Book Review: Never Just Sightseeing When In The TARDIS

Sightseeing in Space is a volume containing two mediocre Doctor Who novellas written by David Bailey and Steve Lyons.

To be fair, I think the target audience for this release is significantly younger than me, but I couldn’t help still being a bit disappointed.

The first story is entitled Terminal of Despair written by the usually reliable Steve Lyons. He has been writing Doctor Who fiction for many years for several ranges in print.

The Doctor and his companions, Amy and Rory, arrive on a spaceport in which would-be passengers have been quarantined for several months by strange creatures which feed on hope. These creatures resemble three-legged bulldogs that have some tentacle that protrude from their mouths to latch on a victim’s neck and drains any sense of hope from them.

The alien species dubbed Desponds is new, but I had some trouble visualizing these things. Also, there was no real clear opponent in charge of this chaos. Lyons does a decent job of capturing the Eleventh Doctor’s mannerisms for the most part.

I had some trouble maintaining any real interest in the side characters. Also, no one died, which I guess is an indicator that the youth were the intended audience.

I remember looking forward to a Lyons novel and usually appreciating his imagination, so I had high hopes for his contribution here. Sadly, my hopes were unrealized. The story was not terrible, but there was not much of an impression left.

The second story, David Bailey’s The Web in Space, is a slightly better. The Doctor, Amy, and Rory become trapped in a spaceship which is being attacked by scavengers. It also becomes trapped in a giant web in space where a massive spider awaits to feed. A maniacal robot has its eyes set on access to the TARDIS. The Doctor has a lot of threats to resolve before he and his friends can be on their way.

I enjoyed this story more, but there are still better contributions to Doctor Who literature. Bailey is a competent writer, but there is nothing that really stands out about his writing style.

At least it was some Doctor Who I had not read before. The volume is another that is not a complete waste of time, but it does not leave much of a lasting impression.

Next up, I am revisiting a reliable and favorite thriller writer of mine. Alex Delaware and Milo Sturgis being investigating a curious double murder at a poolside in Jonathan Kellerman’s The Ghost Orchid.

Doctor Who Audio Review: The Light That Must Never Be Lit

Big Finish Productions has started the Fifth Doctor on a very epic audio adventure with Tim Foley’s Doctor Who-Hooklight 1. Peter Davison is joined by Janet Fielding, Sarah Sutton, and Matthew Waterhouse. Ken Bentley returns to the role of director. There is a very intriguing surprise with Paul McGann lurking the shadows of the story as the Eighth Doctor. The guest cast is also impressive with Kieren Bow, Alan Cox, Ruby Crepin-Glyn, David Holt, Celia Imrie, Harriet Kershaw, David Shaw-Parker, Theo Solomon, and Issy Van Randwyck.

This release if the first six episode of what is going to be a whopping twelve when it is all over.

The TARDIS crew has basically landed unwilling on a planet called Morning. The Doctor has become aware of the presence of ancient and powerful substance known as Hooklight. Tegan, Nysse, and Adric are caught up in one of the Doctor’s more epic adventures that could lead to the end of all of the universe. The Doctor rarely plays for lower stakes. There is a being known as the Oracle, and he seems to know the Doctor very well.

This is a very promising story. The main cast puts in a typically compelling performance. Peter Davison is a solid performer, but he seems a little more energetic than usual with this one. Waterhouse is now a man in his sixties playing a teen-ager, and he kind of pulls it off. He sounds very much like he did when he first started in the role in the early 1980’s. Fielding and Sutton remain consistently enjoyable as Tegan and Nyssa.

The soundscape is well executed, but Big Finish has a lot of practice with that. I rarely notice any real problems on the technical end with their recordings,

There is a second half to this story to be released soon, and I am pretty anxious to hear that one. I am a little leery of having more than one Doctor in an episode, but Big Finish is usually considerably more successful in the writing of these adventures than what was aired on the television series. Paul McGann is also pretty much guaranteed to deliver his own captivating performance.

Hooklight appears to be on track to hold a special place in the hearts of Big Finish listeners. It’s a long one and will require a bit of patience, but I am enjoying the journey to unravel the layers of mystery alongside this Doctor and his companions.

Doctor Who Audio Review: The Early Days Of Exile

Doctor Who and the Brain Drain is a Doctor Who audio drama from Big Finish Productions with great performances but a bit too long of a running time for the plot. Nicholas Briggs serves as director and co-writer alongside Richard James while Tim Treloar returns as his version of the Third Doctor as originally played by the late Jon Pertwee. Daisy Ashford portrays Liz Shaw, who was originally performed by her mother, Caroline John. John Culshaw once again fills in for the late Nicholas Courtney as Brigadier Alastair Lethbridge-Stewart.

The talented guest cast is comprised of Mark Elstob, Susan Harrison, Rosalyn Lendor, Glen McReady, Callum Pardoe, and Milo Ratter.

This story begins soon after the Doctor is forced to regenerate by the Time Lords and sent to earth in exile where he joins forces with UNIT alongside his old friend, the Brigadier. He has yet to obtain his antique car he had named Bessie. The Master has yet to make his first appearance.

The Doctor, Liz and the Brigadier attend a symposium that introduces a new revolutionary treatment for memory loss and dementia, however there are also peculiar reports of sightings of mythical creatures around the site in Scotland. The Doctor suspects a malevolent alien influence at the heart of the mystery. The supposed miracle cure appears to be anything but. The Doctor disappears, and Liz and the Brigadier have to conduct their own investigations.

There seems to be an enemy who knows the Doctor, but he has yet to meet them.

This was an effort to recreate the seven-part episodes that were prevalent in the program’s seventh season which introduced the Third Doctor. The problem is that even in Doctor Who, those serials can feel a bit of a drag.

Treloar’s version of this Doctor is still quite compelling. Culshaw and Ashford also do well with their roles, which they have taken over from previous actors.

I also liked that the Doctor was absent for a couple of episodes, giving Liz and the Brigadier a chance to shine a bit as they proceed with their search for answers. I enjoyed how the Doctor re-entered the fray toward the climax of the story which seems to draw inspiration from The Hound of the Baskervilles when Sherlock Holmes is also left out of much of that story.

The story’s exploration of dementia is handled with some appropriate sensitivity in spite of the science fiction elements. It does demonstrate the heartache experienced by family members and caregivers of those afflicted effectively without slowing the pace of the story much. Other aspects slow the story down but not that.

There are some flaws that have more to do with the bloated length of the story, but it’s still pretty good. I just wish that Big Finish did more to represent the era without feeling like it needs to copy every aspect. I mean, it’s okay to have shorter stories.

This particular release is pretty good, but I don’t know that it’s the most shining example of the talent available to the company.

I don’t really like to quibble too much about a new Third Doctor adventure from Big Finish. This story is better than what the title would indicate. Pertwee’s era did have a few clunkers when it came to titles, but this is still a more than adequate release in many ways and certainly worth the time it takes for a listen.