoyed his performance, and there was an interesting and poignant moment between the Doctor and Imrie’s Kessica Myles. The Doctor has figured out that Myles is terminally ill and offers to be there for her if she needed to grieve her situation. It was a moment of sensitivity from the Doctor that would often be absent from the television series. It was beautifully performed because the emotional significance was played with that famous British subtlety.

I: am usually rather leery of this superlong sagas in Doctor Who because there is some drag. Although there are some moments that it strikes me how long this thing is going on, I enjoyed this one very much.

Big Finish chose to release this in two parts. If more of these hefty stories are to be produced, I think I would prefer the whole story to be released at once. I hope that Foley is willing to do another one of that size because he really seems to rise to the challenge.

Hooklight as a whole is likely to be the best release of the year. There is still plenty of releases to be announced, but this one will likely remain in the top tier of my favorites for some time.

Big Finish Audio Review: On The Isle Of The Dead, Morbius Lives Again

~ Peter Kanelis ~ Leave a comment

Dark Gallifrey: Morbius Part Two is the continuation of a trilogy of audio dramas from Big Finish Productions that seems to be a very promising and poignant piece of entertainment. The series explores various Time Lords from Doctor Who and delves into the history of their home planet and their roles. The warlord known as Morbius appeared in the television series during the Tom Baker era, and now we get a taste of his history.

The story is written by Tom Foley and directed by Samuel Clemens. Samuel West is in the title role with Mina Anwar, Rachel Atkins, Justin Avoth, Mark Bonnar, Andrew French, Janet Henfrey, Lara Lemon, and Hywel Morgan making up the rest of the cast.’

The Gallifreyan battleship known as the Proteus has crashed into a realm known as the Isle of the Dead. The crew members find themselves in more peril than they understand when an old enemy thought dead is about to be resurrected. Captain Argento, played by Rachel Atkins, finds herself facing down doubts from her crew and her own health concerns. Meanwhile, the cult of Morbius is awaiting the return of their idol, and the galaxy is in the direst of jeopardies.

I don’t normally enjoy much Doctor Who that doesn’t feature the Doctor, but this is becoming rather fascinating. West has played Morbius in some previous audio plays, so it makes sense to continue to have him stretch himself a little further. West does a great job.

The story is actually supposed to remind the audience of the old sea adventures. The crew of the Proteus aren’t pirates really, but the mannerisms of the characters sort of put forth that vibe. Big Finish almost always gets the casting right, and this adventure is no exception. I kind of find the first mate, Mr. Middlewitch, a rather compelling character. Hywel Morgan has that role and just seems to relish it. I also think the name Middlewitch is kind of cool.

Anyway, I will soon be listening to the third and final episode of this ongoing series. Dark Gallifrey has delivered on an intriguing premise, and I am fascinated to hear the fate of the crew of the Proteus.

Doctor Who Audio Review: The Light That Must Never Be Lit

~ Peter Kanelis ~ Leave a comment

Big Finish Productions has started the Fifth Doctor on a very epic audio adventure with Tim Foley’s Doctor Who-Hooklight 1. Peter Davison is joined by Janet Fielding, Sarah Sutton, and Matthew Waterhouse. Ken Bentley returns to the role of director. There is a very intriguing surprise with Paul McGann lurking the shadows of the story as the Eighth Doctor. The guest cast is also impressive with Kieren Bow, Alan Cox, Ruby Crepin-Glyn, David Holt, Celia Imrie, Harriet Kershaw, David Shaw-Parker, Theo Solomon, and Issy Van Randwyck.

This release if the first six episode of what is going to be a whopping twelve when it is all over.

The TARDIS crew has basically landed unwilling on a planet called Morning. The Doctor has become aware of the presence of ancient and powerful substance known as Hooklight. Tegan, Nysse, and Adric are caught up in one of the Doctor’s more epic adventures that could lead to the end of all of the universe. The Doctor rarely plays for lower stakes. There is a being known as the Oracle, and he seems to know the Doctor very well.

This is a very promising story. The main cast puts in a typically compelling performance. Peter Davison is a solid performer, but he seems a little more energetic than usual with this one. Waterhouse is now a man in his sixties playing a teen-ager, and he kind of pulls it off. He sounds very much like he did when he first started in the role in the early 1980’s. Fielding and Sutton remain consistently enjoyable as Tegan and Nyssa.

The soundscape is well executed, but Big Finish has a lot of practice with that. I rarely notice any real problems on the technical end with their recordings,

There is a second half to this story to be released soon, and I am pretty anxious to hear that one. I am a little leery of having more than one Doctor in an episode, but Big Finish is usually considerably more successful in the writing of these adventures than what was aired on the television series. Paul McGann is also pretty much guaranteed to deliver his own captivating performance.

