Tag: dr-who

Big Finish Audio Review: The Professor Between The Master And A Captain

~ Peter Kanelis ~ Leave a comment

Dark Gallifrey: The War Master Part Two is an audio drama released by Big Finish Productions and continues this intriguing range that is a spin-off from Doctor Who. Scott Handcock directs this piece written by James Goss. Lisa Bowerman is back as Professor Bernice Summerfield and has to contend with the attentions from both Derek Jacobi’s version of the Master and James Marsters reprising his Torchwood role of Time Agent Captain John Hart.

Jason Forbes, Chris Lew Kum Hoi, and Tariye Peterside round out the cast.

Back to lecturing at Braxiatel University, Professor Bernice Summerfield has befriended the new Provost and has started a relationship with a student named John. John has started showing an interest in something the professor had once found, and he wants her help to get him to Dark Gallifrey. The Provost is also not who he claims to be and is indeed one of the Doctor’s most persistent enemies. Captain John Hart and the Master go from rivals to reluctant allies to get Bernice to once again seek out the secrets of Dark Gallifrey. Bernice may also have her own agenda and may be able to spring a trap of her own.

The story is a bit hard to follow sometimes, but it still works. Jacobi is just too fun in his performance for me to mind a bit of confusion. Marsters is also pretty amusing. There is a bit of a comedic and compelling fight scene between the Master and Captain John that is quite amusing.

Jacobi does give a delicious performance as the Master before he fled the Time War and hid so well that he had forgotten his own identity. He indulges himself with another clever disguise.

The chemistry between the lead trio is quite engaging and at times quite comical.

The Master did not really appear in the previous episode; however, the familiar charm and ruthlessness are in full supply in this one.

The other cast members are solid enough, but Derek Jacobi in particular is quite hard to keep with. Also, Lisa Bowerman also gives a masterclass in audio performance.

The sound design is expertly executed as well, thanks to Rob Harvey.

One more episode before this phase of the Dark Gallifrey closes out, and another one kicks off.

Doctor Who Audio Review: The Doctor And Stephen Taylor Reunite For One More Escape

~ Peter Kanelis ~ Leave a comment

The Living Darkness is a new Doctor Who audio play from Big Finish Productions and has a really moving reunion between the First Doctor and Steven Taylor. This play was written by Jacqueline Rayner and directed by Helen Goldwyn. Stephen Noonan reprises his efforts to emulate William Hartnell’s portrayal of the First Doctor and is really getting better at it. Peter Purves returns as former companion and ruler of another world, Steven Taylor. He is quite a bit older than when he traveled with the Doctor, and Purves puts in an awesome performance.’ Lauren Cornelius turns up later in the play as Dodo Chaplet, originally portrayed by Jackie Lane in the television series back in the 1960’s/

Other guest actors include Jack Ayres, Trevor Littledale, Dido Miles, and Helen Phillips. As usual, everyone does a stellar job with their roles.

Steven Taylor was once the ruler of a planet where he had been left by the TARDIS. He had a family and is still grieving the death of one of his daughters. He is around the century mark in terms of his age, but he has remained relatively fit and is as sharp-witted as ever. He had thought that his adventures had ended when he parted company with the Doctor and Dodo, however he has regained conscious aboard the spaceship that seems to be some type of prison transport. He has met other unwilling passengers and is investigating whatever terrors lie within the dark corridors when a familiar old man arrives introducing himself as the Doctor. The ship crashes on a planet where the most violent criminals are also sent. Someone or something has taken Steven and the Doctor out of time and placed them in a grueling fight for survival.

I had a little trouble following this story, but the presence and performance of Peter Purves was too compelling for me to mind that much. It’s not a bad story, and Rayner is a long-time writer for the franchise with some real talent and love for the series. It’s actually not a bad epic, and I will enjoy listening to it again in the not-too-distant future. Stephen Noonan continues to improve his portrayal of the First Doctor. He is getting closer to imitating Hartnell’s particular verbal inflections. Of course, the best William Hartnell is always going to be William Hartnell, but I appreciate Noonan’s efforts. Noonan actually sounds very different when using his normal voice, so his impersonation of Hartnell is quite impressive. I am always open to more First Doctor stories.

