Film Review: Vengeance In Five Points

Gangs of New York is a very long film directed by Martin Scorsese that does take some patience to get through in spite of some captivating performances, especially with a certain Daniel Day-Lewis in the cast.

The screenplay is written by Jay Cocks, Steve Zaillian, and Kenneth Lonergan and was adapted from a book published in 1928, what was Herbert Asbury’s The Gangs of New York: An Informal History of the Underworld.

Leonardo Dicaprio, Cameron Diaz, Jim Broadbent, and John C. Reilly are included in this obviously talented cast. Cameron Diaz does seem a little miscast here, but she is not too distracting.

The film starts off in 1846, taking place in a New York slum known as Five Points where a gang fight is about to erupt between Irish immigrants and American natives. The leader of the Irish gang is cur down by the leader known as the Butcher, played by Day-Lewis. Sixteen years later, the son of the slain man has returned to Five Points for vengeance. DiCaprio’s character goes by the moniker “Amsterdam”. In order to get closer to his target, Amsterdam positions himself as the Butcher’s protégé. A brash pickpocket played by Diaz comes to Amsterdam’s attention and complicates his plans to avenge his father. Another war is brewing between the New York gangs, and a major city could be caught in the crossfire.

The set designs are stunning. Daniel Day-Lewis delivers a powerful performance as the brutal gang leader known as Bill “the Butcher” Cutting. DeCaprio also leaves an impression with his talent, but Day-Lewis stands over everyone in the arena of acting.

The film is just too long. It does seem that Amsterdam could have pulled off his objective too many times before the climactic battle sequence taking place. Bill the Butcher is an intimidating fellow, so I am glad that he was not taken out sooner.

It’s still a visually appealing film even though it feels that further editing could have occurred. It’s an exhausting film to watch at times. The fight scenes are gruesome but well-executed.

I had been thinking of finally watching this film for some time, and although I would not label it as a disappointment, it didn’t pack quite the punch I was hoping for.

My complaints about this film may have more to do with my choice of genre and certain expectations than Scorsese’s editing choices. It’s still a decent film and should be watched. Just make sure the day is slow and one has the attention span to stay focused.

Doctor Who Audio Review: A Mad Scientist, Autons, And The Doctor

Doctor Who: The Ministry of Death is another reasonably enjoyable audio boxset from Big Finish Productions and features Tom Baker returning to the microphone as the Fourth Doctor. He is joined by Sadie Miller, Christopher Naylor, and Jon Culshaw reprising their roles of Sarah Jane Smith, Harry Sullivan, and Brigadier Lethbridge-Stewart in two new adventures.

The Ministry of Death, the first story, was written by Robert Valentine and directed by Jamie Anderson. The guest cast includes Carolyn Seymour and Richard James.

The Brigadier has asked the Doctor and Sarah Jane for assistance when a strange murder has occurred. When other murders occur, the Doctor learns of a tragic lab experiment gone wrong, and a hideous revenge is in the works. Human beings are being experimented on and mutated as well with the assistance of alien technology.

The main cast being together is always a treat, but the story was pretty average on the whole. The cast was fine, and the sound engineering was quite good. Tom Baker retains his usual enthusiasm as the Doctor. All of the other main cast members have been playing roles originated by deceased actors, and they do sound pretty convincing. Sadie Miller is actually the daughter of Elisabeth Sladen, who initially played Sarah Jane and can sound remarkably like her mother. Ian Marter was the original actor who played Harry Sullivan. Jon Culshaw, who is actually a brilliant impressionist, makes a convincing Nicholas Courtney as the Brigadier.

This audio play is a decent addition to the catalogue, but it isn’t going to be all that memorable for me.

Phil Mulryne closes out the set with The Inhuman Empire. Jayne Ashbourne plays Alison Carmichael, an old friend of Sarah Jane Smith’s, who requested her help to look into some mysterious activities at the National Museum. When the Doctor, who is pressganged by the Brigadier to help with the aftermath of their previous escapade, tags along, they discover an old adversary of UNIT’s has returned to cause mayhem. The Autons are back threatening total destruction of all who stand in their way in their service to the malevolent Nestene Consciousness.