Hooklight appears to be on track to hold a special place in the hearts of Big Finish listeners. It’s a long one and will require a bit of patience, but I am enjoying the journey to unravel the layers of mystery alongside this Doctor and his companions.

Doctor Who Audio Review: Someone Still Has To Fight The Monsters

~ Peter Kanelis ~ Leave a comment

Doctor Who: The War Doctor Begins: He Who Fights with Monsters continues the saga of the War Doctor, originally portrayed by John Hurt, and leads to a fascinating confrontation with a mysterious adversary known as the Barber-Surgeon. The set has three parts and was written by Robert Valentine and directed by Louise Jameson.

Since Hurt has been deceased for a little while now, Jonathon Carley has taken on the role which has been known in Doctor Who fandom as the War Doctor. This was a once unknown incarnation of the Doctor who had rejected his name since he had to fight in the Time War and use methods that his other selves would abhor. Carley does an increasingly amazing impression of John Hurt’s distinctive voice and puts forth a powerful performance.

The first part is entitled The Mission where the Time War Council enlists the War Doctor to hunt down and assassinate another Gallifreyan renegade known as the Barber-Surgeon. The Barber-Surgeon has been a thorn in the side of both the Time Lords and the Daleks. The War Doctor doesn’t like the nature of this mission, but this incarnation is the one most capable to complete it

The Abyss has the War Doctor on the Barber-Surgeon’s trail through the devastation of the Time War and his own past. The Daleks have also sent a Dalek Hunter-Killer played by Jason Merrells. The War Doctor and the Daleks have another confrontation in which the maniacal robotic conquerors may finally exterminate their most persistent enemy.

Finally, the War Doctor has to escape the Daleks and confront The Horror. Nicholas Le Prevost plays the rogue element in the Time War known as the Barber-Surgeon. He and Carley play beautifully off each other when the Doctor and the Barber-Surgeon finally meet.

Not that much known is known about the War Doctor other than he was the one who ended the Tine War by obliterating both sides. He was rejected by his subsequent incarnations following that event.

This set reveals how the War Doctor may have been influenced into that horrific, if necessary, decision.

It took me a bit to warm up to the first two episodes, but Carley’s performance kept me engaged, and the finale to this set was worth it.

This is probably one of the best sets in this range. Carley may be able to sound a lot like John Hurt, but he also demonstrates excellent instincts as an actor. He mastered how this version of the Doctor carries such determination and weariness in his voice.

The sound effects are excellently executed. There are times when the action sequences seem a little jumbled, and it was hard to picture what was happening in the imagination. Still, the performances of Carley and the guest cast more than make up for it. Louise Jameson even reprises her role of Leela, which was not unexpected but still pretty fun.

Anyway, I think I have resolved any misgivings I had about the creation of the War Doctor. This set is just great.

Doctor Who Audio Review: The Doctor Just Keeps Digging Up Danger

~ Peter Kanelis ~ Leave a comment

Buried Threats is one of the audio releases from Big Finish Productions that continues the Doctor Who range featuring the Ninth Doctor, played by the brilliant Christopher Eccleston. There are three episodes directed by Helen Goldwyn. Lisa Bowerman returns to the mic as Professor Bernice Summerfield, which is indeed welcome. The set is pretty good, but not much really stands out.

The first story by Lisa McMullen is entitled A Theatre of Cruelty. Alexander Vlahos takes on the role revolutionary artist and theatre director Antonin Artaud. Artaud is having dreams that are breaking into reality, and the Doctor suspects an alien influence as usual. The episode did introduce to me a new historical figure of which I was unaware. It had an interesting plot, but Eccleston has usual really elevates the story with his energetic performance as the Doctor. I enjoyed the episode, but I doubt I will remember much about it until I replay it.

The Running Men is the second entry written by Mark Wright and takes place in present-day Halifax in West Yorkshire. Fiona Wade is the main guest star alongside Eccleston. In this one, I learned about an infamous gibbet and an old legend about the spectral Running Men. In case anyone wants to know, a gibbet is like a gallows where people were executed long ago. A mysterious death brings the Doctor to the scene where historical tragedies are intruding on the present.

It’s also a good story where an uncommon legend is revealed to me. That helps me find some enjoyment and appreciation. It highlights a small piece of British culture and a town which apparently has some renown.

The performances are quite compelling here as is almost always case in a Big Finish release. Yet again, it’s an episode even with its interesting elements still doesn’t stand out as anything quite that unique.

