Tag: review

Film Review: No Christmas Joy at Barton Academy

~ Peter Kanelis ~ Leave a comment

The Holdovers is a pretty amusing and sometimes moving film about a curmudgeonly teacher tasked with supervising a group of students at a prep school who are not going to spend Christmas holidays with their families for various reasons. Of course, there is one student in which the teacher reluctantly becomes to form a bond.

Alexander Payne directed this movie which was written by David Hemingson. Paul Giamatti is in the lead role as Paul Hunham. Other cast members include Dominic Sessa, Da’Vine Joy Randolph, Carrie Preston, and Brady Hepner.

The film takes place in 1970 at a boarding school in New England where a very strict, yet strangely witty teacher is almost universally despised by both students and faculty. The Christmas holidays come up, and five students are unable to return home, and Mr. Hunham is tasked with supervising them alongside the school head cook, who is grieving the recent loss of a son. When one of the wealthy fathers is able to collect all but one of the boys, Angus Tully is left as the sole student left in Hunham’s care. Hunham and Angus begin a tumultuous journey in which they start to understand each other’s disappointments as their emotional walls begin to crack.

Giamatti puts in a typically engaging performance. I had not really heard of Dominic Sessa before this film, but I have to say that I was pretty impressed with his approach to the role. There is something of an understated realism to his performance as the troubled Angus Tully. Angus’s antics are a strange yet effective blend of something amusing and tragic. A major revelation about his lineage comes out which does succeed in making Tully more sympathetic than expected.

Randolph is also impressive as a kind of moral center for Hunham and is instrumental as a bridge between two stubborn and broken people. She also has a gift of effective delivery of some pretty tight zingers.

The film was quite well cast, and Giamatti knows how to work with good writing. The actors portraying the students were pretty good if somewhat unimaginative. You had the nervous guys and the bullies. Angus was the more interesting one as intended. He even shows moments of compassion in spite of his hostility.

The film does feel a little long at times, but the characters were more complicated and layered than many in this genre. There isn’t much that is new in the basic plot, but the familiar elements are put to good use, and it seems the right people were cast. The film even managed to throw out a few surprising twists, and that seems to be an ever-decreasing feat that Hollywood is able to accomplish.

Doctor Who Audio Review: Genghis Khan, Nazis, and the Doctor

~ Peter Kanelis ~ Leave a comment

Doctor Who: A New Occupation is the latest audio collection from Big Finish Productions to star Tom Baker as the Fourth Doctor, accompanied by Sadie Miller as Sarah Jane Smith. Miller has taken over the role originally portrayed by her late mother in the television series. Helen Goldwyn is the director of this set and even wrote the title episode.

Daughter of Destruction is written by Katharin Armitage and has the Doctor and Sarah Jane Smith encounter the tyrannical Genghis Khan as he is about to face a rebellion from his own daughter.

The guest cast includes Susan Hingley, Paul Courtney Hyu, and Rebecca Yeo.

The episode is somewhat interesting and manages to not drag on very long. Baker and Miller in the lead roles make this work better than it probably deserves. It’s not a terrible episode, but it seems a little stale. The focus on the story was on this daughter who apparently is seen as getting short shrift in the history books.

The second episode, A New Occupation, is written by Helen Goldwyn and is a little more interesting even though the audience is back in World War II….again! Christopher Naylor joins Baker and Miller as his version of Harry Sullivan, who was initially portrayed by the late Ian Marter. Naylor is not related to Marter, but he does a decent enough job carrying the role forward.

This story’s guest cast includes Paul Herzberg, Sarah Lawrie, Francesca Pim, Wilf Scolding, and Caroline Strong.

A strange time disruption has materialized on the British isle known as Jersey. A portal to the past sends the Doctor and his companions to a time during the Second World War the island was under Nazi occupation. The Doctor has a fight on his hands to keep the Nazis in the past where they belong without creating a bigger problem that could tear reality apart.

There is some family drama peppering the catastrophe, which makes this a little more interesting. It’s hard to muster any real enthusiasm since Big Finish does a lot with the Second World War. I don’t the overlook the importance of this era, but it feels a little overdone this time.