I can respect that Purves has really changed very little vocally even though he is well into his eighties. I also liked that just because Steven is even older than that, he sounded anything but frail and soft. Steven still retained that tenacious, bulldog tendency that was so prevalent when he was introduced into the series over fifty years.

This is one of those times when the performances really help when the plot is a little soft. The plot is actually pretty good here, and there is some interesting character development occurring throughout the story.

When Steven and the Doctor really recognize each other as genuine, it is actually rather moving. Purves still sounds great in these releases, and I hope he has several more left to do.

I was not sure about Noonan when he first started out in this role, but his interpretation of the First Doctor has grown on me. It is noted in the cast interviews how much work and research he puts in, and it really shows here.

2025 seems to be off to a great start with this release, and I hope more First Doctor stories are in the can.

Doctor Who Audio Review: A Carriage To Chaos

~ Peter Kanelis ~ Leave a comment

The Lord of Misrule is a Doctor Who audio novel from Big Finish Productions that is kind of an average story that is helped by a masterful narration and performance by the incomparable Jon Culshaw. Paul Morris is the writer and manages to craft a decent if unremarkable tale for the range.

The adventure features the Fourth Doctor, who would have been portrayed by the equally incomparable Tom Baker is this wasn’t an audio novel performed by Culshaw. It takes place starting off in 1901 and also features popular Victorian denizens Professor George Litefoot and Henry Gordon Jago. The Doctor is accompanied by Romana, as portrayed by the late Mary Tamm.

The story in London 1901 where the Doctor and Romana are visiting friends, Jago and Litefoot when they are made aware of people being taken off in a ghostly carriage. Other people with scattered memories appear in their place. It seems the carriage is ferrying people between the years of 1901 and 1801. When Romana and Litefoot are counted among the mystery, the Doctor and Jago pursue them and find themselves in a strange predicament with an alien influence at the heart of it. Also, an aristocrat wants to usher in an age of chaos and is wanting to be the one to choose the Lord of Misrule. The Doctor has his hands full with trying to find his missing friends, locate the alien influence that takes resides in the minds of unsuspecting humans, and trying to keep the fabric of society intact.

I usually don’t mind a lengthier Doctor Who story, but this one felt a little slower than usual. I also think that Jago and Litefoot run the risk of being overused by the writers.

The upside is Jon Culshaw is a masterful narrator. He has been doing impressions of Tom Baker for years and is the likely solution once Baker is no longer able to perform since he is now in his 90’s. He also really nailed the distinctive vocal range of the recently deceased Christopher Benjamin, who originally portrayed bombastic theater manager, Henry Gordon Jago. Unfortunately, he has a much harder time imitating Mary Tamm, but that is quite forgivable for obvious reasons. Culshaw’s enthusiasm for relating the story is infectious without feeling overacted.

The production of this release is first rate, but I had some trouble staying engaged with the actual story. It seems that Paul Morris has yet to be counted among one of my favorite Doctor Who contributors.

Still, it’s a release that doesn’t need to be ignored. I will likely revisit this one since it really isn’t a terrible effort. Culshaw’s performance really saves this one from a more pronounced rejection.

Doctor Who Audio Review: The Battles Keep Coming

~ Peter Kanelis ~ Leave a comment

The War Doctor Begins: Battlegrounds is a decent but unspectacular addition to range of War Doctor audio adventures from Big Finish Productions. Doctor Who has a myriad of ranges, and this one does remain fascinating overall, but this particular set struck me as being pretty average. Jonathon Carley continues his portrayal as the War Doctor, which was originated by the late John Hurt. Louise Jameson is the director of this set, and she does a good job.

