Tag: reviews

Doctor Who Audio Review: Kaerula, A Banshee, And The Brigadier

~ Peter Kanelis ~ Leave a comment

The Ruins of Kaerula is a Doctor Who audio boxset from Big Finish Productions, which has a few promising features, but it’s a bit middle of the road in many ways. Tom Baker is reunited with Louise Jameson as Leela and John Leeson as that well-known robotic dog designated K9. There are three episodes to examine a bit, however two of them are directly linked to each other.

The guest cast includes Robyn Addison, Zora Bishop, Jonathon Carley, Barnaby Kay, and Reece Pantry. Jon Culshaw also returns to portray Brigadier Lethbridge-Stewart, whose role initially belonged to the late Nicholas Courtney. Helen Goldyn, Nicholas Briggs, and Jamie Anderson share the directing credit.

Scriptwriter Phil Mulryne starts it off with The Remains of Kaerula. The TARDIS is forced down to the planet Kaerula where the Doctor, Leela, and K9 encounter containment camp and strange creatures lurking in the nearby caves. There is a rupture in Time, and the Doctor learns that a catastrophe from the planet’s past has invaded the future as well.

Tom Baker still does well in the lead role as the Fourth Doctor. It’s one of my favorite TARDIS teams, so it was still a worthy effort to listen to this one. As usual, the performances were fine. I was just underwhelmed by the story. Multyne captures the main characters well enough. I just didn’t fine the plot to be all that memorable or as interesting as some of the more recent episodes this past year.

The Ruins of Kaerula is also written by Phil Mulryne and serves as a prequel. The Doctor and his companions have been forced back to Kaerula in the past where they meet some different versions of those encountered in the earlier episode. An experiment is about to go very long, which could bring some serious temporal damage to the universe.

I found this to be a little better than the earlier story. It is an interesting idea to have the Doctor deal with both the cause of a catastrophe and the result. There’s a risk of that idea being overused since he is a time traveler.

The third episode, which is written by Tom Foley, is entitled Cry of the Banshee. This one was quite a bit better mostly because Brigadier Alastair Lethbridge-Stewart meets Leela and K9 for the first time. The Brigadier has requested some help during a peace conference when a delegate from Ireland dies mysteriously. The Doctor learns that it is believed a Banshee is lurking around the conference, however he suspects that it is something else.

The Brigadier joins the Doctor and Leela in the TARDIS after the Doctor finds that the source of this phenomenon originates in a space station orbiting Jupiter. The Brigadier ends up adjusting to his strange, new surroundings as everyone knew he would.

The growth of respect between the Brigadier and Leela is pretty fun to hear. They get off to a tough start when they first meet, but circumstances force them to figure out how to work together.

Jon Culshaw’s impression of Nicholas Courtney’s distinctive, authoritative baritone is quite uncanny.

The story seems a little self-indulgent, but it works. The resolution is somewhat surprising in a pleasantly unexpected way.

Anyway, the set as whole is fine, but I don’t think it’s going to be remembered as one of the great ones. Still, more Tom Baker performances are always welcome. In spite of my nonchalance about this release, I am still glad to have listened to it.

Film Review: The Multitudes Within Chuck Krantz

~ Peter Kanelis ~ 1 Comment

The Life of Chuck us in the running to become one of the best movies of 2025, in my humble opinion. Mike Flanagan is the screenwriter and director of this piece, which is adapted from a novella written by a not-so-new writer named Stephen King. Tom Hiddleston is in the lead role alongside the child actors portraying the younger versions of Charles Krantz. Chiwetel Ejiofor, Karen Gillan, Mia Sara, Mark Hamill, and Annalise Basso are part of the formidable cast.

The story unfolds from the end when Ejiofor’s character, Marty Anderson, notices some strange sights in the world around him. There is a serious increase in natural disasters, and the internet has completely collapsed. There are some peculiar advertisements cropping up depicting a picture of a man named Chuck Krantz, a seemingly normal accountant. As Chuck lies near death from a terminal brain tumor, the stars are blinking out, and the universe seems to be just shutting down.

