Tag: tv

Doctor Who Audio Review: A Case Of Choices

~ Peter Kanelis ~ Leave a comment

Doctor Who: The War Doctor Begins: Enemy Mine is another compelling audio play boxset with Jonathon Carley continuing his performance as the War Doctor, which was originated by the late John Hurt. Helen Goldwyn served as director for this collection of three episodes. Also, Paul McGann, the Eighth Doctor, is included in the cast.

Ajjaz Awad continues in the role of the cybernetic hybrid known as Case who has been weaponized by both the Time Lords and the Daleks. Nicholas Briggs continues his role as all sorts of malevolent, scheming Daleks. Adele Anderson, Tiegan Byrn, Beth Chalmers, Louise Faulkner, David Monteith, and Becky Wright complete the talented cast.

Case herself has written the first episode entitled The Hybrid’s Choice. Case is in the custody of the Daleks and is encouraged to embrace that side of her nature. The Daleks now have a therapist for her. The War Doctor had thought she had died, but he soon learns the truth and tries to regain his former companion before she unleashes the full capacity of her weapons on the Time Lords.

It’s an interesting idea which stretches the Daleks’ capability for deception and manipulation. Awad gives an impressive performance. Carley continues to perfect his vocal impression of John Hurt. He also gives a compelling performance and continues to develop this hidden version of the Doctor, although we are not supposed to call him that anymore. It’s a great start to this little series.

Fear Nothing by Mark Wright continues the Time War. The War Doctor is recruited to captain a TARDIS dreadnought. Case is sent by the Daleks to assassinate a Time Lord asset. They are about to clash, and the War Doctor is as dangerous as he has ever been.

Wright has contributed to Doctor Who for many years, and this episode indicates that he should continue to add his talents to the mix. The War Doctor is finding himself in ever evolving alliances with his fellow Time Lords, who do not always trust this version of the renegade who is much more willing to engage in battle. The War Doctor also shows a complexity in that he wants so much to have a relationship like his previous selves did with their companions.

This is another strong entry into the set. Both the leads are engaging, and Case’s plight and emotional journey is fascinating to hear.

Finally, Matt Fitton closes out this set with Exit Strategy. The Dalek Time Strategist wants to have Case readjusted, and the War Doctor wants to rescue her even though the Time Lords want a more permanent resolution. Case gets to indulge in a fantasy in which she can interact with her other self before the enhancements that turned her into the Daleks’ most dangerous weapon. The War Doctor turns to another version of himself who has yet to become the Time Lords’ most effective warrior.

The conclusion to this set is quite thrilling a little heart-breaking. It’s always good to spend a little time with Paul McGann as the Eighth Doctor. He has to help his future incarnation with extricating Case from the Daleks.

All three of the stories here are very engaging. The development of the character known as Case was fascinating. Carley does a bit more than impersonate Hurt’s peculiar voice and delivery and gives a powerful performance.

I was not sure I would enjoy this range as much since I was hesitant to deal with a version of the Doctor that was not known of until the fiftieth anniversary episode.

The War Doctor is done beginning, but he is soon to start rising.

Doctor Who Audio Review: A Mad Scientist, Autons, And The Doctor

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Ministry of Death is another reasonably enjoyable audio boxset from Big Finish Productions and features Tom Baker returning to the microphone as the Fourth Doctor. He is joined by Sadie Miller, Christopher Naylor, and Jon Culshaw reprising their roles of Sarah Jane Smith, Harry Sullivan, and Brigadier Lethbridge-Stewart in two new adventures.

The Ministry of Death, the first story, was written by Robert Valentine and directed by Jamie Anderson. The guest cast includes Carolyn Seymour and Richard James.

The Brigadier has asked the Doctor and Sarah Jane for assistance when a strange murder has occurred. When other murders occur, the Doctor learns of a tragic lab experiment gone wrong, and a hideous revenge is in the works. Human beings are being experimented on and mutated as well with the assistance of alien technology.

The main cast being together is always a treat, but the story was pretty average on the whole. The cast was fine, and the sound engineering was quite good. Tom Baker retains his usual enthusiasm as the Doctor. All of the other main cast members have been playing roles originated by deceased actors, and they do sound pretty convincing. Sadie Miller is actually the daughter of Elisabeth Sladen, who initially played Sarah Jane and can sound remarkably like her mother. Ian Marter was the original actor who played Harry Sullivan. Jon Culshaw, who is actually a brilliant impressionist, makes a convincing Nicholas Courtney as the Brigadier.

