Tag: film

Classic Film Review: Showgirls In Peril

~ Peter Kanelis ~ Leave a comment

The Trap is not one of the better films to feature Charlie Chan, as played by the late Sidney Toler. Howard Bretherton directed this film which was written by Miriam Kissinger. The character was first created by the late Earl Derr Biggers, who was also given some writing credit. Biggers died in 1933, so he probably didn’t have much to do with this bit of tragic cinema.

Victor Sen Yung, Barbara Jean Wong, Mantan Moreland, and Tanis Chandler are also included in the cast.

It’s kind of a classic murder mystery set-up where a where a theatrical ensemble is staying at a beach house where scandal and blackmail are ruining the camaraderie among the showgirls. When one of the showgirls is murdered, a pair of them fall under suspicion. San Toy happens to know the son of the great detective, Charlie Chan, and reaches out for some help. Jimmy Chan starts his own investigation; however, the big man turns up when he receives some information that Jimmy himself had been murdered. Charlie devises a trap to ensnare a murderer who has claimed a second victim as he discovers the secrets held by the performers.

There isn’t much about this particular film that works. Charlie Chan isn’t all that involved in the story as expected. I did a little research here and learned that Toler had been coping with a severe cancer diagnosis at the time of production. In fact, he died the following year. The story was not that interesting. Well, it did follow the basic tropes of the genre and the other films in the series, but it was not executed all that well. It felt rushed and a bit incoherent. Now that I am aware of Toler’s condition during filming, it does seem the studio was rather ruthlessly trying to make as much money as possible from a star who was terribly sick.

I do think the Charlie Chan movies themselves are worth some viewing time due to the cultural impact at the time of release, but I also believe this particular film deserves a pass. The actors did their best, but the script did little to help.

Film Review: Bart Sees It All

~ Peter Kanelis ~ Leave a comment

The Night Clerk is an almost painfully mediocre suspense film written and directed by Micchael Cristofer about a motel clerk with Asperger’s Syndrome who sets up cameras in rooms to spy on guests so he can learn how to imitate their mannerisms. He apparently believes this will help him be less socially awkward.

Tye Sheridan is in the lead as Bart Bromley with Ana de Armas, John Leguizamo, Helen Hunt, and Johnathan Schaech included in the pretty small cast.

Bart finds that he is the lead suspect when a pretty lady is found dead in the motel room with him in the vicinity. He is assigned by a sympathetic boss to another location where he meets another pretty lady who flirts with him and reveals that she is in an affair with a married man. The detective, played by Leguizamo, continues to hound the hapless Bart while the real killer is desperate to cover his tracks.

This is a bit of a knock-off of Alfred Hitchcock’s Rear Window, which isn’t a bad source for inspiration even if it has been overcooked over the years. The cast is solid enough with convincing performances; however, it just feels so slow. There are no real surprises. Bart does come off as a bit creepy at times, so I found it hard to maintain any real sympathy for him. An actress of Helen Hunt’s caliber feels wasted in the role as Bart’s protective mother. There are also times where it feels that the killer takes a somewhat more convoluted approach than necessary to keep his secret. I can go on and on, but I have a full plate today.

The bright spots in this film were there but seemed a little muted at times. Overall, I think audiences have seen this kind of setup too many times, and Cristofer really doesn’t offer up much in the way of an interesting or unique twist. I didn’t really care much about the protagonist in spite of him being inflicted with a very challenging condition. Sheridan does do a solid job in his portrayal, but that wasn’t enough for me to muster up any real appreciation for the film as a whole.

Film Review: Dancing With The Devil

~ Peter Kanelis ~ Leave a comment

Apartment 7A is a mildly interesting horror film which I just read was supposed to be some prequel to the classic film, Rosemary’s Baby. The film is directed by Natalie Erika James, who co-wrote the film alongside Christian White and Skylar James. Julia Garner is in the lead as aspiring stage dancer, Terry Gionoffrio. Other cast members include Dianne Weist, Jim Sturgess, Kevin McNally, and Marli Siu.