The War Doctor was an incarnation who was denied by his other selves because of some of his actions taken during the Time War. He has denied himself his usual name, which makes introductions a little awkward to new characters. The War Doctor is not really evil, but he is a bit more ruthless than his other iterations.

As expected in this range, there are three episodes.

The Keeper of Light by Phil Mulryne begins where the War Doctor has a new companion and appears to be investigating strange signals that come from a lighthouse. It seems like a familiar type of adventure for this Time Lord, and he is only too happy to look into it. The problem is that he finds that his sense of reality may not be as reliable as he hopes.

The performances are great as usual. Carley continues to improve on the development of this character, and his impression of Hurt’s unique voice is impressive.

Rossa McPhillips continues the battle with the Daleks with his story entitled Temmosus in which the War Doctor has to convince a group of Thals that they are actually on the same side. A battleship the War Doctor has constructed has been stolen, and a Thal commander is trying to negotiate with the Daleks, which is not going to work out the way he hopes.

This is an interesting story as well. It seems overdue to bring in the Thals in this Time War saga since they shared the planet Skaro with the Daleks.

Finally, Timothy X Atack closes out this set with Rewind, which is actually the best out of this three.

The planet Lacuna is reliving the same day under an attack from the Daleks. Ignis Abel finds a lone man in a castle who may be the architect of their situation, but he was trying to save their lives. The War Doctor wants to break the population from the time loop he constructed, but doing so may leave them at the mercy of the Daleks.

Sarah Moss plays the optimistic and curious Ignis and is kind of the lead in this story. Her scenes with the War Doctor are well written.

The unique take on the repeating day is that the population is aware of the predicament and remember each time when the cycle ended with the Daleks slaughtering everyone.

The set is pretty good for the most part. I love that Louise Jameson has been expanding her role at Big Finish Productions beyond just playing Leela.

Carley is quite the find with his ability to emulate John Hurt’s distinctive voice.

Even if I didn’t find much that stood out, it’s still not a bad collection. Carley’s performance is quite astonishing. I wasn’t initially enthusiastic about the introduction of the War Doctor, but I am enjoying the heck out of this range of Big Finish audios even if that enjoyment comes at different levels.

Doctor Who Audio Review: Fifty Years Of The Fourth

~ Peter Kanelis ~ Leave a comment

The Curse of Time is a Doctor Who audio drama from Big Finish Productions and is a special effort to commemorate fifty years of Tom Baker as the Fourth Doctor. Jonathan Morris writes a pretty good script, which is directed by Helen Goldwyn. Baker is joined by Sadie Miller as Sarah Jane Smith and Christopher Naylor as Harry Sullivan. The guest cast is comprised of Rosemary Ashe, Scarlett Courtney, Angus Dunican, Andrew French, George Naylor, and Terence Wilton.

While answering a summons back to Earth, The TARDIS is pulled through the time vortex into what is thought to be medieval times but is in reality in the far future after humans had fled solar flares that threatened the planet. They have returned, but they are dark secrets awaiting them as well These are the descendants of the humans from a certain Ark in Space. The Doctor and his friends have become legends, but a secret enemy is lurking in the caves, and he needs some help from the Time Lord and is not just going to ask for it.

An aspect of this story that I liked is that Morris doesn’t lean on the trope of bringing an old adversary out to face the Doctor. The story is a sequel to some of those in nineteenth season, however the plot is pretty original. It does a decent job of celebrating the Tom Baker era.

Sadie Miller is really sounding more and more like her mother, Elisabeth Sladen, who originally played Sarah Jane. Naylor is also pretty close to sounding like Ian Marter, who played Harry Sullivan in the television series. Tom Baker sounds pretty well and is as enthusiastic as ever, but I am starting pick up his nearly nine decades in his voice.

The episode isn’t spectacular, but it’s still pretty good. Even if it touches on some earlier stories in the television era, there is enough originality in the plot to feel like an unnecessary sequel.

This felt like a pretty good way to celebrate fifty years of the Fourth Doctor. Big Finish Productions avoided some of the usual trappings of such a milestone and gave its audience something more creative and unexpected in making this almost an ordinary Fourth Doctor romp.