This story is the better one of the two. I usually prefer the Doctor to face new enemies, but the Autons being featured here works pretty well. It was also pretty intriguing to have Sarah Jane’s other friendships outside of the TARDIS.

Overall, the set was above average but not really any sort of unique masterpiece. Tom Baker is delightful as usual. His advanced age is only somewhat detectable. The main cast do play well off each other, so there are plenty of elements that make this a worthy purchase. There are still just better selections out there.

Film Review: An Android Named Alice

Subservience is a very mediocre science fiction film directed by S.K. Dale and written by Will Honley and April Maguire. This is another film which delves into the potential troubles of having a synthetic caretaker in the household. Megan Fox is in the lead role as the android who is given the name Alice.

Other cast members include Michele Marrone, Madeline Zima, and Matilda Firth. The actors were reasonably well cast. I never considered Fox to be a uniquely memorable actress, but she does well enough in this role.

A husband and father is needing a little extra help caring for his daughter when his wife is in need of a heart transplant. He goes to the local android dealership and finds a hot-looking brunette model that should stir up no temptations. Anyway, the young daughter likes her immediately and names the artificial aide Alice. Alice starts to develop something resembling an obsession for the husband. She offers to help the hapless guy named Nick with stress relief of the most carnal kind which leads to more confusion. Then, the wife finally undergoes the heart surgery which actually turns out to be successful. She makes it home which really makes matters more awkward, bringing out Alice’s more homicidal urges.

The film is nicely shot, and the performances were not noticeably lacking. The plot is just too familiar and tediously predictable. Megan Fox wasn’t given much material to have her seductive android character stand out.

I did find that having the wife go through a heart transplant was something resembling originality. Really, Megan Fox was the only actor I actually recognized. I was pleasantly surprised that the other cast members weren’t really bad.

The problem, as usual, lies in the writing and tapping too much into a very familiar trope of science fiction.

Yet again, I have to conclude that this film manages to avoid being utterly terrible without much else to give it merit. Nothing extraordinary to see here, even with a steamy Megan Fox sex scene.

Book Review: Bolitar In The Rough With The Wrong Club

Back Spin by Harlan Coben is another satisfying thriller featuring that sleuthing sports agent Myron Bolitar, and sees him unearthing secrets and scandal in the supposedly civilized world of professional golf.

The teen-aged son of a pair of prominent golfers is apparently abducted. The husband was on the verge of a comeback after losing the US Open several years ago under some questionable circumstances. Myron’s peculiar and dangerous best friend, known as Win, is strangely reluctant to lend. Not only Myron is finding out long buried secrets of the family, but he learns something of Win’s troubled past that could explain his unique emotional detachment from most people and strange, strict code of ethics. A kidnapping is always terrible and traumatic, but Myron is finding this situation more complicated than most.

This novel was first published in 1997.

Coben delivers a pretty solid suspense story with a healthy collection of red herrings. He does a pretty good job ratcheting up the tension with the questions concerning whether this kidnapping is some kind of hoax or something even darker than it seems.

Myron is a pretty interesting protagonist on the whole. He seems to be on a roller coaster relationship with a woman he cannot quite shake in spite of her history of flightiness. He is a sharp investigator even though that isn’t his profession. His ethics as a sports agent seem a little too perfect to be believable, but that’s kind of understandable. Myron is a flawed but reliable character. His friendship with Win is the winning ticket as far as holding a reader’s interest. Windsor Horne Lockwood III is one of those sidekick characters that could seem to overshadow the main hero at times since he is so complex and fun to follow.

There is a lot to like about Back Spin. It’s not exactly going to be the brightest star of the mystery genre, but it will be a solid, reliable distraction from the pressures of everyday life, which is something Coben is trusted to deliver consistently.

Next up on the eternal literary journey is an anthology that is published annually. I am going to see what works were selected by John Grisham for The Mysterious Bookshop’s The Best Mystery Stories of the Year 2025. This is one of the many publications presented by series editor Otto Penzler.

Book Review: Nothing Like An Icepick Through The Eye

A Stab in the Dark is a pretty engaging mystery from one of the considered masters of the genre, Lawrence Block. It features the unofficial private eye, Matthew Scudder and was first published in 1981.