Terry Gionoffrio is a dancer who was seriously injured in a fall onstage and is having some difficulty getting booked for other Broadway gigs. She meets an elderly couple who befriend her and offer a rent-free apartment in a lavish old complex. Of course, Terry starts having strange dreams and hallucinations. She does have a seemingly convenient fling with a Broadway producer which could lead to her desired fame on the stage. In the midst of these strange circumstances, Terry learns that she is pregnant, but there is something odd about the developing child. It turns out that Terry has been ensnared by some dedicated Satanists eager to bring forth a manifestation of the one they worship.

The film hits some of the right notes that engage my interest. It takes place in the 1960’s in New York. There is a rather spooky apartment, although we’re not really confined there with Terry. Terry does get to leave and figure out what kind of situation keeps her on the edge of hysteria. I have no real complaint about the cast. Garner is a pretty good actress. Wiest is kind of a legend and is easily able to pull off the part of a strange old woman who can be deadlier than she first appears.

The script is okay. There is nothing really that unique about setup or plot. Geriatric Satanists seems like an interesting idea, but I just ultimately found it to be kind of hammy. Some of the imagery of the devil was kind of clever, but nothing too jarring or unique.

I don’t think I have gotten around to seeing Rosemary’s Baby. Even though I may eventually be curious enough to see it, this film didn’t really kickstart my interest that much.

Apartment 7A is not a bad film on the whole and does have some merit in the horror genre, but there isn’t much that’s unique and will likely be considered another unnecessary prequel that has a tenuous connection to the film that inspired it.

Film Review: Vengeance In Five Points

~ Peter Kanelis ~ Leave a comment

Gangs of New York is a very long film directed by Martin Scorsese that does take some patience to get through in spite of some captivating performances, especially with a certain Daniel Day-Lewis in the cast.

The screenplay is written by Jay Cocks, Steve Zaillian, and Kenneth Lonergan and was adapted from a book published in 1928, what was Herbert Asbury’s The Gangs of New York: An Informal History of the Underworld.

Leonardo Dicaprio, Cameron Diaz, Jim Broadbent, and John C. Reilly are included in this obviously talented cast. Cameron Diaz does seem a little miscast here, but she is not too distracting.

The film starts off in 1846, taking place in a New York slum known as Five Points where a gang fight is about to erupt between Irish immigrants and American natives. The leader of the Irish gang is cur down by the leader known as the Butcher, played by Day-Lewis. Sixteen years later, the son of the slain man has returned to Five Points for vengeance. DiCaprio’s character goes by the moniker “Amsterdam”. In order to get closer to his target, Amsterdam positions himself as the Butcher’s protégé. A brash pickpocket played by Diaz comes to Amsterdam’s attention and complicates his plans to avenge his father. Another war is brewing between the New York gangs, and a major city could be caught in the crossfire.

The set designs are stunning. Daniel Day-Lewis delivers a powerful performance as the brutal gang leader known as Bill “the Butcher” Cutting. DeCaprio also leaves an impression with his talent, but Day-Lewis stands over everyone in the arena of acting.

The film is just too long. It does seem that Amsterdam could have pulled off his objective too many times before the climactic battle sequence taking place. Bill the Butcher is an intimidating fellow, so I am glad that he was not taken out sooner.

It’s still a visually appealing film even though it feels that further editing could have occurred. It’s an exhausting film to watch at times. The fight scenes are gruesome but well-executed.

I had been thinking of finally watching this film for some time, and although I would not label it as a disappointment, it didn’t pack quite the punch I was hoping for.

My complaints about this film may have more to do with my choice of genre and certain expectations than Scorsese’s editing choices. It’s still a decent film and should be watched. Just make sure the day is slow and one has the attention span to stay focused.

Film Review: An Island Getaway No One Wanted

~ Peter Kanelis ~ Leave a comment

Send Help is an interesting survival horror film with some solid performances in spite of the outlandish twists and turns throughout the experience.

Sam Raimi is the director of this film, which was written by Damian Shannon and Mark Swift. Rachel McAdams and Dylan O’Brien play the corporate colleagues who survive a spectacular plane crash and end up on what appears to be a completely deserted island.

