Film Review: Charlie Heller Is No Natural Born Killer, But He Can Learn

The Amateur just manages to be one of the better films to be released early in 2025 with Rami Malek putting forth a heartfelt performance as CIA cryptographer Charlie Heller, who launches a campaign to avenge the murder of his wife, which will lead him to acquire a different set of abilities. James Hawes is the director of this film, which was written by Ken Nolan and Gary Spinelli. It is based on a novel written in 1981 by Robert Littell.

The cast is a formidable one that includes Laurence Fishburne, Rachel Brosnahan, Holt McCallany, Julianne Nicholson, and Caitriona Balfe.

Charlie Heller is a mild-mannered, ingenious, and somewhat socially awkward CIA nerd who somehow managed to snag a beautiful, charming wife played quite convincingly by Brosnahan, who is about to leave for London on a business trip. Sarah Heller is gunned down in a terrorist attack, which prompts the grieving Charlie to use his smarts to identify the murderers. He is more than a little disappointed when he finds that his colleagues aren’t too willing to move on the information he has provided. He decides to take matter into his own hands and gain the training he needs to accomplish his lethal desire for justice. The point is driven home that he does not quite have the necessary fortitude to be a stone-cold killer. He does have other skills and knowledge that could be of use, however. The superiors in the agency have still misjudged Heller’s determination and talents, and they may eventually regret now working with him. Heller has four suspects to hunt down and is on a dangerous path to confront the man who pulled the trigger.

I thought this was a pretty good film even if the plot seems as old as Time itself. Malek’s performance did evoke more than a little sympathy for his character’s loss, but I am a bit of a sucker for a good revenge plot.

The film does have some great scenery throughout since Heller has quite a bit of traveling to do. There is not much time devoted to clearly explain how Heller was able to get his hands on some of the utensils he acquired to pull off his plan. Still, some of these plot holes are not significant enough to keep me from finding enjoyment in this release.

Malek is a talented actor and appears to be a solid casting choice for this role. I have no real criticism of any of the performances themselves, so that’s a plus.

I had some issues with the editing, which I am finding to be a more common observation in the recent movies I have viewed. The shifts in scenery were a bit jarring at times.

The plot is implausible and relies on a few annoying coincidences, but again it manages to not seem too over the top.

The movie is not the greatest spy thriller of all time, but it’s a long way from the bottom of the barrel and worth the time to kick back with a favorite snack and see how far Charlie will go for vengeance.

Film Review: Hijackers And Vampires Do Not Play Well Together

Blood Red Sky is a pretty interesting horror action film directed by Peter Thorwarth, who also cowrote the script alongside Stefan Holtz. It concerns a mother who is soon revealed to be a vampire on her way to America for treatment. The flight gets interrupted when the flight is hijacked, and the mother is unable to control her unnatural urges.

The cast includes Peri Baumeister, Alexander Scheer, Kais Setti, and Dominic Purcell.

Baumeister plays a widow who appears to have leukemia; however, her affliction is even less common and more horrifying. She and her son board a plane where she is going to a treatment facility that could apparently treat her bloodthirsty condition. Her hopes get derailed when the plane gets hijacked. Her curse may be the only weapon she has to protect her son and other passengers.

This is one of the better horror films I have seen recently. It is from a German production company, so that is kind of interesting. Purcell was only cast member I recognized from the television series Prison Break.

Anyway, the visual effects were pretty good. The transformation that Baumeister undergoes was quite impressive.

It’s a pretty gruesome piece of work, but there seemed to be some restraint exercised.

Scheer also deserves a specific shout-out for his performance as one of the hijackers known as Eightball. He seemed to get into his role and was genuinely disturbing.

There are moments between the mother and child that are quite heartbreaking and well-performed. The young actor, Carl Koch, gets a little too shrill at times, but he does a pretty good job overall.

It’s a strange, chaotic script, but it turned out to be a pretty compelling and suspenseful film. If one enjoys vampires mixed with hijacked airplanes, this is a film to not ignore.

Film Review: A Little Love And War Come For Marvin

Love Hurts is an action-comedy film with a talented cast but a very dubious plot. It took three screenwriters in the shape of Matthew Murray, David Leitch, and Luke Passmore to disappoint this movie watcher. Jonathan Eusebio is a director I have not heard of, and this film isn’t likely to help him much. Ke Huy Quan is in the lead as a successful realtor with a killer past. Other cast members include Ariana DeBose, Daniel Wu, Lio Tipton, and Sean Astin.

