Tag: movies

Film Review: Build The Mission, The Means Will Come

~ Peter Kanelis ~ Leave a comment

Cabrini is probably one of the best biographical films I have seen in some way even if there were some artistic liberties taken. I am not sure what those liberties may have entailed, but I don’t trust any studio to remain that faithful to the true events and people depicted.

Cabrini is directed by Alejandro Monteverde with Rod Barr providing the screenplay. This is the latest offering from Angel Studios, which have been actually producing some higher quality faith-based films. Christiana Dell’Anna is playing the lead role of Mother Francesca Cabrini, an Italian immigrant who was canonized as a saint, for founding a missionary that helped immigrants to the United States, many of whom were orphaned children. David Morse, John Lithgow, and Giancarlo Giannini are included the cast alongside with a slew of Italian actors.

The story begins in 1899 when Mother Cabrini goes to the Vatican to receive permission to start a new missionary order in the East. The Pope finally allows her to plant a mission but in New York instead. Mother Cabrini takes six other nuns with her across the ocean and sets up in Five Points, which is the slums of New York. It turns out that Italian immigrants are one of those groups facing the most discrimination from the more established Americans. Cabrini is also having to face some troubling health issues as she navigates her way through crime infested streets and hostile city leaders to fulfill her mission. It’s a heartbreaking yet inspiring journey to watch this.

First of all, the casting is very well considered. Dell’Anna is a new talent to me, but she seems to have been the perfect one for the role of Mother Cabrini. David Morse and John Lithgow are talented and fascinating actors, and this film did nothing to diminish that impression. I also enjoyed that the Italian roles were played by actual Italians. Much of the movie was spoken in Italian with the assistance of subtitles, which really bolstered the authenticity of the story.

The set designs were just gorgeous. Early twentieth century New York was really brought to life. Even the slums were well realized. Cabrini is all over the city in this film, and care was shown in all of the sets. The exterior shots were amazing. I could almost smell the horses clopping down the streets during some of those brief scenes.

There is very little that goes wrong with this film, but it sometimes drags a little. It’s a pretty long movie, and I sometimes could feel that. Also, the timeline really wasn’t all that clear. It felt like that the beginning of the film and the conclusion would have taken a few years, but that was not really mapped out or explained very well.

Another notable character was the former prostitute, who becomes a close ally to Cabrini and the other nuns. Romana Maggiora Vergano plays Vittoria and is quite good as well.

I sort of enjoyed the surprise of a mostly unknown cast to American audiences working alongside with more recognized performers such as Lithgow and Morse. It does appear that many of the Italians are actually well-known in Italy. Dell’Anna herself seems to be one of those actors, but this film may help her gain a bit more name recognition which would be well-deserved. It was a bit of a thrill to be impressed with performances by people who are not as well-known as those in Hollywood, but who likely have more raw talent than many of those with the absurd amount of fame.

This is an important story that should have been told long ago. It touches on prejudices that were rampant in a particular era, which today’s audiences may find surprising. It seems like Mother Cabrini is someone with whom I would have enjoyed interacting. Since that is not possible in this world, this film is a pretty good way to be introduced to her and be inspired by the mission she started.

Film Review: Sharon Takes Charge

~ Peter Kanelis ~ Leave a comment

Ordinary Angels is a drama film directed by Jon Gunn, that is somewhat predictable and often implausible, but it still manages to hit the heartstrings just right.

The screenplay was written by Meg Tilly and Kelly Fremon Craig. Oscar winner Hilary Swank is paired with Alan Ritchson as the leads. Nancy Travis and Tamala Jones are included in the cast with Amy Acker, who is onscreen too briefly as the deceased wife and mother. Two young daughters of Ritchson’s character are played by Skywalker Hughes and Emily Mitchell and are very well cast.

