Tag: tv

Doctor Who Audio Review: Even The Doctor Can Still Find Uncharted Territory

~ Peter Kanelis ~ Leave a comment

Doctor Who: Time War Uncharted 1: Reflections is a recent Doctor Who audio boxset from Big Finish Productions and takes the Eighth Doctor, played by Paul McGann, into some intriguing depths of the Time War in four episodes. Emma Campbell-Jones and Sonny McGann reprise their roles of Cass Fermazzi and Alex Campbell, respectively. Alex is the Doctor’s great-grandson who was resurrected by the peculiarities of the Time War that has thrown the universe into an upheaval. Cass has been lost between dimensions and struggles to find her way back to her friends, who may nor remember her.

Some familiar faces or voices are part of the guest cast. Familiar to Big Finish listeners anyway. The guest cast is comprised of Dempsey Bovell, Helen Goodwyn, Holly Jackson Walters, Amara Karan, Nicholas Khan, Hattie Morahan, Jon-Paul Rowden, Dan Starkey, and Conrad Westmaas.

The first of the four episodes contained in this collection is Nowhere, Never by Katharine Armitage. Cass finds herself living as a housewife in a place where air raids are being conducted on her community. The Doctor and Alex are trapped in a peculiar hospital ruled by an even more peculiar Matron. No one seems to remember much about their pasts, but the Doctor will soon start to understand how fractured the universe has become.

This is a bit of a confusing mess to be done on audio, but the performances more than make up for it. It’s also setting the stage for the Doctor’s participation in the Time War. The character of Cass is starting to grow on me, and the banter that has developed between her and Alex is quite well written. Paul McGann’s performance continues to flourish as well.

Although I called this particular story a confusing mess, I still enjoyed it. The nature of the underlying story concerning a Time War is just going to cause all kinds of mental gymnastics in understanding the sequence of events.

Tim Foley follows up with The Road Untravelled in which the Doctor, Alex, and Cass find themselves aboard a strange spaceship. The Captain of the vessel is an old, unreliable adversary, who is played by Conrad Westmaas. They are trapped in the Void, however another presence has followed them, and the Time War rages even there.

The second story by Foley is pretty good as well. It’s one of those awkward episodes which continues the set-up to the big reveal that is going to occur in a future episode. Westmaas was better known in the franchise as C’rizz, a companion of McGann’s Doctor many years before. He does get to stretch a bit more in this role as Hiernonyma Friend.

Foley is a reliable writer and will hopefully be commissioned many more times. He also gets to wrap up this set, but I will get to that in a couple of paragraphs.

James Moran delivers what I think is the most compelling episode in the set entitled Cass-Cade. Cass is trapped in a space station is falling into a sun, and she keeps encountering the Doctor and Alex in different moments of the adventure out of sequence. Unfortunately, they don’t remember her beyond some vague sense of familiarity. Anyway, this sounds more confusing and muddled than the first episode, but it actually holds up and makes a little more sense. Campbell-Jones gets a plethora of one-liners throughout, and she delivers them sublimely.

Anyway, I enjoyed that one the most, but the set is pretty good overall.’

Finally, Tim Foley gets to return with Borrow or Rob which has the Doctor and his companions losing their grip on reality, leading to a shocking betrayal.

I like this particular TARDIS team. The Eighth Doctor’s struggles within the Time War are to continue, and I am ready to continue that ride as well.

Big Finish Audio Review: The Professor Between The Master And A Captain

~ Peter Kanelis ~ Leave a comment

Dark Gallifrey: The War Master Part Two is an audio drama released by Big Finish Productions and continues this intriguing range that is a spin-off from Doctor Who. Scott Handcock directs this piece written by James Goss. Lisa Bowerman is back as Professor Bernice Summerfield and has to contend with the attentions from both Derek Jacobi’s version of the Master and James Marsters reprising his Torchwood role of Time Agent Captain John Hart.

Jason Forbes, Chris Lew Kum Hoi, and Tariye Peterside round out the cast.