Then, the story moves earlier in the Chuck’s life to a strange but uplifting impromptu dance performance before a street drummer. Then, Chuck’s childhood is laid out. All of this is helped by a narrator, Nick Offerman, who does a fantastic job of guiding the audience on this strange journey.

The novella is part of a collection by Stephen King entitled If It Bleeds. The film probably follows the source material pretty closely. There are some interesting twists and a few surprises throughout the film

The performances were solid and believable. The significant cast members were well-chosen. There was a kind of interesting subtlety to some of the performances during some of the more emotionally charged moments of the movie.

The film does seem to have a bit of a slow start, but it gets more engaging as it unfolds in its unconventional timeline. The three kids who played Chuck’s adolescent years did a great job as well. Flanagan has done quite a few adaptations of King’s works and seems to be pretty reliable. I do not recall being disappointed in some of his other works.

I have not read the novella, but I imagine that it is an example of how King actually demonstrates some variety in his writings.

I will also admit that I did not really recognize Mark Hamill as Chuck’s grandfather until the end credits came up. I thought he was familiar, but I was not sure why. Hamill is not someone who I consider to be a stellar actor, but he did quite well in this one. Maybe, he has actually gotten better in immersing himself in a role over the years, and I just failed to appreciate it.

Anyway, this film does deserve the acclaim it has received. It is certainly better than most of the nonsense coming out of Hollywood these days.

Doctor Who Audio Review: Hooklight Will Not Be Dimmed Easily

~ Peter Kanelis ~ Leave a comment

Doctor Who-Hooklight 2 brings a twelve-episode audio saga from Big Finish Productions to a most satisfying close. Tom Foley has done quite well with writing a very lengthy audio drama featuring the Fifth Doctor, played by Peter Davison. Janet Fielding, Matthew Waterhouse, and Sarah Sutton continue to bring formidable performances in their roles as Tegan, Adric, and Nyssa, respectively. Ken Bentley returns to the director’s position with his extensive experience with this company.

We also have Paul McGann in the mix as the Eighth Doctor, who is also using the moniker, the Oracle. Alan Cox, Kieren Bew, Shogo Miyakita, Celia Imrie, and Theo Solomon are included in the guest cast.

The force known as Hooklight is attempting to control Nyssa. The Doctor and his friends have been scattered throughout various planets and times. They have to make their way to something called the Dark Forge where they must face the Oracle. The Oracle knows the Doctor quite well, and their connection is much deeper than the Time Lord can anticipate. The Doctor has to find a way to free his friend from the influence of the Hooklight and reunite with his TARDIS. Of course, forces are aligned against the Time Lord, and it will take all of centuries of experience and cleverness to keep a certain light from being lit.

Foley used the extra time quite effectively to explore the main characters and the significant guest characters. We get to see how Tegan fares in a long-term relationship, which is quite interesting and even moving at times.

The appearance of the Eighth Doctor is also well-handled, and Foley sort of avoids some of the usual tropes whenever a story features more than one incarnation. Paul McGann is still compelling and has a perfect voice for audio performances. He is just an interesting actor all around.

I thought the Fifth Doctor was an interesting choice to create a huge saga around, but it works quite well. I also thought Waterhouse was particularly good at almost sounding as he did when he originally played Adric forty years ago.

Davison’s voice has aged and deepened noticeably, but I think he makes a good choice in not trying too hard to imitate his younger self. I still enjoyed his performance, and there was an interesting and poignant moment between the Doctor and Imrie’s Kessica Myles. The Doctor has figured out that Myles is terminally ill and offers to be there for her if she needed to grieve her situation. It was a moment of sensitivity from the Doctor that would often be absent from the television series. It was beautifully performed because the emotional significance was played with that famous British subtlety.

I: am usually rather leery of this superlong sagas in Doctor Who because there is some drag. Although there are some moments that it strikes me how long this thing is going on, I enjoyed this one very much.

Big Finish chose to release this in two parts. If more of these hefty stories are to be produced, I think I would prefer the whole story to be released at once. I hope that Foley is willing to do another one of that size because he really seems to rise to the challenge.