The storyline concerns a widowed father of a young girl in dire need of a liver transplant. The bills are crushing his spirit and his ability to better provide for his family. Swank plays an alcoholic hairdresser named Sharon Stevens who is moved by the family’s plight and takes it upon herself to shake the community into helping in the most extraordinary ways. Sharon comes across as bombastic and stubborn, but she is carrying a secret heartache of her own. The motivations behind this sudden altruism bear a bit of scrutiny, however there is no denying that she knows how to get results.

The plot is pretty simple, and films like this are not in short supply. Once again, the performances really make it work. Swank, in particular, had a role that could too easily become a caricature, but she manages to show enough restraint to not go too far over the top. Ritchson, who has recently found further fame as the stoic, indomitable Jack Reacher, also demonstrates a somewhat unexpected range in a captivating performance as the hapless, prideful father who feels a bit out of his depth when dealing with the bossy, but well-meaning hairdresser who has barged in his family’s tragedy.

Everyone in the cast delivers a solid, heartfelt performance. The two girls playing the daughters were quite believable and charming. There were times where it was easy to believe that Ed Schmitt, played by Ritchson, could have a moment where he could put his worries aside and just love his children in spite of the apparent oncoming heartbreak that is hovering over them.

There is so much to appreciate about this film, but it is not without some drawbacks. Some of the circumstances surrounding the girl’s illness and the coincidences depicted that ended up helping to resolve the crisis seems a little too implausible at times.

I have yet to read the comparison between the film and what actually happened in the real world, but it was too easy to get distracted by the apparent artistic liberties at times.

The Schmitt family and their unexpected friendship with Sharon is really a true story, but some elements in the film still felt a little exaggerated, which is a par for the course for anything coming out of Hollywood.’

I do wish that the writers were able to make more use of Amy Acker. I understand that she has the character who dies at the beginning, but there could have been some flashback moments or something. Acker seems to have enough of a filmography and more than enough talent that should require more than two minutes of screen time, and I just think there could have been more of an effort to have her audience spend a little more time with her.

The overall experience is a bit of an emotional rollercoaster, and although it’s not always a fun ride, it’s memorable and ultimately enjoyable.

I was also pleased that God was acknowledged in a way that felt genuine and reverent without going into some cartoonish depiction that Hollywood usually goes with when presenting Christian values.

The film has a few flaws, but the merits here outnumber those considerably.

Film Review: Ghosts On The Water

~ Peter Kanelis ~ Leave a comment

Haunting of the Queen Mary has many elements I enjoy in a supernatural thriller, but this thing just turned into a confusing, gory mess of wasted potential. Gary Shore directed this piece which he also co-wrote the screen play with Stephen Oliver. Tom Vaughan shares the story credit as well. Alice Eve is in the lead as a young mother who wants to write a book and direct some virtual tours of the well-known, haunted luxury ship. The cast includes Joel Fry, Nell Hudson, Will Coban, and Lenny Rush.

The film starts off as a family aboard the Queen Mary in 1938 sneak into a rather posh party that has Fred Astaire in attendance along with many other celebrities of the time. There are some strange costumes and a disturbing confrontation between the disfigured father and a director. It actually looks to be an interesting party. The focus shifts to the present day to a couple with a young, disabled son who are also aboard the ship to make a film to be used as a virtual tour. The woman, played by Alice eve, wants to write a book. The two stories are unfolding at the same time. The 1938 timeline culminates in a brutal mass murder with an axe.

The cinematography is actually quite well done, but that’s the only element that is consistently worthwhile. The plot was confusing in both time settings. There is a pretty good dance sequence between this little girl and the actor portraying Astaire. That was kind of fun. The film looks gorgeous in many ways.

The story falls apart, and the gore that was displayed was just too distracting and unnecessary. I don’t normally mind occasional bloody scenes, but some of the violence just felt too gratuitous and distracting. The film would have been more impactful if the gore was merely implied.

There was what should have been interesting twist at the end, but I was too annoyed to understand or appreciate the cleverness the writers were attempting.