Back to lecturing at Braxiatel University, Professor Bernice Summerfield has befriended the new Provost and has started a relationship with a student named John. John has started showing an interest in something the professor had once found, and he wants her help to get him to Dark Gallifrey. The Provost is also not who he claims to be and is indeed one of the Doctor’s most persistent enemies. Captain John Hart and the Master go from rivals to reluctant allies to get Bernice to once again seek out the secrets of Dark Gallifrey. Bernice may also have her own agenda and may be able to spring a trap of her own.

The story is a bit hard to follow sometimes, but it still works. Jacobi is just too fun in his performance for me to mind a bit of confusion. Marsters is also pretty amusing. There is a bit of a comedic and compelling fight scene between the Master and Captain John that is quite amusing.

Jacobi does give a delicious performance as the Master before he fled the Time War and hid so well that he had forgotten his own identity. He indulges himself with another clever disguise.

The chemistry between the lead trio is quite engaging and at times quite comical.

The Master did not really appear in the previous episode; however, the familiar charm and ruthlessness are in full supply in this one.

The other cast members are solid enough, but Derek Jacobi in particular is quite hard to keep with. Also, Lisa Bowerman also gives a masterclass in audio performance.

The sound design is expertly executed as well, thanks to Rob Harvey.

One more episode before this phase of the Dark Gallifrey closes out, and another one kicks off.

Doctor Who Audio Review: Vengeance Crossing Time And Space

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Third Doctor Adventures: Operation Vengeance is a new audio drama released by Big Finish Productions and stars Tim Treloar, stepping into the shoes of the late Jon Pertwee as the Doctor. Treloar also has the distinction of co-writing the script with Nicholas Briggs, who is also directing this piece.

Jon Culshaw returns as Brigadier Lethbridge-Stewart, who was originally played by the late Nicholas Courtney. Sadie Miller reprises the role her mother originally portrayed in the television series, Sarah Jane Smith. Katy Manning returns to her role as Jo Grant. Gareth Armstrong, Hannah Blaikie, Max Bowden, and Bronte Alice-Tadman are included in the rather lengthy guest cast.

The Doctor has been to the planet Konzomia, previously accompanied by Jo Grant. An old enemy thought dead has revealed himself to be among the living and has a wicked plan of vengeance to execute. The Doctor has Sarah Jane Smith at his side and determines that he has to return to Earth during the period where the Second World War was being fought. He is able to stop and collect his stalwart and courageous friend, Brigadier Lethbridge-Stewart in order to find Jo Grant’s father, who is in the midst of battle. The brilliant but maniacal scientist known as Raelchun is also displaced from his time and home planet and has his own plan to erase Jo from existence by killing Private Terry Grant. The Doctor, Sarah, and the Brigadier are determined to protect one of the Time Lord’s most cherished companions in the midst of one of the most terrible conflicts in Earth’s history.

There is quite a bit going on that keeps this from being a generally unpleasant listening experience, however I doubt I am going to count this among my favorites. In spite of how exciting the plot sounds, it seems to drag at times. Gareth Armstrong’s performance as Raelchun is pretty good, but he seems kind of a cliche Doctor Who villain at times.

Treloar’s efforts to emulate Jon Pertwee are quite effective. It’s not quite so hard to imagine that Pertwee himself is delivering the lines. Also, Sadie Miller is really sounding more and more like her late mother, Elisabeth Sladen.

Sometimes, the action was not that clearly depicted in the soundscape, but that’s bound to happen in an audio play.

There are some moments that are compelling, such as when we learn a bit more about the Brigadier’s past.

Although there some merits to this release, I still had some trouble staying with it all the way through.

I do applaud Treloar’s efforts to stretch himself as a writer, but it was a good thing that Briggs was there as his writing partner.

Even though I have a few criticisms of this episode, it still had some interesting ideas and themes. The chemistry between the main characters was still evident and made this more than bearable. The irony here is that very few of the characters are played by the original actors.

Anyway, it’s not the greatest thing that Big Finish has produced, but it’s still not necessary to pass it by completely. There is some still enjoyment that is not hard to find.

Doctor Who Audio Review: Early Days With Ace

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Seventh Doctor Adventures: Wicked! is an audio boxset which takes the audience back to when Ace first joined the Doctor in the TARDIS in this trilogy of episodes. Sylvester McCoy and Sophie Aldred once again prove themselves to be more than capable of replicating the enthusiasm they displayed when they started out on the television series almost four decades ago.