Nine years previously, a serial killer with an icepick terrorized New York City and then disappeared. The police have made an arrest, but the father of one of the victims believes that he did not commit the brutal murder of his daughter. Charles London comes to Matthew Scudder to take another look into his daughter’s death to see if the truth is something more her falling victim to a maniac. Scudder is an ex-cop who sometimes works for a fee or a favor. He dusts off his investigative skills and starts examining facts that are almost a decade old. Of course, Scudder unearths some uncomfortable secrets from the neighborhood where Barbara Ettinger met her tragic end. One killer is in custody, however someone even more cunning may be waiting in the shadows to savagely protect their secrets from Scudder’s prying eyes.

It’s a pretty straight-forward, tightly written novel that is not very long. Scudder is a bit of a train wreck with his alcoholism and cynicism, but he is still a capable and interesting investigator. He does have scruples and is a little more civilized at times then Mickey Spillane’s Mike Hammer, but he can handle himself in a fight if needed.

Block also creates a dubious set of suspects who are pretty compelling. The red herrings and clues are pretty well planned out as well.

I haven’t read a whole lot of Block’s works, so I am not sure where I would place this one in the rankings, but I did find that I enjoyed this one well enough to keep returning to the world of Matthew Scudder.

Block is a talented writer who keeps the story moving pretty well. Scudder gets a lot done between working his case along with some personal encounters in something that comes in under two hundred pages.

For those who like the old-fashioned, hard-boiled private eye novel where the protagonist is about as messy as those he meets, this one is a pretty good addition to the bookshelves.

I think more poor decisions and ultimately murder is called for when I return to the works of John Sandford. Deadline is the lucky winner for my next literary diversion.

Film Review: Hong Kong Goes Ballistic

Hard Boiled is a Chinese action film that was released in 1992 and directed by John Woo. It’s a ridiculous piece of cinema, but it isn’t bereft of merit. The screenplay was written by Gordon Chan and Barry Wong.

Chow Yun-Fat leads the cast which includes Tony Leung Chiu-Wai, Teresa Mo, Philip Chan, Anthony Wong, and Philip Kwok.

Gun smuggling in Hong Kong is at the center of the chaos in this film. Chow Yun-Fat portrays a jazz-loving, hard drinking inspector for the Royal Hong Kong Police. He comes across an undercover cop while in pursuit of a major gun smuggler named Johnny Wong. Inspector Yeun has some scores to settle with Wong but does not want to jeopardize this newly discovered colleague. Tony Leung plays the undercover detective named Alan and is also pretty good. Of course, what follows is a plethora of acrobatic fights and shoot-outs that culminate in some gruesome deaths for both cops and killers.

The movie attempts to have a somewhat nuanced plot, but the crazy amount of violence makes it hard to keep it all straight. At times, I was losing track of for whom I was supposed to cheer other than Chow Yun-Fat.

Chow Yun-Fat is rather fun to watch. I remember this guy from a few decades ago, and I understand the appeal. He’s not a bad actor in spite of some dubious dialogue at times. He does not have the hardened look of someone who can be quite so lethal, but he sells it quite effectively regardless. He was a great choice as the lead for this one.

The fight scenes were pretty well staged as well even if they required a massive amount of suspense of disbelief. The action sequences did seem drag on quite a bit, particularly the final confrontation at a hospital. Woo was definitely out to test his audience’s tolerance for all the insane amount of gunfire and assorted bangs and flashes depicted here.

There were some attempts at some interesting character moments between Inspector Yeun and Tony Leung’s undercover cop character. Although there were some moments of cringey dialogue, not all of it was worthy of derision. It’s also likely some of my reservations with this film may have to do with my lack of viewing of Chinese cinema. I’ve seen the occasional snippet of this genre, but my experience here is pretty sparse.

A family member describes it as the greatest action movie of all time. I would not go that far, but the overall experience was amusing and enlightening. Although I have some objection to the politics and governing practices of China, it was still worthwhile to get a taste of their culture with this style of cinema.

Also, I initially described this film as being ridiculous, this time I meant that with some affection. If there is a good chance this film isn’t going to induce some kind of seizure or panic attack, I would recommend seeing it. You may want to bring some ear plugs to muffle the noise, however.