Marvin Gable is a very successful real estate agent who has embraced his new life after leaving behind his former criminal associations. He used to work for his brother, a crime lord, who has decided to send some heavy hitters to see if Marvin has heard from a former love, Rose, who he was supposed to kill. There is some missing money being sought. Rose does turn up and needs Marvin to dust off his lethal skills that he has shelved for a while. All sorts of strange assassins converge on the reunited couple, and Marvin is faced with having to lose his new life that he has grown to love.

The basic plot is not that bad. I sort of liked the casting of Quan in this role, however he does not quite pull off the menace when Marvin revers to his former persona. Marvin is described as a “beautiful monster” by his brother. Although the fight scenes are kind of fun, and Quan is able to sell it adequately, I am not sure I could buy that the implied ferocity described by the brother.

Ariana DeBose is quite a find. She is beautiful and seems to have a pretty good sense of comic timing when needed. She really sells the mischievous streak in Rose quite convincingly.

The problem with the film is an incoherent plot. The villains just become a bit too cartoonish. I understand that this was supposed to be a comedic venture, but the jokes just don’t land.

I do think that Ke Huy Quan deserves another chance in a lead role. He is kind of the best thing about this film, but the script didn’t help him shine that much.

The story had some loose threads, and it isn’t clear as to what decisions Marvin made about his future at the end of the chaotic chase.

There are a few bright spots in the film, but the experience as a whole was a bit more of a letdown than even I was expecting.

Film Review: A New Wolf Man Unleashed

Wolf Man is an adequate iteration of a common horror film figure directed by Leigh Whannell. Whannell co-wrote this script with Corbett Tuck. It’s a reasonable cinematic distraction and has some suspense, but it’s still unremarkable.

The film stars Christopher Abbott, Julia Garner, Sam Jaegar, and Matilda Firth. None of the cast appear to be the most recognizable Hollywood names, but they delivered reasonably solid performances. I sort of liked that I was not that familiar with this cast because it did help the film seem somewhat fresher.

We are introduced to the lead character, Blake Lovell, as a child who had a strange encounter in the woods when hunting with his father. The father is a difficult, paranoid man and his behavior left an unfavorable on his son, who has grown up, gotten married, and sired a daughter. Blake gets notice that his father, who had disappeared in the woods sometime, has been declared dead. Blake and his wife, Charlotte, have been enduring a tense marriage and agree that a trip to the Oregon wilderness could help them find some peace. Of course, this is a horror film, and they are stalked by a strange creature that has wounded Blake. Blake begins to undergo a slow transformation into something much more dangerously feral. Charlotte and their daughter are forced to fight for survival with the first beast in the forest, and eventually the husband and father begins to succumb to a new bestial hunger.

The visual effects are fine, and there are a few moments of real suspense. The performances were not noticeably bad. The background of this family was not all that interesting or intriguing. It’s another couple with some marital tension on the verge of likely separation. I found Blake Lovell to be somewhat bland as a family man. I don’t think it’s the fault of the actor. He did as well as he could. There was an interesting method he employed to instill some sense of confidence in his daughter. That relationship was kind of charming. Julia Garner was fine as the overworked journalist wife. There just wasn’t much I found charming enough about her for me to care that much if she got caught by the werewolf and torn to shreds.

The daughter played by Matilda Firth was performed well enough. I may have only cared about her survival because I am not sociopathic enough to really want to see a child become snack food, however.

The location was great; however, I am Oregonian by birth, so that may not be an unbiased opinion.

The visual effects were pretty good, but of course they were going to be.

It’s not a terrible film, but it’s another average, forgettable release that doesn’t leave much of an impression.

Film Review: George Will Face Bombs To See His Mother Again

Blitz is a World War II era film that is pretty good, if a little disjointed at times, and is written and directed by Steve McQueen. Saoirse Ronan plays a mother who sent her child out of London during the Nazi attacks known as the Blitz. The boy is a recent addition to the slate of child actors named Elliot Heffernan. Paul Weller, Harris Dickinson, and Benjamin Clementine bare included in the castr.

A single mother places her young son on a train to have him taken to safety in hopes that he can avoid the worst of the Blitz. The boy, George, does not quite approve of that decision and jumps off the train and makes a perilous trek back to London. The mother learns that George has not made it to his intended destination and begins her own desperate search for him. The film also deals with the racial tensions of 1940’s England. George is biracial and has occasional run-ins with bigots throughout the journey. He has quite a few obstacles to fight through to get back to his mother’s embrace, but he is determined to get back home and might be quick and clever enough to pull it off.