Hooklight as a whole is likely to be the best release of the year. There is still plenty of releases to be announced, but this one will likely remain in the top tier of my favorites for some time.

Doctor Who Audio Review: Someone Still Has To Fight The Monsters

~ Peter Kanelis ~ Leave a comment

Doctor Who: The War Doctor Begins: He Who Fights with Monsters continues the saga of the War Doctor, originally portrayed by John Hurt, and leads to a fascinating confrontation with a mysterious adversary known as the Barber-Surgeon. The set has three parts and was written by Robert Valentine and directed by Louise Jameson.

Since Hurt has been deceased for a little while now, Jonathon Carley has taken on the role which has been known in Doctor Who fandom as the War Doctor. This was a once unknown incarnation of the Doctor who had rejected his name since he had to fight in the Time War and use methods that his other selves would abhor. Carley does an increasingly amazing impression of John Hurt’s distinctive voice and puts forth a powerful performance.

The first part is entitled The Mission where the Time War Council enlists the War Doctor to hunt down and assassinate another Gallifreyan renegade known as the Barber-Surgeon. The Barber-Surgeon has been a thorn in the side of both the Time Lords and the Daleks. The War Doctor doesn’t like the nature of this mission, but this incarnation is the one most capable to complete it

The Abyss has the War Doctor on the Barber-Surgeon’s trail through the devastation of the Time War and his own past. The Daleks have also sent a Dalek Hunter-Killer played by Jason Merrells. The War Doctor and the Daleks have another confrontation in which the maniacal robotic conquerors may finally exterminate their most persistent enemy.

Finally, the War Doctor has to escape the Daleks and confront The Horror. Nicholas Le Prevost plays the rogue element in the Time War known as the Barber-Surgeon. He and Carley play beautifully off each other when the Doctor and the Barber-Surgeon finally meet.

Not that much known is known about the War Doctor other than he was the one who ended the Tine War by obliterating both sides. He was rejected by his subsequent incarnations following that event.

This set reveals how the War Doctor may have been influenced into that horrific, if necessary, decision.

It took me a bit to warm up to the first two episodes, but Carley’s performance kept me engaged, and the finale to this set was worth it.

This is probably one of the best sets in this range. Carley may be able to sound a lot like John Hurt, but he also demonstrates excellent instincts as an actor. He mastered how this version of the Doctor carries such determination and weariness in his voice.

The sound effects are excellently executed. There are times when the action sequences seem a little jumbled, and it was hard to picture what was happening in the imagination. Still, the performances of Carley and the guest cast more than make up for it. Louise Jameson even reprises her role of Leela, which was not unexpected but still pretty fun.

Anyway, I think I have resolved any misgivings I had about the creation of the War Doctor. This set is just great.

Film Review: Something Wants To Take A Bite Out Of Sherlock Holmes

~ Peter Kanelis ~ Leave a comment

The Case of the Whitechapel Vampire is a 2002 Sherlock Holmes film that is mediocre at best. Rodney Gibbons is the writer and director of this thing which originally aired on the Hallmark Channel of all places. Matt Frewer is cast as Sherlock Holmes alongside Kenneth Welsh as Dr. John Watson.’

Kathleen McAuliffe, Michel Perron, Joel Miller, Danny Blanco, and Norris Domingue are included in the cast.

It has been two years since the infamous Jack the Ripper terrorized Whitechapel district, and another round of strange murders have occurred in that same area. Sherlock Holmes and Dr. Watson are called in by an order of monks who believe that a vampire is stalking the streets. Holmes is adamant that there is nothing supernatural behind the killings in spite of appearances. Holmes is once again challenged to provide a rational explanation for something that seems to bizarre and otherworldly. He also has his agnosticism challenged as Watson begins to consider that a vampire is actually the culprit. Even if the vampire is real, he may still find Sherlock Holmes to be a very formidable foe.

There are some intriguing elements in this story. It has some potential, but it just seems a little trite and overdone. Some of these pastiche writers really focus a lot on Holmes facing something potentially supernatural when Arthur Conan Doyle just did not have that many stories like that.