The guest cast in this set is comprised of Luke Barton, Tom Alexander, Alexandra Barredo, Simon Callow, Sophie Kennedy Clark, Ekow Quartey, and Paulo Vieira. Samuel Clemens returns to the director’s seat for all three episodes. I was not sure about the notion of going all the way back to the beginning of Ace’s travels in the TARDIS, but the set is overall quite good.

Alison Winter kicks off the set with Backwards and in Heels, which takes place in 1920s Soho. Ace and the Doctor are swept up into a [peculiar treasure hunt, and an alien presence has the young companion questioning her decision to accompany the Time Lord.

This story was a decent one if not the most memorable. I like the setting, and Ace being kind of impressed with a 1020s flapper. The friendship between the two lead characters starts to solidify as Ace gets a taste of what like traveling with the Doctor could entail.

Katharine Armitage follows up with The Price of Snow which takes place in the futuristic ski resort where some guests have disappeared, and the authentic snow seems to have some suspicious origins. There is also an unfortunate rift between a daughter and father.

This story is a bit better than the previous one. The alien menace at the heart of this one is new and not that badly realized. Tom Alexander is pretty compelling as the owner of the resort and the architect of the dangers as he uses some pretty ruthless calculations to keep his alien guests fed.

Finally, it is Alan Ronald who brings this set to a close with The Ingenious Gentlemen as Simon Callow delivers a hugely campy yet powerful performance as Don Quixote. In this case, the windmills may be something that is needed to be fought. Ace begins to notice some strange parallels between the partnership of Don Quixote and Sancho and her association with the Doctor.

Callow is absolutely magnificent, and the Doctor’s childlike joy at meeting him is perfectly performed by McCoy.

Obviously, this is the episode I consider to be the best in this collection.

I have to say that Sophie Aldred being able to pull off her younger voice when she is now in her sixties is quite impressive. I know that Aldred is a well-practiced voice artist, and I shouldn’t be that surprised, but her precision is still something to appreciate.

McCoy has also not missed a step here, and he is much older.

The idea of returning to Ace’s early travels seems like it should have been done earlier, but Big Finish continues to develop their stories and characters quite masterfully.

Doctor Who Audio Review: Why The Doctor Never Goes Back

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Thirteenth Doctor Adventures: The Return of the Doctor is an audio drama from Big Finish Productions with a rather humdrum sort of title, but the episode is actually better than it would appear. Jodie Whittaker and Mandip Gill return to the mics as the Doctor and Yasmin Khan in a story written by Rory Thomas-Howells and directed by Bethany Weimers.

The guest cast is comprised of Stephan Bessant, Charlie Kelly, Will Kirk, and Belinda Stewart-Wilson.

The Doctor and Yaz have just stopped an alien invasion menacing the Zaarians, who apparently resemble armadillos or something. Anyway, a young Zaarian is injured but is expected to recover, so the Doctor does what she always does and takes off. Yaz talks her into returning to help with the recovery, however the TARDIS takes them ten years into the future, and another more insidious alien presence is feeding on their guilt and sowing deep suspicion. It all starts with a whisper.

Jodie Whittaker’s turn as the Doctor on television really isn’t my favorite era of the program. This episode, in spite of the dubious title, is actually pretty good. Gill and Whittaker do have a pretty compelling chemistry which is performed quite well. My issues with Whittaker’s time on the television series had more to do with the writing and production choices than her as an actress.

Also, a new race and new adversary is introduced, and they are well written and realized.

I have said for years that Big Finish Productions successfully rehabbed the Sixth Doctor, who suffered low popularity ratings among the fans until he was able to showcase his talent with the aid of much better writing. It’s possible that Whittaker can enjoy the same experience.

Anyway, this episode was quite nicely done, and I may finally be able to appreciate the Thirteenth Doctor a bit more.