This audio play is a decent addition to the catalogue, but it isn’t going to be all that memorable for me.

Phil Mulryne closes out the set with The Inhuman Empire. Jayne Ashbourne plays Alison Carmichael, an old friend of Sarah Jane Smith’s, who requested her help to look into some mysterious activities at the National Museum. When the Doctor, who is pressganged by the Brigadier to help with the aftermath of their previous escapade, tags along, they discover an old adversary of UNIT’s has returned to cause mayhem. The Autons are back threatening total destruction of all who stand in their way in their service to the malevolent Nestene Consciousness.

This story is the better one of the two. I usually prefer the Doctor to face new enemies, but the Autons being featured here works pretty well. It was also pretty intriguing to have Sarah Jane’s other friendships outside of the TARDIS.

Overall, the set was above average but not really any sort of unique masterpiece. Tom Baker is delightful as usual. His advanced age is only somewhat detectable. The main cast do play well off each other, so there are plenty of elements that make this a worthy purchase. There are still just better selections out there.

Doctor Who Audio Review: Inside The Imbomination

~ Peter Kanelis ~ Leave a comment

Dark Gallifrey: The War Master Part 3 is an audio drama from Big Finish, which is still highly entertaining in spite of a muddled plot. It is of course a Doctor Who spinoff and also features the War Doctor as portrayed by Jonathan Carley, who took over the role after the death of John Hurt.

Derek Jacobi returns as the version of the Master who was present during the legendary and devastating Time War. Lisa Bowerman returns as Professor Bernice Summerfield. James Marsters continues in his role as Captain John Hart, crossing over from another spinoff, Torchwood. Tariyé Peterside returns on from previous episode as the Imbomination. Chris Lew Kum Hoi, Jason Forbes, and Homer Todiwala round out the cast.

James Goss is the writer while Scott Handcock pulls the whole thing together as director.

The Master and Captain John are consumed by the Imbomination and have to navigate their way through various false realities and other possibilities. They are trapped within the remains of Dark Gallifrey, and they may learn the wisdom of allowing the realm to keep its secrets.

Jacobi is utterly terrific as usual in this role. Television viewers only got a small taste of his version of the maniacal renegade Time Lord, and Big Finish continues to expand the role as competently as expected.

Goss takes the surreal madness to the max in this episode. As usual, some of the scenes are hard to picture in the mind’s eyes. Not everything makes sense when listening to it the first time, but I had a good time with it anyway.

It seems some version of the Doctor is going to appear in these trilogies, and Carley takes his turn as his impression of John Hurt’s the War Doctor. I wasn’t sure about expanding the War Doctor’s role when first announced, especially after Hurt had died, but I enjoy the range more than I expected.

As usual, the sound design remains top tier. I think the performances and the technical aspects being so well done help one to enjoy a somewhat perplexing episode.

This trilogy is really my first full experience with Jacobi’s participation in Big Finish audio dramas, and there is a whole other range I have yet to explore. It certainly encourages me to reach back into the archives and properly delve into the War Master audio range.

Doctor Who Audio Review: Splitting Time And Dimensions

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Time Splitters and Dimension 13 is a set of two audio novellas released from Big Finish Productions, and both are worthy beginnings to a new range.

Colin Brake starts off with The Time Splitters, which features the First Doctor and his companions, Steven and Dodo. Peter Purves returns to narrate this story with his usual reliably enjoyable delivery.

The Doctor and his companions arrive at Lunar University, which is based on the moon. Steven disappears soon after and finds himself eight years into the future. The university is abandoned by then, but that doesn’t mean that Steven is alone. There is another presence, and the Doctor and Dodo are having their own challenges as they try to rejoin him.

This is a pretty good story, and Peter Purves, who had portrayed Steven many decades ago on television, continues to deliver a riveting narration. Purves can still capture the spirit of the late William Hartnell’s performance as the Doctor even if he cannot really imitate his voice. This story is a little more complicated than what was usually transmitted in the original era, but it still works.

The sound design is also compelling.

I don’t know if this story can really be considered one of the best in the franchise, but it’s a solid enough contribution.

A couple of regenerations later, the Third Doctor finds another temporal catastrophe in David Llewellyn’s Dimension 13, which is narrated by the always compelling Jon Culshaw.

The Doctor, Brigadier Lethbridge-Stewart, and Liz Shaw travel to Antarctica to investigate strange disappearances and time anomalies at a Shackleton Base. Another dimension has been accessed, and the Doctor finds himself in the position of having to save more than just the planet yet again.