Doctor Who Audio Review: The Cybermen Are Certainly Not Angels

~ Peter Kanelis ~ Leave a comment

The Quintessence is an excellent Doctor Who audio drama from Big Finish Productions and features the Third Doctor and Jo Jones. Nicholas Briggs directs this episode which is written by Stewart Pringle and Lauren Mooney. Nicholas Briggs provides the voice as the Cybermen, as usual. The rest of the guest cast is comprised of Chris Larkin, Felicity Cant, Emily Joyce, and Gary Turner.

Tim Treloar resumes his role of the Third Doctor with his steadily improving impression of the late Jon Pertwee’s performance. Katy Manning plays a much older Jo Grant, who is now Jo Jones, and has rejoined the Doctor in the TARDIS.

The story begins with a strange dream that Jo is having about a young girl in an isolated manor. She receives a set of coordinates and convinces the Doctor to check it out. They find the estate in the midst of a storm raging across a desolate planet known as Nethara Reach. They find that it is occupied by a couple with a sickly daughter who believe they have been communicating with angels. It doesn’t take long for the Doctor to recognize these supposed angels as one his most ruthless adversaries. The Cybermen have targeted the daughter for a horrifying purpose. The Doctor and Jo will have to embark on a rescue mission to save a family from a terrifying transformation.

The Daleks are apparently the most popular villains in the franchise, but my heart still goes with the Cybermen as the more chilling of the Doctor’s foes. The relentless of survival by converting anyone and anything into one of their numbers is effectively chilling…especially without all of the maniacal shrieking the Daleks like to cut loose.

The plot is actually pretty creative even if some old adversaries are brought out of the mothballs. Katy Manning gives one of her stronger performances. She is always good and obviously slips into the role with ease. Treloar is good. I also have to note that Chris Larkin as Arthur Pepperdine undergoes a compelling and convincing character transformation, which was quite wonderfully performed.

This is a six-part story, which has a tendency to drag, however the writers for this serial kept this one pretty interesting throughout. Nicholas Briggs handles the directing with his usual precision and skill as he voices the emotionless, unrelenting Cybermen.

Big Finish is reliably solid when it comes to casting and story ideas, however this particular release ended up surprising me with stronger than usual performances and a pretty fascinating use of common scenes and soundscapes. This story would be an unusual fit for the Pertwee era, however it’s a welcome departure and stretch of creative muscles.

The Quintessence is probably one of the top releases for the year, which is saying something since Big Finish is so consistent with the care and attention they put into these releases.

Doctor Who Audio Review: Time Lords And Vampires Still Don’t Mix

~ Peter Kanelis ~ Leave a comment

Goth Opera is the latest Doctor Who audio drama adapted from a pretty good novel by Big Finish Productions. Lizbeth Myles is the scriptwriter who adapted this episode from the highly regarded novel written by Paul Cornell. David O’Mahoney serves as director as Peter Davison, Janet Davison, and Sarah Sutton reprise their usual roles as the Doctor, Tegan Jovanka, and Nyssa, respectively. Natalie Gumede, Micah Balfour, Ewan Goddard, and John Schwab are included in the guest cast.

The Doctor is indulging in a game of cricket while another Gallifreyan named Ruath is arranging for the vampires on Earth to encounter their messiah named Yarven. Ruath also has a bone to pick with the Doctor, and Yarven is well aware of the Doctor’s encounters with his species as well. Nyssa is attacked and bitten by a vampire, prompting the Doctor and Tegan to frantically save her from a full transformation. The Doctor finds himself the target of another vendetta for events that reach back to his academy days. Ruath also wants to create a hybrid comprised of Time Lord and Vampire DNA, and the Doctor will have quite a lot to say about that.

