Doctor Who Audio Review: The War And Fugitive Doctors Clash

Big Finish Productions brings the Doctor Who: Once and Future audio saga to a close with Coda: The Final Act which stars Jo Martin and Jonathon Carley as the two secret surprising incarnations of the Doctor. Tim Foley wrote the script which was directed by Ken Bentley. Lisa Bowerman reprises her role as Professor Bernice Summerfield. Chase Masterson returns as the glamorous galactic bounty bunter Vienna Salvatori. Nicholas Khan, Richard Reed, and Imogen Stubbs round out the guest cast.

The War Doctor has little time to recover from the effects of a degeneration weapon that had him flitting between prior incarnations when he has to rejoin the fray known as the Time War. A mysterious stranger in a TARDIS attempts to intercept him, but the woman at the helm is a fugitive from a time in the Doctor’s life that he cannot remember. The War Doctor is gathering some unexpected allies, and an old friend is caught in the crossfire as well.

First of all, I am not one of the fans who was overly enthusiastic about the creation of the iteration known as the Fugitive Doctor who first appeared on the television series during Jodie Whittaker’s era. This audio episode hasn’t really changed my mind all that much. Jo Martin in that role is not the problem. I am just one of those old school fans who had no problem accepting that William Hartnell played the First Doctor, and no prior incarnations needed to be invented for the sake of racial diversity or whatever. I know the television producers spin this rather differently, but I believe then to be rather disingenuous.

Saying that, it’s not a bad episode, although it feels somewhat just tacked on. Martin is a talented performer, but I just don’t find her version of the Doctor all that interesting. I have come to enjoy the War Doctor series, although I was a little exasperated with this idea of a sudden secret incarnation of the Doctor which seemed to like just ab excuse to have John Hurt in the role. Carley does a masterful impression of Hurt, and the War Doctor series is actually rather compelling. Maybe I need to give the upcoming Fugitive Doctor a chance before I write her off completely.

Anyway, it was rather interesting when Carley and Martin do get together. There are some amusing moments whenever the pair finally figure out how they are being manipulated by some mysterious opponent.

Even if I am not too keen on some paths the television producers have chosen to take, Big Finish does manage to take the ball, run with it, and come up with a pretty good episode. Any time Bowerman is involved does guarantee a few laughs as well.

Anyway, I am glad that I got to hear the conclusion of this saga despite my reservations, and Foley is a decent and imaginative writer and definitely needs to stay on with Big Finish as a regular contributor. I may even be curious to give the Fugitive Doctor a more serious try when more of her stories are released, but that’s still in up in the air.

This release didn’t really fire me up with unrelenting enthusiasm, but neither did it really bother me as much as I feared.

Doctor Who Audio Review: Escaping From Beyond

The Great Beyond is a Doctor Who audio drama from Big Finish Productions that is pretty interesting if a little confusing at times. The script is written by James Kettle and directed by Ken Bentley. Peter Davison returns as the Fifth Doctor and is joined by Janet Fielding, Sarah Sutton, and Matthew Waterhouse as Tegan, Nyssa, and Adric, respectively. It’s a pretty long story this time, so the guest cast is relatively lengthy and is comprised of Anna Crichlow, John Hopkins, Philip Hurd-Wood, Maggie Service, Paksie Vernon, and Andrew Wincott.

The Doctor and his companions encounter a sentient prison on a distant planet that changes and involves and moves over the surface. Tegan starts off trying to locate the Time Lord and her other two friends, however they have no memory of her when she catches up with them. The prison itself is not the worst of the threats that the Doctor has to overcome. He also has may have to sacrifice his freedom in order to save his friends and live a life of confinement that he has always fought to avoid.

The idea is pretty ambitious and impressive, but it is difficult to picture some aspects of the story in the mind’s eye sometimes. As usual, the performances are terrific. There seems to be some interest in stretching this incarnation of the Doctor into some creative predicaments, and this effort for the most part is worth the journey.

Kettle starts off in the middle of the adventure, and the audience has to go through some flashback sequences to get the proper context. It’s not a bad way to go here.

Big Finish’s intent is to give the Fifth Doctor a six-episode adventure, which was never done on television. There is a risk of the story dragging a bit, and that sort of happens here but it’s not too bad.