Culshaw has become one of my favorite narrators and guest actors employed by Big Finish Productions and continues to justify my fondness with his delivery here.

Llewellyn is also another solid writer as well. He does a great job of capturing the characters familiar to fans and placing them in a new situation. An isolated base in Antarctica is a somewhat familiar trope of a setting, but it works yet again. Llewellyn knows how to ratchet up the suspense,

Unlike Peter Purves, Jon Culshaw is actually a gifted impressionist and can deliver a pretty convincing Third Doctor and Brigadier. He also does a fine job of straight narration as well.

Anyway, the release is a great addition to the massive catalogue of Doctor Who presented by Big Finish Productions.

Doctor Who Audio Review: Not Everything Should Reach Its Potential

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Second Doctor Adventures: The Potential Daleks is another pretty interesting audio collection from Big Finish Production which was directed by Nicholas Briggs. Michael Troughton returns to the recording booth as the Second Doctor, originally portrayed by his father Patrick. Frazer Hines and Wendy Padbury reprise their longtime roles of Jamie and Zoe. Emma Noakes continues her time aboard the TARDIS as Raven, the Doctor’s fellow Time Lord, who is thought to be working on behalf of the High Council of the Time Lords to handle the renegade.

Briggs and Mark Wright split writing duties on the three interconnected episodes in this particular set which also feature the Daleks, who is also voiced by the versatile Mr. Briggs.

The guest cast is also comprised of Clare Corbett, Jacqueline King, Lara Lemon, Callum Pardoe, and Gary Turner.

Nicholas Briggs’ script, Humpty Dumpty kicks off the collection. The old nursery rhyme seems to be the catalyst for a temporal disaster. The planet Skaro is about to be resurrected a million times over. This is the planet where the Daleks originated. The Doctor and his companions will be split between two time zones as they begin a final battle.

This isn’t the first time a common verse is a significant clue to a nightmarish plot in a Big Finish story, but the device is compelling yet again due to the reliable talents of Briggs. The performances are as usual just as compelling. Troughton continues his efforts to breathe new life into his father’s Doctor Who legacy and does an admirable job. Troughton’s impression of his father still sounds a little off at times, but he generally gets the job done.

Padbury and Hines are portraying older versions of their characters, so they don’t have to bother with trying to sound several decades than their actual ages. They still sound great in spite of their understandable vocal variances.

Mark Wright, who is also producer of this release, follow up with Secret of the Daleks. The TARDIS has followed a space/time corridor created by the Daleks to a peaceful tropical world. The inhabitants seem peaceful enough, but there is a menace lurking underneath the paradise. A confrontation with the new Dalek Emperor is imminent, and one member of the Doctor’s party has a secret of their own.

Wright cranks up the action in this script quite effectively. As usual, some of the action moments are a little hard to determine just on audio, but it’s still enjoyable. Noakes gets to show off her versatility as an actress in this one when she gets to do her own take on the Doctor as well. It turns into a bit of a jumble of a plot, but in all the right ways.

Troughton may not always sound like vocally identical to his late father, but he brings a similar enough energy in his performance where it isn’t too distracting. I can still recognize and imagine the Second Doctor in the midst of this chaos seemingly on the edge of panic but holding on to that heroic determination to defeat the monsters. The humor of that era is also quite intact.

Finally, it takes the combined writing talents of Nicholas Briggs and Mark Wright to bring this collection to a conclusion with War of the Morai. The Doctor and his friends are back in a region known as the Vanishing Point where they try to help some old allies known as the Morai to avoid the ruthless intentions of the Daleks. A friend who was thought to be lost has returned, and the mysterious Raven must make a choice.

This story refers back to a previous boxset in which I shall have to listen to again to remember the significance of the Morai.

It was still a fine conclusion, and there were some interesting character moments. Noakes also was a delight as a recurring character. She was basically an original companion created by Big Finish and seems to be an amusing and interesting foil to the Second Doctor. There were also times when Raven and Zoe were forced to collaborate, and an interesting dynamic was forged there as well. Raven had a typical haughtiness displayed most of the Time Ladies the audience have met over the years, but Noakes brings in something more than that as well. Really, the writers gave her a depth for Noakes to play in, and she uses that quite nicely.