Dennis Haysbert, Xavier Samuel, and Edyll Ismail are included in the small cast. Of course, the focus will be on the chemistry and banter between McAdams and O’Brien.

McAdams plays the shy, eccentric corporate strategist, Linda Liddle, who is passed over for an expected promotion by O’Brien’s typical spoiled new CEO for the company he basically inherited from his recently deceased father. Linda is a Survivor enthusiast and even auditioned for it. O’Brien’s Bradley Preston is shown the audition tape which amuses him and his cohorts greatly. Well, the plane suddenly develops a problem which kills everyone but Linda and Bradley and crashes into the island. After they awake and reunite on the island, their power struggle begins in earnest. Linda is the one with the knowledge of survival skills, and Bradley is just a spoiled jerk who has little respect for his strange subordinate. Linda’s many years of suffering underestimation and unappreciation may have unhinged her in ways that Bradley could never imagine.

On the whole, this is a pretty good film. Some of the twists were a surprise, but there was still more than a tinge of predictability as to what the final outcome would be.

The performances of McAdams and O’Brien were really quite compelling. O’Brien nailed the part of the obnoxious, entitled rich kid who ultimately cannot conceive that he could be in over his head. The evolution of McAdams’ character arc was pretty well written. I am not sure that McAdams is going to be considered one of the great actresses of the silver screen, but she does shine quite effectively here. She usually does more than hold her own alongside her peers in the projects that I have seen her participation.

Some of the gore still seemed a little too egregious at times, and I had some trouble believing that Linda Liddle would know that much about octopus’ toxins, which does involve a rather disturbing, grotesque scene of retribution midway through the film.

There are some moments that seemed a little too ridiculous at times, but I believe that was rather intentional in the writing.

Anyway, the story does seem to bring out some interesting thoughts on potential shifts in dynamics when two people from very different social standings are isolated and sharing a uniquely harrowing experience. Both of the lead characters had some depth when they were trying to outwit the other.

If one can handle some unnecessary gruesomeness and unlikely plot swings, the performances and a pretty interesting script still makes this film something I could recommend seeing.

Film Review: Hong Kong Goes Ballistic

~ Peter Kanelis ~ Leave a comment

Hard Boiled is a Chinese action film that was released in 1992 and directed by John Woo. It’s a ridiculous piece of cinema, but it isn’t bereft of merit. The screenplay was written by Gordon Chan and Barry Wong.

Chow Yun-Fat leads the cast which includes Tony Leung Chiu-Wai, Teresa Mo, Philip Chan, Anthony Wong, and Philip Kwok.

Gun smuggling in Hong Kong is at the center of the chaos in this film. Chow Yun-Fat portrays a jazz-loving, hard drinking inspector for the Royal Hong Kong Police. He comes across an undercover cop while in pursuit of a major gun smuggler named Johnny Wong. Inspector Yeun has some scores to settle with Wong but does not want to jeopardize this newly discovered colleague. Tony Leung plays the undercover detective named Alan and is also pretty good. Of course, what follows is a plethora of acrobatic fights and shoot-outs that culminate in some gruesome deaths for both cops and killers.

The movie attempts to have a somewhat nuanced plot, but the crazy amount of violence makes it hard to keep it all straight. At times, I was losing track of for whom I was supposed to cheer other than Chow Yun-Fat.

Chow Yun-Fat is rather fun to watch. I remember this guy from a few decades ago, and I understand the appeal. He’s not a bad actor in spite of some dubious dialogue at times. He does not have the hardened look of someone who can be quite so lethal, but he sells it quite effectively regardless. He was a great choice as the lead for this one.

The fight scenes were pretty well staged as well even if they required a massive amount of suspense of disbelief. The action sequences did seem drag on quite a bit, particularly the final confrontation at a hospital. Woo was definitely out to test his audience’s tolerance for all the insane amount of gunfire and assorted bangs and flashes depicted here.

There were some attempts at some interesting character moments between Inspector Yeun and Tony Leung’s undercover cop character. Although there were some moments of cringey dialogue, not all of it was worthy of derision. It’s also likely some of my reservations with this film may have to do with my lack of viewing of Chinese cinema. I’ve seen the occasional snippet of this genre, but my experience here is pretty sparse.