Kettle does manage to display something rather creative and unique in this story, which is hard to pull off considering how vast Doctor Who has become. It was nice to not have to rely on some of the old classic enemies to try to carry this longer than usual story.

Anyway, not every aspect of the story was easy to understand, but it was still worth the time. Big Finish continues to often outshine the television series.

Doctor Who Audio Review: The Cybermen Are Certainly Not Angels

The Quintessence is an excellent Doctor Who audio drama from Big Finish Productions and features the Third Doctor and Jo Jones. Nicholas Briggs directs this episode which is written by Stewart Pringle and Lauren Mooney. Nicholas Briggs provides the voice as the Cybermen, as usual. The rest of the guest cast is comprised of Chris Larkin, Felicity Cant, Emily Joyce, and Gary Turner.

Tim Treloar resumes his role of the Third Doctor with his steadily improving impression of the late Jon Pertwee’s performance. Katy Manning plays a much older Jo Grant, who is now Jo Jones, and has rejoined the Doctor in the TARDIS.

The story begins with a strange dream that Jo is having about a young girl in an isolated manor. She receives a set of coordinates and convinces the Doctor to check it out. They find the estate in the midst of a storm raging across a desolate planet known as Nethara Reach. They find that it is occupied by a couple with a sickly daughter who believe they have been communicating with angels. It doesn’t take long for the Doctor to recognize these supposed angels as one his most ruthless adversaries. The Cybermen have targeted the daughter for a horrifying purpose. The Doctor and Jo will have to embark on a rescue mission to save a family from a terrifying transformation.

The Daleks are apparently the most popular villains in the franchise, but my heart still goes with the Cybermen as the more chilling of the Doctor’s foes. The relentless of survival by converting anyone and anything into one of their numbers is effectively chilling…especially without all of the maniacal shrieking the Daleks like to cut loose.

The plot is actually pretty creative even if some old adversaries are brought out of the mothballs. Katy Manning gives one of her stronger performances. She is always good and obviously slips into the role with ease. Treloar is good. I also have to note that Chris Larkin as Arthur Pepperdine undergoes a compelling and convincing character transformation, which was quite wonderfully performed.

This is a six-part story, which has a tendency to drag, however the writers for this serial kept this one pretty interesting throughout. Nicholas Briggs handles the directing with his usual precision and skill as he voices the emotionless, unrelenting Cybermen.

Big Finish is reliably solid when it comes to casting and story ideas, however this particular release ended up surprising me with stronger than usual performances and a pretty fascinating use of common scenes and soundscapes. This story would be an unusual fit for the Pertwee era, however it’s a welcome departure and stretch of creative muscles.

The Quintessence is probably one of the top releases for the year, which is saying something since Big Finish is so consistent with the care and attention they put into these releases.

Doctor Who Audio Review: Big Decisions For The Seventh Doctor As His Time Winds Down

Big Finish Productions has released the first of a two-part audio finale for the Seventh Doctor, and it’s a bit of a confusing jumble, which is often typical of this particular incarnation of the Doctor. The Last Day- Part One is written by Matt Fitton and Guy Adams and has Sylvester McCoy returning to the mic as the Seventh Doctor. Samuel Clemens is the director.

Almost all of the Seventh Doctor’s friends and foes come out to play in this one. Sophie Aldred as Ace come back and gathers a team that includes The Master, played by Geoffrey Beevers, Edward Peel as Kane, and Stuart Margolin as Garundel.

Other followers of this audio range will recognize Lisa Bowerman as Professor Bernice Summerfield, Philip Olivier as Hex, and Bonnie Langford as Melanie Bush.

All of reality is at stake yet again. Ace is recruiting various adversaries to go against the threat, but that appears to be the Doctor, who is up to some grand plan or other.

Yet again, the performances and the nostalgia of these characters returning helps, but it does seem a little trite to have the Doctor in a such a convoluted mess.

The story is supposed to take the fans up to the moments before the Doctor regenerates in the 1996 television movie which introduced Paul McGann.

There are some interesting moments, and I am sure the second part will clear up some of the threads being laid out here. Still, the ambition by the writers seems to not take account of the challenge of keeping a coherent image in a listener’s mind as this is playing.

