Film Review: A New Wolf Man Unleashed

Wolf Man is an adequate iteration of a common horror film figure directed by Leigh Whannell. Whannell co-wrote this script with Corbett Tuck. It’s a reasonable cinematic distraction and has some suspense, but it’s still unremarkable.

The film stars Christopher Abbott, Julia Garner, Sam Jaegar, and Matilda Firth. None of the cast appear to be the most recognizable Hollywood names, but they delivered reasonably solid performances. I sort of liked that I was not that familiar with this cast because it did help the film seem somewhat fresher.

We are introduced to the lead character, Blake Lovell, as a child who had a strange encounter in the woods when hunting with his father. The father is a difficult, paranoid man and his behavior left an unfavorable on his son, who has grown up, gotten married, and sired a daughter. Blake gets notice that his father, who had disappeared in the woods sometime, has been declared dead. Blake and his wife, Charlotte, have been enduring a tense marriage and agree that a trip to the Oregon wilderness could help them find some peace. Of course, this is a horror film, and they are stalked by a strange creature that has wounded Blake. Blake begins to undergo a slow transformation into something much more dangerously feral. Charlotte and their daughter are forced to fight for survival with the first beast in the forest, and eventually the husband and father begins to succumb to a new bestial hunger.

The visual effects are fine, and there are a few moments of real suspense. The performances were not noticeably bad. The background of this family was not all that interesting or intriguing. It’s another couple with some marital tension on the verge of likely separation. I found Blake Lovell to be somewhat bland as a family man. I don’t think it’s the fault of the actor. He did as well as he could. There was an interesting method he employed to instill some sense of confidence in his daughter. That relationship was kind of charming. Julia Garner was fine as the overworked journalist wife. There just wasn’t much I found charming enough about her for me to care that much if she got caught by the werewolf and torn to shreds.

The daughter played by Matilda Firth was performed well enough. I may have only cared about her survival because I am not sociopathic enough to really want to see a child become snack food, however.

The location was great; however, I am Oregonian by birth, so that may not be an unbiased opinion.

The visual effects were pretty good, but of course they were going to be.

It’s not a terrible film, but it’s another average, forgettable release that doesn’t leave much of an impression.

Book Review: Spike Brings More Than An Umbrella

The Bad Weather Friend is one of Dean Koontz’s more bizarre additions to his bibliography, but it’s pretty entertaining and not without some creativity.

An amiable realtor named Benny Catspaw suddenly has his life come apart at the seams when he loses his job inexplicably. Even more troubling is when his fiancée ends their relationship. As Benny is trying to understand this onslaught of misfortune, he suddenly receives an unexpected message from a man claiming to be a previously unknown uncle. A crate is delivered which Benny later finds contains a giant of a man called Spike who says that he is a being who is assigned to people who are apparently too nice for this world. Benny also meets a waitress who is an aspiring private eye, and she is an enthusiastic ally. During the present-day adventure, Benny recalls his peculiar family history and his time at an unusual boarding school where he did have a couple of friends. Benny finds that he has been targeted by a powerful group, but he has a rather interesting being known as a craggle working on his behalf as well. Spike is sworn to keep Benny from the worst the world is able to throw at him and will employ some unusual and fantastic tactics to do just that.

Koontz remains an imaginative and witty author. This story is rather strange but pretty entertaining. Koontz is pretty skilled at the art of witty banter. The protagonists are likeable enough. Spike is a rather unique creation, but the story sort of loses some sense of suspense because he is pretty invulnerable.

The themes in this novel are little too familiar in Koontz’s works. Once again, it is someone with an ideal sense of morals and outlook on life. The villains that are revealed are a little too cartoonishly narcissistic to be really believable, but I suppose such people do exist. Koontz also is back into the realm of strange conspiracies and shadow organizations, which feels annoyingly repetitive.

Koontz does have a distinctive turn of phrase which keeps the story compelling. There are some pretty amusing passages throughout the novel.

Koontz does seem to be a literary one-trick pony sometimes, but this novel still is worth the time. I read a lot of Koontz in my younger years, and I don’t regret revisiting his prose this time in spite of mixed reactions to this particular novel.

The lifelong reading binge continues with C.J. Box’s Free Fire.

Film Review: Mr. Reed Reveals The One True Religion…So He Believes

Heretic is a pretty fascinating psychological horror film written and directed by Scott Beck and Bryan Woods. The main cast includes Hugh Grant, Chloe East, and Sophie Thatcher.

