Film Review: The Hunter Has A List

Kraven the Hunter is the latest cinematic offering associated with Marvel Studios, and it’s pretty much a disaster on almost every level. There are a couple of glimmers of something that could be interesting, but they’re pretty hard to detect, and I may just have a hard time admitting that I foolishly wasted my time watching this.

Anyway, J.C. Chandor is the director of this film with three screenwriters bearing the responsibility for this ill-conceived script. Richard Wenk, Art Marcum. and Matt Holloway are the culprits who for some reason sat around and considered this a worthwhile cinematic project to unleash upon the masses.

Aaron Taylor-Johnson is the pretty boy actor in the lead as the supposed rugged, semi-wild Sergei Kravinoff who becomes better known as Kraven the Hunter. Ariana Debose, Fred Hechinger, Alessandro Nivola, and Russell Crowe are included in the cast.

The film starts off with the two young Kravinoff brothers taken on a hunting trip by their tyrannical father, who is a major crime lord, and played by Russell Crow. Sergei is attacked by a lion and dragged before a young woman who belongs to a family of voodoo practitioners. A girl known as Calypso gives Sergei a serum which not only helps heal his wounds but also provide him with powers similar to the wild predators who he comes to protect from poachers.

Kraven also becomes a vigilante going after arms dealers and other assorted high-powered criminals. He is even more enraged when his younger brother, played by Hechinger, is kidnapped. His estranged father still wants him to take over his empire. in spite of their previous disagreements. Kraven is not without his own allies, and he has a ruthlessness that matches those who cross him and attempt to take one of the few people he actually cares for,

Another Marvel supervillain known as the Rhino also appears and is played by Alessandro Nivola. This version of the Rhino actually undergoes a metamorphosis when he disconnects his IV tube that keeps the beast at bay.

Kraven was one of the rogues’ gallery of criminals who challenged Spider-Man. I found him to one of Spidey’s more interesting foes when I was reading the comics back in the day.

Taylor-Johnson obviously works out and looks great, but he does not have the air of wildness depicted in the source material. His attempts at witty banter with Calypso and his brother fall flat. He just fails to look as terrifying as Kraven would likely be if he was a real person.

Fred Hechinger as the brother, Dmitri Kravinoff, is kind of compelling. Dmitri has quite a talent for mimicry, which becomes rather important toward the end of the film.

Russell Crowe is one of the few bright spots in this film, but even his presence isn’t enough to remove any regret over sitting through this. Crowe has a pretty nice career playing some nasty characters.

The fight scenes were okay at times. The final fight between Kraven and the Rhino seemed rather run-of-the mill.

This may be further proof that movies about the villains are not that interesting unless Spider-Man is directly involved. The writing and plot were still substandard. This film got raked over the coals by the professional critics, and this humble blogger has little reason to disagree.

On the whole, this was a terrible idea, and this film earned every bit of the beating it took in the box office.

Film Review: A New Web Is Spun

Madame Web is the latest offering in the Marvel movie collection and has been the recipient of an avalanche of negative reviews, which it richly deserves. I should have known better than to waste my time with this cinematic disaster, but I allowed my curiosity to get the better of me.

The culprit in the director’s seat is S.J. Clarkson, who also shares screenwriting credit with Matt Sazama, Burk Sharpless, and Claire Parker. Karem Sanga must also share the blame for the story credit. Dakota Johnson is in the lead as Cassie Webb, a dedicated paramedic with mother issues, who suddenly develops ability to see future events. Tahar Rahim plays the not so menacing villain in the shape of Ezekial Sims, who sees his future death at the hands of three young women in superhero tights and becomes obsessed with finding them. Sydney Sweeney, who seems to be the current Hollywood It Girl, plays one of the trio alongside Celeste O’Conner and Isabela Marced. Emma Roberts, Adam Scott, and Mike Epps are also included in this cast.

The film starts off in 1973, which is a pretty good year since that is when I came into this world so I can torture myself with this garbage and complain about it to whoever happens to stumble across this endeavor at some sort of creative writing. Apparently, what also happened in 1973, is that a research team led by Constance Webb, who is quite pregnant with our supposed heroine, is on the hunt for a rare spider in the jungles of Peru. She is betrayed and injured by her partner. A legendary tribe with some rather familiar spider-like abilities attempts to save her life but her only able to save the child. The child grows up to be Cassie Webb, paramedic extraordinaire, who starts having jarring visions that predict the future, however she realizes that if she acts quickly enough, she can indeed change the outcome of these events. She encounters the three young women who are unknowingly being hunted by the former expedition partner of her mother’s because he is really rich, powerful, and ridiculously evil and is compelled to protect them from forces that she can’t understand with abilities that she has yet to master.

The script throws in some loose ties to the Spider-Man canon because Cassie’s paramedic partner is none other Ben Parker, the uncle to who would become Spider-Man. Uncle Ben, played by Adam Scott, and his wife will end up raising their nephew, Peter Parker, who gets bitten by the radioactive spider and develops the powers which everyone knows. Madame Web has nowhere the name recognition in the comic book canon. This background already feels like it was just thrown in a too obvious attempt to give this addition some kind of credibility. I am not sure that Ben Parker’s profession was actually ever mentioned in the original canon since it was his death that was part of Spider-Man’s origin story.

Anyway, almost nothing about this latest entry into the MCU works. The special effects are fine, but Madame Web’s powers are not conveyed all that interestingly. Johnson barely seems interested in the role, and I have heard that her enthusiasm is not all that evident on the talk show circuit. It’s hard to blame her if that is actually true. I wasn’t all that intrigued by the motivations or behavior of the supervillain. Tahir Rahim is a handsome guy and probably has some talent, but this film does little to showcase that.

There were times where the chemistry between the three girls was almost entertaining, but the dialogue was just too absurd for them to have any consistent success at being charming or amusing. Although there are moments where I could see glimmerings of acting talent in much of the cast, it was not enough to pierce the pile of cinematic muck that was presented on the screen.

The reviews and box office numbers are horrendous, and occasionally I like films better than the reputation suggests. Sadly, this is not one of those occasions, and this film ultimately earns the almost legendary amount of bad press that is being heaped upon it. I won’t necessarily blame the cast for their performances, but I question the judgment of their agents for thinking this project would enhance their careers all that much.

Marvel movies have been taking some critical hits lately, and this latest effort may actually be the stake through the heart.