Big Finish Audio Review: The Professor Between The Master And A Captain

Dark Gallifrey: The War Master Part Two is an audio drama released by Big Finish Productions and continues this intriguing range that is a spin-off from Doctor Who. Scott Handcock directs this piece written by James Goss. Lisa Bowerman is back as Professor Bernice Summerfield and has to contend with the attentions from both Derek Jacobi’s version of the Master and James Marsters reprising his Torchwood role of Time Agent Captain John Hart.

Jason Forbes, Chris Lew Kum Hoi, and Tariye Peterside round out the cast.

Back to lecturing at Braxiatel University, Professor Bernice Summerfield has befriended the new Provost and has started a relationship with a student named John. John has started showing an interest in something the professor had once found, and he wants her help to get him to Dark Gallifrey. The Provost is also not who he claims to be and is indeed one of the Doctor’s most persistent enemies. Captain John Hart and the Master go from rivals to reluctant allies to get Bernice to once again seek out the secrets of Dark Gallifrey. Bernice may also have her own agenda and may be able to spring a trap of her own.

The story is a bit hard to follow sometimes, but it still works. Jacobi is just too fun in his performance for me to mind a bit of confusion. Marsters is also pretty amusing. There is a bit of a comedic and compelling fight scene between the Master and Captain John that is quite amusing.

Jacobi does give a delicious performance as the Master before he fled the Time War and hid so well that he had forgotten his own identity. He indulges himself with another clever disguise.

The chemistry between the lead trio is quite engaging and at times quite comical.

The Master did not really appear in the previous episode; however, the familiar charm and ruthlessness are in full supply in this one.

The other cast members are solid enough, but Derek Jacobi in particular is quite hard to keep with. Also, Lisa Bowerman also gives a masterclass in audio performance.

The sound design is expertly executed as well, thanks to Rob Harvey.

One more episode before this phase of the Dark Gallifrey closes out, and another one kicks off.

Doctor Who Audio Review: Why The Doctor Never Goes Back

Doctor Who: The Thirteenth Doctor Adventures: The Return of the Doctor is an audio drama from Big Finish Productions with a rather humdrum sort of title, but the episode is actually better than it would appear. Jodie Whittaker and Mandip Gill return to the mics as the Doctor and Yasmin Khan in a story written by Rory Thomas-Howells and directed by Bethany Weimers.

The guest cast is comprised of Stephan Bessant, Charlie Kelly, Will Kirk, and Belinda Stewart-Wilson.

The Doctor and Yaz have just stopped an alien invasion menacing the Zaarians, who apparently resemble armadillos or something. Anyway, a young Zaarian is injured but is expected to recover, so the Doctor does what she always does and takes off. Yaz talks her into returning to help with the recovery, however the TARDIS takes them ten years into the future, and another more insidious alien presence is feeding on their guilt and sowing deep suspicion. It all starts with a whisper.

Jodie Whittaker’s turn as the Doctor on television really isn’t my favorite era of the program. This episode, in spite of the dubious title, is actually pretty good. Gill and Whittaker do have a pretty compelling chemistry which is performed quite well. My issues with Whittaker’s time on the television series had more to do with the writing and production choices than her as an actress.

Also, a new race and new adversary is introduced, and they are well written and realized.

I have said for years that Big Finish Productions successfully rehabbed the Sixth Doctor, who suffered low popularity ratings among the fans until he was able to showcase his talent with the aid of much better writing. It’s possible that Whittaker can enjoy the same experience.

Anyway, this episode was quite nicely done, and I may finally be able to appreciate the Thirteenth Doctor a bit more.

Book Review: Some Streets Shouldn’t Be Crossed

Kiowa Trail is my first foray into the works of Louis L’Amour, and it turned out to be an enjoyable read. I do not usually read westerns, but I think I will work some of that genre into my reading queue.

The story is laid out in first person from the perspective of a cattle driver named Conn Dury. Dury works for a young widow named Kate Lundy, for whom he harbors a secret love. Kate has a younger brother named Tom who is a pleasant enough man with an eye for the ladies. when he crosses the street to speak to a woman who is the daughter of a local tycoon. When he would not heed the warning to stay on one side of a certain street, he paid for that decision with his life. Kate Lundy wants her brother’s death avenged, and she thinks that Conn Dury is a man who can help.