Two young missionaries for the Church of Jesus Christ of Latter-day Saints arrive at the home of peculiar Englishman who claims to be married. As they begin their discussion of their faith, the two young women recognize that Mr. Reed is quite surprisingly well-versed in their texts and beliefs. Reed also throws out some interesting challenges to their beliefs. When the two women have the opportunity to leave, they find the front has been locked, and the house has some very unusual security features. The visit turns into something more sinister when Reed offers a puzzling choice in order for them to leave. The women have been ensnared into both a religious debate and a fight for their lives as they try to stay true to their beliefs.

First of all, the performances were quite compelling. Grant manages to maintain his familiar bumbling charm and still exude a god bit of menace. Both East and Thatcher were quite good. The actual religious debate was well written, and the character Thatcher plays, Sister Barnes, ends up holding her own challenging the views that Reed espouses. Reed believes that the major religions are built on iterations of the same core beliefs and are distortions of what he believes the is the one true religion.

As the film plays out, things get a bit more gruesome as Reed’s psychopathy becomes more apparent.

The construction of this house is a bit mind-boggling which is a little distracting when one tries to imagine how Reed accomplished this peculiar trap. There are some loose ends when it comes to the background that are not really satisfactorily explained, and there is an ambiguity to the ending that is a little frustrating as well.

Overall, the writers were still pretty good. There was some decent suspense as the story progressed. The plot twists were pretty creative, and I was not able to predict every step of the cinematic journey.

Even though some aspects left me a little frustrated, that feeling was pretty mild. I ended up appreciating talent of the actors and the mental stimulation provided by some of the intellectual jousting. It was great to see Grant show a bit more range than usual. East and Thatcher held their own alongside a seasoned actor like Grant.

It’s a film with some flaws, but it ended up holding my interest much better than many of the recent offerings from Tinseltown.

Film Review: What Are You Smiling At… Again?

Smile 2 is an adequate but forgettable horror film that is a sequel to a Smile which was released in 2022. Parker Finn is the writer and director with Naomi Scott in the lead as a troubled pop star named Skye Riley. The cast includes Rosemarie DeWitt, Lukas Gage, Ray Nicholson, and Dylan Gelula.

The film picks up about six days after the previous entry ended. A police officer is attempting to pass off the curse of the Smile Entity to a couple of notorious drug dealers, but that goes awry when one of their hapless customers gets the brunt. The police officer is killed, and the drug user passes the curse onto pop star, Skye Riley. Skye has a tragic past which involves drug addiction and the horrific death of a boyfriend when they were both in a car accident. Skye’s sanity starts to unravel when she notices the people around her approaching her with the unnerving, fixed smiles that is familiar to those who have seen the previous film.

I will start off and say this film is not that bad for another sequel in the horror genre. There were some genuinely creepy moments. It’s not that great, and we learn nothing all that new about this admittedly interesting entity. I will try not to give too much away, but the conclusion seemed rather pointless and predictable to some extent.

The performances were fairly compelling. The problem, as usual, is in the writing. There were not many characters I cared about ultimately. I didn’t find the main character to be all that sympathetic because a lot of her troubles she brings upon herself. No one seems to have a real chance to defeat this creature. Some of the scenes were just gross in a ridiculous way.

In spite of the numerous flaws, there was still a real effort to create a fairly unique menace. The film was not without some points of interest, but not enough to really warrant much enthusiasm from this viewer.

Film Review: A Weekend Away Goes Awry

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Speak No Evil is a psychological horror film written and directed by James Watkins and delivers a few chills along with a pretty memorizing performance from James McAvoy. This latest offering from Blumhouse Productions also stars Mackenzie Davis, Scoot McNairy, and Aisling Franciosi. There are a couple of child actors named Alix West Lefler and Dan Hough who hold their own alongside the adult members of the cast.

While vacationing in Italy, an American family living in London meet a British family who appear a little unusual but on the whole pretty agreeable. The Daltons are invited to spend a weekend with Paddy and Ciara at their predictably remote farmhouse in the English countryside. The longer the Daltons stay, the more bizarre their hosts’ behavior seems to get. The boy who is apparently the son of the peculiar couple has something to say, but he is missing most of his tongue, so it takes a while for him to communicate his distress. When Paddy and Ciara intentions become more evident, the stay gets a lot more perilous, and the Daltons have to fight for their lives to survive the vacation.

First if all, McAvoy appears to be uniquely gifted when it comes to playing psychos. He can seem genuinely frightening without taking it too far over the top where it seems cartoonish. He does play other more stable roles with as much skill, but he was pretty compelling here.

I found myself not really invested in the protagonist. The husband played by McNairy seems to be rather useless at times, but it’s the current Hollywood trend to have the woman regularly lead the charge to whatever victory needs to happen. Of course, they are having marital problems due to some recent almost infidelity. The daughter, Agnes, seems to be overly dependent on a stuffed animal which becomes too often the barrier that keeps the Daltons from making a successful escape. I had a hard time liking the Dalton family enough to care if they actually survived or not.