Haunted ships and past eras are kind of my bag these days, so I normally would enjoy a spooky ghost story on the high seas. Also, I am not terribly squeamish when it comes to movies of this sort, but there was still too much blood and dismembering even for my ghoulish tastes.

Film Review: No Running Or Dying Around The Pool

~ Peter Kanelis ~ Leave a comment

Night Swim is a horror film written and directed by Bryce McGuire. He shares story credit with Rod Blackhurst. It is based on a short film they did recently. Wyatt Russell, Kerry Condon, Amelie Hoeferle, and Gavin Warren star as the Waller family who are facing the troubles of a haunted swimming pool.

Ray Waller, a retired baseball player, and his family move into a new house and refurbish the swimming pool. Ray had to retire early due to being inflicted with degenerative musculature illness. After he and his family settle into their new home, he finds that the pool has properties that are more therapeutic than expected. Since this is a story of horror, his newfound physical improvement comes at a ghastly cost. There is an entity within the waters as well as a long history of previous residents disappearing into the shadows. The Waller family will be facing a potential heart-wrenching sacrifice to feed a dark presence.

I have noticed that this film has been pretty thoroughly panned by the professional critics. It’s no brilliant masterpiece of the genre, but it’s not that bad. There are some moments that did creep me out occasionally or came close enough to it for me to find some appreciation for the attempt. The performances were as believable as one could expect for a somewhat outlandish plot. My surface effort of research shows that Wyatt Russell is the progeny of Kurt Russell and Goldie Hawn, and he is not without the ability to give an at least competent performance. His co-star, Kerry Conlon, was likeable enough as the mother who starts to piece the strangeness together.

The background of the unworldly menace is ridiculous, of course, but not worse than a lot of other unnatural evils depicted in this sort of film.

Overall, Night Swim functions as a reasonable cinematic diversion for those of us with a taste for the macabre. It’s not going to be remembered as a masterful display of creative genius, but I doubt that it will be considered to be the bottom of the scrap heap of horror films. One could see it with some expectation of receiving a chill or two to accompany the occasional sardonic smile of amusement that may twitch across mt face whenever I see a film of this sort.

Film Review: Some Retirements Don’t Go As Planned

~ Peter Kanelis ~ Leave a comment

The Retirement Plan is a comedy action film written and directed by Tim Brown. Nicholas Cage is in the lead role as a seemingly aging beach bum named Matt, who lives in the Cayman Islands. Other cast members include Ashley Greene as Matt’s estranged daughter, Ron Perlman, Jackie Earl Haley, Ernie Hudson, and Grace Byers. There’s a cute kid played by Thalia Campbell, who may actually be the best thing in this film.

Ashley and her husband run afoul of some ultra powerful crime syndicate, and she sends their daughter to the Cayman Islands to meet her grandfather for the first time. When Ashley is forced to take some of the bad guys to her father’s doorstep, she finds that he had a secret past that led to their rift. It seems Matt is not as inept as he first appears and was at one time a government assassin. When the granddaughter falls into the hands of one of the henchmen, Matt dusts off some of his old skills to make sure he does not lose another opportunity to reconnect with his family.

There are some actors that can make eccentric characters rather charming and fascinating. Cage didn’t hit that mark here. Matt just seems a little weird, although the fight scenes were pretty good. The film kept getting interrupted by this one second flash card effect every time a new character was introduced. The villains were more like caricatures. Byers had a couple of almost chilling moments as a crime boss lady named Hector. Haley and Perlman were the peculiar killers sort of in the lead of those actively hunting for this elusive hard drive with some unspecified important information that is supposed to change the world or upset lots of people. I sort of lost track of what was so significant about this thing.

Thalia Campbell plays the granddaughter who gets caught up in this caper involving her sketchy parents. Her scenes with were her newly met grandfather were kind of charming. Most of the film has her in the company of Ron Perlman, who plays the lead henchman who kind of kidnaps her. I think I would have preferred her to have more scenes with Cage.