L’Amour is a talented writer, but his plot is a little muddled at times. It wasn’t so muddled, though, that I couldn’t find some enjoyment out of it. Who doesn’t like a good revenge story in the Old West?

Anyway, Dury is kind of an interesting protagonist in that he is a tough old cowboy who had been educated in England after he had been held captive by an Apache tribe for a few years. Anyway, he has an interesting background which makes a bit more sense in the book.

There are a few moments where L’Amour seems to lose track of some of his details such as time of day in the narration, however these lapses are pretty minor.

Overall, it was a good reading experiment to dip into this genre, and I will likely continue to revisit this genre as well as the numerous works left by the late Louis L’Amour.

Next up, Detective Inspector Vera Stanhope has to reexamine an old murder case where the woman convicted of the crime turns out to be innocent, which means that she still has a killer to find in Telling Tales by Ann Cleeves.

Doctor Who Audio Review: Match Making Gone Wrong

Doctor Who: The Ninth Doctor Adventures: Star-Crossed is an audio boxset that brings River Song in close quarters with the Ninth Doctor, played by Christopher Eccleston, in a satisfying trilogy of clever stories by three very reliable writers for Big Finish Productions. Alex Kingston returns to the microphone as the mysterious and often mischievous Professor River Song, and as much in love with the Doctor as ever. Helen Goldwyn gets to return to the director’s chair for this one.

The first story is written by John Dorney and is entitled Swipe Right. As the title would suggest, it concerns a dating app that has gone very wrong. The guest cast is comprised of David Holt, Tom Neenan, Beth Chalmers, and Francesca Mills.

The Doctor and River Song are each separately investigating disappearances on the planet Crell. They discover a being known as the Matchmaker. The Doctor and River Song are already married, but not just yet from the Time Lord’s perspective. As expected, the fireworks are about to light up the stars.

Dorney once again delivers an interesting story that sort of reflects something that could be going on in today’s society. Of course, no one is being forced into online dating in the real world, but there are likely going to be some interesting problems with AI.

When the Doctor and River finally meet up, it’s about as amusing and volatile as hoped. Eccleston and Kingston hit all the right notes in their performance. The script has also plenty of Doctor Who‘s expected humor.

This first entry is a solid kickoff to the set.

Lizzy Hopley follows up quite ably with Face of the Apocalypse. Charlie Tighe, Paul Reynolds, and Nadia Albina join the audio antics with Eccleston and Kingston as the guest cast.

The plot here concerns River Song’s face is being used to bring about total destruction of space and time through a complex computer algorithm. The Doctor has to unravel the problem with the help of a legendary pair of star-crossed lovers. He and River Song meet a couple whose union could be even more fraught with discord than their own. In order to save the universe, the Doctor and River will have to engage in a bit of couples’ therapy.

This story took me a little more patience to feel fully engaged. It does get better, and my appreciation for Hopley’s contribution grew due to the continued chemistry between the two leads. There are some pretty good one-liners, especially when River Song needles the Doctor about her face being the key to the universe’s survival.

It is once again down to the talent and enthusiasm exhibited by Eccleston and Kingston when performing this episode.

Finally, the set concludes with Tim Foley’s Archipelago. John Banks and Trevor Cooper are the guest actors.

The Doctor and River Song aid a captain who is taking a dangerous voyage to find his lost partner. His ship is going through a field of massive time distortion, and the last of the Time Lords may be the last chance for this boat to make it through.

The Doctor and River finally find the adventure in which they will get to know each other deeper than River could ever hope. The Doctor also gets spoilers as to his future and understands more of the connection between himself and River.

This story is a little hard to picture in my own mind, but I loved the performances. River Song is playing a dangerous game with being in the Doctor’s past. There are some amazing callbacks to the television series.

The solution is neatly imagined, and the continuity of the series remains intact.

River Song is usually an exciting foil for the Doctor in any of his incarnations. Her encounter with the Ninth Doctor was better than I thought it would be.

It’s a great set overall. I think the last story is my favorite out of this collection. So, the Doctor travels on….and so does River Song.