As a reminder, this range takes place after the Second Doctor’s trial just after he was sentenced to be exiled to Earth with a new appearance but before that sentence was actually carried out. Jamie and Zoe had been sent back with most of their memories of the Doctor erased but have returned to fight alongside him after they had lived their lives in their respective time zones. I am not a fan who was all that interested in what has become known as season 6b, but Big Finish has won me over in this one. Although it seems that something in this range has concluded, there is a new series in the works and there are certainly more adventures and troubles awaiting this version of the Doctor.

Doctor Who Audio Review: From Christmas To Cybermen

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Eleventh Doctor Chronicles Volume 5: Everywhere and Anywhere is a recent audio boxset from Big Finish Productions with Jacob Dudman reprising his role of the Eleventh Doctor with his uncanny impression of Matt Smith. Safiyya Ingar continues in her role as cyborg companion Valerie Lockwood.

In this set, Nicholas Briggs is back behind the mic as the voice of the Cybermen.

Other guest cast members include Maddison Bulleyment, Sean Connelly, Edward Harrison, Jack Myers, and Brad Shaw.

This collection was directed by Helen Goldwyn, which is often a good choice.

There are three stories featuring the Eleventh Doctor and Valerie Lockwood, and they are pretty solid.

The first story is basically a Christmas story, done Doctor Who style written by Georgia Cook. Spirit of the Season concerns a child who says her name is Clara, and she wants to kill the Doctor and Valerie. They are trapped in a strange house with other people, including Valerie’s strangely resurrected mother, played by Mandi Symonds.

It’s a pretty good start to this collection. Becky Wright plays the malevolent alien claiming the name Clara and is appropriately wicked.

All’s Fair, written by Max Kashevsky, has Valerie on a first date in Chicago during the World’s Fair 1893. A man turns up claiming to be Valerie’s husband, and the TARDIS team find out how merciless Time can be. Valerie is destined to die in this time period, but she has to defeat the monsters stalking the streets of Chicago and ruining her date.

It was an interesting story and well performed. I am not all that familiar with this particular writer, but I thought he presented a decent script. Some of the action scenes were hard to interpret by audio, but that’s not unusual for this medium.

Sins of the Flesh, written by Alfie Shaw, brings this collection to a close. In a society that is trying to eradicate sinful behaviors, they have turned to something called Redemption Suits. The Doctor recognizes this as taking a step into conversion into a Cyberman. He and Valerie are trying to prevent a colony for paying a terrible price in their efforts to remove temptations of the flesh.

I tend to enjoy a good Cyberman story, and this one qualifies. It gets a little preachy though, which is distracting at times, but Shaw still sparks the imagination when he depicts of the horror of cyber-conversion. Briggs hasn’t lost his touch in bringing voice to one of the more iconic Doctor Who adversaries.

Dudman continues to shine in his impression of Matt Smith’s interpretation of the meandering Time Lord. Valerie is a somewhat intriguing companion, and Ingar does well on some of the more emotional moments in this story and the previous ones in this collection.

This is a pretty solid trilogy for the most part. Valerie is a creation of Big Finish and as usual an intriguing addition to the crew. Dudman is a gifted impressionist and does well in representing the Eleventh Doctor era.

It’s an enjoyable release but not really a remarkable one. It’s good enough for me to continue collecting in this range though.

Book Review: Imposter Alert!

~ Peter Kanelis ~ Leave a comment

Identity Theft is a recent Star Trek novel by Greg Cox that kind of tested my patience at the beginning and got better as my voyage through the pages progressed.

The crew of the Enterprise is sent to the planet Voyzr twenty years after they had helped the denizens end a civil war to attend a celebration of the peace agreement that has lasted. The problem is that a group of exiles have hatched a plot to assassinate the current leader of Voyzr since not everyone felt they received fair treatment. This group has gotten hold of a mind transference device and are able to abduct one Commander Pavel Chekov to have him replaced with a disgruntled and determined imposter. Chekov, now in the body of an alien, must escape his captors, catch up to the Enterprise, which has been sidetracked by another rescue mission, and stop an insidious plot to reignite a war.

I experienced a moment of exasperation when I realized that this was a mind-swap story, which is a pretty common plot in science fiction or fantasy. The novels tend to spend a little too much with somewhat nostalgic plots. Of course, the television episode, Turnabout Intruder, was heavily referenced.

As the story unfolded, I found myself more compelled by the idea of Chekov being the focus of the story. This takes place sometime just before The Undiscovered Country. The crew have already experienced the death and subsequent rebirth of Spock, the voyage to the twentieth century to find whales in order to save Earth and facing down a being who was impersonating God.