There are some stunning visual effects and impressive performances from Ronan and Heffernan, but there are some flashbacks that start to feel a little intrusive. The film does not seem to flow all that easily because some of the flashbacks. Ronan was well-chosen in the lead role, and Heffernan manages to put in a convincing performance, so he has a promising start in his acting career. I think my reservations have more to do with the editing than the actual plot or the performances. There are some gorgeous scenes, and the set design was well executed. I am not sure some of the emphasis of the racial insensitivities of the era fits all that well with this particular story. I am aware that sort of racism occurred back then, but how it was included in this particular film felt more like a distraction anything genuine. I actually think that the film would have worked better if George’s father was part of the main story as opposed to a brief appearance in a flashback.’

Anyway, a lot of the overall production works pretty well, but I would have appreciated a more chronological journey to the ending credits. It’s still a good movie overall, even if I would have tightened it up in some areas.

Film Review: Mr. Reed Reveals The One True Religion…So He Believes

Heretic is a pretty fascinating psychological horror film written and directed by Scott Beck and Bryan Woods. The main cast includes Hugh Grant, Chloe East, and Sophie Thatcher.

Two young missionaries for the Church of Jesus Christ of Latter-day Saints arrive at the home of peculiar Englishman who claims to be married. As they begin their discussion of their faith, the two young women recognize that Mr. Reed is quite surprisingly well-versed in their texts and beliefs. Reed also throws out some interesting challenges to their beliefs. When the two women have the opportunity to leave, they find the front has been locked, and the house has some very unusual security features. The visit turns into something more sinister when Reed offers a puzzling choice in order for them to leave. The women have been ensnared into both a religious debate and a fight for their lives as they try to stay true to their beliefs.

First of all, the performances were quite compelling. Grant manages to maintain his familiar bumbling charm and still exude a god bit of menace. Both East and Thatcher were quite good. The actual religious debate was well written, and the character Thatcher plays, Sister Barnes, ends up holding her own challenging the views that Reed espouses. Reed believes that the major religions are built on iterations of the same core beliefs and are distortions of what he believes the is the one true religion.

As the film plays out, things get a bit more gruesome as Reed’s psychopathy becomes more apparent.

The construction of this house is a bit mind-boggling which is a little distracting when one tries to imagine how Reed accomplished this peculiar trap. There are some loose ends when it comes to the background that are not really satisfactorily explained, and there is an ambiguity to the ending that is a little frustrating as well.

Overall, the writers were still pretty good. There was some decent suspense as the story progressed. The plot twists were pretty creative, and I was not able to predict every step of the cinematic journey.

Even though some aspects left me a little frustrated, that feeling was pretty mild. I ended up appreciating talent of the actors and the mental stimulation provided by some of the intellectual jousting. It was great to see Grant show a bit more range than usual. East and Thatcher held their own alongside a seasoned actor like Grant.

It’s a film with some flaws, but it ended up holding my interest much better than many of the recent offerings from Tinseltown.

Film Review: Even Gangsters Can’t Fight The Ravages of Time And Disease

Absolution is a slow-moving, yet interesting crime thriller directed by Hans Petter Moland and written by Tony Gayton. Liam Neeson is in the lead role and is joined by a cast which includes Yolanda Ross, Ron Perlman, and Daniel Diemer.

Neeson plays an aging gangster who learns that he is afflicted with a degenerative brain disease and is motivated to reconnect with his daughter and her son. He also has to dodge other gangsters who want to kill him. He also wants to make some amends for his violent past before he totally loses his mind.

It’s not a terrible film, but I would not call this one of the better additions to Neeson’s credits. It’s kind of slow, but it picks up in the second half when the bodies start piling up. Neeson is compelling enough to make this a little better than watchable. There is a repeated dream sequence with Neeson’s character talking to his deceased father on a boat, which seemed an awkward fit.

Also, this was one of those films where some of the lead characters apparently didn’t have proper names. Yolanda Ross plays someone just credited as Woman. Neeson’s character isn’t named either. I just find that a little distracting and frustrating.

This may be a film I need to watch again in order to appreciate it better. It was just interesting and unique enough for me to revisit eventually, but I suspect there are plenty of legitimate criticisms as well.

Film Review: A Weekend Away Goes Awry

Image result for speak no evil 2024

Speak No Evil is a psychological horror film written and directed by James Watkins and delivers a few chills along with a pretty memorizing performance from James McAvoy. This latest offering from Blumhouse Productions also stars Mackenzie Davis, Scoot McNairy, and Aisling Franciosi. There are a couple of child actors named Alix West Lefler and Dan Hough who hold their own alongside the adult members of the cast.

While vacationing in Italy, an American family living in London meet a British family who appear a little unusual but on the whole pretty agreeable. The Daltons are invited to spend a weekend with Paddy and Ciara at their predictably remote farmhouse in the English countryside. The longer the Daltons stay, the more bizarre their hosts’ behavior seems to get. The boy who is apparently the son of the peculiar couple has something to say, but he is missing most of his tongue, so it takes a while for him to communicate his distress. When Paddy and Ciara intentions become more evident, the stay gets a lot more perilous, and the Daltons have to fight for their lives to survive the vacation.

