Tag: third-doctor

Doctor Who Audio Review: Will The Real Liz Shaw Please Stand up?

~ Peter Kanelis ~ Leave a comment

The Imposters is a Doctor Who audio drama which turned out to be a pretty average story featuring the Third Doctor with Tim Treloar in the role originated by the late Jon Pertwee. Long-time contributor Alan Barnes is the author and is talented enough to avoid turning in something truly awful, but this just isn’t one of the better ones. Nicholas Briggs has returned to the director’s seat, which is also likely why I was able to get some enjoyment in spite of some reservations about this particular release.

Treloar is joined by Daisy Ashford, Sadie Miller, and Jon Culshaw in their respective roles of Liz Shaw, Sarah Jane Smith, and Brigadier Lethbridge Stewart, who were also initially played by actors who have been deceased for some time.

Other cast members include Grace Darling, Simon Kane, Mark Elstob, and Gary Turner.

The Brigadier and the Doctor are trying to trace some stolen advanced technology and find themselves embroiled in a peculiar plot involving an egotistical schoolgirl, a gregarious wrestling star with abilities that were not taught on Earth, and a dubious military officer from France. There is more than one alien invasion afoot this time, and Doctor finds himself in the midst of a battle in which the attacks are threatening from all manner of directions. He also encounters an old friend in the shape of Dr. Elizabeth Shaw who doesn’t appear to be herself. She may not be the only Liz Shaw in the midst of this unearthly trouble.

I am basically of the opinion that there was a bit too much going on in this story to be all that coherent for an audio release, at least on the first listening experience.

The performances were outstanding from both the main cast and the guest actors. Big Finish never seems to fall short when it comes to finding talent. Treloar continues to present a pretty convincing facsimile of Jon Pertwee’s vocal patterns. Daisy Ashford is playing the part of Liz Shaw, who was played by her own mother, and likely has an easier time replicating that initial performance by Caroline John. Sadie Miller is also doing well in her role as Sarah Jane Smith, which was originally played by her mother, the cherished Elisabeth Sladen. Jon Culshaw, who is known as a talented impressionist in England, is more than convincing as the Brigadier, initially portrayed by Nicholas Courtney.

Alan Barnes is an ambitious writer and likes to throw in a lot of conflicts in his scripts. I look forward to hearing more of his works, but this particular script felt a little too padded at times. I understand that he is trying to replicate the Pertwee era as close as he can while coming up with new plots. This episode just felt longer at times. The wrestler, Sam Samsonson, could be amusing at times, but I found that I was relieved he was not likely going to be a recurring character. I know that one needs to forgive a bit more over-the-top acting when it comes to audio, but I found this guy to be a little more wearying than usual.

The adventure was not devoid of charm and wit because Alan Barnes is still immensely imaginative and just a gifted writer. He understands Doctor Who in each era, which shows even in this script, which did not impress me as much as usual. Of course, the cast and post-production team are certainly reliable enough to keep the whole thing from being a disaster.

I certainly want more Third Doctor content and Alan Barnes’s input, but this story just kind of missed the mark for me but fortunately not by that much.

Doctor Who Audio Review: Vengeance Crossing Time And Space

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Third Doctor Adventures: Operation Vengeance is a new audio drama released by Big Finish Productions and stars Tim Treloar, stepping into the shoes of the late Jon Pertwee as the Doctor. Treloar also has the distinction of co-writing the script with Nicholas Briggs, who is also directing this piece.

Jon Culshaw returns as Brigadier Lethbridge-Stewart, who was originally played by the late Nicholas Courtney. Sadie Miller reprises the role her mother originally portrayed in the television series, Sarah Jane Smith. Katy Manning returns to her role as Jo Grant. Gareth Armstrong, Hannah Blaikie, Max Bowden, and Bronte Alice-Tadman are included in the rather lengthy guest cast.

The Doctor has been to the planet Konzomia, previously accompanied by Jo Grant. An old enemy thought dead has revealed himself to be among the living and has a wicked plan of vengeance to execute. The Doctor has Sarah Jane Smith at his side and determines that he has to return to Earth during the period where the Second World War was being fought. He is able to stop and collect his stalwart and courageous friend, Brigadier Lethbridge-Stewart in order to find Jo Grant’s father, who is in the midst of battle. The brilliant but maniacal scientist known as Raelchun is also displaced from his time and home planet and has his own plan to erase Jo from existence by killing Private Terry Grant. The Doctor, Sarah, and the Brigadier are determined to protect one of the Time Lord’s most cherished companions in the midst of one of the most terrible conflicts in Earth’s history.

There is quite a bit going on that keeps this from being a generally unpleasant listening experience, however I doubt I am going to count this among my favorites. In spite of how exciting the plot sounds, it seems to drag at times. Gareth Armstrong’s performance as Raelchun is pretty good, but he seems kind of a cliche Doctor Who villain at times.

Treloar’s efforts to emulate Jon Pertwee are quite effective. It’s not quite so hard to imagine that Pertwee himself is delivering the lines. Also, Sadie Miller is really sounding more and more like her late mother, Elisabeth Sladen.

Sometimes, the action was not that clearly depicted in the soundscape, but that’s bound to happen in an audio play.

There are some moments that are compelling, such as when we learn a bit more about the Brigadier’s past.

Although there some merits to this release, I still had some trouble staying with it all the way through.

I do applaud Treloar’s efforts to stretch himself as a writer, but it was a good thing that Briggs was there as his writing partner.

Even though I have a few criticisms of this episode, it still had some interesting ideas and themes. The chemistry between the main characters was still evident and made this more than bearable. The irony here is that very few of the characters are played by the original actors.

Anyway, it’s not the greatest thing that Big Finish has produced, but it’s still not necessary to pass it by completely. There is some still enjoyment that is not hard to find.

Doctor Who Audio Review: The Brigadier Wants Some Answers

~ Peter Kanelis ~ Leave a comment

The Children of the Future is another worthy entry into the Big Finish audio range Doctor Who: Sontarans vs. Rutans. Tim Foley provides the script which was directed by Ken Bentley. Tim Treloar has once again performed his version of the Third Doctor, originally portrayed by the late Jon Pertwee. Sadie Miller reprises the role of Sarah Jane Smith, who was originally portrayer by her late mother, Elisabeth Sladen. Jon Culshaw continues his masterful impression of the late Nicholas Courtney as Brigadier Lethbridge-Stewart. Jeremy Ang Jones, Nicholas Boulton, and Lucy Goldie make up the guest cast.

The Doctor has become more irascible and secretive lately, and the Brigadier and Sarah Jane Smith become concerned enough to follow him to a secret base of soldiers who claim to be from the future. They claim that they are refugees after the Sontarans invade Earth in the future. There is an audacious plan to breed humans who are uniquely capable of standing up to the invasion that has yet to happen. Sarah detects a few inconsistencies and begins to doubt the Doctor’s allegiance, and then his identity. The Sontarans’ long-standing enemy, the Rutans, are shapeshifters, and this Doctor may not be the genuine article.

All of the original actors who played the main parts are deceased, but the characters live on. Sadie Miller really is getting better at emulating her mother’s vocal talents. Treloar has continued to solidly capture the essence of Pertwee’s performance as well. The story has some interesting red herrings in the plot. The resolution was not as obvious as it could have been, but that’s good. It still ends up being merely solid entertainment, but that’s better than being outright garbage.