Doctor Who Audio Review: Match Making Gone Wrong

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Ninth Doctor Adventures: Star-Crossed is an audio boxset that brings River Song in close quarters with the Ninth Doctor, played by Christopher Eccleston, in a satisfying trilogy of clever stories by three very reliable writers for Big Finish Productions. Alex Kingston returns to the microphone as the mysterious and often mischievous Professor River Song, and as much in love with the Doctor as ever. Helen Goldwyn gets to return to the director’s chair for this one.

The first story is written by John Dorney and is entitled Swipe Right. As the title would suggest, it concerns a dating app that has gone very wrong. The guest cast is comprised of David Holt, Tom Neenan, Beth Chalmers, and Francesca Mills.

The Doctor and River Song are each separately investigating disappearances on the planet Crell. They discover a being known as the Matchmaker. The Doctor and River Song are already married, but not just yet from the Time Lord’s perspective. As expected, the fireworks are about to light up the stars.

Dorney once again delivers an interesting story that sort of reflects something that could be going on in today’s society. Of course, no one is being forced into online dating in the real world, but there are likely going to be some interesting problems with AI.

When the Doctor and River finally meet up, it’s about as amusing and volatile as hoped. Eccleston and Kingston hit all the right notes in their performance. The script has also plenty of Doctor Who‘s expected humor.

This first entry is a solid kickoff to the set.

Lizzy Hopley follows up quite ably with Face of the Apocalypse. Charlie Tighe, Paul Reynolds, and Nadia Albina join the audio antics with Eccleston and Kingston as the guest cast.

The plot here concerns River Song’s face is being used to bring about total destruction of space and time through a complex computer algorithm. The Doctor has to unravel the problem with the help of a legendary pair of star-crossed lovers. He and River Song meet a couple whose union could be even more fraught with discord than their own. In order to save the universe, the Doctor and River will have to engage in a bit of couples’ therapy.

This story took me a little more patience to feel fully engaged. It does get better, and my appreciation for Hopley’s contribution grew due to the continued chemistry between the two leads. There are some pretty good one-liners, especially when River Song needles the Doctor about her face being the key to the universe’s survival.

It is once again down to the talent and enthusiasm exhibited by Eccleston and Kingston when performing this episode.

Finally, the set concludes with Tim Foley’s Archipelago. John Banks and Trevor Cooper are the guest actors.

The Doctor and River Song aid a captain who is taking a dangerous voyage to find his lost partner. His ship is going through a field of massive time distortion, and the last of the Time Lords may be the last chance for this boat to make it through.

The Doctor and River finally find the adventure in which they will get to know each other deeper than River could ever hope. The Doctor also gets spoilers as to his future and understands more of the connection between himself and River.

This story is a little hard to picture in my own mind, but I loved the performances. River Song is playing a dangerous game with being in the Doctor’s past. There are some amazing callbacks to the television series.

The solution is neatly imagined, and the continuity of the series remains intact.

River Song is usually an exciting foil for the Doctor in any of his incarnations. Her encounter with the Ninth Doctor was better than I thought it would be.

It’s a great set overall. I think the last story is my favorite out of this collection. So, the Doctor travels on….and so does River Song.

Doctor Who Audio Review: Knights And Time Meddlers

~ Peter Kanelis ~ Leave a comment

Doctor Who: The First Doctor Unbound: Knights of the Round TARDIS is an audio drama that kicks off a new range for Bog Finish Productions. David Bradley returns to his version of the First Doctor alongside Claudia Grant, Jamie Glover, and Jemma Powell returning to their versions of original TARDIS companion, Susan, Ian, and Barbara.

The script was written by LR Hay, and the director is David O’Mahoney. The guest cast is comprised of Matthew McQuinn, Robert Gill, Ewan Goddard, Adam Howden, Sophie Matthew, Joseph Millson, and Keith Wickham.

The TARDIS has taken its occupants to thirteenth century Oxford where they encounter a figure known as a precursor to English democracy, Simon de Montford. Friar Roger Bacon is also there; however, he seems to have another identity that knows the Doctor very well. The Monk is back in a new guise, but the Doctor has not encountered him before from his perspective. History is about to be radically changed unless the Doctor intervenes.

Bradley does a decent job in his presentation of the First Doctor, yet he seems to be able do it without relying on an impersonation of the late William Hartnell. Bradley, of course, played Hartnell some years ago in a special docudrama about the origin of Doctor Who.