There were some pretty interesting twists. Paddy and Ciara are not just terrorizing this family for kicks. It takes some suspension of disbelief to buy into them not being found out sooner, but at least there was some effort to write a creative motive for their antics.

McAvoy really does save this movie when it comes to me deciding this was a worthwhile experience. The other performances were not bad, but I would have been more interested to see something where the intended victims were just a bit savvier.

Anyway, the film is actually pretty good but certain elements of the plot and characterizations could have used a bit more tinkering.

Film Review: There’s Something In The Woods…Or Not

Never Let Go is a horror survival film that is pretty interesting for something with such a confined setting. The film is written by Kevin Coughlin and Ryan Grassby with Alexandre Aja serving as director. Halle Berry is in the lead role as a mother of two young twin boys living out in the woods in a somewhat delipidated house in fear of some nameless evil that could be just in her head. Her co-stars include Percy Daggs IV, Anthony B. Jenkins, and Stephanie Lavigne.

Halle Berry plays a mother who is uniquely paranoid enough and construct some kind of rope contraption to keep her and her children tethered to the house as they scour the woods for food. She has told them of some evil that led to the deaths of her parents and husband. She has concocted a number of strange rituals for her children. Then, one of the boys starts questioning the purpose of all of this and wonders if his beloved mother could be making a peculiar and dangerous mistake. There are horrific zombie-like figures in the woods which could be the mother’s hallucinations. The world that she has created for her and her sons is starting to unravel, and it’s not immediately clear if it’s because she is going even more insane or there is something truly evil lurking in the trees.

This film actually has some real suspenseful moments. Berry is a pretty good actress and delivers a pretty compelling performance here. The two young actors, Daggs and Jenkins, held their own alongside the Oscar-winning beauty. There were a few moments that were suitably creepy.

There seemed to be a few loose threads left that nagged a little, but the film was engaging enough for me to just go with it. The history of this family was not all that clear, but that could have been intentional. Hopefully, there is not going to be a sequel. The film is solid enough for me to live with any lingering mystery in the story.

Film Review: One Night With Abigail Can End Your Life

Abigail is a horror film that has a promising plot and some decent performances, but it could have benefited from a bit of restraint on the gore. So, who do we have to blame here? Matt Bettinelli-Olpin and Tyler Gillett share the director’s seat. Stephen Shields and Guy Busick are the co-writers.

A young actress named Alisha Weir plays the title role and is actually quite good. The cast includes Melissa Barrera, Dan Stevens, Kevin Durand, and Giancarlo Esposito. There is also another actor in the film named Angus Cloud, who apparently has recently died.

A group of criminals who do not know each other are assembled to kidnap a young girl after her ballet practice. She is apparently the daughter of a mysterious and dangerous crime lord. The ne’er-do-wells get an even bigger surprise to discover that pretty little Abigail is actually a vampire who has her own plans to feast. The whole caper turns into a gruesome fight for survival as Abigail shreds her kidnappers one by one.

Obviously, this film is pretty ludicrous on the outset. It’s not entirely a waste of time. There are some notable performances and moments. I did find that Abigail was very well cast. Weir is actually pretty compelling and amusing as the bloodthirsty little creature. She is convincingly frightened at first but delivers a few delicious moments of real menace at times. Other notable performances are presented by Barrera and Stevens. The head games that go on are pretty clever.

My main problem is that the amount of gore gets really distracting and unnecessary. It felt like the directors were going out of their way to break some record when it came to the gratuitous dismemberments and beheadings as well as the foul language. I really don’t have a weak stomach when it comes to either of these facets in some filmmaking, but there are moments that it feels like the writers and directors of this film are seriously too deficient on creativity to show some restraint and shrewd subtlety.

The film is not without merit, but I think leaving a little more to the imagination would have been a welcome improvement.

Film Review: Not All Satanic Serial Killers Are That Interesting

Longlegs is a horror film that has an interesting plot idea but somehow manages to miss the mark in keeping this viewer engaged. Osgood Perkins is the writer and director, so he can shoulder most of the blame for this film’s downfalls.

Maika Monroe plays the lead role in the shape of FBI agent Lee Harker. Nicholas Cage, Blair Underwood, and Alicia Witt are included in the cast, so there isn’t a lack of experienced performers. Cage plays the demonic killer known as Longlegs, and he delivers his usual distinctively manic performance.

Lee Harker displays a peculiar intuition concerning a series of similar murders that involve the father inexplicably slaughtering his family before taking his own life. There are strange letters being sent to Harker, and she finds that her own past may play a part in these atrocities that are connected to Satanic rituals as well. There are plenty of dark aspects to give Harker some disturbing dreams and memories.