I have never been a fan of just throwing every major villain and allies in one story, even if it is supposed to be a finale. Also, I am not sure that McCoy is actually not going to do more of these audios. Also, the whole of reality or the universe being at stake is not a plot that really interests me. One of the best regeneration stories in the series involved the Doctor trying to save the life of his companion.

Fitton and Adams are long-time contributors to Doctor Who fiction in various mediums, but it does feel like they may have bitten off more than they can chew.

Yes, I will purchase the second part to this story and hope the conclusion is more compelling than I anticipate.

Doctor Who Audio Review: Strange Birds, Ghosts, Gigantic Beasts, And One Time Lord

Big Finish Productions returns to the travels of the Eighth Doctor, starring Paul McCann, with an eclectic and entertaining set of Doctor Who audio dramas entitled Echoes. Nicola Walker and Hattie Morahan are also accompanying this Doctor as Liv Chenka and Helen Sinclair. Ken Bentley directs this trilogy of adventures and continues to prove himself more than capable of continuing in that capacity for future releases. The guest cast includes Derek Griffiths, Jane Asher, Fiona Button, and Dan Starkey.

Tim Foley starts off the set with his story, Birdsong. The TARDIS arrives on a world where there are apparently two women who were scouting it out for an arriving colony. There are peculiar birds in the distance but coming closer. One of the women the TARDIS encounters is strangely ill. Something in the woods appears to be watching.

Foley has become one of Big Finish’s more prolific and reliable scriptwriters, and this story is a pretty good example as to why. It’s a pretty spooky story with an interesting twist toward the end. The main cast is once again in top form with their performances. Fiona Button and Jane Asher are the only two guest actors, and they are more than capable foils for the well-tuned main cast of this particular TARDIS crew.

Lost Hearts is the second story and is written by Lauren Mooney and Stewart Pringle. The Doctor, Liv, and Helen have been investigating strange disturbances emanating from an ancient university. Phantoms have been seen, and something odd seems to have an important message for the Doctor. They are assisted by a nervous undergraduate and a writer of supernatural phenomenon. The student has a profound connection to Helen Sinclair, and the writer has an important destiny on the world’s literary stage.

Timothy Bentinck and Steve Brody are two of the guest actors and, as expected, well chosen. Bentinck goes a little over the top with his performance in the climax, but the whole episode is still quite enjoyable. The revealing of the full identity of the Brody’s character, Montague, is kind of a nice treat. The story takes place in a university containing a lot of shadows and dark corners, which is almost always a great place to begin a Doctor Who episode.

Dan Rebellato is the writer tasked with bringing this set to a close with Slow Beasts. The Doctor and his companions arrive on a planet with an amazing sight to behold. A settlement is watched over a group of enormous alien figures standing in the plains. The Renn gain some benefit from the tourism arriving in their midst to see this strange arrangement. It does not take long for the Doctor, Liv and Helen to discover there is a dark secret behind the majestic view. When the secret comes to life, the Renn find themselves facing a retribution that may be well deserved.

The final story is also quite compelling, although there is not a lot of detail about how the Slow Beasts look other than their immense size. Derek Griffiths, Maya Saroya, and Dan Starkey are part of this guest cast. Rebellato is a pretty new writer to me, but this story is a promising introduction. He is not a new writer overall, but he seems to be a pretty recent addition to the Big Finish stable. The story raises some engaging moral dilemmas and questions. I thought Griffiths take on the settlement leader, Mathryn, was very interesting. Mathryn does have some undoubtedly selfish and immoral motivations, but the audience is left with a sense of possible redemption.

I have to say that Echoes pretty much gets high marks from me all the way down the line. It’s hard to say which episode is my favorite because I was pretty impressed with all three of the stories, which is a rarity as much as I love Big Finish and Doctor Who. There was not reliance of old adversaries. Yes, Big Finish has visited its fair share of shady universities in its long catalogue before, but the second episode is still imaginative enough for me to forgive that trope. McGann remains as compelling as ever as his version of the Doctor. The chemistry and banter between Morahan and Walker remain on point, which is particularly impressive since this group of writers haven’t written much in this range. Although this TARDIS team have been around a good number of years for the Big Finish consumers, this collection of stories seems to have found a way to ensure that audiences want more of this particular TARDIS team.