The plot is actually kind of interesting because Ruath’s motivations and her resentment of the Doctor’s decision to leave Gallifrey are a bit complicated. The nature of their past relationship is left a little murky, which I liked. The performances from the main cast members are as on par as a long-time listener of this series would expect. Davison still doesn’t sound like he did forty years ago, but it’s still great to listen to him. There is quite a bit of exasperated banter between him and Janet Fielding’s Tegan Jovanka that has yet to get old. Sutton has quite a sizeable part in the story and handles it more than capably.

The story was kind of interesting, but the original novel is a little overrated in my estimation. It took me a bit to warm up to Balfour’s performance as Yarven, but I got there. Schwab plays a Southern evangelist, and his accent is somewhat distracting because of the exaggeration of it.

I am curious of there is a plan for Big Finish to adapt the sequel novel Blood Harvest which would feature Sylvester McCoy’s Doctor. I think that would be a good, if somewhat predictable, decision for the company to make. I would listen to that one too.

I don’t usually comment on the music score on these things, but this release did have a rather distinctive composition which I rather enjoyed throughout the adventure.

The episode is an enjoyable addition to the range but necessarily a standout.

Doctor Who Audio Review: Genesis Revisited

~ Peter Kanelis ~ Leave a comment

Big Finish Productions does not make that many mistakes when it comes to their Doctor Who audio range, however Daleks! Genesis of Terror appears to be one of few outright missteps. This is basically a retelling of the classic serial known as Genesis of the Daleks, which starred Tom Baker. This version is based on the first draft submitted by Terry Nation. Baker returns to perform the first part and is joined by Sadie Miller as Sarah Jane Smith and Christopher Naylor as Harry Sullivan. Nicholas Briggs provides much of the narration, and other cast members read much of the synopsis for the remaining five parts.

The Doctor is sent by the Time Lords to the early days of the creation of the Daleks where he is tasked with trying to avert the terrible genesis. He meets the creator, Davros, while the war between the Kaleds and the Thals raged mercilessly.

The screen version is one of my favorite stories, but this is essentially a repeat of that although most of it was just summarized by Briggs and several other narrators.

I guess there is some mild interest to be found here, but I am not sure retelling one of the most popular serials was all that necessary. Big Finish releases this as part of the Lost Stories range, but this was just an early draft or treatment of something that’s already considered a classic among the fans.

There is another release of this sort from Big Finish based on The Ark in Space, and I am not that motivated to try that one…at least not yet.

Doctor Who Audio Review: Vicki Takes Another Spin In The TARDIS

~ Peter Kanelis ~ Leave a comment

Fugitive of the Daleks is a Doctor Who audio drama from Big Finish Productions that sees Stephen Noonan doing another pretty good impression of William Hartnell’s version of the Doctor. Jonathan Morris returns as scriptwriter with Nicholas Briggs pulling double duty as director and the voice of the Daleks. Maureen O’Brien reprises the role of Vicki, who has lived as Lady Cressida in Earth’s distant past. Lauren Cornelius is also back as Dodo, who was originally portrayed by the late Jackie Lane. Ashley Cousins, Mark Elstob, Genevieve Gaunt, and Gary Turner make up the guest cast.

Vicki has lived a long, prosperous life after being left behind by the Doctor and Steven in the doomed city of Troy. She has raised a family and told tales of her previous travels in the TARDIS. She is informed that a strange blue box has appeared, and she recognizes the description. She is reunited with the Doctor who seems to be mysteriously injured and suffering from some sort of amnesia. He is restored to health on a space station with three survivors of a mysterious plague. They soon realize that the Daleks are on their trail. Vicki starts to notice some peculiar inconsistencies in the Doctor’s behavior. A mysterious presence is on board the TARDIS. Another chase has ensued, but Vicki is not sure that she can trust the Doctor as she did in times past.

Noonan’s performance echoing the vocal mannerisms of the late William Hartnell continue to improve. O’Brien is now about 80 years old and still sounds fantastic. There is a moment in the cast interviews where Nicholas Briggs assured O’Brien that she did not need to sound like an old lady even though she was playing a Vicki close to her own age. It was the right call because Briggs was right when he pointed out that many older people retained a youthful voice, and there was no need for O’Brien to sound more like an old crone. O’Brien still manages to easily slip into her “Vicki voice” and is fantastic in this release. Dodo doesn’t appear until pretty late into the story, but Cornelius doesn’t disappoint either when she finally makes her appearance.