First if all, McAvoy appears to be uniquely gifted when it comes to playing psychos. He can seem genuinely frightening without taking it too far over the top where it seems cartoonish. He does play other more stable roles with as much skill, but he was pretty compelling here.

I found myself not really invested in the protagonist. The husband played by McNairy seems to be rather useless at times, but it’s the current Hollywood trend to have the woman regularly lead the charge to whatever victory needs to happen. Of course, they are having marital problems due to some recent almost infidelity. The daughter, Agnes, seems to be overly dependent on a stuffed animal which becomes too often the barrier that keeps the Daltons from making a successful escape. I had a hard time liking the Dalton family enough to care if they actually survived or not.

There were some pretty interesting twists. Paddy and Ciara are not just terrorizing this family for kicks. It takes some suspension of disbelief to buy into them not being found out sooner, but at least there was some effort to write a creative motive for their antics.

McAvoy really does save this movie when it comes to me deciding this was a worthwhile experience. The other performances were not bad, but I would have been more interested to see something where the intended victims were just a bit savvier.

Anyway, the film is actually pretty good but certain elements of the plot and characterizations could have used a bit more tinkering.

Film Review: There’s Something In The Woods…Or Not

Never Let Go is a horror survival film that is pretty interesting for something with such a confined setting. The film is written by Kevin Coughlin and Ryan Grassby with Alexandre Aja serving as director. Halle Berry is in the lead role as a mother of two young twin boys living out in the woods in a somewhat delipidated house in fear of some nameless evil that could be just in her head. Her co-stars include Percy Daggs IV, Anthony B. Jenkins, and Stephanie Lavigne.

Halle Berry plays a mother who is uniquely paranoid enough and construct some kind of rope contraption to keep her and her children tethered to the house as they scour the woods for food. She has told them of some evil that led to the deaths of her parents and husband. She has concocted a number of strange rituals for her children. Then, one of the boys starts questioning the purpose of all of this and wonders if his beloved mother could be making a peculiar and dangerous mistake. There are horrific zombie-like figures in the woods which could be the mother’s hallucinations. The world that she has created for her and her sons is starting to unravel, and it’s not immediately clear if it’s because she is going even more insane or there is something truly evil lurking in the trees.

This film actually has some real suspenseful moments. Berry is a pretty good actress and delivers a pretty compelling performance here. The two young actors, Daggs and Jenkins, held their own alongside the Oscar-winning beauty. There were a few moments that were suitably creepy.

There seemed to be a few loose threads left that nagged a little, but the film was engaging enough for me to just go with it. The history of this family was not all that clear, but that could have been intentional. Hopefully, there is not going to be a sequel. The film is solid enough for me to live with any lingering mystery in the story.

Film Review: Matt Walsh Does The Work

Am I Racist? is an effectively satirical documentary starring Matt Walsh as he goes on a journey to see if the DEI (Diversity, Equity, Inclusion) teachers have a point. The film is produced by The Daily Wire and directed by Justin Folk. Walsh and Folk writing credit with Brian Hoffman and Dallas Sonnier.

Walsh is a popular conservative commentator who had some success with a previous documentary entitled What is a Woman? which dealt with the topic of transgenderism.

After being ousted from a support group that discussed “white guilt”, Walsh dons a hilariously flimsy disguise and becomes certified to teach DEI himself. He encounters some rather notorious figures on this topic such as Kate Slater and Robin DiAngelo as he attempts to implement what he is learning during various sessions and interviews. He also interviews regular people of various races to get their reactions to these ideas.

One of Walsh’s gifts is his deadpan stoicism as he subjects himself to some of most absurd group situations and tries to relay these ideas to others. The interview with DiAngelo is awkward and hysterically funny as reported.

The film is careful enough to attack an ideology and not necessarily a race of people. Another fascinating interview is with Wilfred Reilly, author of Hate Crime Hoax. Walsh and Reilly would likely be in more agreement if Walsh still wasn’t in character as a DEI guy.

There are a couple of scenes that sort of fell flat for me. The film’s effort to ridicule the Jussie Smollett hoax could have been handled differently. I don’t disagree with mocking Smollett at every opportunity, but the method employed in this film could have taken a bit more consideration.

There are some scenes that seem to go on a little too long, but that was likely to help drive home the point the film was really trying to make.

Most of the major production decisions made in this film work rather well. There were a couple of moments where Walsh actually did some acting that would be convincing if one didn’t know the premise.

This film is not without a few flaws, but it is entertaining and educational.