This latest release just didn’t hold my interest as far as the stories go, but it’s still a treat to have Baker and Miller perform together yet again. The characterization of the Doctor and his companions was written quite effectively, which kept me from giving up on it entirely.

Overall, it was a pretty unremarkable addition to the range, but it still wasn’t a terrible listening experience. It could have been remarkably awful. Anyway, not everything Big Finish does can be given a gold star, but I am still a long way from giving up on them.

Doctor Who Audio Review: It Will Always Be A Wild Ride With The Doctor

~ Peter Kanelis ~ 1 Comment

Ride or Die is a somewhat interesting Doctor Who audio play from Big Finish Productions with Jodie Whittaker and Mandip Gill reprising their roles as the Thirteenth Doctor and Yasmin Khan. The script is written by Rochana Patel and directed by Ken Bentley.

The cast includes Lauren O’Leary, Harry Ryan, and Jason Forbes. Giulia Innocenti portrays the mysterious creatures known as the Banshees. Ako Mitchell and Maddison Bulleyment round out the cast.

This is also part of a longer story in which the Doctor is lured to various locales in time and space by someone known only as the Tourist. That particular mystery may be engaging enough to keep me interested in this range.

In this episode, the Doctor and Yaz arrive on a planet where human colonists are being beleaguered by beings known as Banshees. The Doctor soon has reason to suspect that Banshees are not quite the evil invaders that they appear. There may be a chance for peace if the Doctor can get at the heart of the conflict.

It’s not a bad episode. Some of the usual exploration of the relationship between the Doctor is somewhat predictable and not that interesting. The plot was standard for the era without being anything too unique. Whittaker and Gill seem to be having fun, which is nice. The story arc with the Tourist does seem likely to hold my interest well enough.

Big Finish still does a better job writing for this version of the Doctor than the television producers came up with. It does get a little preachy when it comes to steering clear of war. The Doctor is back to thinking there is no good reason to go to war ever. It just gets a little old, and there are indeed good reasons to go to war even if there are few and far between.

Anyway, I found this episode to be pretty average as far as the story goes. It’s not the most original of plots, but the performances and technical work in post-production still provide some satisfaction.

Classic Film Review: Sherlock Holmes Hunts Jack The Ripper

~ Peter Kanelis ~ Leave a comment

A Study in Terror is a 1966 thriller that features Sherlock Holmes taking on the disturbing murders committed by Jack the Ripper. James Hill directed this mediocre film that was written by Derek and Donald Ford alongside Henry Craog, who is apparently uncredited for some reason.

John Neville takes on the iconic role of Sherlock Holmes with Donald Houston as Dr. John Watson. Other members of the cast include Anthony Quayle, Frank Finlay, Adrienne Corri, and a very young Judi Dench.

An unexpected parcel draws the Baker Street duo into the chase for Jack the Ripper. Holmes figures out a connection to British royalty and begins his investigation in Whitechapel to try to identify the most elusive killer the London police as ever faced.

I can usually enjoy an old Sherlock Holmes film, but this one required a bit more of an effort than most. Neville was pretty reasonable casting as Holmes, but Houston’s version of Watson was rather bland. Watson came off as a bit denser than I imagine from Arthur Conan Doyle’s writings and other screen depictions.

There was also an attempt from the writers to cram every Doyle quote into this thing at any given opportunity, which just ended up coming off as forced and ham-fisted.

Also, the number of efforts to pit Homes against the Ripper have been too numerous to mention over the years. I was hoping this would be a better jab at it, but it was as disappointing as I should have expected.

I will say the set design was pretty remarkable. The visuals of the film are quite stunning at times, but the spectacle is let down by the writing.

I also think the fight scenes were pretty well crafted. There was a kind of a raw brutality that was surprising to see in a Sherlock Holmes film.

Although the film had a few bright spots, the writers kind of dropped the ball a few too many times for me to enjoy it as much as I had hoped.