There are some pretty good twists that offer some interesting callbacks to some of the television episodes. I am not sure that liked the final twist all that much, but I am not going to spoil that one.

My first instinct is that Morris is just echoing a little too much the television serial known as The Chase. I am a little annoyed that there is some repetition here, but there is just enough unpredictability to help me forgive it. Morris has been one of Big Finish’s most consistent and competent writers. Although I do not rate this one as a top tier contribution, it’s still pretty good.

Even if I have to work at it a bit to enjoy the First Doctor, I still appreciate Big Finish’s efforts to bring new stories to represent the era.

Doctor Who Audio Review: Elves, Daleks, Old Friends, And The Doctor

~ Peter Kanelis ~ Leave a comment

Big Finish Productions has continued their range of Doctor Who audio dramas with the Seventh Doctor in a reasonably entertaining release entitled Sullivan and Cross-AWOL. The Doctor is reunited with former companions, Harry Sullivan and Naomi Cross in two new episodes directed by Bethany Weimers.

Christopher Naylor returns to the role of Harry Sullivan, who was originally played by the late Ian Marter in the television series alongside Tom Baker’s Fourth Doctor. Eleanor Crooks plays a new Big Finish created companion named Naomi Cross. Nicholas Briggs is back behind the voice modulated mic voicing the Daleks in the second story. Sam Stafford, Saffron Coomber, Carly Day, and Hywel Morgan are included in the guest cast.

Long-time Big Finish contributor, John Dorney, provides the script to the first story entitled London Orbital. The story starts off with a young Harry Sullivan discovering a peculiar massacre at a house, which influenced his decision to join UNIT many decades ago. Harry and his colleague, Naomi Cross, have been misplaced in time several years in the future. Strange elves are appearing, and a killer is stalking the streets and recognizes Harry from a previous encounter. The Doctor has returned as well, but in a different form from which Naomi and Harry are familiar. They find a different London the shadows of the familiar one. Another dimension has crossed into ours, and the Doctor and his friends find themselves trying to head off an unearthly war.

Dorney has delivered a pretty reliable story here. I enjoyed the new dynamic between the Seventh Doctor and his two companions. Sylvester McCoy still sounds great as his iteration of the Time Lord. Familiar companions with a different Doctor never fails to intrigue a fan such as yours truly. It’s a fun story, but I didn’t find it to be all that memorable. Naylor does fine with his version of Harry Sullivan. Naomi Cross is supposed to be another fearless, no-nonsense, woman traveling with the Doctor. She’s fine too, but not much feels terribly unique or interesting about her character. There are some expected amusing moments with the companions, and Naylor and Crooks have pretty good chemistry. Dorney has some interesting ideas and threw in some decent lines, but I don’t consider this to be one of his better contributions.

Scream of the Daleks by Lisa McMullin is actually the better entry here even though the Daleks are a bit overused, in my opinion. The Doctor, Harry, and Naomi arrive during a Halloween festival in 1969 and find that nightmares are coming to life. The Doctor and Naomi trace the cause over centuries and find that the Daleks are trapped in some kind of dimensional portal and are trying to manipulate the Time Lord into lending a reluctant hand.

The second story is better, but it’s not really a standout among all of Big Finish’s output. It’s another reasonably enjoyable episode with a few clever quips that did actually make me laugh out loud. I like the plot for the most part. The performances are quite good, as usual. Of course, the sound effects are convincing. Nicholas Briggs does his usual compelling job voicing the Daleks.

On the whole, the set is enjoyable and has some interesting ideas and characters, but I doubt there is much I will remember in the next couple of days. As with all of my Doctor Who collection, I will likely listen to it again in the not-so-distant future.