Doctor Who Audio Review: A Raven, Kippers, And Old Friends

Michael Troughton returns to the mic at Big Finish Productions to honor his late father’s Doctor Who legacy in Doctor Who: The Second Doctor Adventures: Conspiracy of Raven. He is joined by Wendy Padbury and Frazer Hines, reprising their roles of Zoe and Jamie, respectively. Nicholas Briggs and Mark Wright have collaborated on the three interlinked episodes with Briggs also serving as director.

This series continues on from the saga started in the set entitled Beyond the War Games. Just before his forced regeneration and exile to Earth, the Second Doctor was reunited with Jamie McCrimmon and sent on a series of missions throughout time and space at the direction of a mysterious Time Lady known as Raven. Jamie has been whisked away out of the TARDIS in this chapter, and Zoe Herriot appears to provide valuable assistance to help locate him. Raven has become an unlikely and untrustworthy ally, but she is not in control as much as she initially appeared.

Nicholas Briggs introduces this particular conspiracy with his story Kippers. Emma Noakes returns as the enigmatic Raven. The Doctor and Raven find themselves aboard an abandoned space station, and Jame has disappeared. An alien menace known as Kippers has killed the crew, and the two Time Lords are in their sights. The Doctor finds that Raven may not be working for who she believes. He has to keep them alive and start a search through time and space for his lost friend.

The inclusion of Emma Noakes is actually a pretty good move. Troughton does a decent job of emulating his late father, Patrick Troughton. I still think Hines’ impression was a lot closer, but it seems fitting to have Michael Troughton give his take. He does sound close enough like his dad to not be distracting. Anyway, Briggs provides another intriguing script. The sound effects come off quite well. Overall, a great launch for this particular collection.

Catastrophe Theory is written by Mark Wright. Padbury’s Zoe Herriot has appeared in the TARDIS. Raven has been left behind on the space station, but she is not out of the picture just yet. The Doctor and Zoe trace Jamie a space cruiser on the course to disaster. A savage alien attack is about to commence, and the Doctor is surrounded by catastrophe with time running out on more than one front.

This also is a solid continuation of the journey. There is nothing remarkable about this one, but it’s not bad and serves the purpose of pushing the Doctor and his friends forward into the machinations of a mysterious presence. A few more answers are revealed, and the mystery of who is making alterations to established history and manipulating the Doctor into more dangers continues to build.

Wright and Briggs share writing credit for the concluding episode entitled The Vanishing Point. The Vanishing Point is a mythical place that resides somewhere between science and magic. The Doctor and his friends have arrived to see if questions can be answered and to hopefully confront the threat to all of time and space.

It’s a pretty good set overall. I am a little dubious about this business of shoehorning these series of episodes set between the final television Second Doctor serial and the introduction of the third incarnation. Raven has now become a pretty intriguing addition to the cast. Noakes seems to be pretty inspired casting. The banter between her and the Doctor is quite amusing and compelling. Another notable guest cast member is Jacqueline King, who is best known as Sylvia Noble in the rebooted television series. She plays a different character and does a great job.

Tom Baker is my favorite Doctor, but Patrick Troughton’s performance ranks high up there in my estimation. Michael Troughton speaks about adding some bits of himself in his efforts to honor his father, and he does seem to be getting better as he does more of these episodes. I just like new Second Doctor stories, and I get the emotional significance of adding having Michael to the casting sheet. Even if I think Frazer Hines nails the Patrick Troughton vibe somewhat better, Michael Troughton is still more than capable of satisfying the fans of his father’s era on the program.

Doctor Who Audio Review: The War Doctor Signs Up

The War Doctor Begins: Forged In Fire is the beginning of what appears to be a promising series of Doctor Who audio dramas released by Big Finish Productions. Jonathon Carley steps into the role created by the late John Hurt of what has become known as the War Doctor. This is when the Doctor as regenerated into an incarnation intending to enter the Time War as a participant. This Doctor has rejected the moniker he has used for centuries because he is about to engage in methods of fighting that none of his other selves would condone. This trilogy is directed by Louise Jameson, who is basically immortalized in the Doctor Who canon as Leela of the Sevateem. Jameson has been indulging her creative talents outside of acting and seems to be doing quite well at it. Nicholas Briggs returns to voice the Daleks. Adele Anderson, John Dorney, Helen Goldwyn, and Tracy Wiles are some members of guest cast making their welcome contributions.