Anyway, the film is pretty campy but falls short on overall charm. It was supposed to be somewhat comedic, but it was kind of dull. The dialogue wasn’t all that creative. The bungling antics of the bad guys were just a little too stupid for my liking. Somehow, Cage’s character, who could have been more interesting, just didn’t hold my attention.

Overall, there are a couple of very mild amusing scenes, however this is another exercise in relentless mediocrity. That really is a shame because there is some real talent here that ended up being wasted. Hopefully, Brown isn’t kicking around the idea for a sequel.

Film Review: A Bit Of Blood With The Honey

~ Peter Kanelis ~ Leave a comment

The Beekeeper is an action film written by Kurt Wimmer and directed by David Ayer. Jason Statham plays the mysterious and deadly Adam Clay, who is a beekeeper who retired as some undefined government agent who was also known my that moniker. Jeremy Irons, Minnie Driver, and Phylicia Rashad are the more experienced cast members in this line-up. Also included in the cast are Emmy Raver-Lampman, Josh Hutcherson, and Jemma Redgrave.

Jason Statham has retired from some shadowy government group of killers known as the Beekeepers and is actually keeping real bees in his quiet life. He has befriended an older neighbor who was scammed out of all of her savings, which leads to her committing suicide. Statham’s Adam Clay finds the organization responsible and launches into a bloody vengeful rampage that will take him to the most powerful forces in the American government. He has to dodge the attention of FBI agents, one of whom is the daughter of his dead friend. Anyway, Clay uses a variety of gruesome lessons to teach the unscrupulous scammers a bit of fair play.

Jason Statham fans will be relieved to know that he has not been experimenting with his acting style. He can still pull off some implausible fisticuffs with his usual stoic panache. There is plenty of death and dismemberment to satisfy the more ghoulish movie goers. Statham still has an intimidating glare and can handle himself with brutal precision. A lot of bad guys get their comeuppance, and that’s just fine.

Unsurprisingly, the plot is almost completely incoherent. I guess the revenge motive is straight-forward enough, but I was distracted by not really knowing what function the Beekeepers actually served. When are they actually called in and by whom? The president doesn’t appear to know much about them. Basically, the whole background of the character and this weird agency from which he retired did not seem very well thought out. The FBI agent who just lost her mother to a tragic suicide was a little too glib considering the circumstances. I like seeing Rashad onscreen, and her soothing yet somehow firm presence was welcome to see, but she was not around very long. Jish Hutcherson does well as the bratty rich kid behind the scam network. Irons is always pretty solid.

It’s a somewhat fun and forgettable cinematic experience, but it is pretty poorly plotted. Wimmer, the writer, does little to add any real dimension to the main character. He would have done better to have Clay be a retired agent from a more well-known agency, who happened to be a beekeeper. That would have made more sense and perhaps made it easier to enjoy the constant onslaught of fights and mutilation.

Statham remains consistently fun to watch. The film isn’t really so bad as being unwatchable, but it isn’t for the faint of heart. Fortunately, the classic, mindless revenge flick doesn’t need to work that hard generally, however this one could have used a little more effort on the script.

Film Review: Aquaman Swims His Way To Mediocrity

~ Peter Kanelis ~ Leave a comment

Aquaman and the Lost Kingdom is the latest cinematic misadventure from DC Studios and Warner Brothers. James Wan directed this film and shares story credit with David Leslie Johnson-McGoldrick, Jason Momoa, and Thomas Pa’a Sibbett. Johnson-McGoldrick wrote the screenplay. Momoa reprises his role as Arthur Curry/Aquaman and is joined by Patrick Wilson, Amber Heard, Nicole Kidman, Yahya Abdul-Mateen II, Randall Park, Dolph Lungren, and several others.