Doctor Who Audio Review: The Perils Of Progress

~ Peter Kanelis ~ Leave a comment

Doctor Who: Lethal Progress is somewhat disappointingly average collection of audio dramas directed by Helen Goldwyn and released by Big Finish Productions. Tom Baker back in the role as the Fourth Doctor does help it not be a complete waste of time. Sadie Miller is alongside the Doctor as Darah Jane Smith, an iconic role first played by her mother, Elisabeth Sladen.

The guest cast includes Alexander Cobb, Sean Connelly, Orlando Gibbs, Dawn Murphy, and Nisha Nayar. The casting was fine, but none of the three episodes in this set really resonated all that thoroughly with me.

Baker and Miller in the lead roles do make this still a worthwhile listening experience even if the episodes themselves were somewhat bland.

Tim Foley starts off with Green and Pleasant Planet in which the Doctor and Sarah meet a British space expedition on a strange world which contains a peculiar model village. The lifeforms are even stranger and become more lethal.

There are some interesting ideas here, but Foley just doesn’t present them all that coherently sometimes.

The Continuum by John Dorney places the Doctor and Sarah on a space station that is about to go through hyperspace, but there is a dangerous presence aboard, and the whole endeavor turns even more chaotic.

This story is a little better, and Dorney is considered one of the more reliable writers for Big Finish Productions. I appreciate where he was trying to take this story and what likely influenced this episode. It helps to think of the film Event Horizon which had a similar setting. Anyway, it seems a little too confusing for an audio play at times. I can respect the ambitious idea though. Dorney will likely impress me with his next contribution.

Finally, Lizzie Hopley brings this collection to a close with The Audience. The Doctor and Sarah visit a planet in which artificial beings who want to have real feelings use theater as a means to experience something more than just stark programming. The problem is that the plays get a little too real, and Sarah may be forced to give up her life for the sake of an unwanted role.

It’s a little bit of an overused idea in science fiction, but Hopley is not too bad in presenting her take on the concept.

Baker and Miller continue to display a solid chemistry. Tom Baker’s age is starting to show a bit in his performance. He kind of goes a little over the top, although I still enjoy his participation very much.

This release was recorded during the COVID lockdowns in 2021, so that may explain some of the dip in quality here. The set is not terrible, but it just came across as more mediocre than I am used to.

Not every release is going to be the great, and I get that. Tom Baker can still hold court in his performances. Sadie Miller does well in resurrecting the part originated by her mother,

The postproduction work is still well done. The stories just didn’t hold my interest all that consistently, but that’s going to happen from time to time, even with a stellar track record like Big Finish’s.

Book Review: Even Doctors Can Hear Confessions

~ Peter Kanelis ~ Leave a comment

Confessions of a Yakuza is a compelling memoir of one of the last traditional members of the Yakuza, a Japanese version of the Mafia, written by Junichi Saga. John Bester is the one who penned the translation into English.

Saga apparently was a doctor treating Ijichi Eiji, who had been a leader in the criminal syndicate known as the Yakuza. Eiji decides to reveal his life story to this doctor, who apparently decided to record the account and write it up for publication.

The story moves along quite well and provides some insight into some aspects of Japanese culture in the early twentieth century through the end of the Second World War. Eiji gives his account from a turbulent childhood through his rise to be one of the bosses in the criminal organization, and it is laid out quite plainly.

Saga is not too bad when it comes to bringing the reader to the “present day” scenes. It was prudent to give a reminder of how these confessions unfolded and who was recording these reminiscences.

I think much of the credit is due to John Bester’s translation which opened the window for those not terribly familiar with Japanese culture.

Sometimes the exposition can seem to slow things a little, but it wasn’t too egregious. Although there are many works that detail criminal organizations, this one did feel like a unique reading experience in many ways.

Saga seems to be a pretty efficient storyteller, and I would have likely found the company of Eiji to be absolutely fascinating as well.

A friend finds this to be a good campfire read, and I think I know what he means. It was a good recommendation that I am more than pleased to pass on.

Next up, I have decided to check into Cate Quinn’s The Clinic.