The first of the three episodes is entitled Light the Flame by Matt Fitton. This picks up moments after the Eighth Doctor has regenerated on the planet Karn before the Sisterhood of the Flame. The War Doctor already has to decide what his fight in the Time War will entail, but he first has to save Karn and the Sisterhood from a ruthless plan concocted by his own people.

I am not too sure of the main story, but Carley puts in a wonderful performance. It is almost eerie how much he can make his voice emulate John Hurt’s. As the War Doctor regains his footing after a traumatic regeneration, the audience gets treated to a compelling emotional journey as the differences from his pervious selves becomes more evident. It’s not always easy to follow, but Fitton still provides a strong introduction for this actor and this early version of the War Doctor.

Lion Hearts is the second story provided by Lou Morgan. The Tharils, who were first seen in the television serial, Warriors’ Gate, are now caught up in the Time War. The War Doctor has joined a rescue operation of a captured friend, but that of course becomes even more complicated than he anticipated. Morgan does a really good fake out as she teases the audience with how ruthless the War Doctor may actually become. I really enjoyed the story once I remembered how I first saw the Tharils and could more properly picture them in my head. Yet again, Carley continues to impress with his version of the War Doctor.

It is long-time contributor Andrew Smith who closes this set out with his script, The Shadow Squad. The War Doctor is going after the Dalek Time Strategist, but he learns of an even more devastating weapon. The Daleks has developed a plan to erase the contributions of certain Gallifreyan fighters from all of history in order to turn the Time War into their favor. The War Doctor meets the Temporal Eradicator, and he will find out just how merciless he is willing to be in order to end this terrible threat to the cosmos.

It gets a little confusing discussing this series since the main character has rejected his title and identity at this time. I guess for purposes of clarity, the audience knows this is still the Doctor in spite of his protestations. However he wants to be addressed, Carley seems to be the right actor to carry off the role. I was skeptical when the producers of the television introduced this secret incarnation in the fiftieth anniversary episode, The Day of the Doctor, however I think I will enjoy these releases and exploring this era of the Time Lord’s long life.

Big Finish continues to display a mastery of the sound design and casting of talented actor. The scripts are all interesting at varying degrees. As usual, I have a preference, but all three stories are solid. Even though John Hurt’s death is sad, Carley’s performance is more of a way to honor his legacy than actually replace him.

There are still a lot of other ranges I will be listening to, but it will not be long before my next foray into the era of the War Doctor.

Doctor Who Audio Review: The Doctor Meets Some Kindred Spirits

Christopher Eccleston makes another solid return to the microphones of Big Finish Productions as the Ninth Doctor in another set of Doctor Who audio dramas entitled Pioneers. Helen Goldwyn directs this trio of adventures. The guest cast includes Louise Jameson, who is better known as Leela in the series, however she is playing a new character here. Adam Martyn, Harki Bhambra, Ian Conningham, and Andrew James Spooner are some of the other performers lending their vocal talents.

The trilogy of stories begins with Roy Gill’s The Green Gift. The Doctor is accompanied by a bling young man and his talking dog, who were introduced in the previous collection entitled Shades of Fear. Louise Jameson appears as the apparent leader of a colony spacecraft known as the Greenwood. Earth has been all but destroyed, and humanity needs a new home. There is an artificial intelligence aboard which the Doctor may have encountered before.

It is pretty cool when other well-known Doctor Who actors appear as new characters. Jamison is best known as playing the Fourth Doctor’s companion, Leela, but she gets to stretch her range a bit here with Big Finish, and I think it’s a great idea. I can work through the distraction of recognizing her as Leela without much problem. The story is interesting and sort of revisits a very distinctive episode from the classic series. There are some engaging character moments when the Doctor is getting some explanations for the setting. that did quite well with building the intrigue until the revelations of the threat was revealed. Eccleston is unsurprisingly compelling during these more thoughtful scenes. The two new companions of Callen and Doyle, who really aren’t long-term mainstays in the TARDIS, are kind of fun. The dog, played by Harki Bhambra, is able to talk with some fancy, futuristic AI assistance. Anyway, the story is a pretty solid beginning to this particular set.