Finally, Professor Bernice Summerfield encounters a new Doctor to her in Matt Fitton’s Ancient History. Benny is looking into a long-ago disappearance of a warrior race known as the Korravin. When she sees a battered blue police box, she knows an old friend is nearby and another danger is about to be unearthed.

This time, the Doctor has initially slipped in incognito with an alias. Benny doesn’t recognize him at first due to the Time Lord’s propensity for regeneration. When she does figure it out, she is not too pleased, but they get past that soon enough and work together like the old days.

This one is probably the stand-out of the set because of Bernice’s presence. Lisa Bowerman slips into the role with such ease, and the chemistry with Eccleston is quite evident. I think Benny actually pairs up well with any of the Doctor’s iterations. The moment of recognition is as deliciously volatile and funny as I hoped. There is even a little time for Fitton to tug the heartstrings a bit as Benny tries to figure out what the Doctor has been up to since they last met.

Overall, the set is enjoyable but is only really notable in that Bernice and the Ninth Doctor meet. The three writers are well-chosen for their reliability. Some of the more obscure elements of British history given a spotlight is pretty cool. Eccleston still has the chops to keep his Doctor compelling in all of his manic and often morose behaviors. This Doctor has survived the Time War and the terrible choices he had to make and live with.

This set of audio dramas may not be listed as one of the iconic releases by Big Finish, but it is once again not one that deserves to be ignored, and I am certainly up to more Ninth Doctor exploits.

Doctor Who Audio Review: A Different Kind Of A Trial For A Time Lord

~ Peter Kanelis ~ Leave a comment

The Trials of a Time Lord is a recent Doctor Who audio drama released by Big Finish Productions and is another effort to celebrate forty years of the Sixth Doctor, portrayed by Colin Baker. It is a six-part saga with writing credits shared by three writers. Bonnie Langford and Nicola Bryant, who play Mel and Peri, respectively, join the Doctor against his battle against a plethora of old adversaries.

The writers, who ended up splitting up the story with two episodes each, are Katharine Armitage, Stewart Pringle, and Rochana Patel, and I have little objection to this slate. Jonathan S Powell directs this saga. The story does hold up pretty well in spite of a premise that sounds on its face, to be somewhat chaotic.

David Banks returns to voice the Cyber-Leader alongside Nicholas Briggs as the rest of the Cybermen. Terry Molloy reprises his role of Davros, the twisted creator of the Daleks. John Culshaw is also a part of the cast and does a passable impression of the late Anthony Ainley as his iteration of the renegade Time Lords known as the Master. Other cast members include Aruhan Galieva, Holly Jackson Waters, Samuel Jones, Rufus Jones, and George Naylor.

The Doctor and Mel arrive in a prison camp known as Cyberia in response to a distress signal and find themselves about to embark on a televised series of challenges which reveals all manners of menaces and allies.

Some themes are revisited such as the idea that the Doctor is being televised as he faces all sorts of threats and obstacles. This was already explored in the television story Vengeance on Varos, however I don’t mind the repetition here. There is enough of a creative effort to have this one come off as a bit more special.

Fans finally have Mel and Peri meet and interact, which was kind of cool to hear. Peri returns after living a life as a warrior king alongside King Yrcanos, who fans met in the original serial, The Trial of a Time Lord. Peri comes with some seasoning as a mother and a fighter. Normally, I would find such a character transformation somewhat implausible, but Bryant sells the performance well enough.

Jon Culshaw filling in for the late Anthony Ainley was kind of a surprise and may count as a spoiler, which I normally try to avoid. He does well enough, but he may need to practice that impression a bit more. It was still fun to imagine that version of the Master cropping up again, and Culshaw doesn’t really miss the mark entirely. It just wasn’t a bullseye impersonation. I will say this about Culshaw himself. I really enjoy his insights and comments during the cast interviews. He knows Doctor Who lore, probably better than most of the actors who portrayed the Doctor. He has such an infectious enthusiasm for the show and just seems like a joy to the rest of the Big Finish cast and crew.

Colin Baker still sounds energetic and credible in his role. The characterization of the Sixth Doctor has been improved greatly under the care of Big Finish writers over the past couple of decades. It was a sweet moment when he realizes that his friend, Peri, has really been reunited with him.

This is a story that feels a little chaotic and self-indulgent at times. I am somewhat leery of stories that just unleash all of the past enemies and story ideas, however this particular release handles this direction better than most. I also tend to sneer at three writers on one story, however the construction here kind of makes sense. The writers did work well together, but they worked on two episodes apiece separately. This division of creative labor would likely only work in a saga like this.

It’s an enjoyable and proper celebration of Colin Baker’s era, and I am glad that we are likely to get more adventures from Big Finish for some time to come.