Matt Frewer was a reasonable casting choice for the lead role, but he could have employed a little more subtlety in his performance. I did rather like Kenneth Welsh’s portrayal of Dr. Watson.

Not everything in this film was a failure. I just didn’t find Frewer’s portrayal of Holmes all that interesting. It just felt like it was by the numbers. Frewer physically looks quite a bit like how Doyle described Holmes in the original canon, so that did help.

There was also once again, as I have mentioned before in some of my previous critiques of Holmes pastiche stories, an element of the Scooby-Doo reveal toward the end.

I figure the reason that I had not seen this one before is because it was on the Hallmark Channel, which isn’t known for hard-hitting originality in their films.

It was not a terrible viewing experience, but it sure was not anything one should go out of their way for.

Doctor Who Audio Review: The Doctor Just Keeps Digging Up Danger

~ Peter Kanelis ~ Leave a comment

Buried Threats is one of the audio releases from Big Finish Productions that continues the Doctor Who range featuring the Ninth Doctor, played by the brilliant Christopher Eccleston. There are three episodes directed by Helen Goldwyn. Lisa Bowerman returns to the mic as Professor Bernice Summerfield, which is indeed welcome. The set is pretty good, but not much really stands out.

The first story by Lisa McMullen is entitled A Theatre of Cruelty. Alexander Vlahos takes on the role revolutionary artist and theatre director Antonin Artaud. Artaud is having dreams that are breaking into reality, and the Doctor suspects an alien influence as usual. The episode did introduce to me a new historical figure of which I was unaware. It had an interesting plot, but Eccleston has usual really elevates the story with his energetic performance as the Doctor. I enjoyed the episode, but I doubt I will remember much about it until I replay it.

The Running Men is the second entry written by Mark Wright and takes place in present-day Halifax in West Yorkshire. Fiona Wade is the main guest star alongside Eccleston. In this one, I learned about an infamous gibbet and an old legend about the spectral Running Men. In case anyone wants to know, a gibbet is like a gallows where people were executed long ago. A mysterious death brings the Doctor to the scene where historical tragedies are intruding on the present.

It’s also a good story where an uncommon legend is revealed to me. That helps me find some enjoyment and appreciation. It highlights a small piece of British culture and a town which apparently has some renown.

The performances are quite compelling here as is almost always case in a Big Finish release. Yet again, it’s an episode even with its interesting elements still doesn’t stand out as anything quite that unique.

Finally, Professor Bernice Summerfield encounters a new Doctor to her in Matt Fitton’s Ancient History. Benny is looking into a long-ago disappearance of a warrior race known as the Korravin. When she sees a battered blue police box, she knows an old friend is nearby and another danger is about to be unearthed.

This time, the Doctor has initially slipped in incognito with an alias. Benny doesn’t recognize him at first due to the Time Lord’s propensity for regeneration. When she does figure it out, she is not too pleased, but they get past that soon enough and work together like the old days.

This one is probably the stand-out of the set because of Bernice’s presence. Lisa Bowerman slips into the role with such ease, and the chemistry with Eccleston is quite evident. I think Benny actually pairs up well with any of the Doctor’s iterations. The moment of recognition is as deliciously volatile and funny as I hoped. There is even a little time for Fitton to tug the heartstrings a bit as Benny tries to figure out what the Doctor has been up to since they last met.

Overall, the set is enjoyable but is only really notable in that Bernice and the Ninth Doctor meet. The three writers are well-chosen for their reliability. Some of the more obscure elements of British history given a spotlight is pretty cool. Eccleston still has the chops to keep his Doctor compelling in all of his manic and often morose behaviors. This Doctor has survived the Time War and the terrible choices he had to make and live with.

This set of audio dramas may not be listed as one of the iconic releases by Big Finish, but it is once again not one that deserves to be ignored, and I am certainly up to more Ninth Doctor exploits.