In this film, Aquaman splits his time between the land and the sea after he has been married and produced a son. He’s enjoying some family time and rules Atlantis after his brother was imprisoned for his misdeeds in the previous film, simply titled Aquaman. David Kane, also known as Black Manta, has yet to give up his thirst for revenge on Aquaman. Kane is enraged that Aquaman chose not to save his father’s life after defeating him in battle. Aquaman tended to help out against any pirates who chose to terrorize any ships traversing the oceans. Anyway, Atlantis is attacked, Aquaman needs some help to locate Black Manta and decides to break his brother out of prison. Wilson’s Orm Marius is not too pleased to be allied with Aquaman, but he decides that it is better than languishing in prison far away from his ocean home. Anyway, a global chase ensues across the land and the seas. There are plenty of super-powered brawls. The CGI effects are unleashed with abandon. There is also an ancient evil that is using Black Manta’s bloodlust for his its own ambitions of freedom from an eternal prison. This has all the usual trappings and visual spectacles of a comic book movie.

The bright spots in this film are few and far between. Momoa is a compelling and charismatic presence in this film-sometimes. He just could not manage to hold my interest with any real consistency. Patrick Wilson’s performance was a bit more intriguing to me, but he was still having to contend with a pretty lackluster script. The landscapes and seascapes were pretty spectacular but without a sense of authenticity. There were some action scenes that were almost exhilarating. If Amber Heard’s career is ruined after her courtroom debacle with Johnny Depp, I suspect that I would be hard-pressed to miss her. Her performance almost reaches the level of just being dreadful. I suspect that she did not entirely hit the bottom of her acting barrel due to not having much screen time. The other more known cast members were such as Kidman or Lundgren were fine, but the plotting did not do them many favors either.

I will confess that I am not a major expert on Aquaman from the comics, and I know there were some artistic liberties taken when it came to this onscreen iteration. Momoa portrays this version with a bit of immature machismo that is rather off-putting. Aquaman relies mostly on his brute strength other than showing any real sense of cunning or ingenuity. He is complicated later for his humility and willingness to ask for help to protect Atlantis, and that’s fine, but it makes for a bit of a boring lesson when presented in a comic book action movie.

If DC Studios plans on doing a reboot of their franchise after this film, the current range seems to have ended with a bit of a whimper. The more official reviews of this film have not been all that favorable, and the scorn is somewhat deserved here. The film is watchable for the most part, so it’s not a complete failure. It does reach near-perfection in one sense. It’s a clear example as to why this genre of film is sinking in popularity at the box office.

Better luck next time, kids! 

Film Review: It’s All About The Boat

~ Peter Kanelis ~ 1 Comment

The Boys in the Boat is a historical sports drama film directed by George Clooney. Mark L. Smith is the screenwriter whose script is on the book by Daniel James Brown. Joel Edgerton portrays Coach Al Ulbrickson with Callum Turner as Joe Rantz. Jack Mulhern, Alec Newman, Hadley Robinson, and Courtney Henggeler are included in the cast.

The film dramatizes the account of the 1936 American Olympic team who competed in the men’s eight not long before the Second World War broke out. This team were out of the University of Washington and found themselves competing in Berlin with a certain Adolf Hitler being one of the spectators. Much of the film was presented through the perspective of Joe Rantz, who was living out of his car while attending the university. He basically tried out for the rowing team as a sort of last resort. Ulbrickson has his own fight to assemble the right team together to compete in Berlin and get them to work as one.

The film ended up being more compelling than expected. There were characters with a certain mysterious stoicism who were more conflicted and challenged than they were willing to show. Edgerson ended up being more likeable as the story unfolded. There were a couple of stories going on that were interesting. Rantz is basically a loner who had to develop into more of a team player. He was not a hostile or unpleasant fellow, but he had to adjust to not having to rely on just himself as he had been for many years. The film does a good job of evoking sympathy for the intended characters and situations. The setting and period seemed to be represented well. Even the blossoming romance between Turner’s Joe Rantz and Hadley Robinson’s Joyce Simdars. Presumably they got married in real life. The film is framed as a reminiscence of Rantz’s many years after the events depicted.