Next up, Robert Valentine takes the audience to a bit of Norwegian history with his story entitled Northern Lights. The Doctor crashes in the Arctic Circle toward the end of the nineteenth century and encounters Norwegian explorers, Fridtjof Nansen and Hjalmar Johansen. There is another presence within the famous Aurora Borealis, and the Doctor discovers that his current location may not be as isolated as it appears.

This story had a few fairly heartwarming moments that were unexpected. I have not heard of these particular explorers before this audio. Doctor Who does have a way of introducing historical figures and events that are not widely known or appreciated. The science fiction element is nice, but it’s pretty cool that Valentine did some research and brought forth some important historical figures that are not known as well as they probably deserve. Valentine has yet to put out a bad script, and this one is quite good. I think I appreciated the historical background that was rather new to me, but the overall drama was pretty good too.

Finally, Katherine Armitage takes the TARDIS to the early days of a football league formed in the United Kingdom with her script entitled The Beautiful Game. An American would recognize this as soccer. Another rather important historical sports figure in the shape of William Sudell, played by Raymond Coulthard, is brought forth. The Doctor attends to attend the meeting which formed the league, but he arrives a week early and finds himself witnessing another important meeting instead which involves the women’s suffrage movement in the late nineteenth century instead. Since it’s Doctor Who, there is an alien presence lurking around that feeds off others’ obsessions and is able to change size in seconds.

The alien threat is hard to really visualize through an audio play. However, there are some great moments between the characters. Once again, I am exposed to some influential figures from the past that I would not have otherwise known if not for a script. The cast does a great job, as is normal for a Big Finish drama. This episode is not bad, but it didn’t quite impress as the first two. It does have an interesting, little-known setting so that helps.

Overall, Eccleston himself makes the set worthwhile. The episodes are solid contributions, but they don’t really stand out other than some interesting touches on little discussed historical events. It’s still something I would recommend for the fans to collect because Eccleston is still worth the effort, and the stories have plenty of points of interest, and the history aficionados will get a pretty good kick.

Doctor Who Audio Review: Detective Orion Hood Is On The Case

Two pretty good stories make up the latest set of Fifth Doctor audio dramas just released by Big Finish Productions. Peter Davison is reunited with his original TARDIS crew portrayed by Janet Fielding, Sarah Sutton, and Matthew Waterhouse in a pair of audio dramas written by Tim Foley and Lizzie Hopley. Ken Bentley is in the director’s chair yet again.

The great Agatha Christie is channeled in Tim Foley’s The Merfolk Murders which kicks off this set. The guest cast includes Tom Alexander, Pearl Appleby, and Josie Lawrence. The TARDIS arrives in 1940 Scotland at the dawn of the Second World War. They encounter a little group known as the Merfolk Society, who meet to discuss murder mysteries. They are gathered to discuss The Casebook of Orion Hood, whose protagonist is quite familiar to the Doctor and his friends. It seems that the Doctor spent some time as an amateur detective in his previous incarnation, and those adventures were chronicled by one Sarah Jane Smith, who was using a pseudonym at the time. Anyway, a murder has occurred, and the Doctor has to slip back into the role of Orion Hood.to get to the bottom of the disturbing crime.

This was a pretty fun and interesting story. The red herrings were pretty effective. Apparently, this is a set-up for a future Big Finish project which is likely to star the great Tom Baker. I am a great fan of murder mysteries of this sort, so Doctor Who dipping into this genre is a bit of an extra treat. The main cast continue to display their usual chemistry. I do struggle with ignoring how much Peter Davison’s voice has changed over the years. He was in his early thirties when he first played the Doctor on television. Although he does not really sound bad in these new stories, his voice seems to have changed the most compared to the other Doctors participating in these recordings. His acting is still on par, and I still enjoy dipping into the range of stories regardless. This is still a pretty good addition to the Fifth Doctor catalogue of Big Finish stories.