The idea is to have a series that isn’t quite so hung up on the continuity within the television series, although I am not really sure how successful the writers and producers are in actually accomplishing that.

I am not that familiar with the historical context this series was supposed to convey, but I still enjoyed it. I may have to research some of the figures like de Montfort and Roger Bacon to understand their significance to British history to better appreciate this story.

Bradley is considered something of a legend in British drama, or at least he works pretty consistently for a guy his age, which is eighty-three. Anyway, I love his portrayal of the First Doctor.

Wickham also seems to be a solid casting choice for Bacon, who turns out to be the renegade Time Lord known as the Monk. Apparently, he was inspired to emulate the style of the original actor, the late Peter Butterworth, who appeared in the original television serial entitled The Time Meddler alongside Hartnell.

It’s fun to revisit the First Doctor era in its many iterations presented by Big Finish, and this episode is a promising new direction.

Book Review: Never Just Sightseeing When In The TARDIS

~ Peter Kanelis ~ Leave a comment

Sightseeing in Space is a volume containing two mediocre Doctor Who novellas written by David Bailey and Steve Lyons.

To be fair, I think the target audience for this release is significantly younger than me, but I couldn’t help still being a bit disappointed.

The first story is entitled Terminal of Despair written by the usually reliable Steve Lyons. He has been writing Doctor Who fiction for many years for several ranges in print.

The Doctor and his companions, Amy and Rory, arrive on a spaceport in which would-be passengers have been quarantined for several months by strange creatures which feed on hope. These creatures resemble three-legged bulldogs that have some tentacle that protrude from their mouths to latch on a victim’s neck and drains any sense of hope from them.

The alien species dubbed Desponds is new, but I had some trouble visualizing these things. Also, there was no real clear opponent in charge of this chaos. Lyons does a decent job of capturing the Eleventh Doctor’s mannerisms for the most part.

I had some trouble maintaining any real interest in the side characters. Also, no one died, which I guess is an indicator that the youth were the intended audience.

I remember looking forward to a Lyons novel and usually appreciating his imagination, so I had high hopes for his contribution here. Sadly, my hopes were unrealized. The story was not terrible, but there was not much of an impression left.

The second story, David Bailey’s The Web in Space, is a slightly better. The Doctor, Amy, and Rory become trapped in a spaceship which is being attacked by scavengers. It also becomes trapped in a giant web in space where a massive spider awaits to feed. A maniacal robot has its eyes set on access to the TARDIS. The Doctor has a lot of threats to resolve before he and his friends can be on their way.

I enjoyed this story more, but there are still better contributions to Doctor Who literature. Bailey is a competent writer, but there is nothing that really stands out about his writing style.

At least it was some Doctor Who I had not read before. The volume is another that is not a complete waste of time, but it does not leave much of a lasting impression.

Next up, I am revisiting a reliable and favorite thriller writer of mine. Alex Delaware and Milo Sturgis being investigating a curious double murder at a poolside in Jonathan Kellerman’s The Ghost Orchid.

Doctor Who Audio Review: Rest, Recreation, and Regret

~ Peter Kanelis ~ Leave a comment

Alixion is a Doctor Who audio play from Big Finish Productions and is the latest addition to The Lost Stories range. The addition has its good points, especially with Sylvester McCoy and Sophie Aldred leading the cast as the Doctor and Ace, respectively, however it’s a bit of a confusing mess as far as the story goes at times.

This story was originally intended to be produced during the television era in the 1980’s, however that is when the series got cancelled. Robin Mukherjee wrote the script and was able to adapt it to the audio format. David O’Mahoney serves as the director. Ali Bastian, Jon Edgley Bond, Matthew McQuinn, Beverly Longhurst, and Shri Patel make up the guest cast. Even O’Mahoney himself lends his own vocal talents to the effort.

Another planned holiday for the Doctor and Ace goes awry when they arrive at a luxury resort that has been compromised by an entity that feeds off memories and regrets. The Time Lord and his young friend have to face their own darkest secrets and fears as well as a malevolent alien who can inflict the most diabolical of mental tortures.