The film is quite effective in presenting a fascinating piece of history and being entertaining as well as inspirational. I know there is a risk of the story dragging, but I thought there were moments where a little more exposition was needed. There were scenes where I was not sure why characters were upset, but that was likely due to me not having much insight into the sport of eight-man rowing. Also, there it may have been more helpful if the timeline leading up to the climactic Olympic moment was explained more clearly. I guess I like to see dates sometimes on the screen when watching movies of this sort.

I guess there is no perfect movie, in my estimation, however this one gets pretty close. The cast does a great job in that no one seems to be out of sync with their roles. I liked that I was not that familiar with most of these actors and could be surprised by effective and moving performances. It takes a bit for Edgerton’s character to tug on the heartstrings, but the interactions he has with his wife makes one realize that he is not as dictatorial or curmudgeonly as he first appears. Henggeler portrays Hazel Ulbrickson and is absolutely charming. She is quite instrumental in bringing out the humanity in her husband. It was a nice contrast to have the comfortably established and loving commitment between the Ulbrickson and the beginnings of that depicted between Joe and Joyce.

The comradery that developed between the team members was also pretty well done, but we didn’t get to know them as individuals equally, but I understand that was likely due to having to put some restraints on for the sake of a more precise plot development.

There are a few predictable tropes peppered throughout the film. Not a lot of new ground is broken in regard to how this type of story is told, but the story itself seems like it deserves a bit more notoriety given the period and the accomplishment of that particular crew. Clooney deserves quite a bit of applause for this one. The film comes across is a little old-fashioned in some ways, but it’s a fascinating story and the book on which it is based probably has a lot more to offer and fleshes out the relationships between the team members and the coach a lot more.

In spite of some elements that could use a little improvement, I do believe that this is one of the best films I have seen in some time. It still kept me engaged and captivated. I think Clooney pretty much hits the right emotional chords and evokes a curiosity within me concerning the rest of this story. The flaws are very minor when stacked up against all that went right in the composition of this piece.

This is a film that is, without question, worth the effort to see and very easy to enjoy.

Film Review: Old School Godzilla

~ Peter Kanelis ~ Leave a comment

Godzilla Minus One is the latest film to feature the most popular giant lizard stomping his way through Japan. The fact that it is made with Japanese cast and crew sort of gives it a sense of authenticity. It’s like the big, mean lizard goers back to his roots. Takashi Yamazaki is the writer and director of this one. The cast includes Ryonesuke Kamiki, Minami Hamabe, and Yuki Yamada. 

The film starts off toward the end of World War II where the audience meets a kamikaze pilot who basically chickened out. Kamiki plays the lead role quite convincingly. His wartime experiences and an unexpected with a giant lizard that killed nearly everyone on a Japanese base where the young pilot had landed to avoid his duty under the pretense of having a malfunction repaired. He returns home to find that his parents perished in an air raid. As he starts to rebuild what is left of his family’s property, he is joined by a young woman who rescued an orphaned baby. When he starts to find hope and a desire to live in spite of his acute survivor’s guilt, Godzilla returns to smash his way through his country and remind him of some unfinished business.

I was pleasantly surprised that most of this works pretty well. There was actually a pretty compelling human drama in the midst of the chaotic rampage perpetrated by Godzilla. The cast was quite good, and I was drawn into the emotional plight of the characters as well as the visual spectacle of Godzilla’s carnage. The film does feel a little too long at times, and my attention did wander sometimes. The special effects were pretty good, but some of them were reminiscent of the 1950’s films. This iteration of Godzilla had some of the familiar lumbering moments of those early films. Some of the more recent versions had a sleeker and more agile appearance.

Yamazaki created a new story but displayed an affection for the original concept. He also did well with presenting characters that were believable in spite of the fantastical root. I actually didn’t mind the gaps in which Godzilla wasn’t onscreen because the lead characters were compelling.