Doctor Who Audio Review: The Destiny Of Mondas Revisited

~ Peter Kanelis ~ Leave a comment

Doctor Who: Genesis of the Cybermen is an audio drama from Big Finish Productions that revisits the origins of the Cybermen, a feat accomplished already in a previous release entitled Spare Parts. This story was originally conceived by Gerry Davis and adapted by David K. Barnes. Peter Davison returns yet again to the role of the Fifth Doctor and is accompanied by Janet Fielding as Tegan, Sarah Sutton as Nyssa, and Matthew Waterhouse as Adric. The director is David O’Mahoney. Nicholas Briggs again fires up the voice modulator to portray the Daleks. The remainder of the guest cast is comprised of Michael Abubakar, Nuhazet Diaz Cano, Kelly Price, Colin Tierney, and Evie Ward-Drummond.

The TARDIS has crashed on a world where a king is dying, and one of his sons is trying to save his civilization from a catastrophic shift in the planet’s orbit. The Doctor and his friends offer their help, but he soon realizes that he has arrived on the planet of Mondas at the birth of one of his greatest foes. The Cybermen are about to rise yet again and plan to survive by any means necessary.

This release is one in the range known as The Lost Stories. It was a script that was considered for the television series many moons ago and was ultimately scrapped.

Although this one isn’t bad, I still prefer Spare Parts. Genesis of the Cybermen is still worthy of a purchase and a listen though. The performances of the main cast members remain strong and distinctive. Davison still puts in a compelling performance even is he sounds noticeably older than he did forty years ago. The banter between the main cast is still compelling and amusing at times.

The guest cast is also well-chosen as is usually the case. Colin Tierney in particular has a complex role as the one who is fiercely loyal to this people and creates the Cybermen, one of the most horrific races in Doctor Who lore. It’s a suitably complicated story without going overboard. There are some interesting themes involving family and leadership explored.

The descriptions conveyed of the conversion process to become a Cybermen are as horrific as ever. Genesis of the Cybermen still does better than merely getting the job done as a source of entertainment. More Fifth Doctor is never a bad thing anyway.

Doctor Who Audio Review: Ghost Safaris And Stolen Memories

~ Peter Kanelis ~ Leave a comment

The range of Big Finish Doctor Who audio dramas featuring the Fourth Doctor continue with the latest satisfying release entitled The Hellwood Inheritance. Tom Baker and Louise Jameson reunite as the Doctor and Leela, respectively, for two stories contained in this set. Ken Bentley and Jamie Anderson share directing duties. Both stories turn out pretty well, but with Baker and Jameson in the lead, that’s going to be a likely outcome.

Alan Barnes starts off with a bit of spookiness in The Hellwood Inheritance. The guest cast includes Rosie Day, Chris Jarman, Richard James, James Meteyard, and Tamzin Outhwaite.

The Doctor and Leela arrive on the grounds of Hellwood Manor where they have a troubling encounter with a headless knight that pursues them through the grounds. After that escape, they meet the architects of what is planned to be a ghost safari and shown the “ghost catcher”. The Doctor is not sure that he is being told the whole truth about what powers the device, and a more sinister plot than a mere supernatural entertainment park is revealed.

I wouldn’t call this a real standout story, but it gets the job done as far as being entertaining. Tom Baker still sounds strong and engaged in the role even though he is close to his ninth decade at the time of recording. Jameson still slips into her most well-known character with ease.

I love a good ghost story in Doctor Who, and this fits the bill. There are not many scares or chilling moments, but the humor makes up for it. The performances are solid enough. The writing is not all that bad. Barnes has been associated with Big Finish and Doctor Who for some time, and his reliability as a writer remains evident here.

The episode still falls a little short of what I think would be among the more highly regarded stories in the range, but it still shouldn’t be overlooked. Tom Baker is well into his nineties here, so I am cherishing every new performance I can get.

The Memory Thieves is written by Phil Mulryne. The guest cast includes Daisy Ashford, Ayesha Antoine, and Wayne Forester.

The TARDIS arrives on a colony world in the future where strange pulses emanate from the forest, and the colonists lose their memories. The Doctor and Leela are separated by an earthquake. They have to earn the trust of the colonists in order to help them stop the force known as the Abeyance.