A family member describes it as the greatest action movie of all time. I would not go that far, but the overall experience was amusing and enlightening. Although I have some objection to the politics and governing practices of China, it was still worthwhile to get a taste of their culture with this style of cinema.

Also, I initially described this film as being ridiculous, this time I meant that with some affection. If there is a good chance this film isn’t going to induce some kind of seizure or panic attack, I would recommend seeing it. You may want to bring some ear plugs to muffle the noise, however.

Film Review: The Knives Are Not As Sharp This Time

~ Peter Kanelis ~ Leave a comment

Wake Up Dead Man: A Knives Out Mystery is the unimpressive third film in the franchise that stars Daniel Craig as private detective Benoit Blanc. Rian Johnson wrote and directed this somewhat lackluster sequel. Daniel Craig returns as the enigmatic Benoit Blanc.

More big Hollywood names are in this case. Josh Brolin is the one who gets knifed in the back as Monsignor Jefferson Wicks, a rather fiery and ferocious church leader with a not so holy agenda. Josh O’ Conner, Glenn Close, Mila Kunis, Jeremy Renner, Kerry Washington, Adam Scott, and Jeffrey Wright are also included in the cast. So, there is a lot of talented and prominent names here whose talents are just wasted.

Benoit Blanc is asked to help out in investigating the murder of a monsignor who was stabbed in a storage near the pulpit of a church while services were being done. Blanc finds a peculiar group of suspects and is assisted by a young priest who was once a boxer. Suspicion falls on the young priest, and Blanc is not so sure he will be able to solve the case.

First of all, Johnson lets his political preferences shine throughout here in the writing of his script. He just couldn’t stay neutral on matters of religion or much else. That’s to be expected with most of the sludge coming out of Hollywood these days.

The story was not that interesting, and the film ran too long for the genre. Only a few of the cast members had interesting roles. Benoit Blanc had nothing new to show his audience. Daniel Craig was fine in the role, I suppose, but he was not as compelling as usual.

Adam Scott, who is best known as Jim Moriarty in Sherlock, was sort of fun to watch. A few other cast members had enough talent to sometimes be interesting.

Overall, the mystery itself was not that interesting. I didn’t really care about the murder of this monsignor. The film was obviously just a venting session against religion or any conservative viewpoint, which is to be expected these days from Hollywood, but Johnson just failed when it came to clever subtlety in the writing.

The movie still isn’t what I call terrible because the cast is just good enough to keep it within the range of mediocre. There was enough to represent basically my genre where I can’t say that I absolutely hate this film, but there were facets that were just annoying and unnecessary.

I will acknowledge there was some redeeming qualities toward the end. Johnson didn’t quite veer off into some overly heretical road, but he did enough limit my enjoyment of what could have been a compelling murder mystery.

Unfortunately, aspects of my personality will likely compel me to keep an eye out to see if another installment is forthcoming, and I do find the lead character Benoit Blanc to still be somewhat interesting. Better luck next time, guys!

Classic Film Review: The Strange Women of Limmeridge House

~ Peter Kanelis ~ Leave a comment

The Woman in White is a mystery drama film that was released in 1948 and is actually quite impressive in regard to the look but is a little slow on the plot development. Peter Godfrey is the director of the film while the screenplay was written by Stephen Morehouse Avery. The film was based on a well-known novel by Wilkie Collins, which was written in 1860. That could explain why the film feels a little slow at times.

Included in the cast are Alexis Smith, Eleanor Parker, Sydney Greenstreet, Gig Young, Agnes Moorehead, and John Abbott.

A man hired to tutor a woman on drawing walks from a train station to an estate known as Limmeridge encounters a woman in white in the night. The woman vanishes when a carriage approaches. The man, Walter Hartright, is told of an asylum nearby, and that a woman had just escaped. Hartright makes it to the house and meets the residents. He then meets Laura Fairlie, who bears a striking resemblance to the woman he encountered during his late-night walk. Hartright begins to learn some strange secrets of the house, including a cousin who disappeared some years before. There is a fortune at stake, and Hartright finds that he may have to free a woman wrongly imprisoned within the asylum and figure out which member of the house is capable of murder to protect their secrets.