The plot itself sounds pretty intriguing; however, I think this would have worked better on television since there is quite a bit of flashbacks.

McCoy and Aldred are too good themselves to make me regret listening to this, so I may just need to return to this one to get a better grasp of the events that I can only picture in the mind’s eye.

The Seventh Doctor can be considered one of the more complicated incarnations depicted, and this story does play with that, which still keeps things intriguing.

I know I called this episode a confusing mess at the top of this post, but that doesn’t mean that I disliked it overall. Sometimes, the joy of listening the performances of pretty much any of the Doctors and their companions does carry manage to carry me to some significant enjoyment, and this experience was no exception.

I have found that listening to the cast and crew interviews most of these releases now contain does help my comprehension of the story quite a bit.

In spite of my occasional perplexion of some elements of the plot, I still found quite a bit to appreciate about this release and hope that McCoy and Aldred have a lot more gas in the tank to perform new stories to represent their era of the series.

Doctor Who Audio Review: The Doctor In Check

~ Peter Kanelis ~ Leave a comment

Doctor Who: Past Forward is a Doctor Who audio set from Big Finish Productions which sees the welcome return of Sylvester McCoy as the Seventh Doctor as the arc featuring with Harry Sullivan and Naomi Cross seemingly comes to an end. The structure of these stories is a little different in that there is essentially four-part story with a separate two-part adventure wedged in between, and it does work rather nicely.

Eleanor Crooks is back as Naomi Cross while Christopher Naylor resumes his impressive efforts to emulate the late Ian Marter as Harry Sullivan. Sara Griffiths joins the fray as Ray Jenkins, who was introduced in the television serial entitled Delta and the Bannermen. The guest cast of this series is comprised of Laura Aikman, Lydia Baksh, Daon Broni, Cavin Cornwall, Josh Cowdery, Alasdair Hankinson, Katherine Jack, Holly Jackson Walters, and Gary Turner.

The directing duties falls yet again to Samuel Clemens, who as usual keeps a steady hand by probably just letting the actors get on with the job.

Doctor Who veteran writer John Dorney is the writer of With the Angels, which has the Doctor encounter the Weeping Angels, which were first popularized in the television revival during the David Tennant era. It still works to have earlier Doctors meet these strange, malevolent consumers of time energy.

This time, the Angels have been fashioned into chess pieces. The Doctor, Harry, and Naomi will be pulled into both the past and future as they are recruited once again by UNIT to save Earth from another invasion by the terrifying Angels that one cannot take their eyes off.

In the second half of the story, the Doctor has been able to say goodbye to Harry and Naomi and pick up a new companion in the shape of an old friend, Ray. It’s kind of a unique transition, but it is done quite cleverly. Ray probably would have been a fun companion in the television series if things had worked out differently back then, but audiences now get to see how that would have worked. The also intriguing choice that was made was to have Ray picked up twenty years after her first encounter with the Doctor and she has lived a life of her own. Ray was probably in her late teens or early twenties when she was introduced over three decades ago, but it seems a good choice for Dorney to have seasoned that character a bit while still making her recognizable.

Sandwiched between the middle of With the Angels, is Lizzie Hopley’s Catastrophix where a company’s experiment with Time if bringing about the Earth’s early demise. The Doctor has promises to Harry and Naomi to keep and ensure their safety after their encounter with the Angels. Also, this is where Ray gets a proper reintroduction.

The story itself is pretty good. Hopley is becoming one of the reliably interesting writers for Big Finish.

As usual, McCoy’s performance is outstanding even though he does have to do a bit of a double act when it becomes clear that he is being manipulated by a very familiar presence.

The team of Cross and Sullivan will be missed aboard the TARDIS, but the addition of Ray seems to be the start that could be equally compelling.

The exaggerated American accents by some of the guest cast was a little distracting, but I have gotten kind of used to it over the years of listening to Big Finish.

Anyway, the whole chess trope for this Doctor worked, although it’s hard to picture what was going on during the climactic match between the Time Lord and rich snob who instigated the whole catastrophe with the Angels.

This set was one of the better ones to be released this year from Big Finish, and McCoy’s enthusiastic performance is still a welcome distraction from the pressures of everyday life.