Dream Team is written by Lizzie Hopley and brings back creatures first introduced in the new series known as the Dream Crabs. The Crabs latch on their victims’ face and puts them into a deep sleep, feeding on their brains as they dream. They’re actually rather effectively chilling. The Doctor and his friends arrive in a place that specializes in corporate bonding and find themselves experiencing some very vivid nightmares. There is no guest cast in this story, and it’s a two-parter. Hopley manages to pack in a lot in this relatively short episode which focuses solely on the main cast. It’s another one of the stronger episodes that Big Finish has been putting out recently.

I will also mention that there is a range included in some of the recent downloaded releases known as Interludes. This release included one of these episodes entitled Meanwhile, Turlough by Jonathan Blum and features the talented Dan Starkey presenting this audio short story. While the Doctor and Tegan Jovanka deal with a crisis on a planet where the TARDIS has recently arrived, Turlough has his own crisis going in that his escape from his exile on Earth has been noticed, and he has to contend with a monitor from his own planet who has recognized him. Starkey is pretty good as a narrator and actor, but his efforts to emulate the Fifth Doctor is not that good. He actually is closer to mimicking Mark Strickson, who plays Turlough in the series. It’s an interesting story, but I am easily intrigued by Turlough. He was definitely one of the Doctor’s more enigmatic and intriguing companions. Blum has a long history of writing Doctor Who stories, and I was reminded why he was one my favorite contributors.

The whole set is quite good. The main cast once again prevails in making any plot holes much less meaningful. Davison is getting older, and one can hear it, however he is still welcome to keep me entertained as I listen to his new recordings with Big Finish. I think the murder mystery at the top of the release is going to be my preference, but the whole collection is worth the time.

Doctor Who Audio Review: The Doctor Finds The Union

Big Finish Productions has recently released the conclusion a Doctor Who audio saga entitled Once and Future. Paul McGann and Tom Baker are featured the most as the Eighth and Fourth Doctors, respectively. The conclusion does more to strum the heartstrings of nostalgia than actually aim for any real coherence in the story, but it’s still a pretty fun indulgence for the Whovians.

Ken Bentley returns to the director’s chair to coordinate the realization of the script written by Matt Fitton. Carole Ann Ford reprises her role of Susan, the Doctor’s granddaughter and the first companion he really wanted to impress. Alex Kingston also returns as the time travelling archeologist and the supposed wife of the Doctor’s. Maureen O’Brien, who would normally be playing the role of one of the Doctor’s early companions, Vicki, takes on the role of an adversary known as the Union. The Union turns out to be someone else who is quite familiar to the Doctor. Other Doctors also appear sporadically during this adventure since this was a release that celebrated the show’s fiftieth anniversary last year.

I have skipped out on reviewing the earlier episodes in this range, so I will offer a brief recap. The Doctor has been the victim of a weapon that destabilizes his regeneration cycle. As he has been trying to reconstruct what has happened to him, he has been suffering from something known as degeneration. He has been erratically returning to his past and sometimes his future incarnations as he has been chasing the cause of his condition through time and space.

Paul McGann and Tom Baker take on the bulk of this particular adventure. The Fourth Doctor rather amusedly referred to it as co-piloting. It was kind of touching and amusing to see Susan interact with other versions of her grandfather. Big Finish has already had the Eighth Doctor and Susan reunite in earlier episodes; however, it was pretty cool to get a taste of what she would make of the Fourth Doctor and his absurdly long scarf.

I have never been a real fan of multi-Doctor adventures like this because the story often takes a back seat to a quality plot. But I am still a fan and some of those scenes where the Doctor drags his other iterations is pretty funny most of the time.

There were times where I struggled to imagine what was going on based on the sound effects. It wasn’t always that clear as to what I should be conjuring up in my mind’s eye.

As usual, the actual performances were really good. McGann and Baker still portray their respective Doctors very effectively. It was still pretty fun to hear a bit of the other Doctors as well during the climax of the adventure even if the plot is a bit of the mess.

This is another sprawling, nonsensical episode that still manages to be entertaining just because the heartstrings of nostalgia are strummed with enough of the right notes. Multi-Doctor storylines do make less sense than a regular episode, but they are usually pretty fun, especially if Big Finish is on the job.