This novel focused on an older Chekov, who was able to use his Starfleet experience and the examples left by Captain Kirk to overcome the various obstacles to reclaim his body and foil the assassination plot.

Cox has written several Star Trek novels and is usually quite reliable. I should have had a bit more faith in his ability to make this somewhat overdone science fiction trope into something a bit more compelling.

He also delves into the mind of the would-be assassin named Ryjo, who finds himself experiencing the special comradery Chekov has experienced serving with his friends for a couple of decades. Ryjo ends up being instrumental in saving the lives of several of his crewmates when their unexpected rescue mission goes seriously awry.

This novel turned into a nice surprise in that I enjoyed more than I expected when I first started out. I always have fun revisiting the Enterprise under the command of James T. Kirk, and Cox helped make sure that I will return when the next installment hits the shelves.

Next up, I am going to see what all the hype is about concerning Freida McFadden’s The Housemaid.

Doctor Who Audio Review: Even The Doctor Can Still Find Uncharted Territory

~ Peter Kanelis ~ Leave a comment

Doctor Who: Time War Uncharted 1: Reflections is a recent Doctor Who audio boxset from Big Finish Productions and takes the Eighth Doctor, played by Paul McGann, into some intriguing depths of the Time War in four episodes. Emma Campbell-Jones and Sonny McGann reprise their roles of Cass Fermazzi and Alex Campbell, respectively. Alex is the Doctor’s great-grandson who was resurrected by the peculiarities of the Time War that has thrown the universe into an upheaval. Cass has been lost between dimensions and struggles to find her way back to her friends, who may nor remember her.

Some familiar faces or voices are part of the guest cast. Familiar to Big Finish listeners anyway. The guest cast is comprised of Dempsey Bovell, Helen Goodwyn, Holly Jackson Walters, Amara Karan, Nicholas Khan, Hattie Morahan, Jon-Paul Rowden, Dan Starkey, and Conrad Westmaas.

The first of the four episodes contained in this collection is Nowhere, Never by Katharine Armitage. Cass finds herself living as a housewife in a place where air raids are being conducted on her community. The Doctor and Alex are trapped in a peculiar hospital ruled by an even more peculiar Matron. No one seems to remember much about their pasts, but the Doctor will soon start to understand how fractured the universe has become.

This is a bit of a confusing mess to be done on audio, but the performances more than make up for it. It’s also setting the stage for the Doctor’s participation in the Time War. The character of Cass is starting to grow on me, and the banter that has developed between her and Alex is quite well written. Paul McGann’s performance continues to flourish as well.

Although I called this particular story a confusing mess, I still enjoyed it. The nature of the underlying story concerning a Time War is just going to cause all kinds of mental gymnastics in understanding the sequence of events.

Tim Foley follows up with The Road Untravelled in which the Doctor, Alex, and Cass find themselves aboard a strange spaceship. The Captain of the vessel is an old, unreliable adversary, who is played by Conrad Westmaas. They are trapped in the Void, however another presence has followed them, and the Time War rages even there.

The second story by Foley is pretty good as well. It’s one of those awkward episodes which continues the set-up to the big reveal that is going to occur in a future episode. Westmaas was better known in the franchise as C’rizz, a companion of McGann’s Doctor many years before. He does get to stretch a bit more in this role as Hiernonyma Friend.

Foley is a reliable writer and will hopefully be commissioned many more times. He also gets to wrap up this set, but I will get to that in a couple of paragraphs.

James Moran delivers what I think is the most compelling episode in the set entitled Cass-Cade. Cass is trapped in a space station is falling into a sun, and she keeps encountering the Doctor and Alex in different moments of the adventure out of sequence. Unfortunately, they don’t remember her beyond some vague sense of familiarity. Anyway, this sounds more confusing and muddled than the first episode, but it actually holds up and makes a little more sense. Campbell-Jones gets a plethora of one-liners throughout, and she delivers them sublimely.

Anyway, I enjoyed that one the most, but the set is pretty good overall.’

Finally, Tim Foley gets to return with Borrow or Rob which has the Doctor and his companions losing their grip on reality, leading to a shocking betrayal.

I like this particular TARDIS team. The Eighth Doctor’s struggles within the Time War are to continue, and I am ready to continue that ride as well.

Big Finish Audio Review: The Professor Between The Master And A Captain

~ Peter Kanelis ~ Leave a comment

Dark Gallifrey: The War Master Part Two is an audio drama released by Big Finish Productions and continues this intriguing range that is a spin-off from Doctor Who. Scott Handcock directs this piece written by James Goss. Lisa Bowerman is back as Professor Bernice Summerfield and has to contend with the attentions from both Derek Jacobi’s version of the Master and James Marsters reprising his Torchwood role of Time Agent Captain John Hart.

