Film Review: These Ladies Don’t Look Right

Lady Ballers is a comedy film that is produced by The Daily Wire and is directed by Jeremy Boreing, who also co-wrote the script alongside Brain Hoffman and Nick Sheehan. Much of the cast and cameos consist of Daily Wire personalities such as Boreing himself, the guys from Crain & Company, Matt Walsh, Michael Knowles, and Brett Cooper. Other cast members include Tyler Fischer, Daniel Consadine, Billie Rae Brandt, and Lexie Contursi.

Boering is in the lead as a hapless basketball coach who was once quite successful and finds himself missing the days when he could have a reliably winning team. Coach Rob is fired for being too coaching his latest high school team too aggressively and has been unable to navigate some of the new inclusive expectations mandated by the school system. In other words, Coach Rob just isn’t “woke” enough. Rob ends up accidentally employed at a drag bar where he encounters a former star player, played by Consadine. Since the athletic administrations have broadened the qualifications for competing in women’s sports, Coach Rob convinces the perpetually puzzled Alex to proclaim himself to be transgender and compete in women’s track events. An unscrupulous reported named Gwen convinces Coach Rob to take this further, which leads to the reunion of his star basketball team from fifteen years prior. Then, the absurdity kicks into overdrive when the team members branch into other local women’s sports leagues while being lauded for their bravery as they stop their way through victory after victory.

So, the point of this film is to highlight and mock the absurdity of men competing in women’s sports, which at times gets a little too obvious. That means not all of the jokes land with pointed precision. That’s not the say that I never laughed out loud. The overall film is a little uneven at times, but The Daily Wire is still pretty new at this type of content, and I am in agreement with the intended message, so I am willing to view this with a little more forgiveness in my admittedly cold, biased heart.

In spite of some elements not quite working as smoothly as I would have wanted, some of the performances were surprisingly effective because much of the cast had no acting experience. Jake Crain, Blain Crain, and David Cone are The Daily Wire sports commentators in real life and have an onscreen chemistry that translated pretty effectively in this endeavor. The Crain brothers got a little too hammy at times, but that is probably to be expected considering the genre of this film. Matt Walsh, who played the very affectionate boyfriend of Coach Rob’s wife, actually was a little better than I expected. Now some of the praise he has received from colleagues and other viewers may be overselling it a little, but her did threaten to steal the scene a few times. Also, it almost never fails to have someone play a character who is well-known to be the polar opposite of tbe performer’s real persona. In short, Walsh pulls it off here.

Ben Shapiro as a very ambivalent and short-tempered referee was also pretty amusing. There quite a few inside Daily Wire jokes, but they knew this would not have a typical mass release, so most of those worked.

There were times when the film falls into the same trap as others trying to promote an obvious political or social agenda as in coming across as a little too heavy-handed at times. Also, the writers took some swipes at other social concerns The Daily Wire often comments on, and not all of those efforts fit easily into the film. They did sneak in an advertisement for a new line of women’s products from Jeremy’s Razors that was pretty funny.

Comedy is one of the most unreliably subjective things in human existence. There has to be an acceptance that any effort in this space is not going to appeal to everyone in spite of someone’s overall popularity. In a film, it can work almost all of the way through, have a few high notes, or just faceplant hard. In my not so humble opinion, Lady Ballers doesn’t work perfectly, but it also doesn’t fail miserably. In spite of some fairly glaring missteps, I did find some enjoyment in this film and applaud The Daily Wire for taking the risk in broaching this subject and giving the proponents of having men compete in women’s sports the mockery they so profoundly deserve.

Film Review: An Unlikely Friendship, A Very Strange Family

Saltburn is a black comedy thriller written and directed by Emerald Fennell. The cast includes Barry Keoghan, Jacob, Elordi, Rosamund Pike, and Richard E. Grant.

This peculiar little story starts off in Oxford in the year 2006. Keoghan plays a student named Oliver Quick who is apparently on scholarship sop he does not quite fit in with his wealthier peers. He befriends one of the popular young chaps named Felix Catton, played by Jacob Elordi. As their relationship progresses, Oliver is invited to spend some time at Felix’s ancestral estate known as Saltburn where the aristocratic, eccentric Catton family welcomes the new visitor. Another intriguing addition the cast is Archie Madekwe’s Farliegh Start, an American cousin who has been staying there was also at Oxford. Oliver may not be quite as inept and awkward as he first appears. and long, windy deception begins that leads to murder and grief.

First of all, the story itself has a very intriguing atmosphere. The cast is quite convincing in their performances. Many of the cast members were pretty new to me. I have seen Pike and Grant who play the wealthy parents many times. The younger ones clearly were talented. The set design for the estate was quite striking. The film has some moments of real beauty in the look. The problem here is that Fennell felt the need to include some pretty graphic, sexually perverse behaviors that would have worked better as merely being implied. As far as this being considered a black comedy, well, much of the so-called comedy did not really come through. Fennell seemed to overindulge in the efforts to be shocking. Instead of being shocked or appalled, I found much of the gratuitous sex to be distracting and weird. There is a whole thing at a graveside that is just completely unnecessary and too disgusting for even me to get into, and I have a pretty strong stomach when it comes to the macabre.

The disappointment I had in this film is even more acute because there seemed to be a real effort at some creativity, but some decisions were made that undermined the strengths and turned it into not much more than smut. Also, some of the revelations left a few unanswered questions that could be answered in a sequel I hope is never made.

It’s just a shame I didn’t enjoy this more. I should have researched this one a little better before I saw it, but I was too intrigued by a film could have been more uniquely creative than what we have been getting out of Hollywood lately. The story and the talent were there, but this could have been so much better if Fennell had used a little self-restraint and not tried to gross out her audience.