I had some trouble getting into this one. Baker and Jameson are still worth the time, but I didn’t find the story all that interesting. It’s not a terrible effort by Mulryne, but I did not find this particular contribution all that memorable.

It’s always fun to get some new stories with the Fourth Doctor and Leela, and this particular set was entertaining enough for me to still recommend to my fellow Whovians to give it a go.

Film Review: Hijackers And Vampires Do Not Play Well Together

~ Peter Kanelis ~ Leave a comment

Blood Red Sky is a pretty interesting horror action film directed by Peter Thorwarth, who also cowrote the script alongside Stefan Holtz. It concerns a mother who is soon revealed to be a vampire on her way to America for treatment. The flight gets interrupted when the flight is hijacked, and the mother is unable to control her unnatural urges.

The cast includes Peri Baumeister, Alexander Scheer, Kais Setti, and Dominic Purcell.

Baumeister plays a widow who appears to have leukemia; however, her affliction is even less common and more horrifying. She and her son board a plane where she is going to a treatment facility that could apparently treat her bloodthirsty condition. Her hopes get derailed when the plane gets hijacked. Her curse may be the only weapon she has to protect her son and other passengers.

This is one of the better horror films I have seen recently. It is from a German production company, so that is kind of interesting. Purcell was only cast member I recognized from the television series Prison Break.

Anyway, the visual effects were pretty good. The transformation that Baumeister undergoes was quite impressive.

It’s a pretty gruesome piece of work, but there seemed to be some restraint exercised.

Scheer also deserves a specific shout-out for his performance as one of the hijackers known as Eightball. He seemed to get into his role and was genuinely disturbing.

There are moments between the mother and child that are quite heartbreaking and well-performed. The young actor, Carl Koch, gets a little too shrill at times, but he does a pretty good job overall.

It’s a strange, chaotic script, but it turned out to be a pretty compelling and suspenseful film. If one enjoys vampires mixed with hijacked airplanes, this is a film to not ignore.

Film Review: A Little Love And War Come For Marvin

~ Peter Kanelis ~ Leave a comment

Love Hurts is an action-comedy film with a talented cast but a very dubious plot. It took three screenwriters in the shape of Matthew Murray, David Leitch, and Luke Passmore to disappoint this movie watcher. Jonathan Eusebio is a director I have not heard of, and this film isn’t likely to help him much. Ke Huy Quan is in the lead as a successful realtor with a killer past. Other cast members include Ariana DeBose, Daniel Wu, Lio Tipton, and Sean Astin.

Marvin Gable is a very successful real estate agent who has embraced his new life after leaving behind his former criminal associations. He used to work for his brother, a crime lord, who has decided to send some heavy hitters to see if Marvin has heard from a former love, Rose, who he was supposed to kill. There is some missing money being sought. Rose does turn up and needs Marvin to dust off his lethal skills that he has shelved for a while. All sorts of strange assassins converge on the reunited couple, and Marvin is faced with having to lose his new life that he has grown to love.

The basic plot is not that bad. I sort of liked the casting of Quan in this role, however he does not quite pull off the menace when Marvin revers to his former persona. Marvin is described as a “beautiful monster” by his brother. Although the fight scenes are kind of fun, and Quan is able to sell it adequately, I am not sure I could buy that the implied ferocity described by the brother.

Ariana DeBose is quite a find. She is beautiful and seems to have a pretty good sense of comic timing when needed. She really sells the mischievous streak in Rose quite convincingly.

The problem with the film is an incoherent plot. The villains just become a bit too cartoonish. I understand that this was supposed to be a comedic venture, but the jokes just don’t land.

I do think that Ke Huy Quan deserves another chance in a lead role. He is kind of the best thing about this film, but the script didn’t help him shine that much.

The story had some loose threads, and it isn’t clear as to what decisions Marvin made about his future at the end of the chaotic chase.

There are a few bright spots in the film, but the experience as a whole was a bit more of a letdown than even I was expecting.