Doctor Who Audio Review: A Time War Would Indeed Be Hard To Chart

~ Peter Kanelis ~ Leave a comment

Doctor Who: Pursuit is a reasonably entertaining audio boxset which is the second volume in the series known as Time War Uncharted. Paul McGann is back before the microphone in the Big Finish studio. The set was directed by Ken Bentley and is comprised of four episodes. The Eighth Doctor has had his TARDIS stolen by his great-grandson, Alex Campbell, played by Sunny McGann. Emma Campbell-Jones returns as Cass, who is accompanying Alex on his escapade separated from the Doctor.

The mysterious Hieronyma Friend, whose face is often changing, is played by Lizzie Hopley and then Niky Wardley. Friend seems to be in the employ of someone or something else and seems to shift from being an ally to an adversary. Either way, the Doctor needs to remain wary.

Dan Starkey returns as various Sontarans encountered throughout the set. Sontarans are apparently now Time Lords as a consequence of the Doctor’s meanderings through different realities. A Time War does strange things to the universe, and even the Doctor will have a challenging time keeping up with the sudden shifts in reality.

As mentioned before, there are four episodes that should be given some brief impressions.

Spoil of War is written by Mark Wright and brings Alex and Cass to an estate where an unusual auction is about to take place. The Doctor and Friend are on their trail but have problems of their own. The Time Lords are now Sontarans. The Doctor is about to discover bow navigating the consequences of the Time War is going to throw many obstacles in his pursuit of his stolen TARDIS and his renegade great-grandson.

Once again, the performances make an otherwise average story a little more enjoyable. The strange relationship between Friend and the Doctor provides enough intrigue to keep one engaged, but I find the plot somewhat unmemorable.

The Tale of Alex by Katherine Armitage sort of sets up Alex as taking up the legendary mantle of the Doctor. Sam Stafford is on hand as a kind of bard and narrator and does a good job with it.

It’s kind of an obligatory offbeat sort of story but has the sense of being done before. Armitage still manages to have a story that feels overdone because we have heard this type of poetic narrations before. She does a good job with it, but it does not come off as original as intended.

James Moran dips a bit more into the spookier aspects of the series with See-Saw with another sometimes-overdone trope with creepy children reciting whispering nursery rhymes. Alex and Cass sole the mystery alongside the Doctor and Friend without being able to see of communicate with each other, which is actually quite intriguing. I sort of like creepy tropes in Doctor Who, and this episode is probably the one that gripped me the most. It’s actually a pretty clever idea in spite of some of the story elements having a history of being overused.

Finally, Tim Foley brings this collection home with The First Forest. John Ramm plays a strange hermit type character who finds an injured Alex, who is separated from Cass. The Doctor and Friend finally find Alex and are close to the purloined TARDIS. Of course, more mysteries are revealed even when the Doctor accomplishes an important goal.

This was a little mid of a muddled episode, but the performances and the climactic encounters make the time well spent.

On the whole, it was an enjoyable but unremarkable set. This series in which we get to experience the Eighth Doctor’s somewhat limited participation in the Time War is a fascinating venture. Of course, he will become more active when he regenerates into the shunned incarnation known to us fans as the War Doctor. Paul McGann is a still a joy to hear in these episodes.

I don’t know how one can chart a course through a Time War, but I am still enjoying the ride.

Doctor Who Audio Review: Miracles, Time Loops, And Fools

~ Peter Kanelis ~ Leave a comment

Helter Skelter is the latest Doctor Who audio boxset to feature Peter Davison as the Fifth Doctor released from the incredibly prolific Big Finish Productions. The director is Ken Bentley, and listeners get the added treat of having Janet Fielding and Mark Strickson reunited as companions, Tegan and Turlough.

Other cast members include Jack Barton, Paul Cottle, Helen Pearson, and Emily Woodward.

This set does have the Doctor and his friends facing some new adversaries, so that’s a good start. The first and third stories are interlinked, which is evident in that the script writers were Lauren Mooney and Stuart Pringle.

They kick this collection off with Field of Miracles in which the Doctor, Tegan, and Turlough arrive in a small English village in 1951. Things seem to be going a little too well for the people there in a nation that should still be recovery from the Second World War. All sorts of wishes are granted, including the return of those who have died. Of course, there is a terrible price to be paid for these miracles, and the Doctor encounters a malevolent alien presence that is too pleased to collect.