Okay, this is a pretty strange and convoluted plot. The acting was pretty good though. I also was impressed with the set design considering the time when this film was produced.

It feels a bit of a slog to sit through this thing at times because I had a hard time staying focused on the gist of the story.

It is a film that take some concentration at times.

The costuming and set design were remarkably well done. It’s a very pretty movie to watch in spite of it being in black and white. That alone may be enough reason to give this another viewing.

Anyway, there are some challenges when it comes to understanding the motivations of the characters and some elements of the story, but it’s still a film worthy of some time.

Film Review: An Exorcism For The Road

~ Peter Kanelis ~ Leave a comment

The Conjuring: Last Rites is a decent enough send-off to this branch of the horror franchise that starred Patrick Wilson and Vera Farmiga. The film is directed by Michael Chaves, and the screenplay is written by Ian Goldberg, Richard Naing, and David Leslie Johnson-McGoldrick with James Wan sharing story credit.

Wilson and Farmiga reprise their roles as Ed and Lorraine Warren, the reputed paranormal investigators who allegedly conducted several exorcisms over the years. Mia Tomlinson plays their only daughter, Judy Warren. Ben Hardy, Elliot Cowan, Rebecca Calder, and Steve Coulter are also included in the cast.

The Warrens have largely stepped away from exorcisms and major investigations in favor of writing and lecturing due to Ed’s heart issues. Their daughter gets drawn into the supernatural plight of the Smurl family, who have been dealing with various ghostly manifestations for several months that seen to be centered around a strange-looking mirror that was gifted to one of the daughters. Judy is also recently engaged, and the young man is pulled into this last dance with the demonic.

This film is actually pretty good. It is somewhat predictable, but I have come to enjoy the chemistry between the two lead actors here. I am not sure that I really believe in the legend of the Warrens, but I like the portrayal put forth by Wilson and Farmiga. The film also strangely seems to promote the benefits of a loving, committed marriage and even manages to not bash the Christian faith.

The jump scares are pretty standard but well done. The background of the spirits menacing the Smurls is pretty standard. Not much is done here to break new cinematic ground, but I didn’t necessarily mind that.

The performances were solid enough, and I felt sympathy for the people involved. It’s pretty obvious that quite a bit of artistic license was used, but the film worked well enough to shrug that off.

This film is not really any sort of masterpiece of the horror genre, but it gets the job done as far as being a reasonable diversion from the daily stressors of life. That’s just fine with me. Go see it with my blessing, for all that is worth.

Film Review: If Only It Was Just An Affair…

~ Peter Kanelis ~ Leave a comment

Holland is a psychological thriller that has a few moments of almost being interesting but just couldn’t quite get there. Mimi Cave is the director of this mediocre cinematic effort, which was written by Andrew Sodroski. Nicole Kidman has the lead role and is accompanied by a cast which includes Matthew Macfadyen, Gael Garcia Bernal, Jude Hill, and Rachel Sennott.

Nancy Vandergroot is a teacher in the small town of Holland, Michigan, which is rather proud of its Dutch American roots. She is quite happy with her family until she starts to wonder if her husband, who travels a lot for work, is having an affair. She enlists the help of a friend and colleague to help her confirm her suspicions; however, the truth is something that is far worse.

The film does have some elements that are somewhat interesting, but somehow the end result is still rather hollow. The exploration of Dutch American roots is something not commonly displayed in movies, so I thought that was a decent start. I think that I had a hard time really caring about any of the main characters. Kidman is usually a solid casting choice, and she does fine with this role, but there is nothing all compelling about her character. I had a hard time being all that interested in her plight that starts to unfold.

The plot of a seemingly dutiful husband’s double life is somewhat overdone even if the setting in this film was a little eccentric and unique.

The performances were not terrible, which was helpful, but also nothing was all that memorable. The town did seem to have some charm.

Although it’s hard to have any real criticism of the film’s technical elements, I just found that it was missing something that should have made it more gripping.