Doctor Who: The Ministry of Death is another reasonably enjoyable audio boxset from Big Finish Productions and features Tom Baker returning to the microphone as the Fourth Doctor. He is joined by Sadie Miller, Christopher Naylor, and Jon Culshaw reprising their roles of Sarah Jane Smith, Harry Sullivan, and Brigadier Lethbridge-Stewart in two new adventures.
The Ministry of Death, the first story, was written by Robert Valentine and directed by Jamie Anderson. The guest cast includes Carolyn Seymour and Richard James.
The Brigadier has asked the Doctor and Sarah Jane for assistance when a strange murder has occurred. When other murders occur, the Doctor learns of a tragic lab experiment gone wrong, and a hideous revenge is in the works. Human beings are being experimented on and mutated as well with the assistance of alien technology.
The main cast being together is always a treat, but the story was pretty average on the whole. The cast was fine, and the sound engineering was quite good. Tom Baker retains his usual enthusiasm as the Doctor. All of the other main cast members have been playing roles originated by deceased actors, and they do sound pretty convincing. Sadie Miller is actually the daughter of Elisabeth Sladen, who initially played Sarah Jane and can sound remarkably like her mother. Ian Marter was the original actor who played Harry Sullivan. Jon Culshaw, who is actually a brilliant impressionist, makes a convincing Nicholas Courtney as the Brigadier.
This audio play is a decent addition to the catalogue, but it isn’t going to be all that memorable for me.
Phil Mulryne closes out the set with The Inhuman Empire. Jayne Ashbourne plays Alison Carmichael, an old friend of Sarah Jane Smith’s, who requested her help to look into some mysterious activities at the National Museum. When the Doctor, who is pressganged by the Brigadier to help with the aftermath of their previous escapade, tags along, they discover an old adversary of UNIT’s has returned to cause mayhem. The Autons are back threatening total destruction of all who stand in their way in their service to the malevolent Nestene Consciousness.
This story is the better one of the two. I usually prefer the Doctor to face new enemies, but the Autons being featured here works pretty well. It was also pretty intriguing to have Sarah Jane’s other friendships outside of the TARDIS.
Overall, the set was above average but not really any sort of unique masterpiece. Tom Baker is delightful as usual. His advanced age is only somewhat detectable. The main cast do play well off each other, so there are plenty of elements that make this a worthy purchase. There are still just better selections out there.
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