The revelation as to how Longlegs operated is kind of interesting. As I mentioned, the basic plot is actually not that bad. The problem is that I didn’t really like anyone. Lee Harker as a character is just not that interesting in spite of her mysterious, troubled past. Cage was just too weird, and I found myself wondering how he eluded capture for decades in spite of his distinctive facial deformities and bizarre behavior. I suppose since he was getting some guidance from Satan, apparently, that could have helped him avoid the attentions of law enforcement.

I don’t usually bring in what the professional reviewers note in this film, but I was somewhat surprised that the critical score was higher than I would have thought. The audience seems to have a much more tepid reaction. I think I will have to agree with the general audience here.

Anyway, the idea has some potential, but there isn’t much more merit beyond that.

Film Review: Not Quiet Enough

A Quiet Place: Day One is a horror prequel that manages to maintain the suspense almost as effectively as the other two films directed by John Krasinski. Michael Sarnoski wrote and directed this particular installment which stars Lupita Nyong’o and Joseph Quinn. Other cast members include Alex Wolff and Djimon Hounsou.

Nyong’o plays a woman, Samira, who is suffering from terminal cancer and under hospice care. although she is still able to get around pretty well. She and some fellow patients take a trip to New York City to see a marionette show and maybe get a pizza. She is accompanied by a seemingly indestructible cat as well. This is the day that the invasion of the aliens with the super hearing begins and tears into the world. Samira makes her way through the city trying to get home and picks up a companions named Eric along the way. Of course, the cat kind steals the show at times.

The performances really spark here. Samira is an interesting character because she is somewhat resigned to her health situation and has a dry, cynical attitude that is quite understandable and compelling at times. Her somewhat mysterious past is slowly peeled away as the bond with Quinn’s character, Eric, grows during their brief time together.

In the meantime, the hulking, screeching aliens continue to feast on the other New York residents.

There are not that many surprises with the aliens since they are just single-minded and lightning fast. The suspense was well played though. The script was actually kind of interesting, and it was easy to sympathize with Samira, who has a terminal illness and an alien invasion to cope with. This film doesn’t avoid all of the typical tropes of the genre, so there are some moments that are easy to predict. I did not learn anything really new about the creatures other than there was some nest at a construction site that had some eggs scattered around. There is not much explanation as to how the creatures arrived and if there was a deeper purpose other than killing hapless humans.

In case anyone needs reminding or has yet to see the other two films, these creatures are blind but have frighteningly superb hearing. Any noise from their prey can bring a brutally swift attack upon them.

It’s a pretty solid piece of scary entertainment. Although it is doubtful we will see Samira again, it hopefully will not be too long before Nyong’o is seen in her next cinematic endeavor.

Book Review: Rocky Mountain Murder

Dead of Winter is a pretty decent thriller written by the prolific Darcy Coates. Coates often writes supernatural story, but this story doesn’t fall into that territory. It does get pretty gruesome and far-fetched, but I ended up enjoying the ride that was meant to terrify me. I don’t really get terrified that easily by a book, but I can still appreciate the attempt.

The story is told from the point of view from a young woman named Christa, who has joined her boyfriend on a winter vacation to the Rocky Mountains where they plan to stay in a luxurious lodge with other guests. The bus breaks down, and a wicked storm is on the way. The passengers make their way to small, abandoned cabin where they plan to wait out the storm. The situation gets more dire when the tour guide is killed and then beheaded. As the days and nights start to pass, the group is rapidly shrinking as the heads are left on display outside the cabin being punished by an unrelenting, violent snowstorm. Christa has reason to start believing that the group was not gathered at random, and there is a more precise motive than just some random bloodthirsty psycho satisfying a dark compulsion.

This is the second novel in a row I have read with the too familiar plot of a small group of people trapped in a tight, claustrophobic locale with a seemingly crazed killer stalking them. Coates does a pretty good job with a very common plotline. The motivation behind these killings is a bit far-fetched, but Christa is a compelling enough heroine for me to forgive that.

The revelations are pretty well placed. Coates has a pretty engaging prose style as well. The characters are pretty interesting for the most part. Coates apparently doesn’t mind leaving a couple of loose threads when she ends a story.

This is my first time reading a novel from this author, and she already has a pretty significant catalogue. I am sure it will not be too long before I try another one.

It has been a while since I have indulged in a Star Trek novel, so I think I will make a return trip to the twenty-fourth century and visit with Captain Picard’s crew aboard the Starship Enterprise. Next up, Shadows Have Offender by Cassandra Rose Clarke.