The story is a pretty good idea, although something like this has been explored before in the genre. The leads are continuing to put forth compelling performances, as expected. The chemistry between the TARDIS crew still carries the story confidently in spite of any questionable choices. I wouldn’t judge it to be a standout episode, but pleasant and engaging enough for me to not to be terribly harsh in my opinion. Mooney and Pringle manage to prove themselves to be reliable enough for me to stay interested in their contributions to the series.

Helter Skelter is next on the list. This was written by James Moran. The Doctor’s efforts to take his friends on a holiday are thwarted by the bio-engineered planet and amusement park getting blown up with them on it. Then the day resets, and Tegan Jovanka is the only one who recognizes they are caught in a time loop.

Another story that is amusing because we have a bit of a role reversal with the Doctor being a bit more in the dark than usual. It’s Tegan who recognizes the problem and has to steer her friends toward the resolution of this time loop. It’s another fun and interesting notion that has frankly been a bit overdone. Fielding does get to have fun with Tegan’s seemingly natural state of exasperation. Ultimately, the Doctor does save the day, which I hope isn’t too much of a spoiler, but I was relieved that some traditions were spared in this episode.

It has some amusing moments and performances throughout the episode, but it still is not likely going to resonate all that deeply with the listeners.

Finally, the Doctor and his companions encounter the wish-granting aliens from the first episode in Land of Fools, once again written by Lauren Mooney and Stuart Pringle.

The TARDIS arrives in London, 1980, where Tegan realizes she can say good-bye to a friend who died then. Some new company seems to be running things around there, and London seems to be in some kind of restricted state. The team is split up, and the Doctor starts to realize that some recently encountered enemies have cropped up again.

This story is actually pretty good and serves as nice conclusion to this set. I didn’t find the Asteri to be all that compelling because they were described as crystalline, and it was hard to picture them in the imagination. There were some moments that were more emotionally significant.

As a whole, this release is fine to add to the collection, but not much of it stood out. As Peter Davison ages, it does get harder to imagine him as he appeared onscreen during his era. His performance is still fine, but that aged raspiness he has developed is a little distracting. I still look forward to his participation and hopes he has more scripts heading his way than he knows what to do with.

I am not sure we have had the joy of having Turlough and Tegan together on their own before. There was a series with them alongside Sarah Sutton as Nyssa, but that was not onscreen. It was pretty cool to revisit that era because they are a favorite TARDIS team of mine.

Helter Skelter didn’t quite hit the ranks of phenomenal storytelling, but it sure was not anywhere near the rubbish heap. There is still much to enjoy.

Doctor Who Audio Review: Will The Real Liz Shaw Please Stand up?

~ Peter Kanelis ~ Leave a comment

The Imposters is a Doctor Who audio drama which turned out to be a pretty average story featuring the Third Doctor with Tim Treloar in the role originated by the late Jon Pertwee. Long-time contributor Alan Barnes is the author and is talented enough to avoid turning in something truly awful, but this just isn’t one of the better ones. Nicholas Briggs has returned to the director’s seat, which is also likely why I was able to get some enjoyment in spite of some reservations about this particular release.

Treloar is joined by Daisy Ashford, Sadie Miller, and Jon Culshaw in their respective roles of Liz Shaw, Sarah Jane Smith, and Brigadier Lethbridge Stewart, who were also initially played by actors who have been deceased for some time.

Other cast members include Grace Darling, Simon Kane, Mark Elstob, and Gary Turner.

The Brigadier and the Doctor are trying to trace some stolen advanced technology and find themselves embroiled in a peculiar plot involving an egotistical schoolgirl, a gregarious wrestling star with abilities that were not taught on Earth, and a dubious military officer from France. There is more than one alien invasion afoot this time, and Doctor finds himself in the midst of a battle in which the attacks are threatening from all manner of directions. He also encounters an old friend in the shape of Dr. Elizabeth Shaw who doesn’t appear to be herself. She may not be the only Liz Shaw in the midst of this unearthly trouble.