Yamazaki was also smart to not tie his film to the recent productions started in 2014 by Legendary Pictures. I am by means a dedicated follower of Godzilla, but it felt right to have a strictly Japanese setting and cast. It also gave some interesting insight as to the consequences of World War II from the Japanese perspective.

It feels like a long time since I was enthusiastic about recommending a film to anyone who reads this blog, and I have no regret about taking the time for this one. I will predict that few would disagree.

Film Review: These Ladies Don’t Look Right

~ Peter Kanelis ~ Leave a comment

Lady Ballers is a comedy film that is produced by The Daily Wire and is directed by Jeremy Boreing, who also co-wrote the script alongside Brain Hoffman and Nick Sheehan. Much of the cast and cameos consist of Daily Wire personalities such as Boreing himself, the guys from Crain & Company, Matt Walsh, Michael Knowles, and Brett Cooper. Other cast members include Tyler Fischer, Daniel Consadine, Billie Rae Brandt, and Lexie Contursi.

Boering is in the lead as a hapless basketball coach who was once quite successful and finds himself missing the days when he could have a reliably winning team. Coach Rob is fired for being too coaching his latest high school team too aggressively and has been unable to navigate some of the new inclusive expectations mandated by the school system. In other words, Coach Rob just isn’t “woke” enough. Rob ends up accidentally employed at a drag bar where he encounters a former star player, played by Consadine. Since the athletic administrations have broadened the qualifications for competing in women’s sports, Coach Rob convinces the perpetually puzzled Alex to proclaim himself to be transgender and compete in women’s track events. An unscrupulous reported named Gwen convinces Coach Rob to take this further, which leads to the reunion of his star basketball team from fifteen years prior. Then, the absurdity kicks into overdrive when the team members branch into other local women’s sports leagues while being lauded for their bravery as they stop their way through victory after victory.

So, the point of this film is to highlight and mock the absurdity of men competing in women’s sports, which at times gets a little too obvious. That means not all of the jokes land with pointed precision. That’s not the say that I never laughed out loud. The overall film is a little uneven at times, but The Daily Wire is still pretty new at this type of content, and I am in agreement with the intended message, so I am willing to view this with a little more forgiveness in my admittedly cold, biased heart.

In spite of some elements not quite working as smoothly as I would have wanted, some of the performances were surprisingly effective because much of the cast had no acting experience. Jake Crain, Blain Crain, and David Cone are The Daily Wire sports commentators in real life and have an onscreen chemistry that translated pretty effectively in this endeavor. The Crain brothers got a little too hammy at times, but that is probably to be expected considering the genre of this film. Matt Walsh, who played the very affectionate boyfriend of Coach Rob’s wife, actually was a little better than I expected. Now some of the praise he has received from colleagues and other viewers may be overselling it a little, but her did threaten to steal the scene a few times. Also, it almost never fails to have someone play a character who is well-known to be the polar opposite of tbe performer’s real persona. In short, Walsh pulls it off here.

Ben Shapiro as a very ambivalent and short-tempered referee was also pretty amusing. There quite a few inside Daily Wire jokes, but they knew this would not have a typical mass release, so most of those worked.

There were times when the film falls into the same trap as others trying to promote an obvious political or social agenda as in coming across as a little too heavy-handed at times. Also, the writers took some swipes at other social concerns The Daily Wire often comments on, and not all of those efforts fit easily into the film. They did sneak in an advertisement for a new line of women’s products from Jeremy’s Razors that was pretty funny.

Comedy is one of the most unreliably subjective things in human existence. There has to be an acceptance that any effort in this space is not going to appeal to everyone in spite of someone’s overall popularity. In a film, it can work almost all of the way through, have a few high notes, or just faceplant hard. In my not so humble opinion, Lady Ballers doesn’t work perfectly, but it also doesn’t fail miserably. In spite of some fairly glaring missteps, I did find some enjoyment in this film and applaud The Daily Wire for taking the risk in broaching this subject and giving the proponents of having men compete in women’s sports the mockery they so profoundly deserve.