Jason Forbes, Chris Lew Kum Hoi, and Tariye Peterside round out the cast.

Back to lecturing at Braxiatel University, Professor Bernice Summerfield has befriended the new Provost and has started a relationship with a student named John. John has started showing an interest in something the professor had once found, and he wants her help to get him to Dark Gallifrey. The Provost is also not who he claims to be and is indeed one of the Doctor’s most persistent enemies. Captain John Hart and the Master go from rivals to reluctant allies to get Bernice to once again seek out the secrets of Dark Gallifrey. Bernice may also have her own agenda and may be able to spring a trap of her own.

The story is a bit hard to follow sometimes, but it still works. Jacobi is just too fun in his performance for me to mind a bit of confusion. Marsters is also pretty amusing. There is a bit of a comedic and compelling fight scene between the Master and Captain John that is quite amusing.

Jacobi does give a delicious performance as the Master before he fled the Time War and hid so well that he had forgotten his own identity. He indulges himself with another clever disguise.

The chemistry between the lead trio is quite engaging and at times quite comical.

The Master did not really appear in the previous episode; however, the familiar charm and ruthlessness are in full supply in this one.

The other cast members are solid enough, but Derek Jacobi in particular is quite hard to keep with. Also, Lisa Bowerman also gives a masterclass in audio performance.

The sound design is expertly executed as well, thanks to Rob Harvey.

One more episode before this phase of the Dark Gallifrey closes out, and another one kicks off.

Doctor Who Audio Review: Vengeance Crossing Time And Space

~ Peter Kanelis ~ Leave a comment

Doctor Who: The Third Doctor Adventures: Operation Vengeance is a new audio drama released by Big Finish Productions and stars Tim Treloar, stepping into the shoes of the late Jon Pertwee as the Doctor. Treloar also has the distinction of co-writing the script with Nicholas Briggs, who is also directing this piece.

Jon Culshaw returns as Brigadier Lethbridge-Stewart, who was originally played by the late Nicholas Courtney. Sadie Miller reprises the role her mother originally portrayed in the television series, Sarah Jane Smith. Katy Manning returns to her role as Jo Grant. Gareth Armstrong, Hannah Blaikie, Max Bowden, and Bronte Alice-Tadman are included in the rather lengthy guest cast.

The Doctor has been to the planet Konzomia, previously accompanied by Jo Grant. An old enemy thought dead has revealed himself to be among the living and has a wicked plan of vengeance to execute. The Doctor has Sarah Jane Smith at his side and determines that he has to return to Earth during the period where the Second World War was being fought. He is able to stop and collect his stalwart and courageous friend, Brigadier Lethbridge-Stewart in order to find Jo Grant’s father, who is in the midst of battle. The brilliant but maniacal scientist known as Raelchun is also displaced from his time and home planet and has his own plan to erase Jo from existence by killing Private Terry Grant. The Doctor, Sarah, and the Brigadier are determined to protect one of the Time Lord’s most cherished companions in the midst of one of the most terrible conflicts in Earth’s history.

There is quite a bit going on that keeps this from being a generally unpleasant listening experience, however I doubt I am going to count this among my favorites. In spite of how exciting the plot sounds, it seems to drag at times. Gareth Armstrong’s performance as Raelchun is pretty good, but he seems kind of a cliche Doctor Who villain at times.

Treloar’s efforts to emulate Jon Pertwee are quite effective. It’s not quite so hard to imagine that Pertwee himself is delivering the lines. Also, Sadie Miller is really sounding more and more like her late mother, Elisabeth Sladen.

Sometimes, the action was not that clearly depicted in the soundscape, but that’s bound to happen in an audio play.

There are some moments that are compelling, such as when we learn a bit more about the Brigadier’s past.

Although there some merits to this release, I still had some trouble staying with it all the way through.

I do applaud Treloar’s efforts to stretch himself as a writer, but it was a good thing that Briggs was there as his writing partner.

Even though I have a few criticisms of this episode, it still had some interesting ideas and themes. The chemistry between the main characters was still evident and made this more than bearable. The irony here is that very few of the characters are played by the original actors.

Anyway, it’s not the greatest thing that Big Finish has produced, but it’s still not necessary to pass it by completely. There is some still enjoyment that is not hard to find.