I am basically of the opinion that there was a bit too much going on in this story to be all that coherent for an audio release, at least on the first listening experience.

The performances were outstanding from both the main cast and the guest actors. Big Finish never seems to fall short when it comes to finding talent. Treloar continues to present a pretty convincing facsimile of Jon Pertwee’s vocal patterns. Daisy Ashford is playing the part of Liz Shaw, who was played by her own mother, and likely has an easier time replicating that initial performance by Caroline John. Sadie Miller is also doing well in her role as Sarah Jane Smith, which was originally played by her mother, the cherished Elisabeth Sladen. Jon Culshaw, who is known as a talented impressionist in England, is more than convincing as the Brigadier, initially portrayed by Nicholas Courtney.

Alan Barnes is an ambitious writer and likes to throw in a lot of conflicts in his scripts. I look forward to hearing more of his works, but this particular script felt a little too padded at times. I understand that he is trying to replicate the Pertwee era as close as he can while coming up with new plots. This episode just felt longer at times. The wrestler, Sam Samsonson, could be amusing at times, but I found that I was relieved he was not likely going to be a recurring character. I know that one needs to forgive a bit more over-the-top acting when it comes to audio, but I found this guy to be a little more wearying than usual.

The adventure was not devoid of charm and wit because Alan Barnes is still immensely imaginative and just a gifted writer. He understands Doctor Who in each era, which shows even in this script, which did not impress me as much as usual. Of course, the cast and post-production team are certainly reliable enough to keep the whole thing from being a disaster.

I certainly want more Third Doctor content and Alan Barnes’s input, but this story just kind of missed the mark for me but fortunately not by that much.

Doctor Who Audio Review: A Mad Scientist, Autons, And The Doctor

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Ministry of Death is another reasonably enjoyable audio boxset from Big Finish Productions and features Tom Baker returning to the microphone as the Fourth Doctor. He is joined by Sadie Miller, Christopher Naylor, and Jon Culshaw reprising their roles of Sarah Jane Smith, Harry Sullivan, and Brigadier Lethbridge-Stewart in two new adventures.

The Ministry of Death, the first story, was written by Robert Valentine and directed by Jamie Anderson. The guest cast includes Carolyn Seymour and Richard James.

The Brigadier has asked the Doctor and Sarah Jane for assistance when a strange murder has occurred. When other murders occur, the Doctor learns of a tragic lab experiment gone wrong, and a hideous revenge is in the works. Human beings are being experimented on and mutated as well with the assistance of alien technology.

The main cast being together is always a treat, but the story was pretty average on the whole. The cast was fine, and the sound engineering was quite good. Tom Baker retains his usual enthusiasm as the Doctor. All of the other main cast members have been playing roles originated by deceased actors, and they do sound pretty convincing. Sadie Miller is actually the daughter of Elisabeth Sladen, who initially played Sarah Jane and can sound remarkably like her mother. Ian Marter was the original actor who played Harry Sullivan. Jon Culshaw, who is actually a brilliant impressionist, makes a convincing Nicholas Courtney as the Brigadier.

This audio play is a decent addition to the catalogue, but it isn’t going to be all that memorable for me.

Phil Mulryne closes out the set with The Inhuman Empire. Jayne Ashbourne plays Alison Carmichael, an old friend of Sarah Jane Smith’s, who requested her help to look into some mysterious activities at the National Museum. When the Doctor, who is pressganged by the Brigadier to help with the aftermath of their previous escapade, tags along, they discover an old adversary of UNIT’s has returned to cause mayhem. The Autons are back threatening total destruction of all who stand in their way in their service to the malevolent Nestene Consciousness.

This story is the better one of the two. I usually prefer the Doctor to face new enemies, but the Autons being featured here works pretty well. It was also pretty intriguing to have Sarah Jane’s other friendships outside of the TARDIS.

Overall, the set was above average but not really any sort of unique masterpiece. Tom Baker is delightful as usual. His advanced age is only somewhat detectable. The main cast do play well off each other, so there are plenty of elements that make this a worthy purchase. There are still just better selections out there.